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PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks with an Unrated Version on Blu-Ray™/DVD Combo Pack
Record-Setting* Prequel to the Phenomenally Popular Film Series - PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks With an Unrated Version on Blu-ray™/DVD Combo Pack Debuting January 24, 2012, Blu-ray/DVD Combo Includes Extended Scenes and Chilling Lost Tapes In A First, All Three Films Will be Available for Digital Download in a Seamless, Chronological Experience Prior to the Blu-ray/DVD Debut "A new level of terror."—Brad Miska, BloodyDisgusting.com HOLLYWOOD, Calif., Dec. 20, 2011 /PRNewswire/ -- The record-breaking franchise that has terrified audiences around the world returns with the scariest story yet as PARANORMAL ACTIVITY 3 debuts on January 24, 2012 from Paramount Home Entertainment in a Blu-ray/DVD combo pack with UltraViolet™ and a Digital Copy.PARANORMAL ACTIVITY 3 will also be available On Demand. "Terrifying" (Time) with "heart-pounding scares" (BloodyDisgusting.com), PARANORMAL ACTIVITY 3 takes audiences back to where it all began with the masterminds behind the first two films returning to craft a hauntingly chilling follow up. Directed by Henry Joost and Ariel Schulman, the filmmakers who created the unsettling sensation Catfish, PARANORMAL ACTIVITY 3 achieved the biggest theatrical debut for a horror film ever, ultimately earning more than $200 million worldwide. (Photo: http://photos.prnewswire.com/prnh/20111220/LA25840) Arriving on January 24th, the PARANORMAL ACTIVITY 3 Blu-ray/DVD combo pack includes both the theatrical version of the film and an unrated version with footage not seen in theaters, as well as Lost Tapes that reveal more footage not seen in the film. In addition, all Blu-ray and DVD releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies. -
776-SELL Only.Nodealers/Businesses 29 Good for Auto, Boat &RV!
Saturday, September 26, 2020 The Eagle ● theeagle.com B3 SATURDAY EVENING A Suddenlink B DirecTV C Dish Network SEPTEMBER 26, 2020 A B C 3:30 4 PM 4:30 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 (2:30) NCAA Football (L) 'TVG' Football Football Pre-game (L) /(:35) NCAA Football Florida State at Miami Site: Hard (:50) 13 News (:35) Extra (:05) (:35) Ins. (:05) Wipeout 'TVPG' (13) KTRK 3-- Score. (L) Score. (L) Rock Stadium--Miami Gardens, Fla. (L)'TVG' Scoreb. at 10 (N) Points Texans Ed. (N) Cook's Into the Museum Newsho- The Parks and Bluegrass F.Drake "Healing Midsomer (:35) Midsomer Appear- Austin City Limits Bluegrass AChef's Nova "A to Z: The (15) KAMU 41512 Country Outdoors Access ur. (N) Bookmark Wildlife Under Hands" 'TV14' Murders Murders 'TVPG' ances "Billie Eilish" 'TVPG' Under Life First Alphabet" 'TVG' (2:30) NCAA Football Mississippi State University at News 3at Bucket Bull "The Sovereigns" S.W.A.T. 'TV14' 48 Hours 'TVPG' News 3at (:35) NCIS: New (:35) Castle "Head (:35) NCIS (3) KBTX 5350 Louisiana State University Site: Tiger Stadium(L) 'TVG' 6Sat. (N) List (N) 'TV14' 10 (N) Orleans 'TV14' Case" 'TVPG' Friends Friends Friends Mike & Mike & Two and a Two and a Pawn Pawn Pawn Pawn ABC13Eyewitness Amer.Ninja "Houston Am.Ninja "Pittsburgh ABC 13 Eyewitness (39) KIAH --- Molly Molly Half Men Half Men Stars Stars Stars Stars (N) Finals"2/2 'TVPG' Finals" 'TVPG' News at 9:00 p.m. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
7.1 the Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2
