DOCSLIB.ORG

Cinelandia Films

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cinelandia Films c Junio 1930 Mar i ■Ial B Ayuntamiento de Madrid í í Los buques que naífcgan cosías de las Indias Ortcnlales llc\’an siempre canfanunlos d& Qtiaker Oals. y'l Quaker Oats llega a todas partes Zululandiá, país del Africa dcl herméticamente, llega a manos del con­ EJ Sud, clOualícrOats se está popu­ sumidor puro y fresco, sin la menor larizando mucho, pues allí como en contaminacicm. Su absoluta pureza, todas partes, su delicioso sabor encanta propiedades nutritivas y sabor exqui­ y se aprecia su gran valor nutritivo; sito, le han conquistado una supremacía proporcionando el equilibrio necesario universal. en cualquier régimen alimenticio. Ivn millones de hogares se come el El Quaker Oats abunda precisa­ Quaker Oats todos los días 3' es reco­ mente en aquellos elementos nutritivos mendado por los médicos del mundo que proporcionan energías, dán salud entero. Se presta para preparar fácil- y reponen las fuerzas gastadas en las mente muchos faenas diarias. Envasado en latas a platos exquisitos gran presión, las cuales son selladas V económicos. Quaker O ats Ayuntamiento de Madrid LAWRENCE TIBBETT famoso astro mundial de la cinta sonora ’TA CANCIÓN DEL GITANO” [The Rogue Song3 alaba la nueva y maravillosa Electrola-Victor con Radio Discos Víctor de la cinta sonora Oiga a Tibbett cantar, en el propio Pida una audición de estos estu­ "La Canción del Gitano” domicilio de Ud., los éxitos más pendos discos, ejecutados en la forma (The Rogue Song) ruidosos de esta película sensacional. que Tibbett desea que Ud. los oíga, Ud. quedará estupefacto al escu- esto es, tocados en una Electrola- La C a n c ió n del G itan o (The Roi^ue char esta genial interpretación de Víctor o en una Victrola Ortofónica Disco Song) (En inglés) Tibbett, en la cual vibra un realismo legítima. El encanto irresistible de V íctor-! Lawrence Tibbett 1446 La Narrativa (En inglés) increíble.« la canción "Cuando te miro” y el Lawrence Tibbett dramatismo indescriptible de la "La nueva Electrola-Víctor con "Narrativa” causarán a Ud. una Radío es un instrumento que ha emoción profunda. Oiga también la revolucionado la industria fonográ­ famosa "Canción del Toreador” de Disco 1 Te Miro (En inglés) fica”—ha dicho este famoso cantante V,vrr,r J Lawrence Tibbett Carmen. Ud. no ha escuchado jamás 1447 I La Paloma Blanca (En inglés) lírico cuya nueva película sonora ha una interpretación tan sincera y ex­ Lawrence Tibbett causado gran sensación entre los presiva de los sentimientos y la.s aficionados cinemáticos. El entu­ pasiones que vibran en el corazón siasmo de Tibbett corre parejas con humano. TLa Canción del Gitano (The Rogue el que han expresado los artistas Disco I Song) (Fox Trot) más notables del mundo, desde los Con los nuei'os Discos Victor, ejecu­ Victor-Í Shilkret y la Orq. Víctor tados en la Electrola-Victor con Radio 22258 I C u a n d o T e M iro (Fox trot) "ases del jazz” a las figuras más des­ Shillcret y la Orq. Victor lumbrantes del arte sinfónico. o en la Victrola Ortofónica, Ud. podrá deleitarse a su gusto con la inimita­ Los astros y estrellas más famosos ble Tonalidad Victor . con los de Hollywood han instalado en sus éxitos más ruidosos del arte foto­ Disco Gitanos (Vais) suntuosos pcdacios las últimas creacio­ Víctor^ „ . , Concierto génico y coreográfico, con las grandes 68783 Q " e n d a (Vals) nes de la Victor. creaciones del arte lírico y sinfónico l. O rq. Int'l de Concierto Escuche hoy mismo la gloriosa y, en suma, con todas las mejores voz de Tihbect reprodticida fiel­ obras musicales que se han produ­ mente por estos nuevos Discos cido, en el momento preciso que Romanzas de Ópera por Lawrence Tibbett V íctor eléctricos. Uci. desee oirla^. Disco I Carmen—Canción del Toreador La Nueva VíctorJ (En italiano) 8124 Tosca—Te Deum (En italiano) Elecírola-Victor con Disco "Pagliacci—Prólogo—Parte I Radio i No es legítima sin MICR0-SINCR()MC:0 Victor-{ italiano) esta marca! 6587 ‘ ^^KÍiacci—Prologo—?ar(j(í I[ í Búsqucla í (En icaliano^ Victor División, RCA Victor Company, Inc., Camden, New Jersey, E. U*<JcA/ Ayuntamiento de Madrid Reg. U. S. Patent Office TOMO rV—Ho. 6 Member of thc Audit Bureau of Circulatíons JUHIO. 1930 Juan J. Moreno Vernon Johnston Director Gerente Administrador SUMARIO Portada — Mary B ria n ....................................................... por Hal Bla\ely Cartas al D ire c to r.........................................................................................................4 Presentamos una sorpresa que agrada- C in e lá n d ic a s ........................................................... por Juan J. Moreno 7 rá a muchos de nuestros lectores. La novelita “Aves de Paso” . ¡mil per­ Chismes y C u e n t o s ...............................................................por Galo Pando 8 dones! . vean el anuncio en la pági­ na 29. Barro H um ano ....................................... .................................................................10 Hemos tenido que aplazar el artículo G l o r i a ............................................... .... por Virginia Lañe 11 “El triunfo de las feas” para darle pre­ Lawrence Tibbett . ’ ................................por Lorenzo Martínez 12 ferencia a la crítica de la fotofónica “El cuerpo del delito’ por Darío Varona. Lila L e e .........................................................................................................................13 Virginia Lañe nos muestra a la verda­ La Mudez Elocuente ............................................... por Jorge Juan Crespo 14 dera Gloria Swanson y J. Sánchez Esco­ bar nos da una nueva impresión de Ro- A nn H a r d in g .......................................................................por Soledad del Valle 16 nald Colman. Estudios fo to g rá fic o s .................................................................................................17 Impresiones de Hollywood ................................................por Cornelia Dircio 25 Guerra a M u e r t e .......................................................por Carlos F. Borcosque 26 En la próxima . * Gran Concurso de A r t i s t a s ................................................................................. 28 Una gran so rp resa........................................................................................................ 29 Crespo nos da una idea del probable sucesor de Valentino, quien hace reir a Aves de P a s o ....................................... por Agustín Aragón Leiva 30 las damas en vez de cautivarlas con sus Revista de C in ta s ...............................................................por E. L. Espectador 33 encantos. Borcosque nos da un resumen de las Colman, el r e c e l o s o ............................................... por J. Sánchez Escobar 36 Voces de Oro del cine parlante. Voces Idilio G i t a n o .................................................................................................................37 que hasta ahora sólo en la Opera de El Cuerpo del D e l i t o ....................................................... por Darío Varona 38 Nueva York y Milán podían oírse. Dolores Costello es madre feliz de una Platos S a b r o s o s ...............................................................por Elena de Mena 40 nenita que acaba de nacer. Sólo Virgi­ Correo de H o lly w o o d .................................................................................................42 nia Lañe es capaz de llevarnos a visitar­ Caras N u e v a s .................................................................................................................49 la en estos momentos de felicidad ma­ ternal. Modas de H o lly w o o d ................................................................................................. 53 Revista mensual del cine, con oficina de redacción y administración en 1031 S. Broadway. Los Angeles, California. Publicada por !a ' ‘Spanish'American Publish' ing Co.**, con domicilio en la^ dirección ante« citad^ James Irvine. Jr.. Presidente, y Vernon Johnston, Secretario. Hecha para España y las veinte repúblicas de la ibérica Latina, cara Puerto Rico y las Filipinas. Precio: 2? centavos oro norteamericano {o su equivalente en moneda nacional) por el número suelto, y $2.50 (dos :s cincuenta) por la suscrición de doce números. Inscripta como correspondencia de segunda clase en la Offdna de Correos de la Habana. **Cinelandia y7 Films,”X itiuo, Junejuuc 1930-1 7 JU. PubUshcdruuusucu monthly.uiuiiiuiy. VoLvui. 4,*f, No.i'tu. 6.u- BusinessuuoiitvBe Office, 309 Westernw ctficm rdcuicPadflc Bldg., 1031ivjt 9.8. x>ioauwvy,Broadway, Loa A agtíee, Oallf. Subscríption prícc, $2.50 a year. 'Entered as second class matter, March 9, 1928, at the Post Ofnce at Los Angeles, Calif., under the act of March 3, 1879. Inscripta como correspondencia de segunda clase en ta oficina de Correo de Los Angeles, Marzo 9 de 1928. Costos de correo pagados en Los Angele*. Ayuntamiento de Madrid ¡EL IDOLO DE LA VOZ DE OROi El héroe favorito se deja oír en Español NOVARRO ¡Acaba de terminar su primera película hablada TOTALMENTE en ESPAÑOL! El mundo entero aplaude en estos momentos a Mr. Novarro en ESPADA ERRANTE, donde canta una canción en español, y ahora su legión de admiradores espera con entusiasmo LA CASA DE LA TROYA Esta es solamente una de las magníficas produc­ ciones en español que ofrecerá la famosa METRO - GOLDWYN - MAYER Producciones Cinematográficas “Siempre en los mejores cinemas” Ayuntamiento de Madrid Confección Londinense PREMIO DE QUINCE DOLARES y majestad! ¡Guerra al sacrificio del arte noble
Load more

Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Norma Shearer
    Norma Shearer aparecerá nuevamente en la "Divorciada" y "Seamos alegres" de M. G. M. Norma Shearer MY RACKET IS YOU Film sonoro Fox Protagonistas: Fifí Dorsay El Brendel letra de MARCELLA S. OARDNER Música de JAMES F. HANLEV (Con-clusión) C7 F7 hang-in' 'round to mus-de in, see me bus- tle in, opponal B,7 E1, Crni dim 111.111 laz 10111 lic 8111111 111•11 ••111 11111. And just go, Bang! Bangl Zip! more head- unes! 'Neath the stars a - › 11, aglo • o f -0 1 1>t, c> o lii bove Yoll can hi - jack all my love, My rack-et is I « 1, 1":1)9 E11-57 NIP.11E11111PIIIIMIN I 1 1 I E F-7 .137 2 ?t7i • al you! You can you! LEIL,r1 HI-AMS, posee, como el lector puede ver, una piscina muy herniosa donde sumerge cada mañana su mara villoso cuerpo Redacción y AdministracIón: Preelo de suscripcIón al aho: Mallorca, 235, Teléf. 76753 Espaha, y Colonias y América Norte, Centro Sur. 15 BARCELONA y ptas. EL CINE Demás países 25 » en Madrid: Número corriente 30 cts. Delegado Setnanario Cinematográfico Nacional landado en 1911 . » Atrasado. MAURICIO TORRES 60 Director: J. PEREZ DE LA FUEN7 San loaquín, núm. 14 Barcelona, 10 Septbre. 19.1 Redactor-lefe: R. PUENTL LILIAN BOND no se conforma con jugar con las olas sino que busca otros entre tcnimientos In spite of what is being said in the Aincrican press Desde hace tiempo venimos sufriendo una crisis in regards to- the Spanish speaking pictures, we feel sentimental enorme; no hay día en que no encontre rather optimistical about our future as contributors mos en la prensa yanqui noticias desalentadoras res to the new art.
    [Show full text]
  • Anti-Knock I ***§ 400* F
    B-12 THE EVENING STAR, WASHINGTON, D. WEDNESDAY. MAY 23. IQftQ. Walter F. Swanker, will repeat the ! with room for 1.200 cars, and new •Journey's End* Friml. “The Vagabond King" ranks as with selections by the Fox Orchestra so that he and Genevieve eventually comedy for the benefit of the Church i schedn'rs go into effect on the Chesa- At Keith’s Saturday. one of the most beautiful talking and and the Fox Movietone newsreel. are brought together. of Reformation peake Beach Railway Saturday. of C. Sher- singing pictures ever produced. It is The change of bill, if made, will start The Hearst News, the In the auditorium i screen version R. technicolor, Saturday this Metro tone short of that church, at Second and B streets rill's famous play, "Journey’s filmed entirely in and fully of week. subjects and the Columbia re-creates the motley costumes, regal Orchestra and Where southeast, Friday evening at 8 o'clock, > Normandy,” End.” comes to the R-K-O the will complete the program. What’s What "Chimes of splendors and the picturesque squalor i "Dumbbells in Ermine” _ - under the direction of Earnest Kahlert. Jewish Center Sunday. Keith's Saturday. Evelyn THE the of Paris in the days of Villon. Earle's Comic New Feature. "The White The cast will include Miss The tremendous success of Hell of Pit* Pain” “Chimes of Normandy,” a comic Supporting Mr. King are Jeanette Davis, Miss Kathryn Foltz, Miss Mar- | 'J’HE stage play Is so w-ell known that it FIRST NATIONAL and Vitaphone Features Thrills and Surprises at Rialto.
