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The Personal Branding of Lucille Ball Honors Thesis
BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Sarah L. Straka San Marcos, Texas December, 2016 BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL by Sarah L. Straka Thesis Supervisor: ________________________________ Dr. Raymond Fisk, Ph.D. Department of Marketing Approved: _________________________________ Heather C. Galloway, Ph.D. Dean, Honors College TABLE OF CONTENTS ABSTRACT……………………………………………….…………..…………………iv CHAPTER I. INTRODUCTION…………………………………………………….….…….1 II. CHILDHOOD………………………………………………………….……...1 III. REBEL………………………………………………………………….….…4 IV. LEADER……………………………………………………...……….....….14 V. ICON……………………………………………………………...………..…17 VI. CONCLUSION……………………………………….............................….18 REFERENCES……………………………………………………………………..........20 CHRONOLOGICAL TIME LINE OF LUCILLE BALL…………………...…..........…21 iii ABSTRACT The extraordinary Lucille Ball was the most loved and iconic television comedian of her time. She was an American icon and the first lady of television during the 1950s. Not only did Lucille Ball provide laughter to millions of people, but Lucille Ball gave women a voice and America heard what she had to say. She showed women they can be accepted, and be in a position both on television and in the working world where they can be strong and independent. She was a leader and set an example for women and showed society that women have a voice to be heard and will be successful, when given the opportunity. Lucille Ball managed her career and created her personal brand by beating all obstacles that were laid in front of her and test boundaries, which lead her to become an entrepreneurial success. Lucille Ball blazed the trails for many women, on and off stage. -
Hollywood Walk of Fame Master Plan Community Meeting Presentation
Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC. -
LUCY GETS the BALL ROLLING By
PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. -
The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also -
Lucille Ball and the Vaudeville Heritage of Early American Television Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: White, Rosie (2016) Funny peculiar: Lucille Ball and the vaudeville heritage of early American television comedy. Social Semiotics, 26 (3). pp. 298-310. ISSN 1035-0330 Published by: Taylor & Francis URL: http://dx.doi.org/10.1080/10350330.2015.1134826 <http://dx.doi.org/10.1080/10350330.2015.1134826> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/25818/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published -
From Conformity to Protest: the Evolution of Latinos in American Popular Culture, 1930S-1980S
From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s A dissertation submitted to the Graduate School of the University of Cincinnati in the partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences 2017 by Vanessa de los Reyes M.A., Miami University, 2008 B.A., Northern Kentucky University, 2006 Committee Chair: Stephen R. Porter, Ph.D. Abstract “From Conformity to Protest” examines the visual representations of Latinos in American popular culture—specifically in film, television, and advertising—from the 1930s through the early 1980s. It follows the changing portrayals of Latinos in popular culture and how they reflected the larger societal phenomena of conformity, the battle for civil rights and inclusion, and the debate over identity politics and cultural authenticity. It also explores how these images affected Latinos’ sense of identity, particularly racial and ethnic identities, and their sense of belonging in American society. This dissertation traces the evolution of Latinos in popular culture through the various cultural anxieties in the United States in the middle half of the twentieth century, including immigration, citizenship, and civil rights. Those tensions profoundly transformed the politics and social dynamics of American society and affected how Americans thought of and reacted to Latinos and how Latinos thought of themselves. This work begins in the 1930s when Latin Americans largely accepted portrayals of themselves as cultural stereotypes, but longed for inclusion as “white” Americans. The narrative of conformity continues through the 1950s as the middle chapters thematically and chronologically examine how mainstream cultural producers portrayed different Latino groups—including Chicanos (or Mexican Americans), Puerto Ricans, and Cubans. -
Lucille Ball Nearly Choked to Death Doing the Grape Stomping Scene in “Lucy’S Italian Movie” Episode (Video)
