User-Generated Goods Made Easy for IP Owners P20 Taking Notes from a Script Doctor
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Children's Television Act and Program-Length Commercials
The Children’s Television Act and Program-Length Commercials: Current Interpretations and Implications for the Future by KARI METROKA-KIRKHAM Bachelor of Science, 1985 Texas Christian University Submitted to the Faculty Graduate Division College of Communications In partial fulfillment of the Requirements for the degree of MASTER OF SCIENCE May, 2008 Acknowledgements There are so many people I have to thank that helped me through graduate school and this thesis – I know the orchestra will start to play while I am thanking them all. Although I will try to make this brief, the depth of my gratitude to you all has no limit. To all my friends, family and co-graduate students for your constant encouragement and understanding, I say thank you. You have been so patient, especially listening to me endlessly go on about my topic. My thanks also go out to Dr. Matt McCallister from Penn State who helped me clarify my thinking about this entire subject. Also, I want to thank Dr. Dale Kunkel and Newton Minow who took the time to respond to my emails as I was trying to research this project. I cannot tell you what it means to me to hear from all of you about this subject. My appreciation goes to all of the faculty and staff at TCU who have helped me through this process. I could not have done any of this without your help. A special thanks to Dr. Tommy Thomason and Dr. Julie O’Neil. Tommy – I would not be in graduate school at all if it had not been for you. -
Valencia Niega Su Implicación En ‘Imelsa’ Betoret Ve Una «Venganza» De Benavent Las Acusaciones Sobre ‘Mordidas’ Que Podrían Propiciar Su Imputación
Dinero gratis del BCE para reactivar la economía europea El Banco Central Europeo reducirá el interés de referencia al 0% y ampliará de 60.000 a 80.000 millones al mes el programa de compra de deuda soberana, aunque los expertos dudan que la eurozona se ‘reanime’ con más medidas monetarias. El euríbor podría bajar, pero no se notarán grandes efectos a pie de calle. 2 VIERNES 11 de marzo de 2016 Año XVII. Número 3679 174.000 PERSONAS SIGUEN SIN PODER VOLVER A FUKUSHIMA Ecologistas alertan de que la zona contaminada seguirá inhabitable durante décadas. Hoy se cumplen 5 años del peor accidente nuclear desde Chernóbil. 5 EN PRIMERA PERSONA «LO QUE ESTÁN HACIENDO ES ‘BARRER’ 5 CM DE SUELO» KIMIMASA MAYAMA / EFE MAYAMA KIMIMASA El presidente del PP ĉ10 a 12 de Valencia niega su implicación en ‘Imelsa’ Betoret ve una «venganza» de Benavent las acusaciones sobre ‘mordidas’ que podrían propiciar su imputación. 6 La crisis está Crimen de Carrasco: obligando Monsterrat y Triana, 22 a exprostitutas y 20 años; Raquel Gago, a volver a la calle 4 5 por encubrimiento 4 JESÚS CARRASCO: «MI MIRADA ES AL EL VALENCIA CAE EN BILBAO CAMPO, Y SÉ QUE @CASTLESOFEUROPE ĉ VA A LA CONTRA» 8 y 9 (1-0), PERO PUDO SER PEOR LA CHAPUZA DEL ‘ECCE HOMO’ DE BORJA, EN VERSIÓN CASTILLO 4 ĉ| 2 | 20MINUTOS VIERNES, 11 DE MARZO DE 2016 ¼ºÓÓ Nueva víctima mortal de violencia machista en Valencia Una mujer de 51 años fa- lleció ayer en Catarroja (Valencia) presuntamente a manos de su pareja, que se entregó a la Guardia Ci- vil con heridas en la cara y extremidades y confesó el crimen, según informa- ron fuentes cercanas a la investigación. -
Illumination Entertainment, Founded by Chris Meledandri in 2007, Is One of the Entertainment Industry’S Leading Producers of All-Audience Event Films
CASE STUDY Illumination Entertainment, founded by Chris Meledandri in 2007, is one of the entertainment industry’s leading producers of all-audience event films. ILLUMINATION entertainment Illumination Entertainment Illumination Entertainment, CHALLENGE Sometimes, hardware settings on the system would be the founded by Chris Meledandri in With the enormous culprit, requiring a full machine 2007, is one of the entertainment success of the Despicable reboot for the reconfiguration industry’s leading producers Me franchise, Illumination to take place. of all-audience event films. In Entertainment outgrew July 2010, Illumination, which its editorial infrastructure The editors at Illumination has an exclusive financing and creating challenges in their Entertainment needed to set distribution partnership with studio workflow. Production up for dailies on their Avid Universal Pictures, released its increased, requiring additional systems prior to entering the first