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Tribute to Champions
HLETIC C AT OM M A IS M S O I C O A N T Tribute to Champions May 30th, 2019 McGavick Conference Center, Lakewood, WA FEATURING CONNELLY LAW OFFICES EXCELLENCE IN OFFICIATING AWARD • Boys Basketball–Mike Stephenson • Girls Basketball–Hiram “BJ” Aea • Football–Joe Horn • Soccer–Larry Baughman • Softball–Scott Buser • Volleyball–Peter Thomas • Wrestling–Chris Brayton FROSTY WESTERING EXCELLENCE IN COACHING AWARD Patty Ley, Cross Country Coach, Gig Harbor HS Paul Souza, Softball & Volleyball Coach, Washington HS FIRST FAMILY OF SPORTS AWARD The McPhee Family—Bill and Georgia (parents) and children Kathy, Diane, Scott, Colleen, Brad, Mark, Maureen, Bryce and Jim DOUG MCARTHUR LIFETIME ACHIEVEMENT AWARD Willie Stewart, Retired Lincoln HS Principal Dan Watson, Retired Lincoln HS Track Coach DICK HANNULA MALE & FEMALE AMATEUR ATHLETE OF THE YEAR AWARD Jamie Lange, Basketball and Soccer, Sumner/Univ. of Puget Sound Kaleb McGary, Football, Fife/Univ. of Washington TACOMA-PIERCE COUNTY SPORTS HALL OF FAME INDUCTEES • Baseball–Tony Barron • Basketball–Jim Black, Jennifer Gray Reiter, Tim Kelly and Bob Niehl • Bowling–Mike Karch • Boxing–Emmett Linton, Jr. and Bobby Pasquale • Football–Singor Mobley • Karate–Steve Curran p • Media–Bruce Larson (photographer) • Snowboarding–Liz Daley • Swimming–Dennis Larsen • Track and Field–Pat Tyson and Joel Wingard • Wrestling–Kylee Bishop 1 2 The Tacoma Athletic Commission—Celebrating COMMITTEE and Supporting Students and Amateur Athletics Chairman ������������������������������Marc Blau for 76 years in Pierce -
The Personal Branding of Lucille Ball Honors Thesis
BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Sarah L. Straka San Marcos, Texas December, 2016 BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL by Sarah L. Straka Thesis Supervisor: ________________________________ Dr. Raymond Fisk, Ph.D. Department of Marketing Approved: _________________________________ Heather C. Galloway, Ph.D. Dean, Honors College TABLE OF CONTENTS ABSTRACT……………………………………………….…………..…………………iv CHAPTER I. INTRODUCTION…………………………………………………….….…….1 II. CHILDHOOD………………………………………………………….……...1 III. REBEL………………………………………………………………….….…4 IV. LEADER……………………………………………………...……….....….14 V. ICON……………………………………………………………...………..…17 VI. CONCLUSION……………………………………….............................….18 REFERENCES……………………………………………………………………..........20 CHRONOLOGICAL TIME LINE OF LUCILLE BALL…………………...…..........…21 iii ABSTRACT The extraordinary Lucille Ball was the most loved and iconic television comedian of her time. She was an American icon and the first lady of television during the 1950s. Not only did Lucille Ball provide laughter to millions of people, but Lucille Ball gave women a voice and America heard what she had to say. She showed women they can be accepted, and be in a position both on television and in the working world where they can be strong and independent. She was a leader and set an example for women and showed society that women have a voice to be heard and will be successful, when given the opportunity. Lucille Ball managed her career and created her personal brand by beating all obstacles that were laid in front of her and test boundaries, which lead her to become an entrepreneurial success. Lucille Ball blazed the trails for many women, on and off stage. -
Hollywood Walk of Fame Master Plan Community Meeting Presentation
Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC. -
LUCY GETS the BALL ROLLING By
PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
Lucille Ball and the Vaudeville Heritage of Early American Television Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: White, Rosie (2016) Funny peculiar: Lucille Ball and the vaudeville heritage of early American television comedy. Social Semiotics, 26 (3). pp. 298-310. ISSN 1035-0330 Published by: Taylor & Francis URL: http://dx.doi.org/10.1080/10350330.2015.1134826 <http://dx.doi.org/10.1080/10350330.2015.1134826> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/25818/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published -
AGENDA LOCATION: Virtual Meeting DATE: Thursday, April 15, 2021 TIME: 9:00 A.M
