L L L L L L L L L L L L L L L L L L L L L
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ICLIP & MAIL Tornadoes Rip Path of Death
PAGE SIXTEEN - EVENING HERALD. Tues.. April 10, 1978 Frank and Emaat EDUCATIONAL TV DINNERS T H f t Y ' P E *'epueArioN AL" i B c n u s B Police Malting Plans Panel Passes Measure Residents Not in Tune Caldwell Stops RSox, r- 1 IF y o u BAT O N E, For the Energy Crisis To Create Gaming Czar To Song of the Rails Jackson Sparks Yanks Page 3 Page 10 Y o u 'L l S e Page 12 Page 13 N B x r t i m b . Strv/CM O lltr td 31 S » n lc 0M OUtrad 31 Painting-Papering 32 Building Contracting 33 E X P E R T PAIN T IN G and INCOME TAX .) P. LEWIS & SON- Interior LEON CIESZYNSKI LANDSCAPING Specializlnf; and Exterior painting, paper BUILDER- New Homes. Ad THW/ti 4-10 Haudipfitpr PREPARATION in Exterior House Painting. hanging, rcmcxieling. carpen ditions. Remodeling. Rec Tree pruning, spraying, try. Fully insured 649-9658. Rooms. 'Garages, FHtchenq Fair Tonight, mowing, wcemng. Call 742- Remodeled. Ceilings. Bath Dogs-BIrdt-Pelt 43 Apaifmentt For Bant 53 Wanted to Bent 57 Autos For Sale 61 ftliSINESS A INDIVIDUAL 7947. ' PERSONAL Paperhanging Tile. Dormers, Roofing Sunny Thursday INCOiME TAXES For particular people, by Residential or Commercim, COCKER SPANIEL THREE BEDROOM USED GAR SPECULS Dick. Call 643-5703 anytime, 649-4291. PUPPIES - AKC Registered. DUPLEX- Stove, I’HEPAHKD - In the com- 1975 nyMOUTH D U tm Details on page 2 Inrl of your home or office, Have shots. Great Easter refrigerator, dishwasher. I'/z TEACHERS- Experienced baths. -
The Leiden Collection Catalogue, 3Rd Ed
Govaert Flinck (Kleve 1615 – 1660 Amsterdam) How to cite Bakker, Piet. “Govaert Flinck” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artists/govaert- flinck/ (accessed September 27, 2021). A PDF of every version of this biography is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Govaert Flinck Page 2 of 8 Govaert Flinck was born in the German city of Kleve, not far from the Dutch city of Nijmegen, on 25 January 1615. His merchant father, Teunis Govaertsz Flinck, was clearly prosperous, because in 1625 he was appointed steward of Kleve, a position reserved for men of stature.[1] That Flinck would become a painter was not apparent in his early years; in fact, according to Arnold Houbraken, the odds were against his pursuit of that interest. Teunis considered such a career unseemly and apprenticed his son to a cloth merchant. Flinck, however, never stopped drawing, and a fortunate incident changed his fate. According to Houbraken, “Lambert Jacobsz, [a] Mennonite, or Baptist teacher of Leeuwarden in Friesland, came to preach in Kleve and visit his fellow believers in the area.”[2] Lambert Jacobsz (ca. 1598–1636) was also a famous Mennonite painter, and he persuaded Flinck’s father that the artist’s profession was a respectable one. Around 1629, Govaert accompanied Lambert to Leeuwarden to train as a painter.[3] In Lambert’s workshop Flinck met the slightly older Jacob Adriaensz Backer (1608–51), with whom he became lifelong friends. -
Adriaan Dortsman (1635–1682)
Adriaan Dortsman (1635–1682) uit de serie Belangrijke Amsterdamse Architecten door Anneke Huijser Adriaan Dortsman 1 ouwmeester Adriaan Dortsman of Dorsman (geboren rond 1635 in Vlissingen Adriaan Dortsman (1635-1682) en begraven 8 oktober 1682 in de Oosterkerk in Amsterdam) was in de zeven- Btiende eeuw een van de belangrijkste architecten die het Hollandse Classicis- me, met name de Nieuwe Stijl, in de bouwkunst introduceerden. Toch is hij wat onderbelicht gebleven ten opzichte van Jacob van Campen en Philips Vingboons. Dortsman kwam uit een geslacht van Vlissingse timmerlieden, leerde het vak van zijn vader, mogelijk Adriaen Adriaensz Dortsman, die in de Walstraat te Vlissingen