DOCSLIB.ORG

Wavelength (March 1987)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1987 Wavelength (March 1987) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1987) 77 https://scholarworks.uno.edu/wavelength/63 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I !w." INSIDE: THE GREAT BARS OF NEW ORLEANS . , , ... • • • • • • • • • • • 0 ••• , • 0 •••• ~ ' o o ' 0 0 o o o 0 0 o 0 0 0' 0' 0 0 0 0 0 0 f 0 0 I • • 0 •• 0 •• . .......... .. 0 •• •• Fab Four Forever · Imagine ... The Beatles ... with no ticks, no pops, no scratches. The Beatles.on Compact Disc will last forever. Now available, the first four, original British releases, meticulously transfered from master tapes, to Compact Disc. Last Minute Special: Cut out each of the pictured Beatie Compact Discs above and for each receive $3.00 off any other Compact Disc Purchased. One disc per Cutout, valid to March 31. 1987. Ask about our Compact Disc Club. • Metairie: 3213 17th Street- 834-m2 . • Uptown: 7323 Freret- 866-3579 "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Canal Place Presents Features The Great Bars of New "Concerts at the Cafes" Orleans ... ...... ... .... ... 18 The Dew Drop Inn ..........22 Happy Hours Chart . ... .... 21 March 11 Departments March News. 4 )AMES RIVERS MOVEMENT 12:00 Noon-1:30 pm Wavelength Interview. 6 Film .................... 8 One Percent ...............1 0 Aoril16 Chomp Report ............. 1 2 MICHAEL WHITE QUARTET Books .....................14 11 :30 am-1 :30 pm U.S. Indies ........ ......... 16 Reviews ...................17 May 13 March Listings ......... .. ... 24 BOBBY (URE AND THE SUMMERTIME BLUES Classifieds .................29 11 :30 am-1 :30 pm Last Page .................30 Co-sponsored by B-97 FM Cover art by There ts no admiSSIOn charge and the pubhc 1s 1nv1ted to enjoy lunch and Kathleen Joffrion. midday music on the Th1rd Level o( the Canal Place Shopping Centre. PubUstwr. N..1unun S Scou. Edilor. Connte Zcomah Atk1n!'.t'ft . A...oriato F.dltor. Gcn< Sc•r•muun Advortlslna. l:.hubcth hMliJI~. OIJ.nJ N.ida.:. Coatributors. s.~~c Armbru\tcr. Bob I (•at.JIIutt•. R1,:L Coleman. Tum Dolan. Carol Gn1ady. G1t\.1 G~· uunt.:. K.llh)' HaJr, Lynne Hany. P.oH Jully. J;~mc, Lten, Bunny AMERICAN BACKYARD GRILL OMAR'S fAMOUS PIES Mauhcw ... Ru.:L O hv•cr, Ja~un PallcNm. HJmmond Scull. Tantalizing favorites from the backyard barbecue. A sweet selection of mouth watering treats. AlnMl'>l Sinn. Dum: Sln."'CI. Bry;~n Way\.Of'l . L:.turen Zisntmbo 586-1980 5'11~27 T)~rtlphy . O..:vhrvWcnl:!cr A''ociatc,. Wm dn1.~tl1 '' puhh.J\4..-d nl!.mlhly 10 New Orlean,. Telephone: t5tMI K\1~·2.'42 Ma1l 'ub... cnp l ~tln,, addre~' chttnsc' to Wm rl<•ll.~tll. P 0 . Bnx 151>67. New Ork:•n,. LA 70175. Sub· PANDA (AFE ""nruun r.Jtc $12 per )-.:Jr tS20 fnn:l{!n \Urf~--c) Fi"t da..'' A daily changing menu of oriental f~vorites . "'""'·:nf"'ltHh S2M per )Car h.klme,IK' anc.l Canada) AO atrnwtl ICE (REAM fAOORY r..1h: ..11 $-U) per )C.&r (ti\-CN!OL,). 1lk! cnurt c."\lfltenb of Wu\'rltnl(th A variety of your favorite flavors & Italian delights. 586-1980 o~n: ~.:upynl!hh:U • , 1yg7 Wcwrlt"l(t:tlt . 524-6744 a~:L. '""'-"' otn.: .,.,• .ul..1hk: hy -.nrmg to B..~~~.:l ht,,uc,. P 0 . Bo~ I~M7. Nc"' ()rk:""'· LA 70175. S.:..-.u-. of • hmoted 'upply. PAPA'S CANTINA h.M.:L. '''U.:' ttl\! il\'oulilhk fur S4 c:Ok:h Spicy dishes from south of the border . Pk:..1\C ... u.,,. ;a f'c..,., ""cd., fur rn-.:c'-''"~ :.and deh,ery ul· ordt" 525-7301 Nev. Suh-.1..-nb.:" Pkol...C .IJidW up 10 ""'" v..c:d.:' for ""cape or 111"1 MESSINA'S SEAFOOD • '''"'-' Joe w uur 'fll;lll. I'M.wt"umpurcnJed ~Nnptttlft depitt­ A New Orleans seafood tradition. mcnt 58(H)169 h•~.:tt:n -..-u ...hMlll.:" nl<l)' pay by I M 0 . l..,.chcd.. dlil-.n t)fi ill U.S SBARRO'S h..inL. 8..'\:iiU~o.C nt c:·ulfbtliltll botnL. pnW.."e'-'lnl! ch.&f'JC''· we nnnnt Open Monday-Friday at 7:00am ;)f..:f.:Cpt dk."'I.:L.' In Caf\Oid~om dnll..tr" ,. tllhc'r forCil!R currenc.:y. l'l' Pasta, pizza & other ltahan specialties. t.:tk."\·L., u.-.... n un .. h'l\!t~n h.i.nl.. 524-2026 Su~n~"' mu'l nctrafy u' immcdaatc:ly of iliA)" change: of addrc" II oulllk.W~hnn " nut f\."''..'Ct't'cd. ma{!aztnc' "ttnl 10 tncurrect ad­ drc'~' -.all nut be ~pl....,"\.