HERITAGE ADVISORY COMMITTEE (HAC) of COUNCIL AGENDA LOCATION: Virtual Meeting DATE: Thursday, April 15, 2021 TIME: 9:00 a.m A. CALL TO ORDER B. APPROVAL OF AGENDA and Minutes 1. Adoption of Agenda 2. Adoption of Minutes of March 18 , 2021 C. BUSINESS 1. Heritage Management Plan – Final Draft 2. In-Fill Design Guidelines 3. Public Engagement 4. Camrose Canadian articles on website D. NEXT MEETING E. ADJOURNMENT HERITAGE ADVISORY COMMITTEE MEETING The Heritage Advisory Committee of the City of Camrose was held virtual by WebEx on Thursday, March 18, 2021, with the following persons in attendance: Committee Councillor David Ofrim Members in Councillor PJ Stasko Attendance Dennis Johnson Shawn Smith Marilyn Murray Administration Aaron Leckie, Manager of Planning & Development In Attendance: Sandy Domes, Recording Secretary / Development Officer Public Attendee: Janet Hatch Committee Dale Brown Member Absent A. Call to Order Chairman D. Ofrim called the virtual meeting to order at 9:05 a.m. B1. Approval of Agenda D.Ofrim requested change to Agenda to include Member Introduction as C.1, and add Indigenous Update as C.4 item. Motion #4/21 Adoption of Amended Agenda, moved by S.Smith – Seconded by D.Johnson CARRIED B2. Adoption of Minutes MOTION #5/21 Adoption of Minutes of February 18th, 2021 meeting, moved by PJ Stasko, - Seconded by D.Johnson. CARRIED C. Business C1. Member Update Page 1 of 5 D.Ofrim welcomed new member, Marilyn Murray to the Committee. Each member and staff gave brief introduction. D.Ofrim informed that he has spoken with member Dale Brown regarding his absentee from recent committee meeting. -
From Conformity to Protest: the Evolution of Latinos in American Popular Culture, 1930S-1980S
From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s A dissertation submitted to the Graduate School of the University of Cincinnati in the partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences 2017 by Vanessa de los Reyes M.A., Miami University, 2008 B.A., Northern Kentucky University, 2006 Committee Chair: Stephen R. Porter, Ph.D. Abstract “From Conformity to Protest” examines the visual representations of Latinos in American popular culture—specifically in film, television, and advertising—from the 1930s through the early 1980s. It follows the changing portrayals of Latinos in popular culture and how they reflected the larger societal phenomena of conformity, the battle for civil rights and inclusion, and the debate over identity politics and cultural authenticity. It also explores how these images affected Latinos’ sense of identity, particularly racial and ethnic identities, and their sense of belonging in American society. This dissertation traces the evolution of Latinos in popular culture through the various cultural anxieties in the United States in the middle half of the twentieth century, including immigration, citizenship, and civil rights. Those tensions profoundly transformed the politics and social dynamics of American society and affected how Americans thought of and reacted to Latinos and how Latinos thought of themselves. This work begins in the 1930s when Latin Americans largely accepted portrayals of themselves as cultural stereotypes, but longed for inclusion as “white” Americans. The narrative of conformity continues through the 1950s as the middle chapters thematically and chronologically examine how mainstream cultural producers portrayed different Latino groups—including Chicanos (or Mexican Americans), Puerto Ricans, and Cubans. -
Canadian Otolaryngology Head and Neck Surgery Fund
Canadian Society of Otolaryngology-Head & Neck Surgery Spring, 2011 – Issue 10 eeNNeewwss Welcome to the Society’s eN ews. We are pleased to provide you with news and information from the ENT community across the country. Please let us know what you think. Send us your comments, letters and submissions for possible publication here. Content 65th Annual Meeting, Victoria, BC - Guest Speakers, Social Program & Link to Scientific Program 1 – 2 - Post-Convention Workshop 2 - Social Program 2 – 3 - Registration and Convention Hotel 3 – 4 - 2011 / 2012 Society Elections 5 - Acknowledgements & Important Notes 4 - Schedule of Committee & Special Group Meetings 5 - Universit y of Manitoba Alumni Evening 5 Canadian Otolaryngology Head & Neck Surgery Fund - A New Fundraising Initiative 6 - Circle of Donors (April 2010 – April 2011) 6 – 7 Upcoming CME Events 7 – 8 Job Opportunity 8 – 9 CSOHNS 65th Annual Meeting May 22 – 24, 2011 Victoria Conference Centre / Fairmont Empress Hotel, VICTORIA, BC “Canadian Otolaryngology: Education and Outreach in the Developing World” President DR. DALE H. BROWN, Toronto, ON Local Arrangements Chairs DR. FRASER NOEL, Victoria, BC DR. KEVIN CLARKE, Victoria, BC Scientific Program Chair DR. FREDERICK K. KOZAK, Vancouver, BC Invited Guests DR. JOHANNES FAGAN, Cape Town, South Africa Podium Presentation: Developing World ENT: Global Responsibility Workshop: Buccinator and Buccal Fat Flap for Oral Reconstruction DR. JAMES SMITH, Portland, OR Podium Presentation: The Growing Globalization of Medical Education: How Can We Make A Difference? 1 Canadian Society of Otolaryngology-Head & Neck Surgery Spring, 2011 – Issue 10 DR. JOSEPH B. ROBERSON, Palo Alto, CA Podium Presentation: Atresia-Microtia: Challenges and New Options Workshop: Mastoid Obliteration with Bone Pate Guest of Honour DR. -
Viewpoints-Flow-Through-Shares-Oil-And-Gas-June-2015.Pdf