woonde en in 1658 overleed. De doop- en familiegegevens zijn helaas bij een brand verloren gegaan. In elk geval had Adri- aan, zoals na zijn dood bleek, een broer, Anthony, en drie zusters, Jacomijntje, Elisabeth en Jannetie. Adriaan had grotere ambities dan in zijn familie gebruikelijk was. Hij vertrok in 1653 uit Vlissingen en studeerde o.a. landmeetkunde en vestingbouwkunde, waarschijnlijk in zijn woonplaats Haarlem of in Utrecht rond 1657, waar hij examen deed in landmeetkunde en aldaar zijn certificaat hiervoor behaalde. Hij volgde colleges wiskunde aan de Universiteit van Leiden rond 1658-59. De vroegst bekende tekening die Adriaan Dortsman, mogelijk al omstreeks 1658, in Leiden heeft gemaakt, wordt (volgens Wouter Kuyper in 1982) bewaard in het Leidse gemeente- archief. Het ontwerp is gesigneerd met ‘dortsman’, Het is een pentekening voorzien van arceringen en aquarel in licht grijsblauw. Het blijkt een voorloper te zijn voor zijn latere ont- werpen in Amsterdam. Ook bij de Rijksdienst voor Cultureel Erfgoed (RCE) in Amersfoort worden vroege tekeningen van Adriaan Dortsman bewaard, die helaas niet in de beeldbank van de dienst zijn opgenomen. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Keyser, Thomas De Dutch, 1596 - 1667
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Keyser, Thomas de Dutch, 1596 - 1667 BIOGRAPHY Thomas de Keyser was the second son of Hendrick de Keyser (1565–1621), the famed Dutch architect, sculptor, and municipal stonemason of the city of Amsterdam, and his wife Beyken (Barbara) van Wildere, who hailed from Antwerp.[1] The family lived in a house that was part of the municipal stone yard along the Amstel River, between the Kloveniersburgwal and the Groenburgwal.[2] Thomas and his brothers Pieter and Willem were trained by their father in architecture, and each also became a highly regarded master stonemason and stone merchant in his own right. On January 10, 1616, the approximately 19-year-old Thomas became one of his father’s apprentices. As he must already have become proficient at the trade while growing up at the Amsterdam stone yard, the formal two-year apprenticeship that followed would have fulfilled the stonemasons’ guild requirements.[3] Thomas, however, achieved his greatest prominence as a painter and became the preeminent portraitist of Amsterdam’s burgeoning merchant class, at least until the arrival of Rembrandt van Rijn (Dutch, 1606 - 1669) in 1632. Nothing is known about his artistic training as a painter, which likely occurred in his younger years. Four Amsterdam portraitists have been considered his possible teacher. Ann Jensen Adams, in her catalogue raisonné of Thomas de Keyser, posits (based on circumstantial evidence) that Cornelis van der Voort (c. 1576–1624) -
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam ................................................................................................................. -
Retrospective Analysis of Water Management in Amsterdam, the Netherlands
water Article Retrospective Analysis of Water Management in Amsterdam, The Netherlands Sannah Peters 1,2, Maarten Ouboter 1, Kees van der Lugt 3, Stef Koop 2,4 and Kees van Leeuwen 2,4,* 1 Waternet (Public Water Utility of Amsterdam and Regional Water Authority Amstel, Gooi and Vecht), P.O. Box 94370, 1090 GJ Amsterdam, The Netherlands; [email protected] (S.P.); [email protected] (M.O.) 2 Copernicus Institute of Sustainable Development, Utrecht University, Princetonlaan 8a, 3508 TC Utrecht, The Netherlands; [email protected] 3 World Waternet, P.O. Box 94370, 1090 GJ Amsterdam, The Netherlands; [email protected] 4 KWR Water Research Institute, P.O. Box 1072, 3430 BB Nieuwegein, The Netherlands * Correspondence: [email protected] Abstract: The capital of The Netherlands, Amsterdam, is