Genoa, Italy 2020-01-18
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Lorraine Simonis
The Kingdom, the Power and the Glory: the Albigensian Crusade and the Subjugation of the Languedoc A Thesis Submitted in Partial Fulfillment of the Requirements for a Bachelor of Arts Degree with Honors in Medieval and Renaissance Studies Lorraine Marie Alice Simonis Washington and Lee University April 11, 2014 David Peterson, Advisor Alexandra Brown, Second Reader 2 Table of Contents Acknowledgements 4 Notes 5 Timeline 7 Illustrations 9 Introduction 12 Chapter 1: “The Little Foxes Spoiling the Vineyard of the Lord” 17 Religious Dissent The Medieval Church and Heresy Cathar History and Cosmology Chapter 2: “The Practical Consequences of Catharism” 30 The Uniqueness of the Cathars Cathars and Clerics The Popular Appeal of Catharism Chapter 3: “The Chief Source of the Poison of Faithlessness” 39 The Many Faces of “Feudalism” Chivalric Society vs. Courtly Society The Political Structure of the South The Southern Church Chapter 4: “The Business of the Peace and of the Faith” 54 The Conspicuous Absence of the Albigensians A Close Reading of the Statutes of Pamiers and the Charter of Arles Pamiers Arles Conclusion 66 3 Bibliography 72 Primary Sources Secondary Sources 4 Acknowledgements First and foremost, I’d like to thank my readers, Profs. Peterson and Brown, for all of their guidance and support – not only in writing this thesis, but throughout my time at Washington & Lee. If it weren’t for Prof. Peterson, who introduced me to the Medieval & Renaissance Studies program while I was still a prospective student, I may never have developed an interest in this topic in the first place. Thanks also to all the professors who’ve made my time here at Washington & Lee so special and successful, especially Profs. -
Architectural Record
tTbe VOL VI APRIL-JUNE, 1897. NO. 4. WOODEN HOUSES IN SWITZERLAND. to the Geneva National amples presented have been taken VISITORSExposition of 1896 have had an from almost all parts of Switzerland, opportunity to admire quite a and we find every architectonic form large number of wooden buildings of wooden house, from the humblest typical of those peculiar to the different and most modest, such as the little Cantons of Switzerland chalets for chalets (mazots) built high up on the mountain, valley and plain, country mountains to shelter the cowherds in houses, etc. of various epochs, from summer time, to the richest and most the sixteenth century to the present day, artistic creations in the way of carved all grouped together under the title of and painted fagades adorning cha- the "Swiss Village." The idea in the lets of the valley and of the plain, minds of the organizers of the Expo- handsome inns, or dwellings of well- sition was to give a sort of epitome of to-do farmers, such as the Chalet de one of the most interesting, and cer- Fischental or the Auberge de Treib. tainly the most original chapters in Everything is authentic enough to the history of Swiss art that of house satisfy the most exacting of archae- building in wood and it was import- ologists. Imagination has been ant that visitors should have before brought into play only in the group- their eyes a picture of the surround- ing of the chalets and the arranging ings amid which former generations in a village street, square, lanes, passed their lives, and should see pump, etc. -
Welcome to Amico Shipyard
WELCOME TO AMICO SHIPYARD A guide to help you and your crew www.amicoshipyard.com Index 1 | Welcome to Amico & Co 5 2 | Inside the yard 9 3 | Getting to and from the shipyard 13 4 | Driving and parking in Genoa 17 5 | Provisioning and shopping 23 6 | Sports 29 7 | Eating out and entertainment 35 8 | Sightseeing in Genoa and around 47 9 | Recommended service providers 57 4 1 | Welcome to Amico & Co Welcome to Amico & Co shipyard Amico Services is the name of our highly qualified concierge department, where skilled personnel handle all kinds of customer service requests. Amico Services was created by Amico & Co specifically to help you and your crew during your stay here in the shipyard. Our mission is to make everything easier for you and your crew. Our crew services are free of charge for all our clients. These are just a few of the things that we can do for you: Accommodation We would be very happy to source accommodation for you and your crew, whether it is for a longer or shorter period. Just give us an outline of your requirements and your chosen price range and we shall present you with a series of rental proposals, mostly near the yard. Alternatively, we have special rates reserved with local hotels to suit all budgets. Transportation We will happily arrange car, van or scooter hire with local hire companies – let us know your requirements and we will let you know the best rate that we can find. Your hire vehicle can also be delivered and picked up directly from Amico. -
Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa
DYNAMIC DOORWAYS: OVERDOOR SCULPTURE IN RENAISSANCE GENOA By ©2012 MADELINE ANN RISLOW Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Sally J. Cornelison, Ph.D. ________________________________ George L. Gorse, Ph.D. ________________________________ Steven A. Epstein, Ph.D. ________________________________ Stephen H. Goddard, Ph.D. ________________________________ Anthony Corbeill, Ph.D. Date Defended: 4/6/2012 The Dissertation Committee for Madeline Ann Rislow certifies that this is the approved version of the following dissertation: DYANAMIC DOORWAYS: OVERDOOR SCULPTURE IN RENAISSANCE GENOA ________________________________ Chairperson Sally J. Cornelison, Ph.D. Date approved: 4/6/2012 ii Abstract Soprapporte—rectangular, overdoor lintels sculpted from marble or slate—were a prominent feature of both private residential and ecclesiastic portals in the Ligurian region in northwest Italy, and in particular its capital city Genoa, during the second half of the fifteenth and early sixteenth centuries. Sculpted site- or city-specific religious narratives occupy the centers of most soprapporte, and are typically framed with the coats of arms or the initials of their patrons. As this study demonstrates, soprapporte were not merely ornamental, for they acted as devotional objects and protective devices while connecting the citizens who commissioned them to -
CIVITAVECCHIA (Italy)
CIVITAVECCHIA (Italy) CIVAC – ROME & THE WONDERS OF THE VATICAN MUSEUM Duration: 9 hours, lunch included A 1.5-hour bus transfer will take you to Rome where your guide will provide a sightseeing tour of Rome's key monuments including the Aurelian Walls, the Pyramid, Caracalla's Baths, the Circus Massimus, the Colosseum and the romantic "Lungotevere": all from the comfort of your coach. We will proceed to the Vatican area where, after a short walk, you will reach the Vatican Museum. This excursion allows you privileged access to the site, avoiding the long queues. Enjoy a guided tour inside one of the world's most famous museums, admiring the masterpieces commissioned by the Roman Popes and which have been collected and preserved during the ages. See inside the Sistine Chapel, marvel at the exquisite frescoes by Michaelangelo and other XV century artists from Tuscany and Umbria. You will break for a delicious lunch in a local restaurant before listening your guide's commentary on St. Peter's Square and outside the Basilica. After taking pictures on the square, say goodbye to your guide and return to the port. Please note: on some days, dusk may have fallen by the time some of the locations are visited. Guests are requested to wear appropriate attire for religious visits. The Vatican Museum may close at short notice for reasons beyond MSC's control; guests are advised to check on board whether the venues will close. St. Peter's Basilica is now open only for religious celebrations so it will not be possible an interior visit. -
Civitavecchia, Italy Departure Date: 2021-09-17 Duration: 7 Nights
Destination: MEDITERRANEAN Itinerary: Italy,France Ship: MSC SEASIDE Departure port: Civitavecchia, Italy Departure date: 2021-09-17 Duration: 7 Nights Civitavecchia, Italy 2021-09-17 CIVAR - ROME SIGHTSEEING WITH PACKED LUNCH SCENIC ROUTE Price per person Adult: € 72.00 Child: € 49.00 Note for guests with disabilities CIVAF - TUSCANIA & TARQUINIA CITY TOUR Price per person Adult: € 52.00 Child: € 39.00 CIVAG - BOMARZO PARK OF THE MONSTERS & CULTURE AND VITERBO, THE CITY OF THE POPES HISTORY Price per person Adult: € 85.00 Child: € 62.00 CIVAH - CIVITAVECCHIA WALKING TOUR & APERITIF CITY TOUR Price per person Adult: € 29.00 Child: € 25.00 www.mscbook.com CIVAM - THE DYING TOWN OF CIVITA DI CULTURE AND BAGNOREGIO & WONDERS OF MONTEFIASCONE HISTORY Price per person Adult: € 75.00 Child: € 62.00 CIVAN - ROME, BAROQUE TOUR CULTURE AND HISTORY Price per person Adult: € 82.00 Child: € 59.00 Note for guests with disabilities CIVAO - GRAN TOUR OF ROME, THE ETERNAL CITY CULTURE AND HISTORY Price per person Adult: € 129.00 Child: € 79.00 Note for guests with disabilities CIVAT - WALKING TOUR IN ROME WITH PACKED CITY TOUR LUNCH Price per person Adult: € 69.00 Child: € 45.00 CIVAC - ROME & THE WONDERS OF THE VATICAN CULTURE AND MUSEUM HISTORY Price per person Adult: € 115.00 Child: € 76.00 www.mscbook.com Genoa, Italy 2021-09-18 GOAAC - HISTORICAL CENTRE CULTURE AND HISTORY Price per person Adult: € 29.00 Child: € 22.00 GOAAF - GENOA PANORAMIC TOUR SCENIC ROUTE Price per person Adult: € 39.00 Child: € 29.00 Note for guests with disabilities GOAAG -
October 1896
XTbe **fjtt*rltmtl- Urrarfc. VOL VI. OCTOBER-DECEMBER, 1896. NO. 2. HOUSEHOLD FURNISHINGS. that unbroken chain which con- The literal fact of furniture being arP nects the soul of man with the extension of the IN body is easily enough surface of the furniture shown. The earth, human body of to-day is which touches the house on one side so constituted as to be able to receive and the on the other is an such body impor- and such sensations, perform such tant link. 7"he word is here used in the and such labors,. sustain such and such all the household larger sense, covering stress. It is an instrument varying all from the bed- from appliances, movables, greatly the body of the early sav- stead to the teaspoon. They are all age, or of a lower animal. In some of the of the house all it is part furnishing ; ways in others inferior superior, ; serve for the extension of human such as it it is, is conditioned upon the power and activity, and all are evolved furniture which allows its varied ac- by the same great law which gives us tivities. feet to stand on and teeth to chew If the human hand had to do all the with. Let us follow a for moment the work itself, as the monkey's paw does, lines of development which have filled it would not be the human hand. If our moving wagons with household we dug with it, we should lose the impedimenta. finer susceptibilities of touch at once, It is in this field that we find most and grow heavy claws. -
The Papal Chapel 1288–1304: a Study in Institutional and Cultural Change
THE PAPAL CHAPEL 1288–1304: A STUDY IN INSTITUTIONAL AND CULTURAL CHANGE MATTHEW DAVID ROSS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 2013 I, Matthew Ross, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT This project is a study of the structure and personnel of the papal chapel, and the administrative, governmental, legal and cultural activities of papal chaplains in the period 1288–1304. It is based on a new repertory of the collective biographies of papal chaplains compiled for this project, and comprises detailed analysis of this biographical repertory and of information on papal chaplains from the papal curia’s administrative and financial sources, new research concerning papal chaplains’ function in cardinals’ wills and as testators themselves, a comparison of the papal chapel with its contemporary counterpart at the English royal court – the chapel royal – and discussion of papal chaplains’ cultural activities and their role in the production of a curial court culture. It combines two broad approaches. On the one hand, it aims to clarify the administrative and economic structure of the papal chapel and establish the collective biographies of the papal chaplains themselves in the period 1288–1304. On the other, it uses this constitutional, economic and socio-demographic analysis as context for comparison with the English chapel royal and for discussion of the papal chapel’s cultural history in the same period. New information is brought to light on the role of the Roman schola cantorum in the papal chapel, on the history of honorary papal chaplains, on papal chaplains’ musical function, and on the differing course and impact of constitutional rationalisation in the papal chapel and English chapel royal. -
Sacrality & Modernity at Villa Giustiniani-Cambiaso
1 Wesleyan University The Honors College Sacrality and Modernity at Villa Giustiniani-Cambiaso by Whitten Overby Class of 2010 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Art History Middletown, Connecticut April, 2010 2 Table of Contents Acknowledgements / 4 Preface. Philology and the Distant Past / 5 Introduction. Rethinking the Historiographies of Villa Giustiniani-Cambiaso, the Architect Galeazzo Alessi, and the Genoese Context / 9 Chapter 1. The Myths and Realities of Genoese Topography: A Historical Sketch of Genoa and Its Villeggiatura / 24 (a) Introducing Genoa: Turkish Invasion, Petrarchan Adoration and Trojan Origins / 24 (b) The Genoese Imago Urbis: Perspectives on the City’s Urban and Fiscal Growth / 31 (c) Luca Cambiaso: A Case Study of Mid-Cinquecento Genoese Painting at Villa Giustiniani- Cambiaso / 42 (d) Genoese Villa Typology and Villeggiatura: Prefacing Alessian Invenzione at Villa Giustiniani-Cambiaso / 44 Chapter 2. A Pious Landscape for Luca Giustiniani: Patronage at Villa Giustiniani- Cambiaso / 59 (a) The Gallery of Maps: Ligurian Monks and Mountains under the Papal Gaze / 59 (b) Luca Giustiniani: Family History, Devotion, and the Late Renaissance Upstart in Suburban Genoa / 64 (c) Failed Revolution, Franciscan Piety, and Petrarchan Leisure in Albaro: Potential Motives for Luca Giustiniani’s Chosen Site / 72 (d) An Axial and Ideological Progression of Luca Giustiniani through Villa Giustiniani- -
Object of Devotion Medieval English Alabaster Sculpture from the Victoria and Albert Museum
