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Calendar of Events
Calendar the September/October 2010 hrysler of events CTHE MAGAZINE OF THE CHRYSLER MUSEUM OF ART p 5 Exhibitions • p 7 News • p 10 Daily Calendar • p 14 Public Programs • p 18 Member Programs G ENERAL INFORMATION COVER Contact Us The Museum Shop Group and School Tours William Powell Frith Open during Museum hours (English, 1819–1909) Chrysler Museum of Art (757) 333-6269 The Railway 245 W. Olney Road (757) 333-6297 www.chrysler.org/programs.asp Station (detail), 1862 Norfolk, VA 23510 Oil on canvas Phone: (757) 664-6200 Cuisine & Company Board of Trustees Courtesy of Royal Fax: (757) 664-6201 at The Chrysler Café 2010–2011 Holloway Collection, E-mail: [email protected] Wednesdays, 11 a.m.–8 p.m. Shirley C. Baldwin University of London Website: www.chrysler.org Thursdays–Saturdays, 11 a.m.–3 p.m. Carolyn K. Barry Sundays, 12–3 p.m. Robert M. Boyd Museum Hours (757) 333-6291 Nancy W. Branch Wednesday, 10 a.m.–9 p.m. Macon F. Brock, Jr., Chairman Thursday–Saturday, 10 a.m.–5 p.m. Historic Houses Robert W. Carter Sunday, 12–5 p.m. Free Admission Andrew S. Fine The Museum galleries are closed each The Moses Myers House Elizabeth Fraim Monday and Tuesday, as well as on 323 E. Freemason St. (at Bank St.), Norfolk David R. Goode, Vice Chairman major holidays. The Norfolk History Museum at the Cyrus W. Grandy V Marc Jacobson Admission Willoughby-Baylor House 601 E. Freemason Street, Norfolk Maurice A. Jones General admission to the Chrysler Museum Linda H. -
“The China of Santa Cruz”: the Culture of Tea in Maria Graham's
“The China of Santa Cruz”: The Culture of Tea in Maria Graham’s Journal of a Voyage to Brazil (Article) NICOLLE JORDAN University of Southern Mississippi he notion of Brazilian tea may sound like something of an anomaly—or impossibility—given the predominance of Brazilian coffee in our cultural T imagination. We may be surprised, then, to learn that King João VI of Portugal and Brazil (1767–1826) pursued a project for the importation, acclimatization, and planting of tea from China in his royal botanic garden in Rio de Janeiro. A curious episode in the annals of colonial botany, the cultivation of a tea plantation in Rio has a short but significant history, especially when read through the lens of Maria Graham’s Journal of a Voyage to Brazil (1824). Graham’s descriptions of the tea garden in this text are brief, but they amplify her thorough-going enthusiasm for the biodiversity and botanical innovation she encountered— and contributed to—in South America. Such enthusiasm for the imperial tea garden echoes Graham’s support for Brazilian independence, and indeed, bolsters it. In 1821 Graham came to Brazil aboard HMS Doris, captained by her husband Thomas, who was charged with protecting Britain’s considerable mercantile interests in the region. As a British naval captain’s wife, she was obliged to uphold Britain’s official policy of strict neutrality. Despite these circumstances, her Journal conveys a pro-independence stance that is legible in her frequent rhapsodies over Brazil’s stunning flora and fauna. By situating Rio’s tea plantation within the global context of imperial botany, we may appreciate Graham’s testimony to a practice of transnational plant exchange that effectively makes her an agent of empire even in a locale where Britain had no territorial aspirations. -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
Maria Graham Artista-Autora-Viajante Eclectic Journeys, Permanencies and Their Writings: Maria Graham Artist- Author-Traveller
MIDAS Museus e estudos interdisciplinares 11 | 2020 Dossier temático: "Perspetivas sobre o museu eclético" Viagens ecléticas, residências e obras: Maria Graham artista-autora-viajante Eclectic journeys, permanencies and their writings: Maria Graham artist- author-traveller Maria de Fátima Lambert Edição electrónica URL: http://journals.openedition.org/midas/2222 DOI: 10.4000/midas.2222 ISSN: 2182-9543 Editora: Alice Semedo, Paulo Simões Rodrigues, Pedro Casaleiro, Raquel Henriques da Silva, Ana Carvalho Refêrencia eletrónica Maria de Fátima Lambert, « Viagens ecléticas, residências e obras: Maria Graham artista-autora- viajante », MIDAS [Online], 11 | 2020, posto online no dia 19 novembro 2020, consultado no dia 21 novembro 2020. URL : http://journals.openedition.org/midas/2222 ; DOI : https://doi.org/10.4000/ midas.2222 Este documento foi criado de forma automática no dia 21 novembro 2020. Midas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 International License Viagens ecléticas, residências e obras: Maria Graham artista-autora-viajante 1 Viagens ecléticas, residências e obras: Maria Graham artista-autora- viajante Eclectic journeys, permanencies and their writings: Maria Graham artist- author-traveller Maria de Fátima Lambert NOTA DO EDITOR Artigo recebido a 12.02.2019 Aprovado para publicação a 15.03.2020 Resiliência nas viagens e pensamento de Maria Graham 1 Albert Babeau escrevia em 1885: «La manière de voyager est bien plus en rapport qu'on ne pourrait le croire avec l’état social et politique des nations» (1885, 11). Cerca de 60 anos antes, as viagens realizadas por Maria Graham (1785-1842) anunciavam-se como eixos privilegiados para a transformação de si pelo confronto de alteridade e divergência; eram imprescindíveis para a consolidação formativa do indivíduo (Venayre 2012, 10). -