--..1 U.S. c:u,tome" tncluJe zap cOl.lc MRS. fiELD'S COOKIES Vno's Po-Bovs Some of the world's best freshly baked cookies & brownies. A classic New Orleans neighborhood eatery. 523-4847 586-1069 The Perfect Place DIAL DIRECT . to Meet, Eat & Tap Your Feet 504 •895 •1342 only ~12 CANAL PLACE per year Open Monday, Tuesday, Wednesday, Friday & Saturday ·10:00 am-6:00pm Thursday 10:00 am-8:00pm Sunday 1:00pm-6:00pm'" Unless otherwise noted. *Free parking in the Canal Place Garage with any purchase. Please have ticket validated at information booth. MARCH • Wtnrele-.lh 3 ~ /' s Jau Expcnence. It was in the NOTHING ROnEN TEACH THE schools up there and they had a AT CAC's FESTIVAL study gurde. jaa flash cards. ~emi­ OF NEW MUSIC CHILDREN nars. and a couple of weeks· worth Program brings jazz of Jail education for the kids. It ~e CAC has ~treamlined its to city schools was very successful and I thought I musrc program in recent years, away from a ~trict jan for­ At a time when a lot of things 'that really should be here in New moving mat to focus upon composers and people take for granted in New Orleans.' So the next thing I did Orleans arc on the budget chopping was write some grants. I wrote performers from the Gulf Coast re­ gion. Most of the CAC's recent U'y\t\4. block. a jau history prcscntatiQn in grant proposals to the Jazz & Heri­ music offerings go under the head­ our schools could be the link the tage Foundation. to the Arts Coun­ fe~ • ing of New Music Under that ban­ next generation needs to a heritage cil of New Orleans. to the ncr we find Electronic, Tape and LIVE this city has always taken for Louisiana Division of the Arts ENTERTAINMENT granted. Last month "Dr. Ja!Z & through the Am1stad Research Cen­ Computer works along with Cham­ ber pieces. Jau gets it~ due as Sister Second Line" was performed tre and to Links. Inc .. a women's by ALEX CoNZALn well. with last year's Dewey Red­ in 22 publrc schools in Orleans Par­ art group and was able to raise the FRidAy & SAruRdAy NiGim man concert hcing one of the stand­ ish to show the children of the money." Also owrthin the school 6:W, 9:W out music events of 191\6. Eightrcs how thcrr music evolved system. Shrrley Trust Corey in her Thrs year·.., festi\·<d of New Mus­ from their grandparents' musrc. position as supervrsor of Arts in ic II rs various and a~undcr. reflect­ Such a link is needed, considering Education was behind the idea from WE HAVE ing the \\Ilk open cars of (:AC t~c hard-edged and often cynical the beginning and lent invaluable music listened to by today's urban support. music drrector Jay Wcrgel. One fea­ DAily tured event will he a piano recrtal youth. Co-founder of the project The result has been a show that Danny Barker sums it up. "New gets New Orleans krds second hn Saturday. March 14 by Mary Kath­ SpEciAls leen Ernst performing worb by Orleans needs a Jazz awareness pro­ ing in their scats. Juhan Dalcord gram that will be successful at giv­ and Sadie Blake in the title roles Copland. Piston and Glas~ as well as works by li1·ing wmposcrs Roy ing kids a chance to experience brew up their Jazz gumbo on stage Harm. and Larry Alan Smith. their cultural heritage as a positive while explaining the reasoning be­ There arc also concerts featuring force in their lives." hind a jaZl funeral and the defini­ The LSU Ne-w Music Ensemble "Dr Jazz & Sister Second Line" tion of syncopation. In the midst of (March 12) and the Contemporary is a 45-minute presentation accom­ a day of studies, school kids find panied by study materials. The pro­ any music an uplifting break. but Arts Ensemble (March 8). Both of these concerts will showcase the duction deals with the many in­ their excitement truly peaks at the fluences that led to the creation of finale when Sadie breaks into a works of local and regional com­ posers. jazz music around the tum of the "rap" with the band backing her On the jazz side, we find New century. The two actors/singers up, thus showing how flexible jazz Orleans guitarist Steve Masakowski along with a six-piece band strive to is. entertain while educating the stu­ With its local run finished, Eric performing with saxophonist David Liebman on Saturday.
Recommended publications
  • Get Your Butt Off Bourbon Street, and Cross Over To