VIEWPOINTS: Applying IFRSs in the Oil and Gas Industry FLOW-THROUGH SHARES MAY 2015 Background Current Canadian tax legislation permits oil and gas entities to issue Oil and Gas Industry flow-through shares to investors. Flow-through shares are securities Task Force on IFRSs issued to investors whereby the deductions for tax purposes related Canada’s move to International Financial Reporting Standards to resource exploration and evaluation expenditures (expenditures) (IFRSs) creates unique challenges may be claimed by investors instead of the entity, subject to a for junior oil and gas companies. renouncement process. Financial reporting in the sector is atypical due to significant differ- Renouncement may occur under: ences in characteristics between junior oil and gas companies and • the look-back rule (i.e., the flow-through shares are issued, other types of companies. The renouncement then occurs and eligible expenditures are Canadian Association of Petroleum incurred subsequently); or Producers (CAPP), The Explorers • the general rule (i.e., the flow-through shares are issued, and Producers Association of eligible expenditures are then incurred and renouncement Canada (EPAC) and the Chartered Professional Accountants of Canada occurs subsequently). (CPA Canada) created the Oil and Gas Industry Task Force on IFRSs IFRSs do not specifically address the accounting for flow-through to share views on IFRS application shares or the related tax consequences arising from such transac- issues of relevance to junior oil tions. Pre-changeover accounting standards, however, addressed the and gas companies. The task force views are provided in a series of accounting for flow-through shares in Section 3465, Income Taxes, papers that are available through and EIC-146, Flow-through Shares. -
Lucille Ball Nearly Choked to Death Doing the Grape Stomping Scene in “Lucy’S Italian Movie” Episode (Video)
Lucille Ball Nearly Choked To Death Doing The Grape Stomping Scene In “Lucy’s Italian Movie” Episode (Video) National I Love Lucy Day is observed annually on October 15. This day celebrates one of television’s all-time greatest shows; I Love Lucy. I Love Lucy, an American sitcom starring Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley made its debut on October 15, 1951. The program created a new television experience with the first filmed and scripted program performed before a live audience. The studio literally knocked a hole in a concrete wall creating room for theater seating inviting the once- banned fans to see the stars perform – for free! The new format and I Love Lucy won five Emmy Awards and received numerous nominations. In four of its six seasons, I Love Lucy was the most-watched show in the United States. The sitcom was a world of television firsts. It even ended on a first. The I Love Lucy show became the first to end its run at the top of the Nielsen ratings. In 2002, TV Guide ranked the sitcom television’s 2nd greatest show of all time, and in 2007 it landed on TIME Magazine’s “100 Best TV Shows of All-TIME” list. Lucille Ball’s natural hair color was not red. Her natural hair color was actually brown. Upon entering show business, she dyed her hair blonde first, then finally red. CBS didn’t think that Americans would want to see a TV show about an interracial couple. In 1950, CBS asked Lucille to develop a television sitcom based on My Favorite Husband, the hit radio show which starred herself and Richard Denning. -
Abstract I Love Ricky: How Desi Arnaz Challenged
ABSTRACT I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE by Vanessa de los Reyes Conformity is often associated with television shows during the 1950s. This idea of conformity is conveyed by images of a white middle class family living in the suburbs with Mom as the happy homemaker and Dad as the breadwinner. There is a television show that strayed from that image: I Love Lucy. Desi Arnaz, who played Ricky Ricardo on the wildly successful television show, gave America a taste of the tropics. He created a Cuban persona suitable for American consumption. Ricky’s Cuban culture was a large aspect of the show. He is constantly resisting assimilation. A close examination of the popular television show reveals both Cuban-American tensions and the ways Lucille Ball and Desi Arnaz helped smooth them and make the United States in the 1950s a more inclusive place. It also reveals the struggle over an immigrant’s identity. I Love Lucy questions the common perception of a mid-century homogenous culture. I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of History By Vanessa de los Reyes Miami University Oxford, Ohio 2008 Advisor_______________________________ Dr. Allan M. Winkler Reader________________________________ Dr. Kevin Armitage Reader________________________________ Dr. Stephen Norris © Vanessa de los Reyes 2008 Table of Contents Acknowledgements………………………………………………………………………iv