DVD Fictions Par Auteur
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FNRS 1 Balloon
Technical Data Sheet 1 FNRS 1 BALLOOn Balloon External diameter : 30 metres Payload : 1000 kg Materials : cotton and rubber Fuel : hydrogen Construction : Riedinger Ballon Fabrik (A), in 1931 The balloon was inflated with hydrogen, since the production of helium was too expensive in 1930. The diameter of the inflated balloon was 30 metres, its volume 14,130 m3. The balloon’s payload was 1000 kg and it was therefore clearly oversized in relation to the load to be carried. Its capacity theoretically enabled it to lift a locomotive! The balloon’s envelope consisted of two layers of cotton bonded by an intermediate layer of rubber. The fabric was dyed yellow (chloramine). This colour absorbs part of the sun’s blue, violet and ultraviolet rays. On take-off the balloon took the shape of a pear. It was only at altitude, when the pressure fell, that the balloon became spherical. Gondola External diameter : 2.10 metres Empty weight : 136 kg Crew : 2 men Endurance : 24 hours Thickness : 3.5 mm Materials : aluminium Portholes : glass Average on board temperature : -2 to + 40°C! Manufacturer of gondola : Georges L’Hoir, Liège (B) Interior equipment : Jacques Destappes, mechanic, Brussels (B) In structural terms, the sphere offers the highest volume for the smallest surface area, and therefore the lowest weight. The 2.10 metre diameter meanwhile, according to Auguste Piccard, is “(…) the smallest dimension in which two observers and a great deal of instrumentation can be accommodated”. The first gondola was painted in two colours. It was thus able to present a light or a dark side to the sun. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
History of Scuba Diving About 500 BC: (Informa on Originally From
History of Scuba Diving nature", that would have taken advantage of this technique to sink ships and even commit murders. Some drawings, however, showed different kinds of snorkels and an air tank (to be carried on the breast) that presumably should have no external connecons. Other drawings showed a complete immersion kit, with a plunger suit which included a sort of About 500 BC: (Informaon originally from mask with a box for air. The project was so Herodotus): During a naval campaign the detailed that it included a urine collector, too. Greek Scyllis was taken aboard ship as prisoner by the Persian King Xerxes I. When Scyllis learned that Xerxes was to aack a Greek flolla, he seized a knife and jumped overboard. The Persians could not find him in the water and presumed he had drowned. Scyllis surfaced at night and made his way among all the ships in Xerxes's fleet, cung each ship loose from its moorings; he used a hollow reed as snorkel to remain unobserved. Then he swam nine miles (15 kilometers) to rejoin the Greeks off Cape Artemisium. 15th century: Leonardo da Vinci made the first known menon of air tanks in Italy: he 1772: Sieur Freminet tried to build a scuba wrote in his Atlanc Codex (Biblioteca device out of a barrel, but died from lack of Ambrosiana, Milan) that systems were used oxygen aer 20 minutes, as he merely at that me to arficially breathe under recycled the exhaled air untreated. water, but he did not explain them in detail due to what he described as "bad human 1776: David Brushnell invented the Turtle, first submarine to aack another ship. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
The History of Dräger Johann Heinrich Dräger (1847–1917) Dr
D The History of Dräger Johann Heinrich Dräger (1847–1917) Dr. Bernhard Dräger (1870–1928) Dr. Heinrich Dräger (1898–1986) Contents 04 The Early Years: From Inventor’s Workshop to Medical and Safety Technology Specialist 10 Turbulent Times: Between Innovation Challenges and Political Constraints 20 New Beginnings: Transformation to a Modern Technology Group 30 Globalization: Realignment as a Global Technology Leader Dr. Christian Dräger (*1934) Theo Dräger (*1938) Stefan Dräger (*1963) Technology for Life for over 120 years Dräger is technology for life. Every day we take on the responsibility and put all our passion, know-how and experience into making life better: With outstanding, pioneering technology which is 100 percent driven