    Get Your Butt Off Bourbon Street, and Cross Over To

    Rip up your tourist brochures! Get your butt off Bourbon Street, and cross over to the “other side.” Our no-holds-barred insider’s guide only is the thing you’ll ever need to experience New Orleans—and Mardi Gras—the way the coolest locals do. “NEW ORLEANS WAS a place to hide,” wrote Charles Bukowski, the dive sweeping up the horrors of Hurricane Katrina. That means fresh hell if bard and Barfly author. “I could piss away my life there.” you are in the French Quarter, where mounted police are just waiting for Which is what this most infamous city is for most visitors, especially the opportunity to pounce. during Mardi Gras season: a place to get hammered and stay that way, Why get laid over in Obvious Land, when you could be imbibing and lose your shirt, then your shit, hit the strip clubs and tourist traps of inhaling the spookiest, sexiest, tastiest, most haunted and hedonistic Bourbon Street, spend your cash on countless $9 Hurricane drinks and metropolis in the U.S., perhaps the world? “slippery nipple” shooters, all the while screaming, “Show us your tits!” Hide your wallet in your tighty-whities and follow our A-team of ex- at boozy, floozy coeds gone wild. perts—all seasoned veterans of crawling and brawling through every But is that what you really want to do when you’re in this “strange, dec- inch of the city—taking you, among many other best-kept secrets, to adent city,” as vampire novelist Anne Rice called it, for a long (read: lost) the extended block party of the Faubourg weekend? The entire time? BY STEVE GARBARINO Marigny’s Frenchmen Street, as well as a Mardi Gras this year falls on February 24—Fat Tuesday, as it’s called— PHOTOGRAPHS BY rollicking bar run down Magazine Street.
  • ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single

    ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single

    ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1
  • Wavelength (December 1981)

    Wavelength (December 1981)

    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
  • Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans

    Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans

    Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans.
  • Country / Folk

    Country / Folk

    D I E S T I M M E , D I E B E R Ü H R T COUNTRY / FOLK Dolly Parton Jolene Just When I Needed You Most Johnny Cash Falsom Prison Blues Ghostriders In The Sky I Walk The Line Oh Lonesome Me (& Don Gibson) Ring Of Fire Kenny Rogers Islands In The Stream (& Tammy Wynette) Lucille (You Took A Fine Time To Leave Me) You Light Up My Life Kris Kristofferson Help Me Make It Through The Night Me And Bobby Mc Gee The Bellamy Brothers Beautiful Body I Need More Of You Let Your Love Flow Willie Nelson Always On My Mind On The Road Again The City Of New Orleans Billy Ray Cyrus Achy Breaky Heart Olivia Newton-John Banks Of The Ohio Billy Joe Spears Blanket On The Ground Donovan Blowin In The Wind Joe Stafford Carry Me Back To Old Virginia Jim Croce C›est La Vie (You Never Can Tell) John Denver Country Roads Rascal Flatts God Bless The Broken Road Truck Stop Hello Lady Harley Trad. Home On The Ranch Gordon Lightfood If You Could Read My Mind Hank Williams Jambalaya Roger Miller King Of The Road Neil Young Lonesome Me Doobie Brothers Long Train Running Stefan Raab Maschendrahtzaun Texas Lightning No No Never The Mavericks Pizziricco Glen Campbell Rhinestone Cowboy Lynn Anderson Rosegarden Telly Savalas Some Broken Hearts Never Mend Tammy Wynette Stand By Your Man Lucille Star The French Song (Quand Le Soleil Dit Bonjour) Charlie Rich The Most Beautiful Girl Lee Majors The Unknown Stuntman Emily Loo Harris Together Again Tom Astor Tom Dooley Trad.
  • Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “9 to 5”

    Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “9 to 5”

    Lesson Plan for Ovation documentary Song by Song: Dolly Parton “9 to 5” Grade Level – 9-12 Music Language Arts Materials for teacher Ovation’s website www.ovationtv.com/educators Note: It is recommended that teachers view all programming clips associated with this lesson prior to using the content in class. National Standards for Arts Education Music – Grades 9-12 Standard 6 – Listening to, analyzing and describing music Standard 7 – Evaluating music and music performances Standard 9 – Understanding music in relation to history and culture Curriculum Extension for English Language Arts Part I of the lesson is offered as an English Language Arts curriculum extension. It addresses general skills in reading, oral communications, and researching. An additional writing activity is included at the conclusion of Part II. Lesson Overview Students will gain an understanding of the career and music of Dolly Parton, by viewing and discussing segments of a documentary about this legendary country music artist. They will learn about the distinctive musical style of Parton and the personal qualities that helped make her a renowned performer. They will analyze and assess the lyrics and music for a song she composed and performed, “9 to 5,” for the film of the same title. Students will enhance their reading and research skills, exploring topics related to the documentary and to the featured song. The lesson is divided in two parts. Part I includes viewing program clips and discussing content relating to Dolly Parton’s career and her music, in particular the song “9 to 5.” Part II includes analyzing and discussing musical elements of the song “9 to 5” and its association to the film of the same title.
  • 03-26-13 (The Liberty Champion, Volume 30 Issue 18)

    03-26-13 (The Liberty Champion, Volume 30 Issue 18)