Lucille Ball Nearly Choked To Death Doing The Grape Stomping Scene In “Lucy’s Italian Movie” Episode (Video) National I Love Lucy Day is observed annually on October 15. This day celebrates one of television’s all-time greatest shows; I Love Lucy. I Love Lucy, an American sitcom starring Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley made its debut on October 15, 1951. The program created a new television experience with the first filmed and scripted program performed before a live audience. The studio literally knocked a hole in a concrete wall creating room for theater seating inviting the once- banned fans to see the stars perform – for free! The new format and I Love Lucy won five Emmy Awards and received numerous nominations. In four of its six seasons, I Love Lucy was the most-watched show in the United States. The sitcom was a world of television firsts. It even ended on a first. The I Love Lucy show became the first to end its run at the top of the Nielsen ratings. In 2002, TV Guide ranked the sitcom television’s 2nd greatest show of all time, and in 2007 it landed on TIME Magazine’s “100 Best TV Shows of All-TIME” list. Lucille Ball’s natural hair color was not red. Her natural hair color was actually brown. Upon entering show business, she dyed her hair blonde first, then finally red. CBS didn’t think that Americans would want to see a TV show about an interracial couple. In 1950, CBS asked Lucille to develop a television sitcom based on My Favorite Husband, the hit radio show which starred herself and Richard Denning. -
Displaced Catholics " T a N R S D E N V E R C a T H O L I C
I ' Member of Audit Bureau of Circulations ,1 Contents Copyrighted by the Catholic Press Society, Inc., 1947— Permission to Reproduce, Except on WILL FLY FROM NEW YORK DEC 19 Displaced Catholics Articles.,Otherwi8e Marked, Given After 12 M. Friday Following Issue. J e s u i t D e n v e r " T a n r S D E N V E R C A T H O L I C By Paul H. Hallett S e r v e “Das schoene Weinachtsfest [the blessed Feast of Christ- j mas] will be pinpeapinched tand cheerless for us. But in spite of V misery_:________ andj ______povejRyl_ -we__ 1— intend toM live___»» in the spirit of Christ.’ REGISTER So runs a c,cjjafacteristic sentence from a letter*of thanks for The National Catholic *Wel£are Conference News Service Suppiies The Denver Catholic Register. We a CARE package this writer received from a Silesian refugee, Have Also the International News Service (Wire and Mail), a Large Special Service, Seven Smaller E. Berndt, now a teacher in Kulmbach-Aichig, Bavaria. Services; NCWC and Religious News Photos. Price of paper 3 cents a copy. O r d e r R o m e Just 150 years ago Goethe The Rev. James W. Naughton, S.J., 32, son of MMjrs. penned what many think his finest helplessly on as we slowly weaken Intensely Grateful Mary C. Naughton, 3002 Federal boulevard in Denver, work, Hermann und Dorothea, an in mind and body. Our sufferings has been appointed secretary to the Assistant in charge idyl centering about a German girl will not let up; on the contrary who had been uprooted from her thev are growing worse and worse. -
Abstract I Love Ricky: How Desi Arnaz Challenged
ABSTRACT I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE by Vanessa de los Reyes Conformity is often associated with television shows during the 1950s. This idea of conformity is conveyed by images of a white middle class family living in the suburbs with Mom as the happy homemaker and Dad as the breadwinner. There is a television show that strayed from that image: I Love Lucy. Desi Arnaz, who played Ricky Ricardo on the wildly successful television show, gave America a taste of the tropics. He created a Cuban persona suitable for American consumption. Ricky’s Cuban culture was a large aspect of the show. He is constantly resisting assimilation. A close examination of the popular television show reveals both Cuban-American tensions and the ways Lucille Ball and Desi Arnaz helped smooth them and make the United States in the 1950s a more inclusive place. It also reveals the struggle over an immigrant’s identity. I Love Lucy questions the common perception of a mid-century homogenous culture. I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of History By Vanessa de los Reyes Miami University Oxford, Ohio 2008 Advisor_______________________________ Dr. Allan M. Winkler Reader________________________________ Dr. Kevin Armitage Reader________________________________ Dr. Stephen Norris © Vanessa de los Reyes 2008 Table of Contents Acknowledgements………………………………………………………………………iv -
I Love Lucy” Gender Analysis and Its Influence on Opularityp and Longevity
