October As Italian Heritage Month Kick-Off
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Sport-Scan Daily Brief
SPORT-SCAN DAILY BRIEF NHL 06/07/19 Arizona Coyotes Boston Bruins cont'd 1146137 Arizona Coyotes sign defenseman Robbie Russo to 1146177 Watch Bruins fans give injured Zdeno Chara huge ovation 1-year deal before Game 5 vs. Blues 1146138 It’s safe to say that some of us are a little nuts’: Chara’s 1146178 Watch Bobby Orr, Derek Sanderson serve as Bruins' decision may add to NHL’s playoff lore Stanley Cup Game 5 banner captains 1146179 Bruins' Zdeno Chara (jaw) medically cleared to play in Boston Bruins Game 5 1146139 Painful night all around for Zdeno Chara and Bruins 1146180 Bruins' awesome Stanley Cup Game 5 hype video 1146140 Late non-call stole the show in Bruins’ Game 5 loss features Tom Brady cameo 1146141 Tyler Bozak’s apparent slew foot of Noel Acciari in Game 1146181 Bruins vs. Blues live stream: Watch 2019 Stanley Cup 5 ‘was a missed call on the biggest stage of hockey’ Final Game 5 online 1146142 Series deficit about more than officials, but Game 5 was a 1146182 Who could Bruins banner captains be for Games 5 and 7 crime of the Stanley Cup Final? 1146143 Blues beat Bruins to take 3-2 lead in Stanley Cup Final 1146183 Bruins' scoreless second line has to 'have more of an 1146144 Non-call on third-period trip hard to ignore after 2-1 loss attack mentality' 1146145 Zdeno Chara joins a stellar list of those who played in pain 1146184 ‘It’s safe to say that some of us are a little nuts’: Chara’s 1146146 Bruins’ Matt Grzelcyk out for Game 5 of Stanley Cup Final decision may add to NHL’s playoff lore 1146147 NBC’s Patrick Sharp knows -
View Program
23rd Annual SMITHERS CELEBRITY GOLF TOURNAMENT 2015 Contents Bulkley Valley Health Care & Hospital Foundation ........ 2 Message from the Chairmen ........................ 3 Tournament Rules ................................ 4 Calcutta Rules ................................... 5 rd On Course Activities ............................... 6 23 Annual Course map ..................................... 8 Schedule of Events ............................... 10 SMITHERS Sponsor Advertisers Index ......................... 11 Hole-in-One Sponsors. .11 Other Sponsors .................................. 11 CELEBRITY GOLF History of the Celebrity Golf Tournament .............. 12 Aaron Pritchett ............................. 14 Angus Reid ................................ 14 TOURNAMENT Bobby Orr ................................. 16 Brandon Manning ........................... 20 Chanel Beckenlehner ........................ 22 Charlie Simmer ............................. 22 August 13 – 15, 2015 Dan Hamhuis .............................. 24 Smithers Golf & Country Club Dennis Kearns .............................. 24 Faber Drive ................................ 26 Garret Stroshein ............................ 28 Geneviève Lacasse .......................... 28 Harold Snepsts ............................. 34 Jack McIlhargey ............................ 36 Jamie McCartney ............................ 36 Jeff Carlson, Steve Carlson, Dave Hanson ......... 38 Jessica Campbell ........................... 40 Jim Cotter ................................. 40 Jimmy Watson -
The Montana Kaimin, May 23, 1930
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-23-1930 The onM tana Kaimin, May 23, 1930 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "The onM tana Kaimin, May 23, 1930" (1930). Montana Kaimin, 1898-present. 1173. https://scholarworks.umt.edu/studentnewspaper/1173 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Junior Prom Tonight A JM IR ,TATE U N IV ERSITY OF M O N TA N A , MISSOULA, M O N TA N A FRIDAY, MAY 23, 1930 VOLUME X X IX , NO. 59 IIQHT FORESTRY SENIORS LEAVE \ F in n i Fr(irn _ Junior Prom Tickets DR. E. C. ELLIOTT UNIVERSITY APPEALS ON 1,000-MILE FIELD EXAMINING TRIP | „ 7 , _ Are for Sale Now WILL BE CAMPUS Will Be Held VISITOR MONDAY Itodentt Will Study Forest Conditions at First Hand; May Become ! Tickets for the Junior Prom will TO ALUMNI FOR HELP Annual Scohol Affair. be on sale in Main hall until 4 June 10 to 13 o’clock this afternoon. The tlckels Goes to O. -
Cinelandia Films
