General Information Handbook for All Students 2017-18
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YOUR UNIVERSITY SURREY.AC.UK 3 Welcome Community News
Spring 2017 News from the University of Surrey for Guildford residents SURREY.AC.UK UNIVERSITYOFSURREY UNIOFSURREY Your invitation to WON DER 13 May 2017 11am - 5pm University of Surrey, Guildford Please register via: surrey.ac.uk/festivalofwonder MUSIC · FOOD · TALKS · SPORT · DISCOVERY · WONDER Incorporating FREE Penelope Keith, DBE Community Reps scheme Festival ofFEST Wonder Spring on campus Guest Editor p2 Your view counts p5 Celebrating 50 years p11 Meet the team p12 2. The University’s 50th Anniversary celebrations 1. Waving flags on Guildford High Street 2. Mayor of Guildford, Councillor Gordon Jackson (left) and Vice-Chancellor, Professor Max Lu (right) 3. Folarin Oyeleye (left) and Tamsey Baker (right) 1. 3. Celebrating 50 years at home in Guildford The bells of Guildford Cathedral rang out on 9 September 2016 to mark the beginning of the University of Surrey’s 50th Anniversary year, celebrating half a century of calling Guildford ‘home’. The University’s Royal the cobbles of Guildford In the 50 years since setting Residents of Guildford and Charter was signed in 1966, High Street, adorned with up home on Stag Hill, the surrounding area are establishing the University banners and brought to the University has been warmly invited to join the in Guildford from its roots in life by the waving of blue warmly welcomed as part University as it ends its 50th Battersea, London. Exactly and gold flags, and made of the local community Anniversary celebrations 50 years later, bells pealed their way up to Holy in Guildford. Its staff and with a bang, in the form of across Battersea and ended Trinity Church. -
Samson Agonistes Performed by Iain Glen and Cast 1 Introduction - on a Festival Day 8:55 2 Chorus 1: This, This Is He
POETRY UNABRIDGED John Milton Samson Agonistes Performed by Iain Glen and cast 1 Introduction - On a Festival Day 8:55 2 Chorus 1: This, this is he... 3:19 3 Samson: I hear the sound of words... 2:16 4 Chorus 1: Tax not divine disposal, wisest Men... 1:45 5 Samson: That fault I take not on me... 2:03 6 Chorus 1: Thy words to my remembrance bring... 2:33 7 Manoa: Brethren and men of Dan, for such ye seem... 3:11 8 Samson: Appoint not heavenly disposition, Father... 2:56 9 Manoa: I cannot praise thy Marriage choices, Son... 3:36 10 Manoa: With cause this hope relieves thee... 4:22 11 Chorus 1: Desire of wine and all delicious drink... 4:05 12 Samson: O that torment should not be confin’d... 2:45 13 Chorus 3: Many are the sayings of the wise... 3:07 14 Chorus 3: But who is this, what thing of Sea or Land? 1:14 15 Dalila: With doubtful feet and wavering resolution... 2:05 16 Dalila: Yet hear me Samson; not that I endeavour... 6:47 17 Samson: I thought where all thy circling wiles would end... 7:32 2 18 Chorus 1: She’s gone, a manifest Serpent by her sting... 3:24 19 Samson: Fair days have oft contracted wind and rain. 0:48 20 Harapha: I come not Samson, to condole thy chance... 7:15 21 Samson: Among the Daughters of the Philistines... 3:15 22 Chorus 1: His Giantship is gone somewhat crestfall’n.. -
ROSALIND-Film-Links
THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND SOME LINKS FOR YOUR VIEWING PLEASURE YOUTUBE…. FILM PRODUCTION TWENTIETH CENTURY FOX (1936) Directed by Paul Czinner Laurence Olivier, Elisabeth Bergner, Sophie Stewart With English Captions: https://www.youtube.com/watch?v=wFChichBoPI&t=16s Without English Captions: https://www.youtube.com/watch?v=RxBwHQSbUdY&list=RDCMUCWNH6WeWgwMaWbO_ 5VfhiTQ&start_radio=1&t=24 BBC – THE OPEN UNIVERSITY “AS YOU LIKE IT” DOCUMENTARY (2016) Award-winning British Actress Fiona Shaw Lectures, Scene Study with Exercises https://www.youtube.com/watch?v=1bTlH-EQSJE&t=2202s FULL AMATEUR PRODUCTIONS THE PUBLIC THEATER OF MINNESOTA SHAKESPEARE FESTIVAL (2013) Filmed Outdoor Stage Production https://www.youtube.com/watch?v=dDVnVpgzG5U&t=6848s SHAKESPEARE BY-THE-SEA (2015) Filmed Live Outdoor Stage Production https://www.youtube.com/watch?v=ZTSaCh02s8U&list=PLH0M7jdxVB3vfSQjS6gAMm6M3h Ox6cXP-&index=25 AUDIO RECORDING LIBRIVOX AUDIOBOOKS (2019) https://www.youtube.com/watch?v=hhcLW0FaCBk OREGON SHAKESPEARE FESTIVAL (1950) https://www.youtube.com/watch?v=8yOhKvUtF3c&t=5539s KANOPY- FREE Through many Maine Public Libraries with Library card FILM PRODUCTION THE BBC SERIES – COMPLETE PLAYS OF SHAKESPEARE (1978) Directed by Basil Coleman Helen Mirren, Brian Stirner, Richard Pasco AMAZON PRIME VIDEO…… FILM PRODUCTIONS ROYAL SHAKESPEARE COMPANY (2019) Directed by Kimberly Sykes & Robert Lough Lucy Phelps , Antony Byrne , Sophie Khan Levy ROYAL SHAKESPEARE COMPANY (2010) Directed by Michael Boyd Jonjo O'Neill , Katy Stephens -
Kids Activities in London
Kids from 7 to 11 years old IN LONDON Step into Land of the Lions Land of the Lions is here! ZSL London Zoo’s newest and most breath-taking exhibit transports visitors from the heart of London to India’s vibrant Sasan Gir, where they can get closer than ever before to mighty Asiatic lions. Shrek’s Adventure London London's newest family attraction! Step into the kingdom of Far Far Away and enjoy a brand new madcap Shrek adventure where amazing DreamWorks animation, captivating story-telling and a good dose of Donkey’s cheekiness awaits. The London Dungeon (all ages) It has all the ghastly gore and black comedy of the old Tooley Street attraction in a bigger and more high-tech package. A jokey celebration of torture, death and disease, visitors can journey back in time to London's plague-ridden streets (rotting corpses, rats, vile boils and projectile vomiting all come as standard) and meet some of the city's unsavoury characters, from Guy Fawkes to demon barber Sweeney Todd. A cast of blood- splattered actors are joined by 'virtual' guests, such as Brian Blessed as Henry VIII, and as well as the 18 different shows and 'surprises' – which could see you on the run from Jack the Ripper or getting lost in London's Victorian sewers – there are two rides to raise the adrenaline: a turbulent boat trip down the Thames towards execution, and a dark drop ride plunging three stories in the pitch black. Note that the London Dungeon is unsuitable for young or easily scared children. -
Voice Training and the Royal National Theatre Rena Cook
Spring 1999 165 Voice Training and the Royal National Theatre Rena Cook I stepped off the double-decker bus at Waterloo Station with my map in hand, walked several blocks and found the Old Vic quite easily. But the Royal National Theatre Studio, where the orientation was to take place, was nowhere in sight. "Next to the Old Vic," I had been told. With address and directions in my pocket, I surveyed the area as my internal compass spun out of control. After a brief moment of panic, I went to the box office and asked for help. "Out this door, two steps to your left and through the iron gate." I had traveled to London to participate in a course entitled "International Voice Intensive" with Patsy Rodenburg. As I walked up the steps of the studio on that chilly Sunday afternoon, with jet lag hanging heavily on my limbs, I had little idea that in my two weeks study I was about to experience a Zeitgeist of contemporary London theatre, training and practice. The focus was, of course, the voice work under the tutelage of master teacher Patsy Rodenburg, who currently heads the voice departments at the Royal National Theatre and Guildhall School of Music and Drama. In addition, the course participants were exposed to and interacted with some of the finest artists working in Western theatre today, including Trevor Nunn, Richard Eyre, and Judi Dench. Following each exhaustive day of study, workshop, and discussion, we attended theatre, viewing five of the six productions currently in repertory at the National. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards. -
Transformers Franchise, and Redefines What It Means to Be a Hero
Paramount Pictures Presents In Association with Hasbro A Don Murphy/Tom DeSanto / di Bonaventura Pictures / Ian Bryce Production A Michael Bay Film Executive Produced by Steven Spielberg Michael Bay Brian Goldner Mark Vahradian Produced by Lorenzo di Bonaventura, p.g.a. Tom DeSanto Don Murphy Ian Bryce, p.g.a. Story by Akiva Goldsman and Art Marcum & Matt Holloway & Ken Nolan Screenplay by Art Marcum & Matt Holloway & Ken Nolan Directed by Michael Bay Cast: Mark Wahlberg, Josh Duhamel, Anthony Hopkins, Laura Haddock, Jerrod Carmichael, Isabela Moner, Santiago Cabrera Synopsis: The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. TRANSFORMERS: THE LAST KNIGHT is in theatres [local date], 2017 TRANSFORMERS: THE LAST KNIGHT has been rated [local rating]. ABOUT THE CAST MARK WAHLBERG (“Cade Yeager”) earned both Academy Award® and Golden Globe® nominations for his standout work in the family boxing film The Fighter and Martin Scorsese’s acclaimed drama The Departed. -
Samantha Bond
Samantha Bond Height: 5' 6.5" [168.91 cm.] Eye Color: Blue Hair Color: Red Training: Bristol Old Vic THEATRE The Lie Alice Menier Chocolate Factory Lindsay Posner Dirty Rotten Scoundrels Muriel Eubanks Savoy Theatre Jerry Mitchell Passion Play Nell Duke of Yorks Theatre David Levaux What The Butler Saw Mrs Prentice Vaudeville Sean Foley King James Readings NT James Dacre An Ideal Husband Mrs. Cheveley The Vaudeville Lindsay Posner Arcadia Hannah Duke of Yorks Theatre David Levaux Donkeyís Years Lady Driver Comedy Theatre Jeremy Sams Rubinsteinís Kiss Hesther Hampstead Theatre James Phillips Woman Of No Importance Lady Arbuthnot Haymarket Theatre Adrian Noble Macbeth Lady Macbeth Albery Theatre Ed Hall Vagina Monologues New Ambassadors Irina brown Amyís View* Amy Broadway Richard Eyre Memory Of Water Mary Tour and West End Terry Johnson Amyís View Amy NT & West End Richard Eyre The Ends Of The Earth Cathy NT Andrei Serban Three Tall Women 3rd Lady Robert Fox Ltd Anthony Page The Cid INFANTA National Theatre Jonathan Kent A Winter's Tale Hermione RSC Adrian Noble As You Like It Rosalind & Celia RSC David Thacker Man Of The Moment Jill Globe Alan Ayckbourn Much Ado About Nothing Beatrice Tour & Phoenix Judi Dench Les Liaisons Dangereuses Mme de Tourvel Ambassadors Howard Davies Romeo & Juliet Juliet Lyric Studio Kenneth Branagh Never In My Lifetime The Wife Soho Poly Susan Hogg FILM Cold Blood Legacy Eight 35 Frederic Petitjean A Winter Prince Hallmark Ernie Barbarash Bunch Of Amateurs Trademark Andy Cadiff Yes Adventure pictures Sally Potter -
Exposes Flaws in Social Care for the Vulnerable Elderly
H&H Series Thursday, January 25, 2018 29 ETCETERA REVIEW: The Birthday Party, Harold Pinter Theatre ★★★★✩ combination of demanding infant, wild eccentric and Harold Pinter’s notorious hollowed-out victim. When early flop baffled critics and he bangs a toy drum, he audiences alike. Now, we lapses into a manic glee that expect his subversion of the hints at brutality, but his mystery thriller that, as a bullish defence gradually jobbing actor, Pinter was crumbles. playing in rep. But Ian Tom Vaughan-Lawlor Rickson’s starry provides a furiously 60th-anniversary revival paranoid McCann, and proves the play still has the superbly handles the rat-a- power to unsettle. tat interrogation with Stephen Mangan. The latter In a rundown seaside convincingly laces boarding house, Stanley is Goldberg’s garrulous the sole guest of Petey and geniality with menace – Meg – until two sinister even his height becomes a men, Goldberg and McCann, weapon – but loses the come to claim him. Rickson’s intensity, and thus the detailed, naturalistic danger, towards the end. production is supported by Pearl Mackie enlivens the the Quay Brothers’ spot-on thinly written Lulu (purely Fifties design: lace curtains present as a sexual victim), and wallpaper puckering bringing a chipper charisma with damp. and then convincing sense There’s similar care with of trauma. characterisation. Zoë It’s astonishing how Wanamaker and Peter Wight defined Pinter’s voice is so make the marriage feel early on: the musicality of lived-in, Wanamaker hinting place names, muddling of that Meg’s distraction might memory, the absurdities, signal dementia, the latter contradictions and creeping touchingly patient with her dread beneath the mundane. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see. -
4 Modern Shakespeare Festivals
UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso.