Brett Movie List 27 Dresses Altered Amelia the American American Hustle American Pie (3-Movie Pack) an American Haunting Anchorm

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Brett Movie List 27 Dresses Altered Amelia the American American Hustle American Pie (3-Movie Pack) an American Haunting Anchorm

Brett Movie List 27 Dresses Crazy Heart Altered Crazy/Beautiful & She’s All That Amelia Curious Case of Benjamin Button The American Criminal Minds (2 nd season) American Hustle The Da Vinci Code American Pie (3-movie pack) Dance Flick An American Haunting Dark Water Anchorman Darkness Anger Management Date Movie Animal House Daybreakers Annapolis Dear John Arrested Development (Season 1, 2, and 3) Deceit Babies Defiance Baby Mama Definitely, Maybe Big Love Dejavu Tommy Boy/Black Sheep The Devil Wears Prada Blade/Blade 2 Family Guy (Season 1, disc 1) Black Swan Family Guy (Season 3) The Blind Side The Family that Preys Blue Collar Comedy Tour Rides Again The Family Stone Bluehill Avenue Fantastic 4 Bobby Fight club Boogey Man The Fourth Kind The Book of Eli Fracture The Boondock Saints Fred Claus The Bourne Identity Friday & Next Friday The Bourne Ultimatum Freedom Writers Brothers and Sisters (Season 1: Disc 2 – Ghostbusters 1 & 2 Episodes 5-8) Ghosts of Girlfriends Past Bruce Almighty Grease Bruno The Great Debaters The Bucket List The Green Hornet The Cave Gridiron Gang Center Stage: Turn It Up Happy Gilmore Changeling Happy-Go-Lucky Charlie Wilson’s War Harry Potter and the Chamber of Secrets Cheaper by the Dozen Harry Potter and the Deathly Hallows Part 1 Cheri In Good Company Chicago In Living Color (Season One and Two) Click Independence Day Cloudy With a Chance of Meatballs Katt Williams: It’s Pimpin’ Pimpin’ Cloverfield Just Like Heaven Clueless Kill Bill vol. 1 Crank 2: High Voltage In the Land of Women King Kong License to Wed Lions for Lambs Little Man Live Free of Die Hard Little Miss Sunshine The Lodger The Lives of Others Love Happens Mad Money Madagascar Madagascar Escape 2 Africa Made of Honor The Mask Matilda Meet the Fockers Meet the Parents The Messengers Michael Clayton Monsters, Inc. Monty Python and the Holy Grail Mr. Brooks Mrs. Doubtfire Nick & Norah’s Infinite Playlist Night at the Museum Ocean’s Eleven Ocean’s Twelve Ocean’s Thirteen Old School The Omen Once The Real Housewives of New Jersey (Season 2) Red Red Eye Reign Over Me Sex and the City: the movie Son of the Mask The Shawshank Redemption .