by life. We do it for all the people around the world who entrust their lives to our technology, for the environment and for our common future. The key to the continued success of the Company, based in Lübeck, Germany, is its clear focus on the promising growth industries of medical and safety technology, its early expansi- on to international markets, and above all, the trust it has built and maintains with custo- mers, employees, shareholders, and the general public. The Company has always been managed by entrepreneurial members of the Dräger family, who have responsibly met new challenges while never losing sight of the vision: Johann Heinrich Dräger, Dr. Bernhard Dräger, Dr. Heinrich Dräger, Dr. Christian Dräger, Theo Dräger, and now Stefan Dräger. Healthy growth has consistently remained the main objective of the family business and shapes decisions within the Company even now. Founded in 1889 by Johann Heinrich Dräger, the family business has been headed in the fifth generation by CEO Stefan Dräger since 2005. -
Editor Recommended Texts Here Are Some Ideas for Texts and Films That
Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: Monsieur Ibrahim et les fleurs du coran, Eric Schmitt Stupeur et tremblements, Amélie Nothomb Le Petit Prince, Antoine de Saint Exupéry Boule de Suif, Guy de Maupassant Oran, langue morte Assia Djebar (collection of short stories) Le Silence de la mer, Vercors (Jean Bruller) (A-level) Candide, Voltaire (A-Level) o FILMS: Entre les murs, Laurent Cantet (15) https://www.imdb.com/title/tt1068646/ Portrait de la jeune fille en feu, Céline Sciamma (15) https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1 -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Downloaded From
bioRxiv preprint doi: https://doi.org/10.1101/250399; this version posted January 19, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Charting the cross-functional map between transcription factors and cancer metabolism Karin Ortmayr 1, Sébastien Dubuis 1 and Mattia Zampieri 1,* Affiliations: 1 Institute of Molecular Systems Biology, ETH Zurich, Auguste-Piccard-Hof 1, CH-8093 Zurich, Switzerland. *To whom correspondence should be addressed: [email protected] Abstract Transcriptional reprogramming of cellular metabolism is a hallmark feature of cancer. However, a systematic approach to study the role of transcription factors (TFs) in mediating cancer metabolic rewiring is missing. Here, we chart a genome-scale map of TF-metabolite associations in human using a new combined computational-experimental framework for large-scale metabolic profiling of adherent cell lines, and the integration of newly generated intracellular metabolic profiles of 54 cancer cell lines with transcriptomic and proteomic data. We unravel a large space of dependencies between TFs and central metabolic pathways, suggesting that the regulation of carbon metabolism in tumors may be more diverse and flexible than previously appreciated. This map provides an unprecedented resource to predict TFs responsible for metabolic transformation in patient-derived tumor samples, opening new opportunities in designing modulators of oncogenic TFs and in understanding disease etiology. Introduction Transcription factors (TFs) are at the interface between the cell’s ability to sense and respond to external stimuli or changes in internal cell-state1. -
INFORMATION THURSDAY NIGHT SPECIAL - DINNER and FILM Presented by Members of Hastings Pride
39a High Street | Hastings | TN34 3ER | [email protected] | www.electricpalacecinema.com | [email protected] | 3ER TN34 | Hastings | Street High 39a CALENDAR OCTOBER CINEMA Sat 1 July 8pm 20th Century Women Sun 2 July 8pm 20th Century Women Thu 6 July 11am & 8pm Toni Erdmann JULY Fri 7 July 8pm Queen of Katwe Sat 8 July 8pm Queen of Katwe Sun 9 July 7.30pm 8½ Thu 13 July 11am & 8pm Cezanne et Moi Fri 14 July 8pm Hidden Figures Sat 15 July 8pm Hidden Figures Sun 16 July 8pm Duck Soup Thu 20 July 11am & 8pm Certain Women Fri 21 July 8pm Certain Women Sat 22 July 8pm Certain Women Sun 23 July 8pm The Earrings of Madame De Thu 27 July 11am & 8pm A Quiet Passion Fri 28 July 8pm A Quiet Passion Sat 29 July 8pm A Quiet Passion Sun 30 July 8pm The Green Slime NOVEMBER JULY | AUGUST| SEPTEMBER | 2017 | SEPTEMBER AUGUST| | JULY Thu 3 Aug 11am & 8pm Letters From Baghdad Fri 4 Aug 8pm Random Acts Sat 5 Aug Closed for Carnival Night Sun 6 Aug 8pm We Love This Town! Thu 10 Aug 11am & 8pm Frantz AUGUST Fri 11 Aug 8pm The Lost City of Z Sat 12 Aug 8pm The Lost City of Z Sun 13 Aug 8pm Paths of the Soul Thu 17 Aug 11am & 8pm The Handmaiden Fri 18 Aug 8pm The Handmaiden Sat 19 Aug 8pm David Lynch: The Art Life Sun 20 Aug 8pm Invisible Invaders Thu 24 Aug 11am & 8pm The Sense of An Ending Fri 25 Aug 8pm The Sense of An Ending Sat 26 Aug 8pm Who’s Gonna Love Me Now? Sun 27 Aug 8pm The Sense of An Ending Thu 31 Aug 11am & 8pm Their Finest Fri 1 Sept 8pm Their Finest Sat 2 Sept 8pm Monterey Pop Sun 3 Sept 8pm Their Finest Thu 7 Sept -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Guide to the Martin Klein Collection
Guide to The Martin Klein Collection The Francis Russell Hart Nautical Collections Compiled by Anna Britton The Francis Russell Hart Nautical Collection MIT Museum Cambridge, Massachusetts 1 © 2019 Massachusetts Institute of Technology All rights reserved. No portion of this book may be reproduced without written permission of the publisher. Published by The MIT Museum 265 Massachusetts Avenue Cambridge, Massachusetts 02139 TABLE OF CONTENTS 2 Acknowledgments 4 Biographical Note 5 Scope and Content 6 Series Description I: Technical Literature and Archival Material 7 Series Description II: Manuals 27 Series Description III: Slides 30 Appendix A: Artifacts 37 Appendix B: Sonar and Personal Files 38 Appendix C: Reference Books 40 Appendix D: Interviews and Transcripts 44 Acknowledgments The MIT Museum wishes to thank Martin Klein for his long service to the MIT Museum as a member of the Collections Committee and for his interest in assisting the Museum to acquire significant collections documenting undersea sensing technologies. Klein’s own extensive professional and personal collection of archives and slides is the core collection defined in this guide. 3 We also acknowledge Martin Klein’s major support in providing resources to catalog and digitize substantial elements of the Martin Klein Collection. He has also maintained a keen interest in the work and advised on priorities for digitization. The majority of the collection was processed and entered in the Museum’s database by Freya Levett between 2016 and 2017. Additional archival materials were digitized and added to the database by Anna Britton from 2018 to 2019. Anna Britton organized and compiled the content in this guide based on her knowledge of the collection, its database records, and related materials not yet cataloged. -
ARGENTINA (Pop: 44.3 Million; GDP: $912 Billion)
ARGENTINA (Pop: 44.3 million; GDP: $912 billion) (1) ARGENTINA: THEATRICAL MARKET OVERVIEW, 2010-17 2010 2011 2012 2013 2014 2015 2016 2017 Screens 827 800 800 866 867 875 933 963 Theatrical admissions (millions) 38.2 42.5 46.3 46.9 44.2 50.4 50.1 47.5 Per capita attendance 0.94 1.00 1.10 1.10 1.10 1.20 1.20 0.93 Box office (EUR millions*) 127.6 174.6 164.7 188.6 194.0 194.9 254.7 194.2 Average ticket price (EUR*) 3.36 4.70 4.66 4.80 4.29 4.02 5.05 4.08 Releases 290 313 310 370 322 325 403 433 Domestic releases 75 108 102 134 96 79 150 165 US releases 127 119 114 134 129 136 136 129 European releases** 60 56 72 59 82 62 85 91 German releases 7 3 4 4 5 11 4 11 Domestic market share 7.89% 5.40% 6.32% 15.10% 29.80% 14.50% 37.2% 13.1% German market share 0.14% 0.73% 1.43% 0.33% 0.44% 0.12% 0.13% 1.00% *EUR equivalents are calculated throughout at the exchange rate for December 31 of the year in question. **Excluding German majority films Market Study Argentina 2010-2017, published May 2018, by Split Screen for German Films 1 Argentina: Theatrical Market Shares 2010-17 40 35 30 25 20 Domestic 15 German 10 5 Percentage of annual box office Percentage annual of box 0 2010 2011 2012 2013 2014 2015 2016 2017 Argentina: Theatrical Releases 2010-17 500 400 Total 300 Domestic 200 US 100 European German 0 2010 2011 2012 2013 2014 2015 2016 2017 Market Study Argentina 2010-2017, published May 2018, by Split Screen for German Films 2 (2) ARGENTINA: THEATRICAL RELEASES OF GERMAN FILMS, 2010-17 Title Distributor Release date Admissions 2010 German films