PORTRAIT PHOTOGRAPHY from the Victorians to the Present Day
PORTRAIT PHOTOGRAPHY From the Victorians to the present day Information and Activities for Secondary Teachers of Art and Photography John French Lord Snowdon, vintage bromide print, 1957 NPG P809 © SNOWDON / Camera Press Information and Activities for Secondary Teachers of Art and Photography Contents Introduction 3 Discussion questions 4 Wide Angle 1. Technical beginnings and early photography Technical beginnings 5 Early photography 8 Portraits on light sensitive paper 11 The Carte-de-visite and the Album 17 2. Art and photography; the wider context Art and portrait photography 20 Photographic connections 27 Technical developments and publishing 32 Zoom 1. The photographic studio 36 2. Contemporary photographic techniques 53 3. Self image: Six pairs of photographic self-portraits 63 Augustus Edwin John; Constantin Brancusi; Frank Owen Dobson Unknown photographer, bromide press print, 1940s NPG x20684 Teachers’ Resource Portrait Photography National Portrait Gallery 3 /69 Information and Activities for Secondary Teachers of Art and Photography Introduction This resource is for teachers of art and photography A and AS level, and it focuses principally on a selection of the photographic portraits from the Collection of the National Portrait Gallery, London which contains over a quarter of a million images. This resource aims to investigate the wealth of photographic portraiture and to examine closely the effect of painted portraits on the technique of photography invented in the nineteenth century. This resource was developed by the Art Resource Developer in the Learning Department in the Gallery, working closely with staff who work with the Photographs Collection to produce a detailed and practical guide for working with these portraits. -
The Botanical Writings of Maria Graham”: 44-58
Journal of Literature and Science Volume 4, No. 1 (2011) ISSN 1754-646X Betty Hagglund, “The Botanical Writings of Maria Graham”: 44-58 The Botanical Writings of Maria Graham Betty Hagglund Botany was a popular and fashionable pursuit for both men and women during the period between 1760 and 1830, its popularity demonstrated by its appearance in magazines, novels and poems, the increasing availability of books aimed at a general readership, the publication of botanical games and playing cards, manuals of instruction in flower-drawing and the existence of substantial audiences for public lectures. Women moved into botanical culture in growing numbers at the beginning of the nineteenth century and botany became increasingly seen as suitable for female study. 1 The early nineteenth-century traveller and author, Maria Graham (1785-1842) came of age during this period of growing interest in botany and it continued to be a central interest throughout her lifetime, forming a significant element within her writing and shaping her activity when travelling. Her involvement in plant collecting and her active participation in the international network of collectors organised by William Jackson Hooker, Professor of Botany at Glasgow University and later Director of Kew Gardens, shed light on the participation of women in scientific activity during the first few decades of the nineteenth century. I demonstrate for example, that Graham is important in challenging misconceptions about women’s ‘botanising’ being confined to their local area. Whilst this is true for the majority, especially in the eighteenth century, there were exceptions, and a few British women, mostly (although not exclusively) colonial and diplomatic wives, whose particular circumstances enabled them to travel further afield, botanised as part of the imperial project in the early nineteenth century. -
The Social and Cultural Value of the Apple and the Orchard in Victorian England