Object of Devotion Medieval English Alabaster Sculpture from the Victoria and Albert Museum This exhibition is organized and circulated by Art Services International, Alexandria, Virginia This exhibition is supported by a grant from The Samuel H. Kress Foundation His Excellency Sir Nigel Sheinwald, Ambassador of the United Kingdom of Great Britain and Northern Ireland to the United States of America is Honorary Patron of the exhibition Contents & Organization of the Exhibition Sixty prime examples including a complete set of panels from an altarpiece Organized into six main sections: The Art of the “Alabastermen” Martyrs and Miracles: The Lives and Deaths of the Saints Word Made Flesh: The Life of Christ The Altarpiece: Worshipping at Church Business and Religion: Making and Selling Holy Images End of an Era: The Reformation Hands-on section with three samples of stone that can be examined by patrons: limestone, marble, and alabaster Thesis Statement Alabaster production during the Middle Ages (between about 1370 and 1530) centered on the making and selling of finely decorated, gilded, and colored sculptures to churches, nobles, and owners of private chapels. More common examples, however, were intended to brighten the homes and spiritual lives of people of modest means and were the folk art of the ordinary medieval English man and woman. Because of this range in intended audience, this assemblage of English alabaster sculptures offers an unrivalled glimpse into the spiritual lives, hopes, fears, and religious aspirations of both aristocratic and non-aristocratic society during the Middle Ages. Since alabasters were sold across the Continent in large quantities, the exhibition sheds light on spirituality and culture beyond the English Channel, with the English examples having been found in countries from Iceland to Italy, and Poland to Portugal. -
Charles Dickens: Anti-Catholicism and Catholicism
CHARLES DICKENS: ANTI-CATHOLICISM AND CATHOLICISM MARK ANDREW ESLICK PHD THE UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE SEPTEMBER 2011 Abstract This thesis explores the role of anti-Catholicism and Catholicism in the life and work of Charles Dickens. A critical consensus has emerged that Dickens was vehemently anti-Catholic. Yet a ‘curious dream’ he had of his beloved dead sister-in-law, Mary Hogarth, in which her spirit appears to him in the guise of the Madonna, suggests that his overt anti-Catholicism masks a profoundly complex relationship to the ‘Church of Rome’. Dickens: Anti-Catholicism and Catholicism therefore re- evaluates the anti-Catholic sentiments in the author’s novels, journalism, and letters by contextualizing them in relation to key events of the nineteenth-century Catholic revival such as the 1850 Papal Aggression. I argue that Dickens often employs anti- Catholicism not simply as a religious prejudice, but as a mode of discourse through which he disrupts, displaces, or reinforces a range of secular anxieties. Dickens: Anti-Catholicism and Catholicism also uncovers and explores the often cryptic moments in Dickens’s writing when Catholic motifs are invoked that suggest a strange ‘attraction of repulsion’ to Roman Catholicism. Catholicism seems to offer him a rich source of imaginative and narrative possibilities. Reading Dickens’s fiction through the lens of Catholicism can therefore reveal a much more ambivalent relationship to the religion than his apparent beliefs as well as unearthing new ways of thinking -
Introduction
Cambridge University Press 978-1-107-01323-0 - The Sensuous in the Counter-Reformation Church Edited by Marcia B. Hall and Tracy E. Cooper Excerpt More information 1 INTRODUCTION Marcia B. Hall HE THEME OF THIS volume is the promotion of the sensuous as Ta part of religious experience in the Roman Catholic Church of the early modern period. Here “sensuous” refers to the dictionary defi - nition of the term: of, related to, or derived from the senses, usually the senses involved in aesthetic enjoyment. “Sensual” usually applies to the physical senses or appetites, particularly those associated with sexual plea- sure. We have not excluded the sensual – indeed, Bette Talvacchia ’s essay deals explicitly with this area and others refer to it – but it is not our primary focus. The origin of this book is two sessions at the 2007 meeting of the Renaissance Society of America, entitled “The Counter-Reformation Re-encountered.” 1 By design, the sessions off ered a range of perspectives: the presenters included historians and art historians, and the commentator, John O’Malley , is the leading historian today working on religion in the Renaissance. We all noted that the papers had, as a common thread, the role of the senses. It was apparent that classic formulations were being questioned by each of the authors, and this indicated that the time is right for a reassessment of the Counter-Reformation. 2 Erasmus initiated the debate that developed between Protestants and Catholics over the role of the senses at the beginning of the sixteenth cen- tury, when he called for reform from within the Church.