    Scholars Crossing 2012 – 2013 Liberty University School Newspaper 3-26-2013 03-26-13 (The Liberty Champion, volume 30 issue 18) Champion Liberty University Follow this and additional works at: https://digitalcommons.liberty.edu/paper_12_13 Recommended Citation Champion, "03-26-13 (The Liberty Champion, volume 30 issue 18)" (2013). 2012 – 2013. 5. https://digitalcommons.liberty.edu/paper_12_13/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2012 – 2013 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. j Today: Sunfly 50/31 Tomorrow: Sunny 48/31 - , ol..... :- ' Tuesday, March 26, 2013 libertychampibn.com Volume 30 • Issue 78 . I spring? . ' Proposed budget ' ' Laure~ Creelonor~ lcre,[email protected] . Lynchburg City Manager Kimball Payne announced the City of Lynch­ bµrg's proposed budget for 2014 on March 12. The budget includes funding for many different areas in the city, ac­ rcording to Payne's proposal. I "We've had a number of difficult bud­ gets over the last four years, especially January of 2009," Payne said. "We've made a number of adjustments, such as cutting spending and erasing tax increas­ es in the new budget and including a pay raise." According to Payne, th~ proposed bud­ get includes money for the general, capi­ tal, airport, water, sewer and storm water funds, among others. Without the begin­ I ning funds and transfers between them, the total amounts to $318.1 million. The 2014 budget is different than pre­ l.
  • Wavelength (April 1981)

    Wavelength (April 1981)

    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson.
  • Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “Coat

    Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “Coat

    Lesson Plan for Ovation documentary Song by Song: Dolly Parton “Coat of Many Colors” Grade Level – 9-12 Music Language Arts Materials for teacher Ovation’s website www.ovationtv.com/educators Note: It is recommended that teachers view all programming clips prior to using the content in class. National Standards for Arts Education Music – Grades 9-12 Standard 6 – Listening to, analyzing and describing music Standard 7 – Evaluating music and music performances Standard 9 – Understanding music in relation to history and culture Curriculum Extension for English Language Arts – Grades 9-12 Part I of the lesson is also offered as an English Language Arts curriculum extension. It addresses general skills in reading, oral communication, and research. A writing activity is included at the conclusion of Part II. Lesson Overview There are two parts to these resources. In Part I, students will gain an understanding of the life, career and music of legendary country music artist Dolly Parton, by viewing and discussing segments of a documentary about this artist. They will be introduced to a significant song composed and performed by Parton. They will learn about the distinctive musical style of Parton and the talents and personal qualities that made her a renowned performer. Students will enhance their reading and research skills, exploring websites on the Internet related to the subjects in the documentary. In Part II, students Page | 1 will listen to, analyze and discuss lyrics and performance of Parton’s song “Coat of Many Colors.” Length of Lesson: 4 – 45-minute class periods Part I Dolly Parton – Early Years, Career, Musicianship – Inspiration to “Coat of Many Colors” Part II Analyzing Musical Elements of “Coat of Many Colors” Instructional Objectives - Students will understand how background influencers impacted creations of significant music artist of the 20th and 21st centuries.

  • In This Issue

    Vol II issue 1 Vol. II, issue 1 1 Photo / Bob Compton Where is Beat Street? There is a place in New Orleans, a figurative address that is home to all that is real. New Orleans Beat Street is the home of jazz. It is also the residence of funk and the blues; R&B and rock ‘n’ roll live here, too. When zydeco and Cajun music come to town, Beat Street is their local address. Beat Street has intersections all over town: from Uptown to Treme, from the Ninth Ward to the French Quarter, from Bywater to the Irish Channel, weaving its way through Mid-City and all points Back o’ Town. Beat Street is the Main Street in our musical village. It is where we gather to dine and to groove to live music in settings both upscale and downhome. Beat Street is where we meet to celebrate life in New Orleans with second line parades, festivals and concerts in the park. Beat Street is lined with music clubs, restaurants, art galleries, recording studios, clothing shops, coffee emporiums and so much more. New Orleans Beat Street is a mythical street in New Orleans surrounded by water and flooded with music. 2 NEW ORLEANS BEAT STREET MAGAZINE Vol. II, issue 1 3 Photo / Michael P. Smith In This Issue... Beat Street returns with a dual focus this month on the inimitable James Booker and the thirtieth anniversary of the Maple Leaf Bar. Eminent Booker scholars David Ku- nian, Tom McDermott and Josh Paxton weigh in on why Booker was so heavy.
  • Wavelength (June 1983)

    Wavelength (June 1983)

    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio.
  • New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa

    New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta