ALEXANDER F. FULLER Art Director 222 Desmond Dr

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ALEXANDER F. FULLER Art Director 222 Desmond Dr. Schaumburg, IL 60193 c. 323.972.7404 [email protected] Member "Art Directors Guild" Local #800 I.A.T.S.E. (dual card holder Art Director/ Senior Set Designer) Carnegie Mellon University, BFA Drama Design/ Production 1992 Certificate in Project Management, UCLA 2005 Project Management Professional, Project Management Institute 2006 PRODUCTION DESIGNER HE NAMED ME MALALA (*Emmy Nom.) Zeno Documentary Partners, LLC 2014 ART DIRECTOR LEGACIES (Season 1-3) Orange Cone Productions, Inc (WB) 2018-21 THE ORIGINALS (Season 2-5) Bonanza Productions, Inc (WB) 2014-18 MACGYVER (episode 115-121) Eye Productions (CBS) 2016-17 BAD TEACHER (episodes 1-3) Remote Broadcast Inc (Sony) 2013 BLOODLINE (Pilot) NBC Universal 2013 MONDAY MORNINGS (Pilot and Season 1) TNT 2012 CHUCK (Season 5) Warner Brothers Television 2011 THE DEFENDERS (Pilot and Season 1) CBS Television 2010-11 NUMB3RS (Season 3-6) CBS Paramount 2006-10 PRINCESS PROTECTION PROGRAM (MOW) Disney Channel 2008 SPYING ON MYSELF No Studio Entertainment 2005 3RD AUNNUAL BET AWARDS Cossette Productions 2003 HBO SKETCH PAD II Sketch Pad Televison 2003 ABC’s 50th ANNIVERSARY SHOW Don Mischer Productions, Inc. 2003 50th ANNUAL GRAMMY AWARDS (*Emmy Nom.) Cossette Productions 2003 45th ANNUAL GOLDEN GLOBE AWARDS Dick Clark Productions 2002 GO FOR IT! (39 episodes) No Studio Entertainment 2001-02 NEXT BIG STAR Scott Sternberg Productions 2001 RUDE AWAKENING (3rd season) Hudson Productions 2000 KATHY GRIFFEN “CUP OF HOT TALK” Production Partners Inc. 1998 WHEEL 2000 Coco Productions 1997 ASSISTANT ART DIRECTOR NEXT! (PILOT) 20th Century Fox Television 2001 OH BABY Hudson Productions 1998 REUNITED Castle Rock Television 1998 SOLO EN AMERICA Spanenglish Entertainment 1998 PUZZLE PLACE (3rd Season) KCET Productions 1998 ASK HARRIET Montrose Productions 1997 BETWEEN BROTHERS Montrose Productions 1997 HEAD OVER HEELS Montrose Productions 1997 MARRIED WITH CHILDREN (Season 10-11) Columbia Pictures Television 1995-97 VALLEY OF THE DOLLS New World Television 1994 SANTA BARBARA New World Television 1992-93 SET DESIGNER REBA (Season 3-5) 20th Century Fox Television 2003-05 NUMB3ERS (Season 2) Paramount Studios 2005 JOAN OF ARCADIA (Season 2) Sony Pictures Television 2004 HOW I MEET YOUR MOTHER (Pilot) (*Emmy Win) 20th Century Fox 2004 LUIS 20th Century Fox Television 2003 THE O’KEEFES (Pilot and Series) Turner Television 2002 BEACHWOOD SERVICES ART DEPARTMENT CTTV staff Set Designer 1999-2001 COLUMBIA/ TRI-STAR TELEVISION ART DEPT. Columbia Pictures Entertainment 1998-2000 DAYS OF OUR LIVES (Art Dept. Intern) Columbia Pictures Television 1992 .

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Senior Women's Performances of Sexuality
“DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency.
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THE TALENT BIOGRAPHY Final
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Sonia Manzano Television's “Maria” on Sesame Street To
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Chris Helcermanas-Benge
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s an early fan of the science fiction genre, one of my favorite w rit enough from their hits to own minibikes, the ultimate in cool for a kid in that era. ers in my youth was Arthur C. Clarke, the author of such classics in A In a time before the Music Television the field as Childhood’s End a n d 2001: A Space Odyssey. In a 1973 revi-* Channel and music videos, fans had to sion of his essays Profiles o f the Future, Clarke expounded on some previ be content with seeing their favorite ous laws of prediction by adding a third that claimed: “Any sufficiently groups lip-synch their hits on Dick Clark’s American Bandstand, which aired on advanced technology is indistinguishable from magic.” I am reminded Saturdays. The Jackson 5 made a number of that theorem whenever I strap on my iPod and think about how of appearances on that program, and I much the simple act of listening to music has changed over the years. watched with pride, knowing they came from the Hoosier State. In my family home in Mishawaka dur We became enraptured by the song’s As I aged, my musical tastes changed, ing the 1960s, our musical choices were bouncy beat and the spirited singing of and I lost track of the Jackson 5 as the played on two pieces of equipment. The the group’s tiny lead group morphed into the first stood in the living room and consisted singer, Michael. As the Jacksons, and Michael of a television console complete with a song played, we eagerly left his brothers behind stereo record player on which my mother anticipated the bridge in the 1980s to pursue played her Johnny Cash and Vikki Carr and would loudly sing a solo career that made albums.