Dominican Scholar Scholarly and Creative Works Scholarly and Creative Works Conference 2020 Conference 2015 Apr 23rd, 6:20 PM - 6:35 PM “I Love Lucy” Gender Analysis and its Influence on opularityP and Longevity Brianna Knoll Dominican University of California Survey: Let us know how this paper benefits you. Knoll, Brianna, "“I Love Lucy” Gender Analysis and its Influence on opularityP and Longevity" (2015). Scholarly and Creative Works Conference 2020. 2. https://scholar.dominican.edu/scw/scw2015/Guz202/2 This Event is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Scholarly and Creative Works Conference 2020 by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. “I Love Lucy” Gender Analysis and its Influence on Popularity and Longevity Brianna Knoll Submitted in Partial Fulfillment of the Requirements for the Degree in Bachelors of Arts in Communications and Media Studies School of Arts, Humanities and Social Sciences Thesis Advisor: John Duvall Dominican University of California San Rafael, California December, 2014 This thesis, written under the direction of the candidate’s thesis advisor and approved by the Chair of the undergraduate program, has been presented to and accepted by the Faculty of the Department of Communications and Media Studies in partial fulfillment of the requirements for the degree of Bachelor of Arts. The content and research methodologies presented in this work represent the work of the candidate alone. _______________________________________ _____________________ [Name ], Candidate Date _______________________________________ _____________________ [Name ], Chair Date _______________________________________ ______________________ [Name ], Thesis Advisor Date Abstract In this thesis, an analytical approach was taken to examine the television show I Love Lucy . -
Class of 1966 50 Th Reunion Yearbook
CLASS OF 1966 TH 50 REUNION Brandeis University TH 50 REUNION June 2016 Dear Classmates: The weather was warm, the skies radiantly blue and sunny, and families and friends gathered at Brandeis University’s amphitheater for an outdoor celebration recognizing their loved ones’ successful completion of an extraordinary four-year journey. That special day — Sunday, June 5, 1966 — will remain etched in my mind forever. Now, here we are once again returning to Brandeis to celebrate another very memorable June event – the 50th Reunion for the Class of 1966. We will reconnect with friends and classmates, share memories of our time at Brandeis and marvel at how the University and we have moved forward over the last five decades. Our 50th Reunion Committee has worked diligently to create a weekend worthy of our “golden celebration” – dinners, discussions, slide shows and social gatherings. A special keepsake of Reunion is the class yearbook. Thanks to all who sent in submissions. We are especially grateful to Phyllis Cohen and Bert Foer for their efforts in spearheading this project. Enjoy these pages filled with stories, life experiences and photos that capture the special connection that bonds us together and to Brandeis. I look forward to celebrating with you. With best wishes, Joe Perkins 50th Reunion Chair Special Thanks On behalf of the Institutional Advancement Division, we would like to thank the members of the Class of 1966 Reunion Committee Joseph Perkins, Chair Phyllis Cohen, Yearbook Coordinator Albert A. Foer, Yearbook Coordinator Robert Peter Aaronson Charlotte Bible Kenneth Davis Richard H. Fertel Michael J. Gundle Gary Neil Jacobs Michael H. -
I Love Lucy” Episodes
TV LAND CELEBRATES THE NEW YEAR WITH “LUCY’S NEW YEAR’S EVE COUNTDOWN,” A MARATHON OF VIEWERS FAVORITE “I LOVE LUCY” EPISODES Visitors Can Log Onto TVLand.com Throughout December To Vote For Their Favorite Episodes New York, NY, December 10, 2008 – TV Land viewers are ringing in 2009 with “Lucy’s New Year’s Eve Countdown” on Wednesday, December 31 from 8AM to 9PM ET/PT, a hilarious showcase of “I Love Lucy” episodes specially voted on by them. Throughout the month of December, TVLand.com has been inviting viewers to vote for their all-time favorite madcap episodes of this series. Tune in on New Year’s Eve day to see which episodes made the cut, from Lucy’s “Vitameatavegamin” commercial to Lucy and Ethel’s candy factory debacle to the legendary episode of Lucy crushing grapes. As an added bonus, visitors to the Web site can also watch classic episode clips, view a photo gallery of iconic pictures from the series and play an “I Love Lucy” trivia game. Lucille Ball stars as the screwball redhead Lucy Ricardo in the timeless comedy “I Love Lucy.” The sitcom revolves around her obsession with breaking into showbiz, her relationship with her Cuban bandleader husband, Ricky (Desi Arnaz) and the crazy antics that she gets them into with their best friends, Fred and Ethel Mertz (William Frawley and Vivian Vance). The situation comedy remains an enduring classic and continues to resonate with every generation. Lucille Ball was posthumously awarded the Legacy of Laughter Award at the TV Land Awards in 2007 for her groundbreaking career and body of work including her hilarious portrayal of Lucy.