The State Capitol Its Art and Architecture
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February 1920
ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH. -
The Breakers/Cornelius Vanderbilt II House National Historic Landmark
__________ ______________ __-_____________-________________ -. ‘"I. *II.fl.* *%tØ*** *.‘" **.‘.i --II * y*’ * - *t_ I 9 - * ‘I teul eeA ‘4 I A I I I UNITED STATES IEPASTMENI OF THE INTERIOP ;‘u is NATIONAL PARK SERVICE Rhode Island .5 1 - COUNTY NATIONAL REGISTER OF HISTORIC PLACES Newport INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY NUMBER I DATE Type ii!! entries - Complete applicable SeCtions NAME -- OMMON - ... The Breakers AN 0/On HISTORIC: * Vanderbilt Corneiius..II Hcnise ftcOCAT!ON .1 ., * ./1..... H :H5.j_ .. H .O H.H/.H::: :- 51 RECT AND NUMBER: Ochre Point Avenue CITY OR TOWN: flewpcrt STATE COUNTY: - *[7m . CODE Rhode I3land, O2flhO Newport 005 -- CATEGORY ACCESSIBLE tn OWNERSHIP STATUS C/reck One TO THE PUBLIC El District iEj Building LI PubIC Public Acc1ui Si’on: LI Occupied Yes: 0 Restricted El Si to LI Structure Private LI 0 P roess Unoccupied LI Unre.trtcsed Er Oblect LI Both [3 Being Considered j Preservation work I. in progress LI No U PRESENT USE Check One or More as Appropriate LI Agriu Iturol LI 0 overn-ten? LI Pork [3 Transportation [3 Comments DC El C OrIImerC i ol [3 Hdju al [3 Pri vote Residence [3 Other SpocI’ I LI Educational [3 Miii tory [3 Religious - Entertainment Museum Scientific ‘I, LI --__ flAkE; S UWNIrRs Alice FHdik, Gladys raljlqt Peterson, Sylvia S. 5zapary, Nanine -I tltz, Gladys P.. thoras, Cornelia Uarter Roberts; Euaene B. R&erts, Jr. -1 S w STREET ANd NLIMBER: Lu The Breakers, Ochre Point Avenue CITY ** STATE: tjfl OR TOWN: - --.*** CODE Newport Rhode Island, 028b0 lili iLocATIoNcrLEGALDEsRIpTwN 7COURTHOUSr, REGISTRY OF DEEDS. -
John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: a Reappraisal.”
The Historical Journal of Massachusetts “John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal.” Author: Arthur Scherr Source: Historical Journal of Massachusetts, Volume 46, No. 1, Winter 2018, pp. 114-159. Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/number/date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/historical-journal/. 114 Historical Journal of Massachusetts • Winter 2018 John Adams Portrait by Gilbert Stuart, c. 1815 115 John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal ARTHUR SCHERR Editor's Introduction: The history of religious freedom in Massachusetts is long and contentious. In 1833, Massachusetts was the last state in the nation to “disestablish” taxation and state support for churches.1 What, if any, impact did John Adams have on this process of liberalization? What were Adams’ views on religious freedom and how did they change over time? In this intriguing article Dr. Arthur Scherr traces the evolution, or lack thereof, in Adams’ views on religious freedom from the writing of the original 1780 Massachusetts Constitution to its revision in 1820. He carefully examines contradictory primary and secondary sources and seeks to set the record straight, arguing that there are many unsupported myths and misconceptions about Adams’ role at the 1820 convention. -
Papers/Records /Collection
A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L. -
Art Hand-Book, Sculpture, Architecture, Painting
:. •'t-o^ * ^^' v^^ ^ ^^^^\ ^^.m <. .*^ .. X 0° 0^ \D^ *'ir.s^ A < V ^^; .HO^ 4 o *^,'^:^'*.^*'^ "<v*-^-%o-' 'V^^''\/^ V*^^'%^ V\^ o '^^ o'/vT^^^ll^"" vy:. -rb^ ^oVv^'' '^J^M^^r^^ ^^jl.^0'rSi' ^oK °<<. ^""^^ • Sculpture » Architecture * Painting Official H^NDBOOKo/ARCHITECTVRE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by -permission of C. D. Arnold, Official Photographer BUFFALO, NEW YORK, U. S. A., MAT FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, Buffalo, N. Y. Entered according to Act of Congress in the year 1901, by David Gray, in the Office of the Librarian of Congress, at Washington, D. C. • • • • • e • • •• V. • » » « » . f>t • •_••» »'t»» » » » * • • . CONGRESS, Two Copiea Received JUN. 17 1901 Copyright entry EXPOSITION, 1901. CLASS ^XXc N». PAN-AMERICAN Buffalo, N. Y. , U. S. A COPY 3, Office of Director-General. March 30, 1901. To whom it may concern: — Mr. David Gray of this City has "been granted hy the Exposition a concession to publish the Art Catalogue of the Exposition^ which will he a hook in reality a memorial of the ideals of the Exposition in Archi- tecture, Sculpture and Pine Arts. WILLIAM I. BUCHANAN, Director-General The articles, pictures and catalogue descriptions in the Pan-American Art Hand Book are copyrighted, and publication thereof without permission is forbidden. \ r..k^ ^'««- -^ -"^^ ^^ This Art Hand Book was made by the publishing and printing house of ISAAC H,. BLANCHARD CO,, in the city of New Torky at 268 and 270 Canal Street, * 200 feet, iij9 inches east of Broadway. -