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South East West Midwest
NC State (12) Arizona St. (10) Kansas St. (9) Kentucky (8) Texas (7) Massachusetts (6) Saint Louis (5) Louisville (4) Duke (3) Michigan (2) Wichita St. (1) Florida (1) Kansas (2) Syracuse (3) UCLA (4) VCU (5) Ohio St. (6) New Mexico (7) Colorado (8) Pittsburgh (9) Stanford (10) 1. Zach Galiﬁanakis, 1. Jimmy Kimmel, 1. Eric Stonestreet, 1. Ashley Judd, 1. Walter Cronkite, 1. Bill Cosby, 1. Enrique Bolaños, 1. Diane Sawyer, 1. Richard Nixon, 37th 1. Gerald Ford, 38th 1. Riley Pitts, Medal 1. Marco Rubio, U.S. 1. Alf Landon, former 1. Ted Koppel, TV 1. Jim Morrison, 1. Patch Adams, 1. Dwight Yoakam, 1. Penny Marshall, 1. Robert Redford, 1. Gene Kelly, 1. Herbert Hoover, actor, "The Hangover" host, "Jimmy Kimmel actor, "Modern Family" actress, "Kiss the Girls" former anchorman, actor/comedian, "The former president of news anchor President of the U.S. President of the U.S. of Honor recipient Senator, Florida Kansas governor, 1936 journalist, "Nightline" musician, The Doors doctor/social activist country music director/producer, "A actor, “Butch Cassidy actor/dancer/singer, 31st President of the 2. John Tesh, TV Live!" 2. Kirstie Alley, 2. Mitch McConnell, CBS Evening News Cosby Show" Nicaragua 2. Sue Grafton, 2. Charlie Rose, 2. James Earl Jones, 2. Shirley Knight, 2. Bob Graham, presidential candidate 2. Dick Clark, 2. Francis Ford 2. Debbie singer-songwriter League of Their Own" and the Sundance Kid” "Singin' in the Rain" U.S. composer 2. Kate Spade, actress, "Cheers" U.S. Senator, Kentucky 2. Matthew 2. Richard Gere, actor, 2. Robert Guillaume, author, “A is for Alibi” talk-show host, actor, "The Great actress, "The Dark at former U.S.
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6 LOS ANGELES PERFORMING ARTS CONSERVATORY CATALOG, POLICIES, and GUIDELINES 01/01/2021 – 12/31/2021 1404-08 Third Street Promenade Santa Monica, California 90401 310-656-8070 (Phone) 310-656-8069 (Fax) www.laconservatory.com (All classes held at the above address.) 1 THE LOS ANGELES PERFORMING ARTS CONSERVATORY WELCOME Welcome to the Los Angeles Performing Arts Conservatory (LAPAC) and to the next step in your artistic journey. LAPAC provides training in Acting, Filmmaking and Screenwriting, and ETPA tutorials for domestic and international students. In order to create effective and meaningful works of Film, Television and Theatre, the artist must learn to tell each story in a personal, passionate, and accomplished manner. Our program develops the skills to create high emotional impact in the audience. We believe the complex and highest art of Performing Arts Education needs a program that combines theory, technical expertise, artistic coaching, and inspiration, as well as, individual hands-on approach. LAPAC offers expert training to prepare our students for the Hollywood market. INTRODUCTION This Catalog, Policies, and Guidelines Manuscript is intended to be a general summary of Conservatory Policies, Guidelines, Services, and Resources. When official conservatory policies and procedures are changed by the Board of Trustees or another duly constituted authority, such as the Chief Executive Officer / Chief Academic Officer (from here on Known as CEO/CAO), changes become effective on the date designated for their adoption and supersede any conflicting or inconsistent provision. Notification of such changes is distributed through academic departments and conservatory administrative offices. The most recent version of the Conservatory Catalog, Policies, and Guidelines Manuscript is posted on the Conservatory website.
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Many Great Plays Have Been Adapted for the Silver Screen
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List of Celebrity Addresses* Movie Stars and Talk Show
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Jamie King Television
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