EC66-437 Functional Fabric Finishes Gerda Petersen
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Classifying Textile
Classifying textile In this detailed guide you can find definitions of common garments, clearly explained. While it may seem complex at first glance, you should check the attributes of the garments to ensure that they are being correctly classified. Often a small feature or point of difference will mean classifying your garments in a different classification code than you may otherwise assume. Classifying garments for the upper parts of the body ..............................................................................................1 Classifying garments for the lower parts of the body...............................................................................................5 Classifying dresses..................................................................................................................................................5 Classifying suits and ensembles ..............................................................................................................................6 Classifying clothing accessories...............................................................................................................................7 Classifying specialist clothing..................................................................................................................................7 Classifying garments for the upper parts of the body Blouses and shirt-blouses Shirts and shirt blouses are classified under heading codes 6106 (if knitted or crocheted) or 6206. They are defined as garments: • designed -
2011 ACS PUMS DATA DICTIONARY August 7, 2015 HOUSING RECORD
2011 ACS PUMS DATA DICTIONARY August 7, 2015 HOUSING RECORD RT 1 Record Type H .Housing Record or Group Quarters Unit SERIALNO 7 Housing unit/GQ person serial number 0000001..9999999 .Unique identifier DIVISION 1 Division code 0 .Puerto Rico 1 .New England (Northeast region) 2 .Middle Atlantic (Northeast region) 3 .East North Central (Midwest region) 4 .West North Central (Midwest region) 5 .South Atlantic (South region) 6 .East South Central (South region) 7 .West South Central (South Region) 8 .Mountain (West region) 9 .Pacific (West region) PUMA 5 Public use microdata area code (PUMA) 00100..08200 .Public use microdata area codes 77777 .Combination of 01801, 01802, and 01905 in Louisiana Note: Public use microdata areas (PUMAs) designate areas of 100,000 or more population. Use with ST for unique code. REGION 1 Region code 1 .Northeast 2 .Midwest 3 .South 4 .West 9 .Puerto Rico ST 2 State Code 01 .Alabama/AL 02 .Alaska/AK 04 .Arizona/AZ 05 .Arkansas/AR 06 .California/CA 08 .Colorado/CO 09 .Connecticut/CT 10 .Delaware/DE 11 .District of Columbia/DC 12 .Florida/FL 13 .Georgia/GA 1 15 .Hawaii/HI 16 .Idaho/ID 17 .Illinois/IL 18 .Indiana/IN 19 .Iowa/IA 20 .Kansas/KS 21 .Kentucky/KY 22 .Louisiana/LA 23 .Maine/ME 24 .Maryland/MD 25 .Massachusetts/MA 26 .Michigan/MI 27 .Minnesota/MN 28 .Mississippi/MS 29 .Missouri/MO 30 .Montana/MT 31 .Nebraska/NE 32 .Nevada/NV 33 .New Hampshire/NH 34 .New Jersey/NJ 35 .New Mexico/NM 36 .New York/NY 37 .North Carolina/NC 38 .North Dakota/ND 39 .Ohio/OH 40 .Oklahoma/OK 41 .Oregon/OR 42 .Pennsylvania/PA 44 .Rhode -
Selected "Rovana" (Saran), "Verel" (Modacrylic)
AN ABSTRACT OF THE THESIS OF Clothing, Textiles Susan Houston Fortune for the . M. S. in and Related Arts (Name) (Degree) (Major) Date thesis is presented 1174,y, //, j76_1-- Title SELECTED "ROVANA" (SARAN), "VEREL" (MODACRYLIC), AND RAYON BLEND DRAPERY FABRICS EVALUATED BY LABORATORY TESTS FOR RESISTANCE TO LIGHT, LAUN- DERING, ABRASION, STRESS AND FIRE Abstract approved (Major professor Thirteen fabrics containing "Rovana" (saran), "Verel" (mod - acrylic), and rayon were examined for colorfastness to light and laun- dering, shrinkage, tensile strength, elongation, abrasion -resistance and flammability. The fabrics represented three weaves: plain, twill and leno; and three colors: white, eggshell and turquoise. The fiber contents, according to the manufacturers, varied from 20 per- cent "Rovana ", 56 percent "Verel" and 24 percent rayon to 49. 3 "Rovana ", 30. 5 percent "Verel" and 20. 2 percent rayon. Chemical analysis revealed that all of the fabrics varied from the manufacturers' stated fiber contents. A Fade -Ometer was used to test for colorfastness to light. Although no fading was visible to the eye, the plain weave fabrics of high "Rovana" content showed the greatest color change according to a Gardner Color Difference Meter. White fabrics and broken twill weave fabrics were modified also. Washing had little effect on the colors. Shrinkage was most pronounced in the filling direction and was due chiefly to laundering. Fabrics fabricated in a broken twill weave of approximately 30 percent "Rovana" exhibited slightly more shrink- age than the four percent allowance recommended by the American Hotel Association. The remaining fabrics shrank only approximately one percent. Fabrics appeared to be most affected by 63. -
Study Material
STUDY MATERIAL UNIT I TEXTILE CHEMICAL PROCESSING Learning Outcome After finishing this unit, students will be able to understand – Various technical terminology used in the industry. Various types of impurities presents in the substrates. The processes involved in removing impurities. Overview In this chapter students will get to know about various techniques of preparatory process of textile material which is the essential part of the processing. Without preparatory process it is very difficult to achieve the desire result in the dyeing, printing and finishing process. After studying this chapter, the students will be familiarized and will be able to understand terminology used in the Industry, impurities present in natural and synthetic fibers (Raw Cotton, Wool, Silk, Polyester, Nylon and Acrylic) and their effective and cost economic removal. This unit also deals with Chemical Processes, Chemical Treatment, Process Flowcharts of Cotton, Wool, Silk and Synthetic fibers, Elementary Knowledge of Sizing, Resizing, Scouring & Bleaching. After understanding these terminology students will be able to know the processes involved in achieving desired fabric quality. 1 INTRODUCTION TO CHEMICAL PROCESSING: PRE-TREATMENTS 1.1 TEXTILE CHEMICAL PROCESSING FOR THE FIBERS (PREPARATORY OPERATIONS) Newly constructed fabric as it comes from the mill is called gray good. This does not imply that the fabric is gray in color, it simply denotes any unfinished fabric. The goods must pass through various finishing processes to make it suitable for its intended end use. Finishing may change the appearance of the fabric, its hand (feel), its serviceability, and its durability. Gray goods must be cleaned before they can be finished. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
Household Survey Data, 2016 Annual Averages
HOUSEHOLD DATA ANNUAL AVERAGES 1. Employment status of the civilian noninstitutional population, 1946 to date [Numbers in thousands] Civilian labor force Civilian Employed Unemployed Not noninstitu- in Percent Percent Year tional Percent Nonagri- labor Total of Agri- of population Total of cultural Number force population culture labor population industries force Persons 14 years of age and over 1946. 103,070 57,520 55.8 55,250 53.6 8,320 46,930 2,270 3.9 45,550 1947. 106,018 60,168 56.8 57,812 54.5 8,256 49,557 2,356 3.9 45,850 Persons 16 years of age and over 1947. 101,827 59,350 58.3 57,038 56.0 7,890 49,148 2,311 3.9 42,477 1948. 103,068 60,621 58.8 58,343 56.6 7,629 50,714 2,276 3.8 42,447 1949. 103,994 61,286 58.9 57,651 55.4 7,658 49,993 3,637 5.9 42,708 1950. 104,995 62,208 59.2 58,918 56.1 7,160 51,758 3,288 5.3 42,787 1951. 104,621 62,017 59.2 59,961 57.3 6,726 53,235 2,055 3.3 42,604 1952. 105,231 62,138 59.0 60,250 57.3 6,500 53,749 1,883 3.0 43,093 1953. 107,056 63,015 58.9 61,179 57.1 6,260 54,919 1,834 2.9 44,041 1954. 108,321 63,643 58.8 60,109 55.5 6,205 53,904 3,532 5.5 44,678 1955. -
The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk. -
Washington, Dc
WASHINGTON, DC BENEFITING CHILDREN'S NATIONAL MEDICAL CENTER Presented by October 1–30, 2016 Washington, DC DCDesignHouse.com EXCLUSIVE DESIGN | SOLID TEAK CONSTRUCTION | LASTING QUALITY Experience the Quality First Hand VISIT OUR SHOWROOM IN GAITHERSBURG, MARYLAND ™ 301.926.9195 www.CountryCasualTeak.com Creating spaces you will love… traditional, modern or somewhere in between.sm Visit ahouckdesigns.com and discover a style that speaks to you. Be inspired today. Andrea Houck, Associate ASID, IFDA | Specializing in Residential Interior Design ahouckdesigns.com | Arlington, Virginia | 703.237.2111 lifestyle boutique Beltway Bethesda-Chevy Chase Landscape Design|Build Center 7405 River Road Bethesda, MD 5258 River Road Bethesda, MD 7405 River Road Bethesda, MD 301.469.7690 301.656.3311 301.762.6301 americanplant.net Congratulations Closets By Design. Recognized as HOME & DESIGN 2016 Designers Choice Award Favorite Custom Closet Company Bob Narod, Photography, LLC Photography, Bob Narod, Custom Closets, Garage Cabinets, Home Offices and more... 703-330-8382 301-880-0866 www.closetsbydesign.com Licensed and Insured 2009 © All Rights Reserved. Closets by Design, Inc. W ASHIN GTON , DC D E S IGN HOUSE 2016 TABLE OF CONTENTS Page 36/Area 1 Page 47/Area 12 FRONT GARDEN & LOFT PORCH Melanie Hansen, D. Blake Dunlevy Steve Corbeille & Gina Palmer & Pooja Bhagia Mittra D & A Dunlevy Yardstick Interiors Landscapers, Inc. Page 48/Area 13 Page 37/Area 2 VINTAGE CABANA/ ENTRY HALL, HALL, ROOF DECK BACK STAIR HALL Quintece Hill-Mattauszek Eve Fay Studio Q Designs Farrow & Ball Page 49/Area 14 Page 38/Area 3 CHIC RETREAT 31 18 DINING ROOM Barbara Brown Jonathan Senner Barbara Brown Interiors Atelier Jonathan Senner Page 50/Area 15 32 14 Page 39/Area 4 CHIC RETREAT – CHINA PANTRY DRESSING ROOM & Nadia N. -
Bale to Bolt
Activity Guide Bale to Bolt University of Massachusetts Lowell Graduate School of Education Lowell National Historical Park Connections to National Bale to Bolt is an interdisciplinary program designed to help students achieve Standards state and national standards in History/Social Science and Science and Technology. The working of standards varies from state to state, but there is and State substantial agreement on the knowledge and skill students should acquire. The Curriculum standards listed below, taken from either the national standards or Frameworks Massachusetts standards, illustrate the primary curriculum links made in Bale to Bolt. History/Social Science Students understand how the industrial revolution, the rapid expansion of slavery, and the westward movement changed the lives of Americans and led to regional tensions. (National Standards) Students will understand the effects of inventions and discoveries that have altered working and safety conditions in manufacturing and transformed daily life and free time. (Massachusetts) Students willl understand how physical characteristics influenced the growth of the textile industry in Massachusetts. (Massachusetts) Science and technology Students will understand how technology influences society through its products and processes. (National Standards) Students describe situations that illustrate how scientific and technological revolutions have changed society. (Massachusetts) 2 Bale to Bolt Activity Guide Bale to Bolt Program Description The Bale to Bolt program includes a 90-minute interpretive tour and a 90-minute hands-on workshop providing students with the opportunity to learn about the process of cloth-making both by hand and in a factory. On the tour, students discover firsthand the unique resources of Lowell and the Park. -
Fibers and Fabrics; TX335 .A1 U6 NO
KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics.