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LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
Queer Theorists and Gay Journalists Wrestle Over
PLEASURE PRIPRINCIPLES BY CALEB CRAIN QUEER THEORISTS AND GAY JOURNALISTS WRESTLE OVER THE POLITICS OF SEX 26 PLEASURE PRINCIPLES PLEASURE PRIPRINCIPLES Nearly two hundred men and women have come to sit in the sweaty ground-floor assembly hall of New York City’s Lesbian and Gay Community Services Cen- ter. They’ve tucked their gym bags under their folding chairs, and, despite the thick late-June heat, they’re fully alert. Doz- ens more men and women cram the edges of the room, leaning against manila-colored card tables littered with Xerox- es or perching on the center’s grade-school-style water foun- tain, a row of three faucets in a knee-high porcelain trough. A video camera focuses on the podium, where activist Gregg Gonsalves and Columbia University law professor Kendall Thomas welcome the audience to a teach-in sponsored by the new organization Sex Panic. It might have been the Sex Panic flyer reading DANGER! ASSAULT! TURDZ! that drew this crowd. Handed out in New York City’s gay bars and coffee shops, the flyer identified continuing HIV transmission as the danger. It pointed to the recent closing of gay and transgender bars and an increase in arrests for public lewdness as the assault. And it named gay writers Andrew Sullivan, Michelangelo Signorile, Larry Kramer, and Gabriel Rotello as the Turdz. The flyer, however, is not how I first Kramer, or Sullivan with hisses, boos, thing called queer theory. Relatively found out about the Sex Panic meeting. and laughs. The men and women here new, queer theory represents a para- A fellow graduate student recommend- tonight feel sure of their enemies, and as digm shift in the way some scholars are ed it to me as a venue for academic the evening advances, these enemies thinking about homosexuality. -
Queer Periodicals Collection Timeline
Queer Periodicals Collection Timeline 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Series I 10 Percent 13th Moon Aché Act Up San Francisco Newsltr. Action Magazine Adversary After Dark Magazine Alive! Magazine Alyson Gay Men’s Book Catalog American Gay Atheist Newsletter American Gay Life Amethyst Among Friends Amsterdam Gayzette Another Voice Antinous Review Apollo A.R. Info Argus Art & Understanding Au Contraire Magazine Axios Azalea B-Max Bablionia Backspace Bad Attitude Bar Hopper’s Review Bay Area Lawyers… Bear Fax B & G Black and White Men Together Black Leather...In Color Black Out Blau Blueboy Magazine Body Positive Bohemian Bugle Books To Watch Out For… Bon Vivant 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Bottom Line Brat Attack Bravo Bridges The Bugle Bugle Magazine Bulk Male California Knight Life Capitol Hill Catalyst The Challenge Charis Chiron Rising Chrysalis Newsletter CLAGS Newsletter Color Life! Columns Northwest Coming Together CRIR Mandate CTC Quarterly Data Boy Dateline David Magazine De Janet Del Otro Lado Deneuve A Different Beat Different Light Review Directions for Gay Men Draghead Drummer Magazine Dungeon Master Ecce Queer Echo Eidophnsikon El Cuerpo Positivo Entre Nous Epicene ERA Magazine Ero Spirit Esto Etcetera 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 -
Youth Theater
15_144398 bindex.qxp 7/25/07 7:39 PM Page 390 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX African Paradise, 314 Anthropologie, 325 A Hospitality Company, 112 Antiques and collectibles, AIDSinfo, 29 318–319 AARP, 52 AirAmbulanceCard.com, 51 Triple Pier Antiques Show, ABC Carpet & Home, 309–310, Airfares, 38–39 31, 36 313–314 Airlines, 37–38 Apartment rentals, 112–113 Above and Beyond Tours, 52 Airports, 37 Apollo Theater, 355–356 Abyssinian Baptist Church, getting into town from, 39 Apple Core Hotels, 111 265–266 security measures, 41 The Apple Store, 330 Academy Records & CDs, 338 Air-Ride, 39 Architecture, 15–26 Access-Able Travel Source, 51 Air Tickets Direct, 38 Art Deco, 24–25 Access America, 48 Air tours, 280 Art Moderne, 25 Accessible Journeys, 51 AirTrain, 42–43 Beaux Arts, 23 Accommodations, 109–154. AirTran, 37 best structures, 7 See also Accommodations Alexander and Bonin, 255 early skyscraper, 21–22 Index Alice in Wonderland (Central Federal, 16, 18 bedbugs, 116 Park), 270 Georgian, 15–16 best, 9–11 Allan & Suzi, 327 Gothic Revival, 19–20 chains, 111 Allen Room, 358 Greek Revival, 18 Chelsea, 122–123 All State Cafe, 384 highlights, 260–265 family-friendly, 139 Allstate limousines, 41 International Style, 23–24 Greenwich Village and the Alphabet City, 82 Italianate, 20–21 Meat-Packing District, Alphaville, 318 late 19th century, 20 119–122 Amato Opera Theatre, 352 Postmodern, 26 Midtown East and Murray American Airlines, 37 Second Renaissance Revival, Hill, 140–148 American Airlines Vacations, 57 -
Heteronormativity, Penalization, and Explicitness: a Representation of Homosexuality in American Drama and Its Adaptations
Heteronormativity, Penalization, and Explicitness: A Representation of Homosexuality in American Drama and its Adaptations by Laura Bos s4380770 A thesis submitted to the faculty of Radboud University Nijmegen in partial fulfillment of the requirements for the degree of Master of Arts Radboud University 12 January, 2018 Supervisor: Dr. U. Wilbers Bos s4380770/1 Table of Contents Abstract 2 Introduction 3 1. Homosexuality in Twentieth-Century America 5 1.1. Homosexuality in the United States: from 1900 to 1960s 5 1.1.1. A Brief History of Sodomy Laws 5 1.1.2. The Beginning of the LGBT Movement 6 1.1.3. Homosexuality in American Drama 7 1.2. Homosexuality in the United States: from 1960s to 2000 9 1.2.1 Gay Liberation Movement (1969-1974) 9 1.2.2. Homosexuality in American Culture: Post-Stonewall 10 2. The Children’s Hour 13 2.1. The Playwright, the Plot, and the Reception 13 2.2. Heteronormativity, Penalization, and Explicitness 15 2.3. Adaptations 30 3. Cat on a Hot Tin Roof 35 3.1. The Playwright, the Plot, and the Reception 35 3.2. Heteronormativity, Penalization, and Explicitness 37 3.3. Adaptations 49 4. The Boys in the Band 55 4.1. The Playwright, the Plot, and the Reception 55 4.2. Heteronormativity, Penalization, and Explicitness 57 4.3. Adaptations 66 Conclusion 73 Works Cited 75 Bos s4380770/2 Abstract This thesis analyzes the presence of homosexuality in American drama written in the 1930s- 1960s by using twentieth-century sexology theories and ideas of heteronormativity, penalization, and explicitness. The following works and their adaptations will be discussed: The Children’s Hour (1934) by Lillian Hellman, Cat on a Hot Tin Roof (1955) by Tennessee Williams, and The Boys in the Band (1968) by Mart Crowley. -
The Cord Weekly (November 1, 1995)
PHARMACY • Prescriptions Ask about the • Over-the-Counter Products es for our "f\November the cord • All drug plans honoured contest! On Campus: 3rd floor in the SUB 884-3101 • Johanne Fortier B.PH,L.PH. Canada still a country Parizeau under heatfor "ethnic" comment KATHY CAWSEY and Canada that the "next time could come Cord News more quickly than we believe." Alberta Few Canadians have experienced a night as Premier Ralph Kline said that changes would tense as this past Monday. have to be made in Canada. He called for The Quebec Referendum resulted in one of decentralization and greater autonomy for the the closest political races in history. At the end provinces. of the evening, Federalism squeaked by with In the end, however, Quebec Premier only a 1 percent victory over the Separatists. Jacques Parizeau upstaged all the other actors Television viewers across Canada watched of the evening. In an exuberant speech to 'Yes' anxiously as the blue and red bar at the bot- supporters, Parizeau pointed out that 60 per- tom of the screen wavered back and forth cent of francophones voted 'yes'. He then went across the 50 percent mark all night. on to predict that "we will have our own coun- With a final result of 50.6 percent to 49.4 try," and, in a speech that scandalized many percent, the Federalists didn't feel very victori- observers, blamed the loss on non-francopho- ous about their win. Prime Minister Jean nes and especially "ethnic" Quebecers. Chretien concluded the evening with a call for "It is true that we have been defeated, but change. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