home to more than 800,000 people. Devel- opments in water safety, water quality, and robust water infrastructure transitioned Amsterdam into an attractive, economically healthy, and safe city that scores highly in the field of water management. However, investments need to be continued to meet future challenges. Many other cities in the world have just started their transition to become water-wise. For those cities, it is important to assess current water management and governance practices, in order to set their priorities and to gain knowledge from the experiences of more advanced cities such as Amsterdam. We investigate how Amsterdam’s water management and governance developed historically and how these lessons can be used to further improve water management in Amsterdam and other cities. This retrospective analysis starts at 1672 and applies the City Blueprint Approach as a baseline water management assessment. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
The Amsterdam Treasure Room the City’S History in Twenty-Four Striking Stories and Photographs
The Amsterdam Treasure Room The city’s history in twenty-four striking stories and photographs Preface Amsterdam’s history is a treasure trove of stories and wonderful documents, and the Amsterdam City Archives is its guardian. Watching over more than 50 kilometers of shelves with old books and papers, photographs, maps, prints and drawings, and housed in the monumental De Bazel building, the archive welcomes everyone to delve into the city’s rich history. Wander through the Treasure Room, dating from 1926. Watch an old movie in our Movie Theatre. Find out about Rembrandt or Johan Cruyff and their times. Marvel at the medieval charter cabinet. And follow the change from a small city in a medieval world to a world city in our times. Bert de Vries Director Treasure Room Amsterdam City Archives 06 05 04 B 03 02 01 08 09 10 Floor -1 C 11 A 12 E 06 F D 05 0 -2 04 03 H 02 G 08 01 09 10 I Floor -2 11 I 12 J I K A D L 0 -2 4 Showcases Floor -1 Showcases Floor -2 The city’s history The city’s history seen by photographers in twelve striking stories 07 01 The first photographs 01 The origins of Amsterdam 08 of Amsterdam Praying and fighting 02 Jacob Olie 02 in the Middle Ages The turbulent 03 Jacob Olie 03 sixteenth century An immigrant city 04 George Hendrik Breitner 04 in the Dutch Golden Age 05 Bernard F. Eilers 05 Amsterdam and slavery Photography studio 06 Merkelbach 06 Foundlings in a waning city Amsterdam Zoo 07 Frits J. -
Chrono- and Archaeostratigraphy and Development of the River Amstel: Results of the North/South Underground Line Excavations, Amsterdam, the Netherlands
Netherlands Journal of Geosciences — Geologie en Mijnbouw |94 – 4 | 333–352 | 2015 doi:10.1017/njg.2014.38 Chrono- and archaeostratigraphy and development of the River Amstel: results of the North/South underground line excavations, Amsterdam, the Netherlands P. Kranendonk1,S.J.Kluiving2,3,4,∗ & S.R. Troelstra5,6 1 Office for Monuments & Archaeology (Bureau Monumenten en Archeologie), Amsterdam 2 GEO-LOGICAL Earth Scientific Research & Consultancy, Delft 3 VU University, Faculty of Humanities, Department of Archaeology, Classics and Ancient Studies, Amsterdam 4 VU University, Faculty of Earth & Life Sciences, Amsterdam 5 VU University, Faculty of Earth & Life Sciences, Earth & Climate Cluster, Amsterdam 6 NCB Naturalis, Leiden ∗ Corresponding author. Email: [email protected] Manuscript received: 28 May 2014, accepted: 2 November 2014 Abstract Since 2003 extensive archaeological research has been conducted in Amsterdam, the Netherlands, connected with the initial phase of the new underground system (Noord/Zuidlijn). Research has mainly focused on two locations, Damrak and Rokin, in the centre of Medieval Amsterdam. Both