The social and cultural value of the apple and the orchard in Victorian England Joanna Crosby A thesis submitted for the degree of Ph.D. Department of History University of Essex Date of submission with corrections – January 2021 (Total word count: 79,840) Joanna Crosby January 2021 Abstract This thesis argues that the apple and the orchard were of greater significance to the Victorians than has been previously realised. This thesis brings together an investigation into the economic value of the apple crop and its associated goods and services, with an exploration of how the apple and the orchard were represented and received in cultural and social constructs. This thesis argues that the economic worth of the apple was greater than the commodity value of the raw crop of apples. That value itself has been underestimated due to the difficulties of calculating the amount of land used for orchards and the profit obtainable. The apple had a wider economic value, helping to expand the sectors of commercial horticulture, domestic gardening and food. Representations of the apple and of orchards drew on Classical landscapes, Christian allegory or the pre-Christian cultures in Europe to give authority to the meanings of an apple placed in a painting. These associations were brought together in the writing about, and the actual performance of, wassailing in the orchards at Christmas. The conclusions state that the economic value of the apple was greater than had been previously thought, and that the network of apple-related trades and livelihoods was extensive. The conclusions from the social and cultural investigation were that the appreciation of the apple was at its height in Victorian England, when the Victorians responded to increasing industrialisation and urban growth by using the apple symbolically to represent values of ‘Englishness’ through an idealised rural past. -
1 Earthquake Ecologists I
Earthquake ecologists I – James Graham Cooper James Graham Cooper roamed Washington Territory as a young naturalist shortly before the Civil War. Near Astoria he observed the remains of trees that are important today as clues to earthquake hazards. Cooper came here from New York in 1853. He had sought and gained a position as surgeon and naturalist with the Issac Stevens railroad survey. His survey party was commanded by George McClellan and was provisioned at Fort Vancouver by Ulysses Grant. The Smithsonian Institution provided support for follow-up work, which centered on collecting museum specimens at Willapa (then Shoalwater) Bay. The remains of drowned trees caught Cooper’s eye in 1854 and 1855. His journal tells of spruce stumps in growth position in the banks of a tidal creek near Chinook. His railroad report, extolling western red cedar as a source of durable shingles, describes dead trunks of “this species only” standing in Willapa Bay tidal marshes. Cooper reasoned that these standing trees had died when tides overflowed sinking land. Today is has become clear that this sinking takes place during earthquakes, when a leading edge of North America lurches tens of feet toward Asia. The shift stretches solid rock, which thins like a pulled rubber band. The thinning lowers coastal land several feet. Tides overflow the freshly sunken land, killing thousands of trees. Sudden changes in land level routinely accompany certain kinds of earthquakes. Examples from Alaska and Chile will be recounted in two subsequent Nature Notes. SOURCES A biography of James Graham Cooper (1830–1902) includes a timeline of his career and a comprehensive list of his published and unpublished works1. -
British Canvas, Stretcher and Panel Suppliers' Marks. Part 8, Charles
British canvas, stretcher and panel suppliers’ marks. Part 8, Charles Roberson & Co This resource surveys suppliers’ marks on the reverse of picture supports. This part is devoted to Charles Roberson, a business founded in 1819 and which grew to become one of the leading companies as Charles Roberson & Co from 1855 and Charles Roberson & Co Ltd from 1908 until 1987. The business was a significant supplier of canvas from about the 1820s until the 1980s. For further information, see British artists' suppliers, 1650-1950 - R on this website. The Roberson archive is housed at the Hamilton Kerr Institute, University of Cambridge. Measurements of marks, given where known, are approximate and may vary according to the stretching or later conservation treatment of a canvas or the trimming of a label. Links are given to institutional websites where dimensions of works can be found. Business dates and addresses are usually accurate to within a year. Square brackets are used to indicate indistinct or missing lettering in transcripts, with readings sometimes based on other examples. Compiled by Jacob Simon, September 2017, updated March 2020, and based on the pioneering work of Cathy Proudlove and the suppliers’ database created by Jacob Simon. With thanks to Dr Joyce Townsend for providing information on paintings in Tate, to Nicola Costaras at the Victoria and Albert Museum, to John Payne, National Gallery of Victoria, Melbourne, and to Sally Woodcock at the Hamilton Kerr Institute, University of Cambridge. Arranged in twelve numbered sections according to address, business designation and type of mark, with two appendices. Work details Mark transcripts Product marks (not to uniform scale) 1. -
Maria Graham’S Account of the Earthquake in Chile in 1822