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2020 Annual Report
20 2ANNUAL0 REPORT 1 LETTER FROM EXECUTIVE DIRECTOR AND BOARD CHAIR DEAR FRIENDS: 2020 was a challenging year for everyone – and especially challenging for organizations like ours. The dual pandemics of COVID-19 and systemic racism disproportionally impacted Solid Ground families. Families with limited income, criminal histories, poor credit and other barriers have always been extremely challenged to find affordable housing, and the pandemic only exacerbated these issues, as parents lost their jobs or put themselves at greater risk of illness while working low-skill, high-contact jobs. Connecting with families was also challenging. We missed being able to visit with them face-to-face, as parents were busy with children who were distance learning at home, concerned with extended family members who had fallen ill, or too preoccupied by the enormous stresses of daily life in the pandemic to connect virtually. Despite these overwhelming challenges, Solid Ground continued to move families out of homelessness and into housing and to help them maintain their homes. Our success is rooted in our Housing First approach – get people into housing first, and then provide the help they need to increase their income, address their health, and achieve academic success. We took our services and our classes virtual; distributed food, diapers and cleaning supplies to meet families’ basic needs, and offered support and healing, particularly to our participants of color, as our community and the nation grappled with the impact of systemic racism. As we write this letter in July 2021, we are pleased to continue with and augment our services, reinstituting in-home visits, reestablishing community meals, and reengaging our participants and volunteers through face-to-face service.
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776-SELL Only.Nodealers/Businesses 29 Good for Auto, Boat &RV!
Saturday, September 26, 2020 The Eagle ● theeagle.com B3 SATURDAY EVENING A Suddenlink B DirecTV C Dish Network SEPTEMBER 26, 2020 A B C 3:30 4 PM 4:30 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 (2:30) NCAA Football (L) 'TVG' Football Football Pre-game (L) /(:35) NCAA Football Florida State at Miami Site: Hard (:50) 13 News (:35) Extra (:05) (:35) Ins. (:05) Wipeout 'TVPG' (13) KTRK 3-- Score. (L) Score. (L) Rock Stadium--Miami Gardens, Fla. (L)'TVG' Scoreb. at 10 (N) Points Texans Ed. (N) Cook's Into the Museum Newsho- The Parks and Bluegrass F.Drake "Healing Midsomer (:35) Midsomer Appear- Austin City Limits Bluegrass AChef's Nova "A to Z: The (15) KAMU 41512 Country Outdoors Access ur. (N) Bookmark Wildlife Under Hands" 'TV14' Murders Murders 'TVPG' ances "Billie Eilish" 'TVPG' Under Life First Alphabet" 'TVG' (2:30) NCAA Football Mississippi State University at News 3at Bucket Bull "The Sovereigns" S.W.A.T. 'TV14' 48 Hours 'TVPG' News 3at (:35) NCIS: New (:35) Castle "Head (:35) NCIS (3) KBTX 5350 Louisiana State University Site: Tiger Stadium(L) 'TVG' 6Sat. (N) List (N) 'TV14' 10 (N) Orleans 'TV14' Case" 'TVPG' Friends Friends Friends Mike & Mike & Two and a Two and a Pawn Pawn Pawn Pawn ABC13Eyewitness Amer.Ninja "Houston Am.Ninja "Pittsburgh ABC 13 Eyewitness (39) KIAH --- Molly Molly Half Men Half Men Stars Stars Stars Stars (N) Finals"2/2 'TVPG' Finals" 'TVPG' News at 9:00 p.m.
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Smith and Choueiti Gender Inequality in '08 Films
1 Gender Inequality in Cinematic Content? A Look at Females On Screen & Behind-the-Camera in Top-Grossing 2008 Films Stacy L. Smith, PhD. & Marc Choueiti Annenberg School for Communication & Journalism University of Southern California 3502 Watt Way, Suite 222 Los Angeles, CA 90089 [email protected] Summary This study examined the gender of all speaking characters and behind-the-scenes employees on the 100 top-grossing fictional films in 2008. A total of 4,370 speaking characters were evaluated and 1,227 above-the-line personnel. In addition to prevalence, we assessed the hypersexualization of on screen characters across the 100 movies. Below are the study’s main findings. 32.8 percent of speaking characters were female. Put differently, a ratio of roughly 2 males to every one female was observed across the 100 top-grossing films. Though still grossly imbalanced given that females represent over half of the U.S. population, this is the highest percentage of females in film we have witnessed across multiple studies. The presence of women working behind-the-camera is still abysmal. Only, 8% of directors, 13.6% of writers, and 19.1% of producers are female. This calculates to a ratio of 4.90 males to every one female. Films with female directors, writers, and producers were associated with a higher number of girls and women on screen than were films with only males in these gate-keeping positions. To illustrate, the percentage of female characters jumps 14.3% when one or more female screenwriters were involved in penning the script.
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
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The Hollywood Romantic Comedy
the hollywood romantic comedy the hollywood the hollywood romantic comedy romantic hollywood the though rarely explored in analytical detail, the romantic comedy remains a stalwart romantic comedy contributor to hollywood entertainment. this book offers a comprehensive history of Leger grindon the hollywood romantic comedy film, from the coming of sound to the twenty-first century, examining the conventions of the genre and surveying the controversies arising from the critical responses to these films. hollywood’s romantic comedies can be seen as a series of productions whose form and meaning change in response to conditions in the film industry, courtship culture, and society at large. this book provides an essential overview of the continuities within the genre as well as its historical evolution. a full analysis is provided of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor. in doing so, leger grindon develops a survey of historical cycles and clusters and builds a canon of key films fromh ollywood’s classical era right up to the present day, which are analyzed in detail in the second part of the book. Films analyzed include Trouble in Paradise, His Girl Friday, The Miracle of Morgan’s Creek, Adam’s Rib, Some Like It Hot, The Graduate, Annie Hall, When Harry Met Sally, There’s Something About Mary, and Waitress. Leger Grindon is Professor of Film and Media Culture at Middlebury College, Usa. he has written widely on film and is ates i C so the author of Shadows on the Past: Studies in the Historical s a Fiction Film (1994) and Knockout: The Boxer and Boxing in sign e American Cinema (2011).
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The Trevor Project’S Coming Out: a Handbook Are At
COMING OUT A Handbook for LGBTQ Young People CONTENTS IDENTITY 4 HEALTHY RELATIONSHIPS 17 THE BASICS 4 SELF-CARE 18 What Is Sex Assigned at Birth? 5 Checking in on Your Mental Health 19 What Is Gender? 5 Warning Signs 19 Gender Identity 6 RESOURCES 20 Gender Expression 7 Transitioning 8 TREVOR PROGRAMS 21 What Is Sexual Orientation? 9 Map Your Own Identity 21 Sexual Orientation 10 Sexual/Physical Attraction 11 Romantic Attraction 12 Emotional Attraction 13 COMING OUT 14 Planning Ahead 14 Testing The Waters 15 Environment 15 Timing 15 Location 15 School 16 Support 16 Safety Around Coming Out 16 2 Exploring your sexual orientation Some people may share their identity with a few trusted friends online, some may choose to share and/or gender identity can bring up a lot with a counselor or a trusted family member, and of feelings and questions. Inside this handbook, others may want everyone in their life to know we will work together to explore your identity, about their identity. An important thing to know what it might be like to share your identity with is that for a lot of people, coming out doesn’t just others, and provide you with tools and guiding happen once. A lot of folks find themselves com- questions to help you think about what coming ing out at different times to different people. out means to you. It is all about what works for you, wherever you The Trevor Project’s Coming Out: A Handbook are at. The things you hear about coming out for LGBTQ Young People is here to help you nav- may make you feel pressured to take steps that igate questions around your identity.
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The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd.
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Sunday Morning Grid 1/17/16 Latimes.Com/Tv Times
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Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
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