Norma Shearer
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Anti-Knock I ***§ 400* F
B-12 THE EVENING STAR, WASHINGTON, D. WEDNESDAY. MAY 23. IQftQ. Walter F. Swanker, will repeat the ! with room for 1.200 cars, and new •Journey's End* Friml. “The Vagabond King" ranks as with selections by the Fox Orchestra so that he and Genevieve eventually comedy for the benefit of the Church i schedn'rs go into effect on the Chesa- At Keith’s Saturday. one of the most beautiful talking and and the Fox Movietone newsreel. are brought together. of Reformation peake Beach Railway Saturday. of C. Sher- singing pictures ever produced. It is The change of bill, if made, will start The Hearst News, the In the auditorium i screen version R. technicolor, Saturday this Metro tone short of that church, at Second and B streets rill's famous play, "Journey’s filmed entirely in and fully of week. subjects and the Columbia re-creates the motley costumes, regal Orchestra and Where southeast, Friday evening at 8 o'clock, > Normandy,” End.” comes to the R-K-O the will complete the program. What’s What "Chimes of splendors and the picturesque squalor i "Dumbbells in Ermine” _ - under the direction of Earnest Kahlert. Jewish Center Sunday. Keith's Saturday. Evelyn THE the of Paris in the days of Villon. Earle's Comic New Feature. "The White The cast will include Miss The tremendous success of Hell of Pit* Pain” “Chimes of Normandy,” a comic Supporting Mr. King are Jeanette Davis, Miss Kathryn Foltz, Miss Mar- | 'J’HE stage play Is so w-ell known that it FIRST NATIONAL and Vitaphone Features Thrills and Surprises at Rialto. -
Thirteenl a You Are Hereby Notified That Special Meeting Will Be Held in the for RENT School Building on Tuesday, No- Vember 22Nd, 1932, Nt 8:00 P
— it ni • HOLLYWOOD Movies i isyiiig ‘THE LOST SHALL BE FOUNDL») _ GOSSIP To-day The Democrat Lost And Found Ads W8TRICT INTIMATE GLIMPSES AND Probat* Court,sw'ikbef’mS; Th* actual aynamltlng of a A. D. 1932. hrlilire In a convict* dash for ESTATE OF INSIDE STUFF ON THE ■ In freedom !• but on* of tho many _or tbo Town of Watsrbury ■aid deceased. The Admin- spectacular scenes In ’ll Am A District, u da rod to tackle a MOVIE Oan*. a istratrix, having exhibited her ac- COLONY. Fugltixe From A Chatn this Court _uaproducod theme la uiat- count with said estate to — Warner Broa picture which “Thirteen Women” which bogtus a tor allowance, It Is DEPENDABLE -BY PAHTIlOllWfr tracting capacity houaea at War- That the ltth day of three day engagement at the ORDERED, from filmland-. Monte Blue-la back from .a nenf State now. November A. D. 1933 at 10 o’clock, Strand today. Hollywood—Facta the “Scarfac®" of the in the Standard time, at j tour to make two more pictures Paul Muni, forenoon, QUICK Perhaps this Him, co-featurlng three-months' personal appearance stolon careening the Probate Office In Waterbury, be same screen from * Irene Dtmne and Ricardo Cortes, before going on the road again. James Cruse has worn the cap and the 'same for a truck, throw* a stick of dynamite Is, assigned will furernnner of a new while directing during the past tl years. A police force largo enough on the allowance of said be a to blow up a bridge almoat under hearing will care to of is the Metro-Ooldwyn-Mayer account, and the Court directs the cycle of pictures that for a city 10,000 people employed by feet of hia poaae. -
Cinelandia Films
c Junio 1930 Mar i ■Ial B Ayuntamiento de Madrid í í Los buques que naífcgan cosías de las Indias Ortcnlales llc\’an siempre canfanunlos d& Qtiaker Oals. y'l Quaker Oats llega a todas partes Zululandiá, país del Africa dcl herméticamente, llega a manos del con EJ Sud, clOualícrOats se está popu sumidor puro y fresco, sin la menor larizando mucho, pues allí como en contaminacicm. Su absoluta pureza, todas partes, su delicioso sabor encanta propiedades nutritivas y sabor exqui y se aprecia su gran valor nutritivo; sito, le han conquistado una supremacía proporcionando el equilibrio necesario universal. en cualquier régimen alimenticio. Ivn millones de hogares se come el El Quaker Oats abunda precisa Quaker Oats todos los días 3' es reco mente en aquellos elementos nutritivos mendado por los médicos del mundo que proporcionan energías, dán salud entero. Se presta para preparar fácil- y reponen las fuerzas gastadas en las mente muchos faenas diarias. Envasado en latas a platos exquisitos gran presión, las cuales son selladas V económicos. Quaker O ats Ayuntamiento de Madrid LAWRENCE TIBBETT famoso astro mundial de la cinta sonora ’TA CANCIÓN DEL GITANO” [The Rogue Song3 alaba la nueva y maravillosa Electrola-Victor con Radio Discos Víctor de la cinta sonora Oiga a Tibbett cantar, en el propio Pida una audición de estos estu "La Canción del Gitano” domicilio de Ud., los éxitos más pendos discos, ejecutados en la forma (The Rogue Song) ruidosos de esta película sensacional. que Tibbett desea que Ud. los oíga, Ud. quedará estupefacto al escu- esto es, tocados en una Electrola- La C a n c ió n del G itan o (The Roi^ue char esta genial interpretación de Víctor o en una Victrola Ortofónica Disco Song) (En inglés) Tibbett, en la cual vibra un realismo legítima. -
Presents out of This World! November 21
Presents OUT OF THIS WORLD! NOVEMBER 21 TURNER CLASSIC MOVIES AND BONHAMS: THE DEFINITIVE PARTNERSHIP FOR CLASSIC MOVIE MEMORABILIA TCM PRESENTS... OUT OF THIS WORLD! Tuesday November 21, 2017 at 1pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Dr. Catherine Williamson Front cover: lot 1070 New York, New York 10022 +1 (212) 644 9009 fax Vice President, Director Inside front cover: lot 1010 bonhams.com Entertainment Memorabilia Session page 1: lot 1010 To bid via the internet please visit +1 (323) 436 5442 Session page 2: lot 1070 PREVIEW www.bonhams.com/24465 [email protected] Session page 3: lot 1187 Los Angeles Session page 4: lot 1109 Friday, November 3, Please note that telephone bids Claire Tole-Moir Session page 5: lot 1130 10am to 5pm must be submitted no later than Specialist Session page 6: lot 1166 Saturday, November 4, 4pm on the day prior to the London Session page 7: lot 1190 12pm to 5pm auction. New bidders must also +44 020 7393 3984 Session page 8: lot 1216 Sunday, November 5, provide proof of identity and [email protected] Session page 9: lot 1228 12pm to 5pm address when submitting bids. Session page 10: lot 1314 Dana Hawkes Session page 11: lot 1381 New York Please contact Client Services Consultant Inside back cover: lot 1074 Friday, November 17, with any bidding inquiries. +1 (978) 283 1518 Back cover: lot 1166 10am to 5pm [email protected] Saturday, November 18, Please see pages 172 to 176 12pm to 5pm for bidder information including Caren Roberts-Frenzel Sunday, November 19, Conditions of Sale, after-sale Cataloguer/Administrator 12pm to 5pm collection and shipment. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
1933-07-09 [P
■ Clubs Are Active I New Symphony Program Musicians in the Week's Musical Many Spotlight Week | Arrangements Debated In City During i Controversy Over the Old Classics and Modernist Various Events Take Place Among Organi- Compositions Again Faces zations, With Events Announced Orchestra Leaders. for Future. Chevy Chase Branch, N. L. of A. P. W. Citizenship League, and Brita Ohbcrg Eversman. New an honor ol By Alice —Mrs. Robert Bennett will entertain at or York, graduate a New York high school, editor of her we have on our next season? luncheon at her home 11 at 1 music shall programs July p.m. high school magazine. Now that there has been time for a full breath of recovery In honor of Mrs. Emma W. P. Slack, The hostesses to these young charges musical intake of the Winter, were of the club Mis* from the continuous president of the branch. Preceding the the president WHAT are turning to the new season and the ever-present Nora B. Huffman; Mrs. Laura Waters thoughts luncheon a there will be business meet- Mrs. Nina Swalm of variety in program making. Shall the classics or mod- Miss Daisy Reed, question ing. Clark. Mrs. Jean Bennett, Mrs. Edna ernists be How much of the new music is de- given preference? Assisting the hostess will be the past Gasch. Mrs. Clara May Downey, Mrs. what are intentions toward the American sired and the composer? presidents, Mrs. Jesse W. Nicholson, Mary Lewis and Mrs. Nell R. Hysontr the auditors These subjects are not new; they have occupied Mrs. -
The Influence of the Exposition Des Arts Décoratifs Et Industriels Moderne, Paris 1925 on Hollywood Films
The Influence of The Exposition des Arts Décoratifs et Industriels Moderne, Paris 1925 on Hollywood Films of the Late 1920s and 30s by Ann Rishell A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Science Approved June 2014 by the Graduate Supervisory Committee: Beverly Brandt, Chair Diane Bender Gray Sweeney ARIZONA STATE UNIVERSITY August 2014 ABSTRACT Abstract The Influence of The Exposition des Arts Décoratifs et Industriels Modernes, Paris 1925, on Hollywood films of the late 1920s and 30s Ann Snyder Rishell Arizona State University The author explores the influences on the interiors of Hollywood films of the late 1920s and 30s. The Exposition des Arts Décoratifs et Industriels Modernes, Paris 1925 is examined in historical context and its influence on design trends internationally. The Hollywood film industry is examined, in general, and Metro-Goldwyn-Mayer and its longtime art director, Cedric Gibbons, in particular. Eight MGM films are discussed and their interiors analyzed for related influence from the 1925 Paris Exposition. The thesis makes a case for the influence of the 1925 Paris Exposition on Cedric Gibbons and the interiors of the MGM films of the late 1920s and 30s. i DEDICATION To my wonderful husband, Mike Rishell, who believed and encouraged me the whole long way. And to my creative daughter, Juliette Sabine, who amazes me every day. ii ACKNOWLEDGEMENTS I would like to acknowledge all the people who have helped me through the thesis process. My brother-in-law, Mike Gebert, who, through late night talks after all the kids were put to bed helped form the germ of an idea that became this thesis. -
14-Num075.Pdf L.Pdf
Núm. Arto 111 Madrid, 14 julio 1929 75 LA PANTALLA.-Semanario español de cinernatografía.-Se publica los dorningos.-Suscripción: Madrid, provincias y posesiones españolas: semestre, 5,50 pesetas; - - 12 Otros semestre, 11 pesetas; año, 20 pesetas. año, 10 pesetas. América, Filipinas y Portugal: semestre, 7 pesetas; año, pesetas. países: 20. Madrid. 19580. - 8015. Redacción y Administración: Paseo de San Vicente, nárnero Teléfono Apartado a Editorial Madrid.-Montera, 40. Centro de anuncios y suscripciones LA PANTALLA: Librería y Propietario: LUIS MONTIEL. - Director: ANTONIO BARBERO. L A ENCANTADORA NORMA SHEARER, CoNUNACOLECCION DE pERRoS QUE ES PERA.N ECLIPSAR ALGUN DIA LA GLO R IA DE *RELimPAGO. Y •CAIPÁSo El cine al través del humorismo La señora que encontró cursi a Greta Garbo A ve una Y de mc lo había tra parece recordar que ya en otra denominar así no bien los "bull-dog" se adentros : "1 mis años, muy después que yo tres oía la em conté esta historia. Sin enteren del caso. poco!", decía, volviendo el rostro hacia gadt> ya veces, voz, que de mi a leerlo a : Mocasiónembargo, hay hechos y aconteci La cinta—que allá en la intimidad de mí, como si buscase el apoyo opi pezaba gritos de los nuevo caballo... mientos en la vida que se mcrecen el la cabina iba desarrollándose con la faci nión: "¡ Jesús! ¡ Qué prisa pasan! —Nicéforo, Y sin ade reprise. lidad con que se desarrollan los niños Si no se entera una siquiera..." se quedaba allí, poder pa,ar lante sin lo de caballo *5* que ctAtivan la gimnasia sueca—era una A los diez minutos de soportar aque y poder corregir cinta cómica. -
Gartenbau-Kino" Und Weitere Informationen Über Einige Interessante Kinos Und Filmpremieren in Wien Zu Dieser Zeit
Wiens altes "Gartenbau-Kino" und weitere Informationen über einige interessante Kinos und Filmpremieren in Wien zu dieser Zeit Das im Baustil der italienischen Renaissance von dem Architekt August Weber (1836 –1903) für die kaiserlich-königliche Gartenbaugesellschaft errichtete "Palais der Gartenbaugesellschaft" am Wiener Parkring 12 – damals noch "Kaiser-Wilhelm-Ring" genannt. Das Palais wurde am 14. Dezember 1864 unter Anwesenheit von Kaiser Franz Joseph I. eingeweiht. Im Hintergrund sieht man das hochgelegene Palais "Coburg" (heute eine vor- nehme Residenz), links dahinter der Turm der Domkirche St. Stephan. In das Hauptgebäude (Mitteltrakt) der ehemaligen Blumensäle des Gartenbau-Palais wurde später das erste "Gartenbau-Kino" eingebaut. Es eröffnete am 10.10.1919 und existierte bis 1960. Ein Artikel aus "Kleine Volks-Zeitung" vom Sonntag, den 02.08.1942: In den Blumensälen ist es einst hoch hergegangen. "Die Gartenbau" auf dem Parkring, eine Stätte ernster Arbeit und froher Lustbarkeit. Mit der Bezeichnung "Gartenbau" verbinden die Wiener von heute in erster Linie den Begriff des weiten Gebäudekomplexes auf dem Parkring. Seine Geschäftsläden, Anlagen und selbst die Keller sind Kapitel einer mehr als hundertjährigen Geschichte des einst vor dem Stadtwall gelegenen Geländes, das man durch das Karolinentor erreichte. Als 1862 dieses Tor zu demolieren begonnen worden war, konnte die Gartenbaugesellschaft ihren Plan verwirklichen und auf den ihr bereits ein Jahr vorher von Kaiser Franz Joseph I. geschenkten Gründen, die teils auf der Bastei, teils im Stadtgraben und auf dem angrenzenden Glacis lagen, eine "Blumenausstellungshalle" [Anm.: das Palais der Gartenbaugesellschaft, be- stehend aus 3 Sälen (den sog. Blumensälen) – dem linken und rechten Flügel und dem Mitteltrakt] und einen damit in Verbindung zu bringenden "öffentlichen Garten" errichten. -
George Hurrell | Time After Time George Hurrell Time After Time
george hurrell | Time After Time george hurrell Time After Time contact Laura Sumser, Exhibitions Manager Curatorial Assistance Traveling Exhibitions 626.577.0044 | [email protected] Famed for his portraits of Hollywood movie stars of the Audiences for this exhibition will have grown up with late 1920s to 40s, George Hurrell created the photographic stars such as David Bowie, Tracey Ullman, Fleetwood lexicon for our contemporary standards of the feminine Mac, The Pet Shop Boys, Freddie Mercury, David and the masculine, and the represetation of desire Byrne and the Talking Heads, Grace Jones, Brooke and beauty. Shields, Natalie Cole, Jerry Hall, Bianca Jagger, Arnold Schwarzenegger, Sharon Stone, and Joan Collins. Through After WWII, however, Hollywood shifted away from these celebrities they can connect to their 1920s through Hurrell’s style as it sought to depict their movie stars in 40s counterparts from Hollywood such as Joan Crawford, a grittier light. By the 1970s Hurrell’s heroic style was Marlene Dietrich, Johnny Weissmuller, Jane Wyman, rediscovered and returned to vogue and Hurrell, in his Humphrey Bogart, Jean Harlow, Douglas Fairbanks Jr, seventies, returned to his studio to photograph a new Clark Gable, Marion Davies, Greta Garbo, Katharine generation of celebrities. Hepburn, and, later, Elizabeth Taylor and Rita Hayworth. This exhibition examines contemporary identity and the For the first time ever this exhibition will present a changing nature of representation by comparing Hurrell’s large number of Hurrell’s colour photographs. These depiction of Hollywood’s golden-era celebrities with his images are visualised in a style directly comparable to the portrayal of the stars of the 1970s, 80s, and 90s. -