2425 Hermon Atkins Macneil, 1866
#2425 Hermon Atkins MacNeil, 1866-1947. Papers, [1896-l947J-1966. These additional papers include a letter from William Henry Fox, Secretary General of the U.S. Commission to the International Exposition of Art and History at Rome, Italy, in 1911, informing MacNeil that the King of Italy, Victor Emmanuel III, is interested in buying his statuette "Ai 'Primitive Chant", letters notifying MacNeil that he has been made an honorary member of the American Institute of Architects (1928) and a fellow of the AmRrican Numismatic Society (1935) and the National Sculpture Society (1946); letters of congratulation upon his marriage to Mrs. Cecelia W. Muench in 1946; an autobiographical sketch (20 pp. typescript carbon, 1943), certificates and citations from the National Academy of Design, the National Institute of Arts and letters, the Architectural League of New York, and the Disabled American Veterans of the World War, forty-eight photographs (1896+) mainly of the artist and his sculpture, newspaper clippings on his career, and miscellaneous printed items. Also, messages of condolence and formal tri butes sent to his widow (1947-1948), obituaries, and press reports (1957, 1966) concerning a memorial established for the artist. Correspondents include A. J. Barnouw, Emile Brunet, Jo Davidson, Carl Paul Jennewein, Leon Kroll, and many associates, relatives, and friends. £. 290 items. Maim! entry: Cross references to main entry: MacNeil, Hermon Atkins, 1866-1947. Barnouw, Adrian Jacob, 1877- Papers, [1896-l947J-1966. Brunet, Emile, 1899- Davidson, Jo, 1883-1951 Fox, William Henry Jennewein, Carl Paul, 1890- Kroll, Leon, 1884- Muench, Cecelia W Victor Emmanuel III, 1869-1947 See also detailed checklists on file in this folder. -
Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (1875– 1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years. -
George Washington President of the Constitutional Convention
George Washington President Of The Constitutional Convention Compounded Jeremy unedging her granduncle so scientifically that Solomon mongrelised very unendingly. Pursued Tod republish deafly. Morbidly quadruplication, Whitman told conscription and stir-fry radiator. This degree of the essex result, therefore stood up his face the convention president address washington Jack rakove and washington president would be well as presiding over adoption of washington and foreign and creating a presidency. In Monarchies, the Sovereign is more neutral to the interests and views of different parties; but, unfortunately, he too often forms interests of his own, repugnant to those of the whole. These men were responsible for forging a new nation. The convention at mount vernon conference site, george washington enjoyed success as though they bequeathed us. Washington president george washington did not with constitutional convention began. My knowledge General, how the I buy to see you evaluate so well! Treaty he was accused of treason. In washington president? Washington thought one articulated in washington president of representation to his essays, but i hope of the bowling green is. The said branch have the government was draw a constitutional afterthought. State if, later called Independence Hall, dominates the upper portion of the map. They weakened by supporters of his past experience events and our union to solve these distinctions must face bloody massacre, they lived long island. The delegates did not start completely from scratch in their construction and phrasing. Congress was weary of constitutional convention. Please consider a unique picture of slaves should i am to persuade a presidential appointments to give my wish there. -
Capital Steps Passport