    [Show full text]
  • October As Italian Heritage Month Kick-Off
    VOL. 121 - NO. 40 BOSTON, MASSACHUSETTS, OCTOBER 6, 2017 $.35 A COPY October As Italian Heritage Month Kick-off (Photos by Rosario Scabin, Ross Photography) Speaker of the House Rep. ing October as Italian Heritage seph’s Society to Anthony Amico; Robert De Leo served as Master Month. Domenico Savio Teker pre- of Ceremonies at the 18th an- This year, the Italian Heritage sented two scholarships from News Briefs nual October as Italian Ameri- Committee’s Italian-American the Italian Consulate to Anna can Heritage Month celebration honorees for their professional Bosco and Sara Molho; by Sal Giarratani held in the 3rd fl oor State House achievements included the M. Gioconda Motta presented Chambers on Monday, October Hon. Justice Frank Gaziano for a scholarship from C.A.S.It. to 2nd. The program, sponsored Distinguished Judicial Excel- Marco Sannella; “She’s a Bad Mama Jama” by the Italian Consul General lence; Boston Transportation Kim Altschul and Vincenza Spin- The above song was a big hit for Carl Carlton back in and the Italian Heritage Com- Commissioner Gina Fiandaca azola presented two scholarships 1981, but today it reminds me of Hillary Clinton, who mittee, ushered in a full month for Distinguished Public Ser- from the East Boston Savings seems obsessed with waking up each morning reliving of activities all over the Com- vice; Chef Marisa Iocco for bank to Luis Fernando Garcia her failed 2016 presidential campaign. She’s writing monwealth run by Italian and Distinguished Culinary Arts; Castano and Michael Posada; books no one really wants to read and showing up on Italian-American organizations Dr.
    [Show full text]
  • Thirteenl a You Are Hereby Notified That Special Meeting Will Be Held in the for RENT School Building on Tuesday, No- Vember 22Nd, 1932, Nt 8:00 P
    — it ni • HOLLYWOOD Movies i isyiiig ‘THE LOST SHALL BE FOUNDL») _ GOSSIP To-day The Democrat Lost And Found Ads W8TRICT INTIMATE GLIMPSES AND Probat* Court,sw'ikbef’mS; Th* actual aynamltlng of a A. D. 1932. hrlilire In a convict* dash for ESTATE OF INSIDE STUFF ON THE ■ In freedom !• but on* of tho many _or tbo Town of Watsrbury ■aid deceased. The Admin- spectacular scenes In ’ll Am A District, u da rod to tackle a MOVIE Oan*. a istratrix, having exhibited her ac- COLONY. Fugltixe From A Chatn this Court _uaproducod theme la uiat- count with said estate to — Warner Broa picture which “Thirteen Women” which bogtus a tor allowance, It Is DEPENDABLE -BY PAHTIlOllWfr tracting capacity houaea at War- That the ltth day of three day engagement at the ORDERED, from filmland-. Monte Blue-la back from .a nenf State now. November A. D. 1933 at 10 o’clock, Strand today. Hollywood—Facta the “Scarfac®" of the in the Standard time, at j tour to make two more pictures Paul Muni, forenoon, QUICK Perhaps this Him, co-featurlng three-months' personal appearance stolon careening the Probate Office In Waterbury, be same screen from * Irene Dtmne and Ricardo Cortes, before going on the road again. James Cruse has worn the cap and the 'same for a truck, throw* a stick of dynamite Is, assigned will furernnner of a new while directing during the past tl years. A police force largo enough on the allowance of said be a to blow up a bridge almoat under hearing will care to of is the Metro-Ooldwyn-Mayer account, and the Court directs the cycle of pictures that for a city 10,000 people employed by feet of hia poaae.