c Junio 1930 Mar i ■Ial B Ayuntamiento de Madrid í í Los buques que naífcgan cosías de las Indias Ortcnlales llc\’an siempre canfanunlos d& Qtiaker Oals. y'l Quaker Oats llega a todas partes Zululandiá, país del Africa dcl herméticamente, llega a manos del con EJ Sud, clOualícrOats se está popu sumidor puro y fresco, sin la menor larizando mucho, pues allí como en contaminacicm. Su absoluta pureza, todas partes, su delicioso sabor encanta propiedades nutritivas y sabor exqui y se aprecia su gran valor nutritivo; sito, le han conquistado una supremacía proporcionando el equilibrio necesario universal. en cualquier régimen alimenticio. Ivn millones de hogares se come el El Quaker Oats abunda precisa Quaker Oats todos los días 3' es reco mente en aquellos elementos nutritivos mendado por los médicos del mundo que proporcionan energías, dán salud entero. Se presta para preparar fácil- y reponen las fuerzas gastadas en las mente muchos faenas diarias. Envasado en latas a platos exquisitos gran presión, las cuales son selladas V económicos. Quaker O ats Ayuntamiento de Madrid LAWRENCE TIBBETT famoso astro mundial de la cinta sonora ’TA CANCIÓN DEL GITANO” [The Rogue Song3 alaba la nueva y maravillosa Electrola-Victor con Radio Discos Víctor de la cinta sonora Oiga a Tibbett cantar, en el propio Pida una audición de estos estu "La Canción del Gitano” domicilio de Ud., los éxitos más pendos discos, ejecutados en la forma (The Rogue Song) ruidosos de esta película sensacional. que Tibbett desea que Ud. los oíga, Ud. quedará estupefacto al escu- esto es, tocados en una Electrola- La C a n c ió n del G itan o (The Roi^ue char esta genial interpretación de Víctor o en una Victrola Ortofónica Disco Song) (En inglés) Tibbett, en la cual vibra un realismo legítima. -
Sport-Scan Daily Brief
SPORT-SCAN DAILY BRIEF NHL 05/25/19 Arizona Coyotes Colorado Avalanche 1145158 Pump the brakes: Coyotes ownership discussions 1145188 Why Pavel Francouz’s new deal could signal Semyon ongoing, not new Varlamov’s end with the Avalanche 1145189 Avalanche re-sign Pavel Francouz to a one-year deal Boston Bruins 1145190 BSN Exclusive: Get to know Bowen Byram, the NHL 1145159 Cam Neely believes depth is crucial for Bruins to succeed draft’s best defenseman now 1145191 Avalanche gets their backup goaltender 1145160 Missouri native Trent Frederic bides his time with Black Aces Detroit Red Wings 1145161 Bobby Orr plays some tough defense on Zdeno Chara’s 1145192 Jake Chelios leaves Red Wings organization for Chinese behalf team in KHL 1145162 Bobby Orr reflects on two Bruins-Blues series, 49 years 1145193 Defenseman Jake Chelios leaves Grand Rapids Griffins apart for Russia 1145163 Five questions about Bruins-Blues, answered by our hockey writers Edmonton Oilers 1145164 A closer look at the Blues’ remarkable turnaround this 1145194 Ray Whitney would like Dave Tippett to get coaching job season with Edmonton Oilers 1145165 Charlie Coyle’s path led him away from home, but he’s 1145195 Louie DeBrusk is a parent not broadcaster in Stanley Cup back to win Final 1145166 Jaroslav Halak embraces role backing up path to the Cup 1145196 Dave Tippett’s roster deployment in Arizona and what it 1145167 Bruins’ Jaroslav Halak takes long journey for a shot at the might mean for the Oilers Stanley Cup 1145168 Keys to hot streak Bruins riding into Stanley Cup -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
REF Working Paper 2 WB Musicals
King’s Research Portal Document Version Early version, also known as pre-print Link to publication record in King's Research Portal Citation for published version (APA): Cohen, H. (2013). Warner Bros. and Its First Two Great Depression Musicals: Changing the Form and Reflecting the Times. (pp. 1-32). Department of Culture, Media and Creative Industries, King's College London . Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
“I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios
4 “I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios In their 1928 stockholders’ report, the Hal Roach Studios’ board of directors anticipated the company’s conversion to sound with calm assuredness: The last few months has [sic] witnessed the advent of another element in the produc- tion field; that is, the talking or sound pictures. It is, of course, difficult to foretell what the eventual outcome of talking pictures will be or the eventual form they will assume. One thing is certain, however, that is that they are at the present time an element in the amusement field apparently having a definite appeal to the public, and properly handled, it promises to be a great addition to the entertainment value of pictures and a great aid to the producer in building up the interest in the picture intended. The company has placed itself in a position to gain by any and all new methods and devices introduced in the field.1 Confidence is to be expected in a stockholders’ statement, but for the Roach Studios such an attitude likely came easy, at least in comparison with the com- petition. Unlike the independent producer-distributor Educational—which had initially flubbed its transition by backing the Vocafilm technology—the Roach Studios enjoyed the luxury of a financing and distribution deal with industry powerhouse Loew’s-MGM and opted to follow the parent company’s lead in entering the uncertain waters ahead. The Roach organization was, for example, included in Loew’s-MGM’s initial contract with Electrical Research Products, Inc. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life. -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................