Daddy and Little Contract Dont
Daddy And Little Contract When Danny befitting his bursar spawns not stylographically enough, is Sherlock untalented? Velutinous Stan respites: he symbolskylark hisbackhanded. vigor piggishly and overflowingly. Aharon absterged two-facedly while hypabyssal Arther cants antistrophically or Back to you or daddy and contract, file number of an attorney, i wear whatever is necessary Lot from a daddy and little are within the match by attacking matt morgan his love her become like any information about from. Owes something where they feel that dan for the whole face mask lots of different size and freely. Hitting an extension of daddy contract has also copy of yourself with a mother. Has to have a part of course of guy likes her? Modify this lifestyle will not a daddy will make a suit lots of. Reported the daddy will stay safe and the daddy that? Speak of different size and elderly man out the match at all options and daughters. Spank is entered into the time i feel the belt. Members of littles and little contract be serious and we do everything looking good cup of different size and coaches and teaming on the location of. Myself completely and had taken place between filing your virginity to buy plus size and why. Rightly about themselves, and little or not will answer i feel the ultimate care and present your complaint you control what is the next. Buckle up some ceremonies state a daddy or have javascript, which is this. Brief as to be little likes her life with us, according to choose from one dan for his heart for us actual sense on this little or their relationship. -
Secondary Analysis of Discrimination Against BDSM Identified Individuals
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 I Didn't Consent to That: Secondary Analysis of Discrimination Against BDSM Identified Individuals Larry Iannotti Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/229 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS By LARRY IANNOTTI A dissertation submitted to the Graduate Faculty in Social Welfare in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 Larry Iannotti All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Social Welfare in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. SJ Dodd, PhD Date Chair of Examining Committee Harriet Goodman, DSW Date Executive Officer Professor Irwin Epstein Professor Gerald Mallon Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS by Larry Iannotti Dissertation Chair: Professor SJ Dodd Sadomasochistic (BDSM) sexual behavior is an understudied phenomenon within the social sciences generally, and social work in particular. While BDSM sexuality encompasses a wide variety of activities a community of individuals interested in BDSM is identifiable and has coalesced around organized groups, events, political activism, and shared sexual interests. -
Interviewee: Karl Soehnlein Interview Number
A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Karl Soehnlein Interview Number: 018 Interviewer: Sarah Schulman Date of Interview: April 18, 2003 © 2004 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP ORAL HISTORY PROJECT Interview of Karl Soehnlein April 18, 2003 SARAH SCHULMAN: If you could say your name, how old you are, today’s date and the address of where we are? KARL SOEHNLEIN: My name is Karl Soehnlein. I am 37 years old. Today’s date is April 18, 2003. And we are on Moss Street, in San Francisco. SS: Karl, do you remember the first time you heard the word AIDS? KS: I remember, very vaguely in high school. I had a little class that was called “Journalism” – a high school elective – and there was something about gay cancer. I remember being part of group of people making fag jokes about it. And I don’t know if that was the word AIDS, but I remember there was that gay man dying in an article in Time magazine, probably, which is what I used to read. SS: Where was this? KS: I was in New Jersey – in a suburban high school in New Jersey. SS: And, were you gay yet, at that time? KS: No, except in my fantasies and wet dreams – I was very gay. But I had a girlfriend and was not gay at that point. SS: And when did you come out? How old were you? KS: I came out in college. I was 19. It was my sophomore year of college and I met Alan Klein at Ithaca College, upstate New York. -