film, Despicable Me, starring edit bays and the ability for the review suite and then move editors to swap in and out of Steve Carell, which earned more into the review suite after the review suite for dailies. setup was complete. Each than $540 million worldwide system is comprised of an Avid and launched a beloved global In the past, an editor worked in system, with dual displays, a franchise. the review suite on a dedicated dual link playback monitor, a Avid system tied to a specific keyboard, a mouse, and audio edit bay. Editors working in output. other edit bays would come into the review suite, import When another editor occupied their settings and open their the review suite, the displaced projects on the Avid system editor would either have to tied to that review suite. -
UNIVERSAL PICTURES Presenta Una Produzione
UNIVERSAL PICTURES Presenta Una Produzione CHRIS MELEDANDRI STEVE CARELL in JASON SEGEL RUSSELL BRAND KRISTEN WIIG MIRANDA COSGROVE WILL ARNETT DANNY MCBRIDE JACK MCBRAYER e JULIE ANDREWS Produttori Esecutivi NINA ROWAN SERGIO PABLOS Basato sul racconto SERGIO PABLOS Sceneggiatura di CINCO PAUL & KEN DAURIO Prodotto da CHRIS MELEDANDRI JANET HEALY JOHN COHEN Diretto da CHRIS RENAUD PIERRE COFFIN Uscita italiana: 15 Ottobre 2010 CATTIVISSIMO ME - Pressbook SINOSSI In un ridente quartiere di periferia, circondato da steccati bianchi e cespugli di rose in fiore, si erge una casa nera, su un prato desolato. Ad insaputa del vicinato, dietro questa casa, c’è un grande rifugio segreto. Lì, in mezzo a un piccolo esercito di schiavi, scopriamo Gru (doppiato da Steve Carell), che sta progettando il più grande colpo della storia del mondo: rubare la luna! (si, proprio la luna) Gru adora ogni genere di misfatti. Armato di un arsenale di razzi che restringono o congelano e di veicoli in grado di combattere via terra e via aria, Gru travolge e conquista tutto ciò che trova sulla sua strada. Ma tutto questo cambia il giorno in cui si imbatte in tre ragazzine orfane molto determinate, che gli daranno filo da torcere e che vedono in lui qualcosa che nessun altro ha mai visto prima: un potenziale papà. Un cast di celebrità guidato da Steve Carell (Ortone e il mondo dei Chi, Agente Smart Casino Totale, The Office) dà voce ai vari personaggi del film: Jason Segel (Non mi scaricare, la sitcom ‘E alla fine arriva mamma’); Kristen Wiig (Saturday Night Live, Ghost Town); Danny McBride (Strafumati, Tropic Thunder, Land of the Lost); Will Arnett (Ortone e il mondo dei Chi, Arrested Development); Russell Brand (Non mi scaricare, Racconti incantati); Jemaine Clement (Flight of the Conchords); Jack McBrayer (30 Rock, Non mi scaricare); Miranda Cosgrove (star dello show di successo di Nickelodeon, iCarly); e la leggendaria Julie Andrews (Principe azzurro cercasi, Mary Poppins, Tutti insieme appassionatamente). -
Case Study: the Secret Life of Pets, Minions, and Animation IT
CASE STUDY The Secret Life of Pets, Minions, and Animation IT Company Profile Illumination Mac Guff was founded in 2011 and is entirely dedicated to making animated feature films for Universal Pictures. The company is known for such global blockbusters as the Despicable Me franchise, The Lorax, Minions, The Secret Life of Pets, and Sing—all produced by Chris Meledandri’s Illumination Entertainment for Universal Pictures. Challenge Fast NAS + Petabyte-Scale Object Archive with Avere • Keeping up with archive capacity requirements and ActiveScale • Building the next-level infrastructure for growth With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems Solution behind the stories. And that, says Illumination Mac Guff Head of Technology Bruno Mahe, is An Avere FXT Edge filer cluster with ActiveScale™ by design. “Our primary objective in IT is to protect the artistic intention for every project. We object storage system offers a cost-effective archive do that by prioritizing support for digital artists, delivering maximum responsiveness to their workstations and providing seamless access to digital assets, regardless of the load on the solution for seamless access to petabytes of data. underlying IT infrastructure or the location of datasets.” “Avere Systems FXT Edge filers in front of our storage systems ensure highest performance Results to both desktops and the studio’s 80,000-core render farm. -
NASCAR for Dummies (ISBN
spine=.672” Sports/Motor Sports ™ Making Everything Easier! 3rd Edition Now updated! Your authoritative guide to NASCAR — 3rd Edition on and off the track Open the book and find: ® Want to have the supreme NASCAR experience? Whether • Top driver Mark Martin’s personal NASCAR you’re new to this exciting sport or a longtime fan, this insights into the sport insider’s guide covers everything you want to know in • The lowdown on each NASCAR detail — from the anatomy of a stock car to the strategies track used by top drivers in the NASCAR Sprint Cup Series. • Why drivers are true athletes NASCAR • What’s new with NASCAR? — get the latest on the new racing rules, teams, drivers, car designs, and safety requirements • Explanations of NASCAR lingo • A crash course in stock-car racing — meet the teams and • How to win a race (it’s more than sponsors, understand the different NASCAR series, and find out just driving fast!) how drivers get started in the racing business • What happens during a pit stop • Take a test drive — explore a stock car inside and out, learn the • How to fit in with a NASCAR crowd rules of the track, and work with the race team • Understand the driver’s world — get inside a driver’s head and • Ten can’t-miss races of the year ® see what happens before, during, and after a race • NASCAR statistics, race car • Keep track of NASCAR events — from the stands or the comfort numbers, and milestones of home, follow the sport and get the most out of each race Go to dummies.com® for more! Learn to: • Identify the teams, drivers, and cars • Follow all the latest rules and regulations • Understand the top driver skills and racing strategies • Have the ultimate fan experience, at home or at the track Mark Martin burst onto the NASCAR scene in 1981 $21.99 US / $25.99 CN / £14.99 UK after earning four American Speed Association championships, and has been winning races and ISBN 978-0-470-43068-2 setting records ever since. -
Trócaire and Development Education
G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 1 TRÓCAIRE AND DEVELOPMENT EDUCATION: Remembering the Past, Signposting the Future SHEILA DILLON G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 2 Trócaire and Development Education: Remembering the Past, Signposting the Future © Trócaire 2009 Editor: Fergus Mulligan Trócaire The Irish Catholic Agency for World Development Maynooth, Co. Kildare, Ireland Tel. +353 1 629 3333; fax +353 1 629 0661 e-mail: [email protected] Trócaire website: www.trocaire.org Dublin City Resource Centre 12 Cathedral Street, Dublin 1 Tel/Fax: + 353 1 874 3875 Northern Ireland Resource Centre 50 King Street, Belfast BT1 6AD Tel. + 44 28 9080 8030 Fax. +44 28 9080 8031 Trócaire Resource Centre 9 Cook Street, Cork Tel. + 353 21 427 5622 Fax. +353 21 427 1874 Trócaire’s Resource Centres, in Belfast, Cork and Dublin, contain a range of development education materials for students, teachers and those interested in global development issues. Advice on the best use of these resources is also available through Trócaire’s education team. Designed and printed by Genprint (Ireland) Ltd. G356 Trocaire and Dev Education:Layout 1 02/02/2009 13:32 Page 3 Contents Foreword LLLLLLLLLLLJustin Kilcullen 5 Chapter 1 Introduction 7 Chapter 2 The Beginnings of Trócaire’s Development Education Programme 9 Chapter 3 Primary Education 15 Chapter 4 Early Years Education 21 Chapter 5 Post-primary Education 25 Chapter 6: Youth 31 Chapter 7 Adult Education 35 Chapter 8: Trade Unionists 39 Chapter 9: The Wider Development -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
June 19, 2019 FCC FACT SHEET* Children's Television Programming
June 19, 2019 * FCC FACT SHEET Children’s Television Programming Rules; Modernization of Media Regulation Initiative Report and Order and Further Notice of Proposed Rulemaking – MB Docket Nos. 18-202 and 17-105 Background: Adopted to implement the Children’s Television Act of 1990, the FCC’s children’s programming rules require commercial and noncommercial broadcast television licensees to serve the educational and informational needs of children through both their overall programming and programming specifically designed to serve such needs (i.e., Core Programming). In 2018, as part of its Modernization of Media Regulation Initiative, the Commission adopted a Notice of Proposed Rulemaking proposing to revise the children’s television programming rules to modify outdated requirements and to give broadcasters greater flexibility in serving the educational and informational needs of children. The Commission noted the vast changes in how children watch video programming and the large increase in children’s educational and information programming available from non-broadcast sources. What the