7.1 The Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2 BY THERESE GRISHAM, JULIA LEYDA, NICHOLAS ROMBES, AND STEVEN SHAVIRO Therese Grisham: I want to start at the most theoretical level, to find out where you position your thought with regard to the two films we are discussing, Paranormal Activity (Oren Peli, 2007) and Paranormal Activity 2 (Tod Williams, 2010). It would be helpful if you gave a brief definition of the “post-cinematic,” or an equivalent term you work with, and include some introductory remarks about these movies as post-cinematic. Nick Rombes: Great to be here, and thanks for this opening question, Therese. My thinking about post-cinema has certainly been influenced by Steven’s writing, especially in his Film- Philosophy essay, “Post-Cinematic Affect: On Grace Jones, Boarding Gate, and Southland Tales” and his book, Post-Cinematic Affect. Particularly right-on, I think, is Steven’s phrase about how the expressive nature of post-cinematic media gives rise to “a kind of ambient, free-floating sensibility that permeates our society today” (Post-Cinematic 2). My own still- in-progress mapping of post-cinema would begin with this phenomenon: the totalitarian immersion of our everyday lives in the slipstream of the digital, cinematic imaginary, as captured so well in the Paranormal films which, at their most fundamental level, tackle the question of how to navigate the private spaces of this new media landscape. I’d turn here to a concept used by some psychiatrists—limbic resonance—to describe how human beings seemingly “tune into” each other via neural attunement and mirror neurons. -
Cineworld.Pdf
Cineworld Unlimited Survey * 1. What is your gender? Female Male * 2. What Region do you live in? Scotland North East North West East Midlands West Midlands Wales East Anglia South East South West Ireland * 3. How many times have you been to the cinema in the past three months? 03 times 45 times 68 times 9+ times * 4. What Genre of films have you seen most in the last three months? Drama Romance Comedy Thriller SciFi Non English Language Animated Musical Family * 5. Who did you go to the cinema with most over the last three months? Partner/Husband or Wife Friends Children Date By yourself * 6. Who do you think is the sexiest actress of all time? Angeline Jolie Scarlett Johansson Natalie Portman Marilyn Monroe Grace Kelly Cameron Diaz Emma Stone Brigitte Bardot Halle Berry Julia Roberts * 7. Who to you think it the sexiest actress from the upcoming films this summer? Cary Mulligan The Great Gatsby Amy Adams Man of Steel Tao Okamoto The Wolverine Kristen Bell Stuck In Love Vera Farmiga The Conjuring * 8. Which of these superhero characters would you most like to date in real life? Tobey Maguire Spiderman Christian Bale Batman Robert Downey Jnr Iron Man Henry Cavil Superman Chris Evans Captain America Nicholas Cage Big Daddy (Kick Ass) Chris Hemsworth Thor Mark Ruffalo The Hulk Hugh Jackman Wolverine * 9. If you could play the part of a superheroes' love interest which character would you choose? Lois Lane Superman Pepper Pots Iron Man Jane Foster Thor Rachel Dawes Batman Mary Jane Spiderman Betty Ross the Hulk Penny Carter Captain America * 10. -
Paranormal Activity 1 Br Rip 1080P Movies Torrents
Paranormal Activity 1 Br Rip 1080p Movies Torrents Paranormal Activity 1 Br Rip 1080p Movies Torrents 1 / 3 2 / 3 [kat.cr]paranormal.activity.the.ghost.dimension.2015.alternate.unrated.720p.brrip.x264.aac.etrg (1).torrent. (15k). Jeu Franco,. Jan 10, 2016, 9:11 PM. v.1.. Paranormal Activity 1 Mp4 ->>->>->> http://shurll.com/dwqrx ... paranormal activity full movie ... BrRip..5.1. ... Torrents..for. ... Paranormal-Activity-2.2010.1080p.. [2010]DvDrip[MKV] torrent or any other torrent from the Video Movies. ... Download Paranormal Activity 2 Tokyo Night-BRrip 720p torrent or any other ... Video HD The Pirate Bay Seeders: 3; Leechers: 0; Comments: 1 Also a.. Ashley Palmer in Paranormal Activity (2007) Katie Featherston and Micah Sloat in ... 1. There is a scene in the Theatrical Cut not present in the Director's Cut that takes ... Katie awakes shortly after midnight on the final night, gets out of bed and stares at ... Well, Oren Peli's little indie film is everything a scary movie should be.. BluRay.720p.x2 torrent or any other torrent from the Video HD - Movies. ... Â Come and download paranormal activity brrip is safe 1 absolutely for free. ... Paranormal Activity The Marked Ones (2014) 720p BRRiP H264 5 1CH-BLiTZCRiEG.. Download Paranormal.Activity.2.2010.UNRATED.BRRip.XviD.MP3-XVID Torrent - RARBG. ... Torrent: Paranormal. ... Category: Movies/XVID.. bb4f9be48f Download YIFY Movies Directed by William Brent Bell via YIFY Torrent ... Download Inside Out (2015) 1080p BrRip x264 - YIFY torrent ... Results 1 - 8 30 Nights of Paranormal Activity with the Devil Inside the Girl.. Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity ... -
August 2019 Thu
AUGUST 2019 THU. 1 FRI. 2 SAT. 3 SUN. 4 FAMILY THEATER 6:00 am Flatliners (1990) [J] 6:15 am Hotel Transylvania 3: 7:00 am Commando (1985) [J] 7:30 am Erin Brockovich [J] [J] (Sundays at 10:00 am) 8:10 Flatliners (2017) [J][Sub] Summer Vacation [J] 8:45 The Boss [J][PG12] 10:00 Shark Tale [J] Shark Tale (8/4) 10:10 Daddy’s Home Two [J] 8:00 Just Cause (1995) [J] 10:30 The LEGO® Ninjago® 11:45 Meet Joe Black [J][Sub] Full-CG animated film set 12:00 pm Warrior #4 [B] 9:45 The Peacemaker (1997) [J] Movie [J][Sub] 3:10 pm Norman: The undersea, following the lives of a 1:15 American Made [J] 12:00 pm Game of Thrones® 2 #9 12:15 pm Disturbia [J] Moderate Rise and moody little fish and a kind shark. 3:20 Sleepless (2017) [J][PG12] [B][R15+] 2:10 Split [J][Sub] Tragic Fall of A Madagascar (8/11) 5:10 In Focus* 1:10 Game of Thrones® 2 #10 4:15 Rush [J][PG12] New York Fixer [J] A travel story about escaped 5:20 Deadpool 2 [J][Sub][R15+] [B][PG12] 6:30 In Focus* 5:15 Big Eyes [J] New York zoo animals getting 7:30 Venom (2018) [J][PG12] 2:30 Milk Money (1994) [J] 6:40 The Fate of The 7:10 Suburbicon [J] lost in Madagascar. 9:30 S.P.: Venom (2018)* 4:45 Manchester By Furious [J][Sub] 9:00 12 Strong [J][PG12] Smallfoot (8/18) ® Heartwarming animated comedy 10:00 Game of Thrones 2 #9 The Sea [J][Sub] 9:00 Edge of Tomorrow [J] 11:15 Big Little Lies #5 [B][R15+] centered on a yeti from the snowy [B][R15+] 7:15 Detroit (2017) [J] 11:00 Big Little Lies #1 [B] 0:25 am Big Little Lies #6 [B][R15+] mountains who encounters a young 11:10 Game of Thrones® 2 #10 10:00 Game of Thrones® 8 #6 [B] 0:00 am Big Little Lies #2 [B][R15+] 1:35 Big Little Lies #7 [B][R15+] man, and what happens next. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
Found-Footage Horror and the Frame's Undoing
Found-Footage Horror and the Frame’s Undoing by CECILIA SAYAD Abstract: This article fi nds in the found-footage horror cycle an alternative way of under- standing the relationship between horror fi lms and reality, which is usually discussed in terms of allegory. I propose the investigation of framing, considered both fi guratively (framing the fi lm as documentary) and stylistically (the framing in handheld cameras and in static long takes), as a device that playfully destabilizes the separation between the fi lm and the surrounding world. The article’s main case study is the Paranormal Activity franchise, but examples are drawn from a variety of fi lms. urprised by her boyfriend’s excitement about the strange phenomena registered with his HDV camera, Katie (Katie Featherston), the protagonist of Paranormal Activity (Oren Peli, 2007), asks, “Are you not scared?” “It’s a little bizarre,” he replies. “But we’re having it documented, it’s going to be fi ne, OK?” S This reassuring statement implies that the fi lm image may normalize the events that make up the fabric of Paranormal Activity. It is as if by recording the slamming doors, fl oating sheets, and passing shadows that take place while they sleep, Micah and Katie could tame the demon that follows the female lead wherever she goes. Indeed, the fi lm repeatedly shows us the two characters trying to make sense of the images they capture, watching them on a computer screen and using technology that translates the recorded sounds they cannot hear into waves they can visualize. -
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.