The Roots of the American Musical Film (1927-1932)," To
• f^^ NO. 63 The Museum of ModerniMr Arti FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart JUNE 14, 1971 FIRST TIME AMERICAN MUSICAL FILM RETROSPECTIVE FEATURES EARLY MUSICALS NOT SHOWN IN FORTY YEARS Forty musical films, twenty of which have not been seen here in four decades, are part of a major retrospective, titled "The Roots of the American Musical Film (1927-1932)," to be presented over a seven week period, starting Thursday, June 17, at The Museum of Modem Art. Covering the first five years of sound movies, the retrospective, which is the first of its kind, includes such classic film musicals as "Whoopee," starring Eddie Cantor, Al Jolson in "The Jazz Singer," the four Marx Brothers in "The Cocoanuts" and "Rio Rita," starring Bebe Daniels and John Boles, with the famous comedy team Bert Wheeler and Robert Wooley. The music for these films, many of them originally Broadway plays, was provided by Irving Berlin, Sigmund Romberg, De Sylva, Brown and Henderson, Jerome Kern and George Gershwin among other famous composers. This unique series was conceived and assembled by'Miles Kreuger, theatre and film historian, author of an 800 page volume "The American Musical Film," to be published by E. P. Dutton this fall. Mr. Kreuger, who has one of the world' s largest research collections on American musical plays and films, will be present on the opening night to discuss the growth of this indigenous type of American film art "from the technical experimentation of ' The Jazz Singer' in 1927 to the exquisite sophistication and flamboyant artistry of Rouben Mamoulian' s ' Love Me Tonight,' produced only five years later." Burrowing into film vaults from Hollywood to Europe, the Museum has unearthed an original Technicolor print of Marilyn Miller in "Sally," and from Czechoslovakia has come the all-Technicolor print of Sam Goldwyn' s "Whoopee," featuring almost all the principals of the Flo Ziegfeld stage production. -
Architecture and Design in Hollywood Movies of the 1930S Gabrielle Esperdy
198 The Journal of American Culture Volume 30, Number 2 June 2007 From Instruction to Consumption: Architecture and Design in Hollywood Movies of the 1930s Gabrielle Esperdy A white telephone! I’ve always wanted one cinema movie makers and manufacturers recog- of those. nized ‘‘the full potential of film as a merchandiser —Cecile in The Purple Rose of Cairo (1985) of goods’’ (Eckert 99). While Eckert examined clothing and accessories as they appeared in These are the first ‘‘on screen’’ words uttered Hollywood films of the so-called Golden Age by the waitress heroine of Woody Allen’s 1985 (1920s–1950s), architecture and design have yet to film The Purple Rose of Cairo when she leaves a receive the same consideration, a serious oversight Depression-era New Jersey movie theater and lit- given their prominence in this period. erally walks onto the silver screen—and into a Throughout the 1930s, architecture, decorat- Hollywood version of a sleek Manhattan pent- ing, and shelter magazines featured movie sets house. Although her exclamation upon surveying alongside ‘‘real’’ architecture and design, analyz- her new surroundings registers as a witty com- ing them in as much detail as the newest sky- mentary on a decade of American motion picture scrapers and redecorated apartments. But movie set design, it is more incisive than the director sets were unique among buildings and interiors might have realized. For white telephones, along because they had an almost unimaginably huge with streamlined chrome furniture, faceted mir- public—as many as 80 million people per week by rors, glass brick walls, and bakelite floors, were 1938 (Mast 225).