Report and Order Would Do: • Expand the 7:00 a.m. to 10:00 p.m. time frame during which Core Programming must be aired to allow broadcast stations to begin airing Core Programming one hour earlier, at 6:00 a.m. • Require that a majority of Core Programming be regularly scheduled weekly programming but permit broadcast stations to air a limited amount of programming that is not regularly scheduled weekly programming, such as educational specials, and have it count as Core Programming. • Require that a majority of Core Programming be at least 30 minutes in length but permit broadcast stations to air a limited amount of short-form programming, including public service announcements (PSAs) and interstitials, and have it count as Core Programming. -
This Issue Be Included in the April 5 Issue of the Miami Hurricane Were Vandalized Sometime After P.O.W
Journalists discuss role of network news in society Brokaw, field leaders draw crowd of 200 By MADELINE BARO Hurricane Staff Writer more time is spent debating whether or NBC Nightly News anchor Tom Bro "I'm impressed that the not a story of questionable merit should kaw and a panel of broadcast journalists University brought such a be reported than in America. He said he discussed the role of network news in well-placed, well-connected group was shocked by some news broadcasts he society at "A Public Forum on Network saw in Miami. News" Saturday at the Ring Theatre. of journalists." Cramer received a round of applause The panel included Ed Turner, execu EDDIE DOMINGUEZ when he said he was worried about news tive vice-president of CNN; Barbara UM alumna that catered to the lowest common domi- Cochran, CBS News Washington Bureau nator. chief; Kathryn Christensen, senior pro Dominguez, a journalism student who ducer of ABC World News Tonight; Chris "I thought it was quite informative," graduated from UM in December. said broadcast student Melissa Viscount, Cramer, head of news gathering for BBC The hour-long discussion touched on news; and Brokaw. who said she enjoyed the discussion about topics like diversity in the newsroom, sensationalism in Miami news program Houston Chronicle television editor sensational news reporting, network ming. "It was amusing." Ann Hodges, Miami Herald television news personalities, the moral role of "It was a great opportunity to meet critic Hal Boedeker and Paul Steinle, news in society and media coverage. The head of the School of Communication's professionals or experts in the area of panel also answered questions submitted journalism," said Daniel French, a broad journalism program, questioned the by the audience before the discussion. -
San Francisco University High School Curriculum Guide
2021-2022 SAN FRANCISCO UNIVERSITY HIGH SCHOOL CURRICULUM GUIDE 2021–2022 UNIVERSITY HIGH SCHOOL CURRICULUM GUIDE 2021–2022 WHO WE ARE 2 Mission, Values, Vision and Beliefs 5 Academic Program 6 Co-Curricular Program 9 College Counseling 10 Athletics COURSE DESCRIPTIONS 12 The Arts 22 English 32 Languages 40 History 48 Mathematics 54 Science 62 Physical Education 64 BlendEd 69 Independent Study 70 Human Development University High School may modify the curriculum, as described herein, including the addition and deletion of courses and the modification of course materials. UHS CURRICULUM GUIDE 2021–2022 1 WHO WE ARE San Francisco University High School intends to be at the forefront of changing high school culture, affirming our fundamental commitment to intellectual challenge and vitality while simultaneously responding to the demands and opportunities of today. OUR MISSION University High School welcomes students of demonstrated motivation and ability to engage in an education that fosters responsibility and the spirited pursuit of knowledge. We are a school where adults believe in the promise of every student, and together we work to build and sustain a community of diverse backgrounds, perspectives, and talents. UHS challenges each individual to live a life of integrity, inquiry, and purpose larger than the self. OUR VALUES • Inquiry - being curious, open-minded, and courageous; seeking out different perspectives and learning from one another; striving to deepen our understanding of the evolving world. • Care - investing wholeheartedly in our work and in one another; cultivating empathy, compassion, mindfulness, and resilience; recognizing and seeking to address injustice. • Integrity - being truthful, open, honest, and reflective; honoring the wholeness of each individual; acting to fulfill a purpose larger than the self.