36 by M. Kölbl-Ebert Observing orogeny — Maria Graham’s account of the earthquake in Chile in 1822 Geologische Staatssammlung München, Luisenstraße 37, 80333 München, Germany. “As to ignorance of the science of Geology, Mrs. [Graham] con- means of earthquakes, — any rehabilitation of Maria Graham being fesses it: and, perhaps, that circumstance, and her consequent only a by-product. indifference to all theories connected with it, render her unbiassed The case became more and more entangled by circumstantial testimony of the more value.” (Callcott, formerly Graham, 1835) evidence, in which the testimony of witnesses for both parties was found to conflict. But then came a lucky break, if only for Maria Gra- In November 1822, part of the Chilean coast was devas- ham and Charles Lyell, but not for the poor people of Chile... While tated by an intense earthquake. This report of geological the jury was still out, in 1835 the “criminal” struck again, only to be phenomena by Maria Graham, later Callcott (1785– caught 'in flagrante' by a special task force in the area at that time 1842) — being one of the earliest detailed descriptions “The Beagle-Expedition”, which included the “private detective” dealing with geologically relevant facts — gave rise to a Charles Darwin, who accidentally was at the right place and just in time to settle the case. So, as we will see, the “criminal” was finally vituperative debate lasting several years at the Geologi- found “guilty” but — because this is not a simple story about “good- cal Society of London about the effects of earthquakes ies” and “badies” — for the wrong reasons! and their role in mountain building. -
Elevación De Montañas a Través De Intrusiones Plutónicas Y La Controversia Geológica Vivida Por Maria Graham
O EOL GIC G A D D A E D C E I H C I L E O S F u n 2 d 6 la serena octubre 2015 ada en 19 Elevación de montañas a través de intrusiones plutónicas y la controversia geológica vivida por Maria Graham Carolina Silva Parejas Universidad Nacional Andrés Bello, Av. República 252, Santiago, Chile email: [email protected] Resumen. Hutton y posteriormente Lyell postulaban una Maria Graham, inglesa temporalmente avecindada en estrecha relación causal entre terremotos y erupciones Chile, fue una productiva escritora y cronista de sus volcánicas, considerándolos manifestaciones alternativas numerosos viajes, notable pintora, dibujante y naturalista, de los procesos de intrusión magmática y expansión a se declaraba ignorante de las teorías geológicas. Sin gran profundidad, agrupados bajo el título general de embargo, su descripción del alzamiento continental como procesos ígneos. consecuencia del terremoto de 1822 que le tocó vivir en Maria Graham, cronista inglesa, describió de manera Quintero, fue considerada de tal importancia que Charles notable el alzamiento continental como consecuencia del Lyell la incluyó en su Principles of Geology (Lyell, 1830) terremoto de 1822 que le tocó vivir en Quintero, siendo y fue la primera mujer en publicar en Transactions of the citada por Lyell y atacada por el presidente de la Geological Society of London. Geological Society of London. Esto aún cuando sus reportes no pretendían reforzar la teoría de Lyell y son El creciente uso por Lyell y otros del argumento de la completamente razonables desde un punto de vista elevación de cadenas de montañas por la intrusión de actual. -
Dossier De Presse
DOSSIER DE PRESSE Fondation de l’Hermitage Direction Route du Signal 2 Sylvie Wuhrmann CH-1018 Lausanne Contact presse +41 (0)21 320 50 01 Lise Schaeren Decollogny www.fondation-hermitage.ch +41 (0)21 342 50 72 [email protected] [email protected] Sommaire Communiqué de presse 2 Catalogue 4 Liste des œuvres 6 Textes des salles 9 Visites, conférences, soirées spéciales 13 Ateliers et animations gourmandes 14 Illustrations 15 Informations pratiques 16 1 LA PEINTURE ANGLAISE COMMUNIQUÉ DE PRESSE La peinture anglaise de Turner à Whistler DU 1ER FÉVRIER AU 2 JUIN 2019 La Fondation de l’Hermitage consacre une grande exposition à la peinture anglaise de la période victorienne (1837-1901). À travers une sélection de près de 60 œuvres, dont la plupart sont présentées pour la première fois en Suisse, le projet illustre la richesse et la fascinante originalité de l’art anglais au XIXe siècle. Les profonds bouleversements induits par la révolution industrielle inspirent des scènes de genre saisissantes qui montrent les diverses facettes de la vie moderne durant l’âge d’or de l’Empire britannique : l’essor des villes et des transports en commun, la naissance de la classe moyenne, le travail à domicile. En contrepoint, de nombreux artistes se tournent vers la peinture de paysage, alors que d’autres embrassent des thèmes historiques ou littéraires pour affirmer leur idéal de beauté. De Turner à Whistler, en passant par les préraphaélites Le parcours met en lumière trois générations de peintres actifs durant l’ère victorienne, à commencer par J. M. W.