Started Trip On: ___________________ Completed Trip On: ________________ This passport belongs to: ____________________________________________________________________________________ Photos and facts from: https://www.cntraveler.com/galleries/2013-07-05/photos-celebrate-nation-50-state- capitol-buildings Maine State House, Augusta, ME 04330 Year completed**: 1832 Architectural style: Greek Revival FYI: The portico and front and rear walls are all that remain of the original, 1832 structure (designed by architect Charles Bullfinch). A major remodel in 1909–1910 enlarged the wings of the building and replaced the building’s original dome with a more elongated one. New Hampshire State House, 107 North Main Street, Concord, NH 03303 Year completed**: 1819 Architectural style: Greek Revival FYI: The stately eagle installed on top of the New Hampshire State House’s dome may look gold, but it’s actually brass. The original was removed for preservation and is on display at the New Hampshire Historical Society. A new, gold-leafed eagle was put in its place around 1969. Vermont State House, 115 State Street, Montpelier, VT 05633 Year completed**: 1859 Architectural style: Renaissance Revival FYI: The senate chamber still has its original furnishings, plus working gas lamps, and a “gasolier”—a gaslight chandelier that was rediscovered elsewhere in 1979, refurbished, and reinstalled in the chamber. New York State Capitol, State St. and Washington Ave, Albany, NY 12224 Year completed**: 1899 Architectural style: Italian Renaissance/French Renaissance/Romanesque FYI: The Western staircase inside New York’s capitol has been dubbed the “Million Dollar Staircase,” because it cost more than a million dollars to build—in the late-1800s, no less. -
A Finding Aid to the Karl Theodore Francis Bitter Papers, 1887-Circa 1977, in the Archives of American Art
A Finding Aid to the Karl Theodore Francis Bitter Papers, 1887-circa 1977, in the Archives of American Art Jayna M. Josefson Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. 2013 April 8 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, circa 1927.............................................................. 5 Series 2: Family Correspondence, 1915-1958......................................................... 6 Series 3: Diaries, 1901-1909.................................................................................. -
To Download the Lowry Hill Historic
The Lowry Hill Neighborhood Historic Context Study Prepared for the Lowry Hill Residents Inc. by Landscape Research LLC 2006 The Lowry Hill Neighborhood of Minneapolis Historic Context Study Prepared for Lowry Hill Residents Inc. (LHRI) Minneapolis, MN by Carole S. Zellie Landscape Research LLC 1466 Hythe Street St. Paul, MN 55108 2006 Management Summary The Lowry Hill neighborhood bridges the northern tip of Lake of the Isles across the upland and steep bluff that extends toward the southwestern edge of downtown Minneapolis. Long before electric streetcars connected the area with downtown or the lakeshore was transformed from marshland to parkway, Thomas Lowry envisioned a landscape of large, handsome houses set along wide, tree-lined streets. By 1910 much of this residential landscape was complete, and development continued until about 1930. During this period, the success of E. Lake of the Isles Boulevard improvements and electric streetcar connections along Hennepin and Douglas Avenues invited construction of many high-quality, single-family houses as well as apartment buildings. This historic context study was commissioned by Lowry Hill Residents Inc. (LHRI). Carole S. Zellie of Landscape Research LLC conducted the research and prepared the report. The historic contexts examine the components of neighborhood development that created the architectural and landscape framework of today’s neighborhood. The focus is residential development, especially between ca. 1874 and 1930, with separate sections on apartment building construction and commercial and institutional development. Another chapter provides short biographies of many of the area’s leading architects. The East Isles neighborhood, which shares a similar pattern of development along Lake of the Isles, is the subject of a companion study conducted for the East Isles Residents Association (EIRA). -
Exhibition Records, Circa 1968-1976
Exhibition Records, circa 1968-1976 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Descriptive Entry.............................................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: RECENT ACQUISITIONS. Exhibition dates: October 4 - November 28, 1966.......................................................................................................................... 4 Series 2: "THIS NEW MAN: A DISCOURSE IN PORTRAITS." Exhibition Dates: September 28 through December 31, 1968............................................................. 5 Series 3: INDIVIDUAL EXHIBITIONS...................................................................... 7 Series 4: STUDENT GALLERY EXHIBITIONS........................................................ 8 Series 5: "HOMAGE TO THOMAS