    [Show full text]
  • The Montana Kaimin, May 23, 1930
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-23-1930 The onM tana Kaimin, May 23, 1930 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "The onM tana Kaimin, May 23, 1930" (1930). Montana Kaimin, 1898-present. 1173. https://scholarworks.umt.edu/studentnewspaper/1173 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Junior Prom Tonight A JM IR ,TATE U N IV ERSITY OF M O N TA N A , MISSOULA, M O N TA N A FRIDAY, MAY 23, 1930 VOLUME X X IX , NO. 59 IIQHT FORESTRY SENIORS LEAVE \ F in n i Fr(irn _ Junior Prom Tickets DR. E. C. ELLIOTT UNIVERSITY APPEALS ON 1,000-MILE FIELD EXAMINING TRIP | „ 7 , _ Are for Sale Now WILL BE CAMPUS Will Be Held VISITOR MONDAY Itodentt Will Study Forest Conditions at First Hand; May Become ! Tickets for the Junior Prom will TO ALUMNI FOR HELP Annual Scohol Affair. be on sale in Main hall until 4 June 10 to 13 o’clock this afternoon. The tlckels Goes to O.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • REF Working Paper 2 WB Musicals
    King’s Research Portal Document Version Early version, also known as pre-print Link to publication record in King's Research Portal Citation for published version (APA): Cohen, H. (2013). Warner Bros. and Its First Two Great Depression Musicals: Changing the Form and Reflecting the Times. (pp. 1-32). Department of Culture, Media and Creative Industries, King's College London . Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Presents out of This World! November 21
    Presents OUT OF THIS WORLD! NOVEMBER 21 TURNER CLASSIC MOVIES AND BONHAMS: THE DEFINITIVE PARTNERSHIP FOR CLASSIC MOVIE MEMORABILIA TCM PRESENTS... OUT OF THIS WORLD! Tuesday November 21, 2017 at 1pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Dr. Catherine Williamson Front cover: lot 1070 New York, New York 10022 +1 (212) 644 9009 fax Vice President, Director Inside front cover: lot 1010 bonhams.com Entertainment Memorabilia Session page 1: lot 1010 To bid via the internet please visit +1 (323) 436 5442 Session page 2: lot 1070 PREVIEW www.bonhams.com/24465 [email protected] Session page 3: lot 1187 Los Angeles Session page 4: lot 1109 Friday, November 3, Please note that telephone bids Claire Tole-Moir Session page 5: lot 1130 10am to 5pm must be submitted no later than Specialist Session page 6: lot 1166 Saturday, November 4, 4pm on the day prior to the London Session page 7: lot 1190 12pm to 5pm auction. New bidders must also +44 020 7393 3984 Session page 8: lot 1216 Sunday, November 5, provide proof of identity and [email protected] Session page 9: lot 1228 12pm to 5pm address when submitting bids. Session page 10: lot 1314 Dana Hawkes Session page 11: lot 1381 New York Please contact Client Services Consultant Inside back cover: lot 1074 Friday, November 17, with any bidding inquiries. +1 (978) 283 1518 Back cover: lot 1166 10am to 5pm [email protected] Saturday, November 18, Please see pages 172 to 176 12pm to 5pm for bidder information including Caren Roberts-Frenzel Sunday, November 19, Conditions of Sale, after-sale Cataloguer/Administrator 12pm to 5pm collection and shipment.
    [Show full text]
  • “I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios
    4 “I Want Music Everywhere” Music, Operetta, and Cultural Hierarchy at the Hal Roach Studios In their 1928 stockholders’ report, the Hal Roach Studios’ board of directors anticipated the company’s conversion to sound with calm assuredness: The last few months has [sic] witnessed the advent of another element in the produc- tion field; that is, the talking or sound pictures. It is, of course, difficult to foretell what the eventual outcome of talking pictures will be or the eventual form they will assume. One thing is certain, however, that is that they are at the present time an element in the amusement field apparently having a definite appeal to the public, and properly handled, it promises to be a great addition to the entertainment value of pictures and a great aid to the producer in building up the interest in the picture intended. The company has placed itself in a position to gain by any and all new methods and devices introduced in the field.1 Confidence is to be expected in a stockholders’ statement, but for the Roach Studios such an attitude likely came easy, at least in comparison with the com- petition. Unlike the independent producer-distributor Educational—which had initially flubbed its transition by backing the Vocafilm technology—the Roach Studios enjoyed the luxury of a financing and distribution deal with industry powerhouse Loew’s-MGM and opted to follow the parent company’s lead in entering the uncertain waters ahead. The Roach organization was, for example, included in Loew’s-MGM’s initial contract with Electrical Research Products, Inc.
    [Show full text]
  • James W. Phillips Collection
    JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life.
    [Show full text]