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Copeland Bio 2014
Copeland - IXORA Aaron Marsh Bryan Laurenson Jonathan Bucklew Stephen Laurenson Copeland has reunited to release their sixth album after calling it quits in 2009. Here’s what you need to know: • Copeland formed in Lakeland, Florida in 2001. The band’s first album, Beneath Medicine Tree, came out in 2003 on indie label The Militia Group. The album’s layered melodies, combined with Marsh’s thoughtful, emotive croon, immediately engaged music fans, offering a nuanced take on the emo music of the early ‘00s. The group unveiled four subsequent albums between 2005 and 2008, including Eat, Sleep, Repeat on Columbia Records in 2006. Copeland signed with Tooth & Nail in 2008 and have partnered with the label to release their long awaited sixth album, Ixora. • In their heyday, the band played over 200 shows a year. They’ve toured with Brand New, Sparta, Goo Goo Dolls, The Rentals, Bob Mould, Switchfoot, Motion City Soundtrack and Guster. Copeland has also historically supported new artists and Paramore’s first ever show was opening for Copeland in Nashville in 2004. • Copeland officially broke up in October of 2009 after nine years as a band. They wrote on their website, “We have come to an extremely difficult decision. It has come time for us to move on from Copeland and follow other paths in our lives. To put your minds at ease, we assure you this is not a bitter break up. We all individually feel Copeland has run its course in our lives and it’s time for us to pursue what is next.” The band members added, “It has been discussed and we are not ruling out the possibility of recording one more album sometime in the future.” • The band members have pursued other musical endeavors over the past few years. -
Cedars, November 2012 Cedarville University
Masthead Logo Cedarville University DigitalCommons@Cedarville Cedars 11-2012 Cedars, November 2012 Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/cedars Part of the Journalism Studies Commons, and the Organizational Communication Commons DigitalCommons@Cedarville provides a platform for archiving the scholarly, creative, and historical record of Cedarville University. The views, opinions, and sentiments expressed in the articles published in the university’s student newspaper, Cedars (formerly Whispering Cedars), do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s of, and those interviewed for, the articles in this paper are solely responsible for the content of those articles. Please address questions to [email protected]. Recommended Citation Cedarville University, "Cedars, November 2012" (2012). Cedars. 25. https://digitalcommons.cedarville.edu/cedars/25 This Issue is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Cedars by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Student News Publication of Cedarville University November 2012 Dr. Brown: Not a Quick Decision ‘I’m just glad it’s a long goodbye.’ T ble of Contents November 2012 Vol. 65, No. 4 Just Sayin’ ... Page 3 Hypocritical Hallelujahs November Calendar e’ve all heard the ing myself that I’m following Christ when my Pages 4-8 countless stories actions don’t match up, or convincing myself Cover Story: Dr. Brown Resigns about hypocriti- that I would never be one of those hypocritical Page 9 W cal Christians, those who Christians frequently talked about in the media American Dream Conference claim to love Christ but or in conversations. -
Jörg Böckem Und Christoph Dallach Fotos: Heidi Nikolaisen
TEXT: JÖRG BÖCKEM UND CHRISTOPH DALLACH FOTOS: HEIDI NIKOLAISEN Melodie und Melancholie: Anne Lilia Berge Strand, Sondre Lerche, Erlend Øye und Eirik Glambek Bøe, Mikal Telle s ist noch nicht allzu lange her, war das Einzige, was den Leuten in 100 000 Alben verkaufen, gelten die da galt ein norwegischer Musi- London zu unserer Heimat einfiel.“ Norweger als Hoffnung der modernen Eker, der auf die verwegene Idee Seitdem hat sich ein Menge geändert. Popmusik. verfiel, bei einer englischen Platten- Talentscouts der Plattenfirmen pilgern Der Ursprung des ganzen Wirbels ist firma wegen eines Vertrags vorzuspre- seit vergangenem Jahr in Scharen in die kleine Hafenstadt Bergen, 60 Grad chen, automatisch als Witzfigur: die Heimat von a-ha und versuchen, 23 Minuten nördlicher Breite. So wie ãEgal, wo wir hinkamen, es war immer mit hoch dotierten Verträgen bewaff- in den letzten Jahrzehnten in Man- dasselbe“, erinnert sich Pål Waaktaar- net, auch einen Norweger für ihr chester, Seattle oder jüngst Paris ist Savoy, Gitarrist der norwegischen Pop- Unternehmen einzufangen. Seit junge hier eine Szene entstanden, deren Mu- Pioniere „a-ha“, an die Anfangstage norwegische Bands wie Röyksopp und sik das Potenzial hat, Norwegen nun seiner Karriere. „‚Ach, ihr seid aus Kings of Convenience mit ihren Alben zum Mittelpunkt der europäischen Norwegen? Wie lustig! Das ist doch nicht nur in Norwegen die Spitze der Popwelt zu erheben. das Land, das beim Grand Prix d’Eu- Charts erreichten, sondern auch Kri- Bergen ist mit 229 000 Einwohnern rovision null Punkte geholt hat!‘ Das tiker weltweit begeistern und rund die zweitgrößte Stadt Norwegens. Der Schlechtwetter- stimmung am Nordmeer: Party in einer ehemaligen Sardinenfabrik im Industriehafen Stadtkern, inmitten von Wohn- und sestadt schon von jeher zu den wohlha- treffen sie sich privat mit ihren Freun- Industriegebieten, sieht aus, als hätte bendsten Orten. -
Curriculum Vitae
curriculum vitae Kjetil Traavik Møster musiker Skanselien 15 5031 Bergen mob. (+47) 90525892 e-post: [email protected] web: www.moester.no medlem av Gramart, Norsk Jazzforum f. 17/06/76 Bergen, Norge. UTDANNELSE: 2006-2012: Master i utøving jazz/improvisasjon, Norges Musikkhøgskole 1998-2002: Cand. mag. fra NTNU, Musikkonservatoriet i Trondheim, jazzlinja 3-års utøvende musikerutdanning (fordelt på 4 år) 1-års praktisk-pedagogisk utdanning (fordelt på to år) 1996-1997: Musikk grunnfag med etnomusikologi fordypning, NTNU, Universitetet i Trondheim 1995-1996: Sund Folkehøgskole, jazzlinga Annen utdannelse Examen artium, musikklinja, Langhaugen Skole 1995 ARBEID SOM MUSIKER: Har arbeidet som utøvende musiker siden år 2000, og er involvert i diverse prosjekter, bl.a. følgende: - Møster! (startet sommeren 2010) med Ståle Storløkken – orgel/keyboards, Nikolai Eilertsen – el.bass, Kenneth Kapstad – trommer. CD-utgivelse 2013, 2014, 2015 - Møster/Edwards/Knedal Andersen Friimprovisasjonstrio med John Edwards og Dag Erik Knedal Andersen, jevnlig turnéring fra høsten 2013 - Kjetil Møster med BIT20 Ensemble Skrev og fremførte et 30 minutters stykke for 16 stemmer pluss seg selv som solist for BIT20 Ensemble våren 2013 - Kjetil Møster Solo (Kongsberg Jazzfestival 2005, Soddjazz 2006, konserter i Norge 2004, 2005, 2006, 2010, 2011, Moldejazz 2011, turné i Skandinavia 2011, CD-utgivelse 2011) - The Heat Death Friimprovisasjonstrio med Martin Kuchen, Mats Äleklint, Ola Høyer og Dag Erik Knedal Andersen. Turnéring fra 2012, planlagt CD-utgivelse på portugisiske Clean Feed november 2015. - Kjetil Møster Sextet (startet sommeren 2006 i forbindelse med tildelingen av IJFO Jazz Talent Award. Inkluderer Anders Hana, gitar, Per Zanussi og Ingebrigt Håker Flaten, el. og kontrabass, Kjell Nordeson og Morten J. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Youandmeagainsttheworld.Pdf (9.000Mb)
FORORD Denne oppgaven har sitt utspring i kjærlighet til en musikkgenre, og etter hvert kjærlighet til miljøet rundt akkurat denne genren. Det var sånn den ble til. En stor takk til alle i miljøet som har kommet med talløse oppmuntringer underveis i prosessen med oppgaven, og som har bidratt med informasjon og synspunkter, stort og smått. Og for at miljøet finnes, selv om det var ukjent for meg veldig lenge og jeg trodde jeg var omtrent den eneste i verden som likte denne type musikk. Uten at tre travle popstjerner hadde stilt velvillig opp, hadde oppgaven manglet et viktig aspekt og svært viktig innsikt fra musikkverdenen som ikke menigmann uten videre kan ta del i. Tusen takk til dem for at de tok seg tid til å prate med meg og for at de trodde på prosjektet mitt. Gjennom sin musikk og sine bidrag til oppgaven har de vært en viktig kilde til både inspirasjon og motivasjon. 2 KAPITTELOVERSIKT 1. Innledning med problemstilling side 4 2. Metode side 7 3. Musikkindustrien – og media side 11 3.1 Musikk på radio side 15 3.2 Musikk på tv side 16 4. Symbolsk kapital i forskjellige kulturelle felt side 17 4.1 Bourdieu – ulike former for kapital side 18 4.2 Sosiale og kulturelle felt side 19 4.3 Symbolsk makt side 21 4.4 Subkulturell kapital side 22 5. En kort historie om synth side 26 6. Subkultur – i et teoretisk perspektiv side 29 6.1 Synth som subkultur side 32 7. Bandpresentasjoner side 45 7.1 Apoptygma Berzerk – In This Together side 45 7.2 Combichrist – This Shit Will Fcuk You Up side 58 7.3 Gothminister – Happiness in Darkness side 68 8. -
Central Florida Future, Vol. 41 No. 77, October 1, 2009
University of Central Florida STARS Central Florida Future University Archives 10-1-2009 Central Florida Future, Vol. 41 No. 77, October 1, 2009 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 41 No. 77, October 1, 2009" (2009). Central Florida Future. 2258. https://stars.library.ucf.edu/centralfloridafuture/2258 ZOMBIE CRAWL '' On the prowl Dead bodies came to life UCF looks to claim first conference in Downtown Orlando win of the season-SEE sports,A6 - SEE NEWS, A2 ToseetheSGA @ memogoto: Incumbent senator www.UCFNews.com • Pledge elections for SGA Lusk said he plans to classes appeal the decision to the SGA Judicial Council. found in violation "I am confident in the On Thursday: appeals process, and I look puton SGA Senate live blog JEFFREY RILEY tions commission Tuesday according to an official forward to presenting my Editor-In-Chief evening. memorandum by the elec case to the judicial branch," \ by Ashley Camifax and William Lusk, who was tions commission. The vote ) Lusk said Jeffrey Riley A senator running for running for College of Sci count was 7-1 in favor of a hold Check out the blog page for live If the council overturns the re-election in the 42nd ences Seat 6, was found in major violation. -
Domingo 23 Junio, 2013 HORIZONTE
Page 1 ******************************************************************************** Domingo 23 Junio, 2013 HORIZONTE 1AM ******************************************************************************** TITULO: Be Bop INTER: ARTURO SANDOVAL ALBUM: DEAR DIZ (EVERY DAY I THINK NOTA: DUR:8:17 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: I've got my love to keep me warm INTER: BILLIE HOLIDAY ALBUM: CHEEK TO CHEEK NOTA:THE IRVING BERLIN SONGBOOK DUR:3:57 TITULO: Fable of faubus INTER: CHARLES MINGUS ALBUM: AH UM NOTA: DUR:8:14 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: Steppin' out with my baby INTER: TONY BENNETT ALBUM: VIVA DUETS NOTA:CON CHRISTINA AGUILERA DUR:2:01 TITULO: Undun INTER: KURT ELLING ALBUM: NIGHTMOVES NOTA: DUR:4:59 ******************************************************************************** CORTE ******************************************************************************** TITULO: Totem Pole INTER: LEE MORGAN ALBUM: THE SIDEWINDER NOTA: DUR:10:10 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: I got rhythm INTER: BOBBY DARIN ALBUM: THE ESSENTIAL NOTA: DUR:1:52 TITULO: Now hear my meaning INTER: RAY BROWN ALBUM: MUCH IN COMMON -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Bystanders Ok
INTRO Seorang penerjemah yang tugas sehari-harinya mengutak-atik sepenggal keterangan foto mewawancarai Goodnight Electric. Seorang pemuda yang galau mencoba melepaskan bayang-bayang masa lalunya lewat review album baru Homogenic. Seorang kolektor mp3 sekaligus calon bapak rumah tangga yang baik menulis review acara Soundshine 2007. Seorang pekerja stasiun radio swasta dengan deadline tugas akhirnya. Seorang penggemar jazz terjebak dalam masalah aplikasi komputer yang belum juga terpecahkan selama enam bulan. Bersama teman-teman mereka, inilah buah karya yang mereka tunggu-tunggu. Penggalan kreasi hasil pengembaraan dari gigs ke gigs. Ulasan yang tak lazim tapi sebaiknya disimak. Bystanders. Sebuah edisi perdana. Tanpa panjang lebar lagi demi sahabat-sahabat yang mendukung dengan antusias, menunggu, dan selalu menanyakan kapan terbit? Terima kasih dan selamat membaca. Tirta kusuma // pemudagalau Editor-in-chief bystanders are... /// oxalis atindriya ratri // 410 // project manager / reporter / layout /// tirta kusuma // pemudagalau // editor-in-chief /// firza ilhami // wongacid // webmaster /// yudi nugroho // arvidson // reporter /// fakhrudin // didien // co-webmaster /// rama emerald // distortof // design /// diah kurniati // spidey // co-editor /// yearry panji // reporter /// amalia ratna // foe // reporter /// for info, critics, comments, go to www.bystanders.tk gig review - Soundshine 2007 Musik Indonesia kembali diserang bangsa Skandinavia. Setelah sukses menggelar Soundshine 2006 dengan mendatangkan duo fenomenal Kings Of Convenience, Popcycle dan Dunhill kembali menggebrak Jakarta dan Bandung dengan mendatangkan Club 8 dan Sondre Lerche and The Faces Down. bystanders01//03 >> jakarta Soundshine 2007 di Jakarta dimulai sekitar pukul 18.00. Tak lama setelah open gate, Homogenic muncul sebagai band pertama. Berbeda dengan set yang biasa dimainkan, kali ini Homogenic membawa serta additional players: pemain bass dan drummer. -
Sondre Lerche Two Way Monologue Album Free Download King of Letting Go
sondre lerche two way monologue album free download King Of Letting Go. For nearly two decades, Los Angeles-based Norwegian singer/songwriter Sondre Lerche has established a consistent knack for an ear-catching and eclectic blend of jazz-influenced indie pop, married effusively to thoughtful, intriguing lyrics. And yet with 2014's Please , his marked sincerity was further explored through the emotional fallout of a divorce. But sparse, confessional-style lyricism alone has never held much water to Lerche, and Please instead explored that turbulence through groove-centric jams crafted for dance floors. This proved to be a winning formula, and Pleasure , its 2017 follow-up, plunged even deeper into danceability, inspired by forays into electronic music. On Patience , his ninth studio album, Lerche pursues another unexpected inspiration: ambient music. It was his sudden interest in running, spawned by efforts to be in shape for the intense physical exertion of his 140-show Pleasure world tour, that led to Lerche's deeper exploration of ambient music and minimalism. "Running somehow became synonymous with exploring all this beautiful, liberating music that was so exotic to get lost in. I called it patient music.” After months of touring and training, Lerche ran the New York City Marathon that fall, soundtracked by an eclectic playlist of William Basinski, The Field, and Steve Reich. "I completely broke my body, but I was hooked. The combination of ambient and running somehow just made sense to me. It played a great part in why I moved to LA”. Since New York he has run three subsequent marathons, the last one in Chicago, where he set a new personal record fueled by Japanese experimental composer Haruomi Hosono and British collage-artist The Caretaker. -
Linkin Park Evanescence Vama Veche U2 Byron Coldplay
Linkin Park Evanescence Vama Veche U2 Byron Coldplay Radiohead Korn Green Day Nickelback Placebo Katy Perry Kumm Red Hot Chili Peppers My Chemical Romance Eels REM Vita de Vie Nine Inch Nails Good Charlotte Goo Goo Dolls Pennywise Barenaked Ladies Three Days Grace Alkaline Trio Alanis Morissette Guano Apes James Blunt Travka Reamonn Godsmack Fear Factory Garbage Kings Of Leon Muse Gandul Matei Sister Hazel Incubus White Zombie Papa Roach System of a Down AB4 Oasis Seether Smashing Pumpkins Alien Ant Farm The Killers Ill Nino Prodigy Taking Back Sunday Alice in Chains Kutless Timpuri Noi Taproot Snow Patrol Nonpoint Dashboard Confessional The Cure The Cranberries Stereophonics Blink 182 Phish Blur Rage Against the Machine Gorillaz Pulp Bowling For Soup Citizen Cope Manic Street Preachers Luna Amara Nirvana The Verve Breaking Benjamin Chevelle Modest Mouse Jeff Buckley Beck Arctic Monkeys Bloodhound Gang Sevendust Coma Lostprophets Keane Blue October 30 Seconds to Mars Suede Collective Soul Kill Hannah Foo Fighters The Cult Feeder Veruca Salt Skunk Anansie 3 Doors Down Deftones Sugar Ray Counting Crows Mushroomhead Electric Six Filter Lynyrd Skynyrd Biffy Clyro Death Cab For Cutie Nick Cave and the Bad Seeds The White Stripes James Morrison Texas Crazy Town Mudvayne Placebo Crash Test Dummies Poets Of The Fall Jason Mraz Linkin Park Sum 41 Grimus Guster A Perfect Circle Tool The Strokes Flyleaf Chris Cornell Smile Empty Soul Audioslave Nirvana Gogol Bordello Bloc Party Thousand Foot Krutch Brand New Razorlight Puddle Of Mudd Sonic Youth