sites are situated around the (former) River Amstel, which is of vital importance for the origin and development of the city of Amsterdam. Information on the Holocene evolution of the river, however, is relatively sparse. This project has provided new evidence combining archaeological and geological data, and allowed the reconstruction of six consecutive landscape phases associated with the development of the River Amstel. The course of the present-day Amstel is the result of a complex interaction of processes that started with an early prehistoric tidal gully within the Wormer Member of the Naaldwijk Formation, including Late Neolithic (2400–2000 BC) occupation debris in its fill that was subsequently eroded. -
Amsterdam Web.Indd
17 km City cycle tour 10.5 miles This tour will show you many of the different faces of Amsterdam. Of course you’ll see its historic centre with the famous canals where dur- ing the 17th century rich merchants built their stately homes. Next you’ll cycle through the Jordaan district, which used to be a working-class area in the early 17th century. Nowa- days it’s a pleasant neighbourhood with narrow streets and many little shops and pubs, an area which is greatly favoured by youngsters and yuppies. In the Jordaan you may want to visit some almshouses, dat- ing right back to the 17th century. In the Plantage district you’ll find the splendid urban villa’s of the ear- ly 19th century. And in the Spaar- dammer neighbourhood you‘ll see some beautiful examples of wor- king class apartment-buildings, de- signed by architects of the Amster- dam School in the early years of the 20th century. This architectural style made use of rounded shapes and brick ornaments to decorate the buildings. The buildings in the Spaarndammer- buurt are among the most important examples of the Amsterdam School. Last but not least you may be surprised by very modern houses on the banks of the River IJ, built in the late 20th century. Not only old warehouses have been con- verted into modern apartments, brand new residential areas have been built there as well, designed with a variety of architecture. On many occasions you may observe how modern buildings fit very well within the existing architecture. -
Banqueting Menu
BANQUETING MENU TO CREATE MEMORABLE MOMENTS WELCOME TO WALDORF ASTORIA AMSTERDAM Inspired by timeless Dutch history, Waldorf Astoria Amsterdam brings the legendary True Waldorf Service to a storied and unforgettable destination. Once wealthy patrician houses built during the Golden Age, Waldorf Astoria Amsterdam is situated on the UNESCO heritage protected Herengracht - “Gentlemen’s Canal”, the greatest of them all. This unparalleled location makes Waldorf Astoria Amsterdam the perfect venue for an unforgettable conference or celebration in the heart of Amsterdam. With all events catered by the exquisite cuisine of two Michelin Star Executive Chef Sidney Schutte, experience true luxury and enjoy the most memorable moments at this architectural monumental masterpiece, which brings historical charm together with world class amenities and personalized service. BREAKFAST BUFFET 36,00 per person HOT BREAKFAST Medium Poached Eggs Served with Mushrooms, Tomatoes, Smoked Bacon, Scrambled Eggs & Veal Sausage PASTRY SELECTION Croissant, Chocolate Croissant, Muffin & Baguette served with Farmers Butter, Seasonal Jams & Honey FRESH FRUIT Mixed Fruit Salad and Seasonal Berry Salad ORGANIC YOGHURT Plain, Low Fat & Smoothie BREAKFAST CEREALS Muesli, Cruesli, All Bran, Corn Flakes & Special K COLD TOPPINGS Smoked Salmon, Smoked Sirloin, Smoked Ham, Cooked Chicken, Goat Cheese, Reypenaar Cheese & Gouda Cheese DRINKS Coffee or Tea, Skimmed, Whole Fat, Soya or Chocolate Milk JUICES Fresh Orange or Grapefruit Juice Our Special “Van Nahmen” Juices: Apple