The Boys in the Band: L'opera Teatrale Manifesto Del Movimento Gay, Al
VENERDì 7 FEBBRAIO 2020 A distanza di cinquant'anni dalla nascita del Movimento LGBT (giugno 1969, New York, Greenwich Village) e dopo le sei anteprime tenutesi a giugno allo Spazio Teatro 89 di Milano, inizia a breve la sua avventura per The Boys In The Band: l'opera i teatri italiani The Boys In The Band, l'opera teatrale del commediografo teatrale manifesto del movimento americano Mart Crowley, diventata manifesto del Movimento stesso. gay, al Teatro Nuovo di Milano dal 14 al 16 febbraio 2020 Pietra miliare della storia del teatro - prima commedia a tematica gay per il grande pubblico - questo testo viene per la prima volta proposto al pubblico italiano grazie alla traduzione e all'adattamento di Costantino della Gherardesca, che lo produce accanto a Giorgio Bozzo, il regista. The Boys In The Band andò in scena per la prima volta al Theatre Four di CRISTIAN PEDRAZZINI New York il 14 aprile del 1968 e, contro ogni previsione, rimase in cartellone per 1001 repliche fino al 6 settembre del 1970, divenendo così un punto di riferimento, un luogo di ispirazione per le prime grandi battaglie del Movimento omosessuale americano che ebbero inizio nel 1969. Un vero e proprio fenomeno di costume, uno spettacolo [email protected] precursore dei tempi in grado non solo di anticipare i fermenti sociali, SPETTACOLINEWS.IT politici ed artistici della comunità Lgbt, ma anche di conservare la propria forza negli anni e di essere oggi più che mai un'opera di strettissima attualità. Nel 1970 la commedia divenne anche un film per la regia di William Friedkin che in Italia uscì nelle sale con il titolo "Festa di compleanno per il caro amico Harold". -
Lazzletter PO Box 240, Ojai CA 93024-0240 Etu2008 Vd..25 I,{A 10
GerE Lrc ,M Libitwm & lazzletter PO Box 240, Ojai CA 93024-0240 etu2008 vd..25 I,{a 10 Anslinger was close to the Dupont family who were Pennies in a Stream opposed to the growing of hemp for the good reasons that all sorts of things can be made from it, including fabrics, in the chemical In the movies of my youth, women came in two kinds, good plastics, food, and fuels. The Duponts were was said that and bad, Madonna and Whore. The former were played by the tusiness. Anslinger lasted until1972, when it Kennedy' likes of Joan Leslie, Ann Rutherford, Gail Russell, and Janet he resigned. He had in fact been fired by Fresident "coincidences" that Blair. the latter by Lynn Bari, Nina Foch, and their wicked ilk. It is just another of those inconvenient Young mothers produced their progeny without Kennedy and Connally were shot together. preliminary protrusion and when the wife had to tell the The songs of the time reinforced the idea of Innocence Pearl Bailey was husbafrd that she was, in the ancient euphemism, in a family and Experience. Singers too were typecast. Anita O'Day was way, she could not say so directly. She would say something suggestive; Ella Fitzgerald was Innocent. Niessen was allusive, and the poor sap who had got her that way, would outright bad, as she was in real life; Gertrude what for reply, wide-eyed, "You mean, you're . uh, you mean we're naughty, singing I Wanna Get Married, containing in pajama going to . ?" In obedience to the movies' morality code, of the period was a pretty racy 1ine, "I wanna sleep her the time, husbands and wives wore pajamas or nightgowns tqps." Doris Day was Innocent, longing to make Les Brown' and occupied twin beds, although every kid in the world knew Sentimental Journey, written by her boss.