A Grammar of Typography : Classical Design in the Digital Age Pdf, Epub, Ebook
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The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Typography: Language Made Visible Annotated Bibliography
Typography: Language Made Visible Annotated Bibliography Subject Markers. (*) Praxis (†) History and Theory (‡) Philosophy Armstrong, Helen. Graphic Design Theory: Readings from the Field. New York: Princeton Architectural Press, . Paperback. Condition: good.† Baines, Phil. Penguin By Design: A Cover Story –. New York: Penguin, . Paperback. Condition: very good.*† Bertin, Jaques. Semiology of Graphics: Diagrams, Networks, Maps. Redlands, CA: Esri Press, . Hardcover. Condition: excellent.*† Purchased spring of from Amazon. I have mixed feelings about this volume. On one hand, I am incredibly happy to see a brilliant and foundational work affordably back in print. On the other, I am a bit disgusted by the quality of the edition. The original edition of the English translation is a beautifully designed volume. The reissued edition features a blindingly white coated paper, and a puzzling insistence by Esri on using comically oversized Times New Roman typeface. The illustrations, however, have been better reproduced (and in some cases enhanced) from the earlier version. Apart from dealing with symbols, colors, and other graphic conventions, Bertin also discusses the uses of letters, labels, and visual hierarchies. Bildi Grafiks. Tempus Fugit. Barcelona: Index Books, . Hardcover. Condition: good.*‡ I purchased this book in the spring of from Amazon. The book was part of a project to redesign the calendar for the campus student film society into something readable and typographically coherent. This volume represents essentially the only book I could find on the subject of calendar design after many days of searching. It deals with novel arrangements, a dash of history, and a few interesting essays on the nature of time and representation. -
From Hardcover to Paperback
THE ORIGIN OF PAPERBACKS IN AMERICA Maria Bissonette GENERAL HISTORY INTRODUCTON CONCLUSION In the 1950’s, American publishers joined in on the growing popularity of paperback production. The purpose of this project is to discover and The shift in the making of books with hard discuss the development of American covers to paper backs reveals sociological shift in publishing, specifically the transition from both book and American culture of the time. hardcover books to paperback books. This While at first glance, then and now, the decision project will look specifically at the change for change might seem solely financially within the American publishing industry but motivated, the transition is actually based on… will also mirror the changes made in other countries way of publishing books, seeing as having both hardcover and paperback books is a global practice. Focusing on the modern shift of VISUAL DIFFERENCES the binding of books will also reveal the KEYWORDS HARDCOVER Hardcover – This describes the kind of binding WORKS CITED that is inherently rigid, as the term suggests. This kind of binding in more durable and sturdier “How Paperbacks Transformed the Way but is also more expensive to manufacture. The Americans Read.” Mental Floss, 19 Apr. 2014, spine of the book is flexible but the front and www.mentalfloss.com/article/12247/how- back covers are not, something paperbacks can paperbacks-transformed-way-americans-read. be. Hardcovers are usually made from cardboard or a form of heavy paperboard. Osnos, Peter. “How Book Publishing Has Changed Since 1984.” The Atlantic, Atlantic Paperback – Sometimes known as “softcover”, Media Company, 12 Apr. -
Glossary of Publishing Terms
Glossary of Publishing Terms Acknowledgements – An optional component in a book, which can be inserted at the beginning or end of the book, where the author writes words of thanks to those who helped with the book. This may include literary agent, editor(s), fellow authors, book contributors, interviewees, family, friends, etc. Advance – A payment by a traditional publisher to an author as part of a publishing agreement. Advances are often paid in installments. For example, one third paid upon contract execution, one third paid upon submission of the manuscript to publisher, and one third paid upon publication of the book. Appendix – Supplemental material inserted at the end of the book. ARC (Advanced Review Copy, AKA: “Galley”) – ARCs are often printed versions of a book that are made available to media ahead of the book’s release date. ARCs are often un-edited and used solely for the purposes of generating publicity of early reviews. When printing ARCs, the cover and interior should be stamped with a notice such as: “Advanced Review Copy – Not for Resale.” Back Matter – The materials included at the end of a book including an appendix, resources, end notes, etc. Back-of-the-Room Sales – The act of selling books after giving a speaking engagement. Backlist – Titles a publisher printed previously that are still actively selling through retail channels but are not newly released. Bar Code – A graphic representation of a unique ISBN that is placed on the back of a book (or other retail product) to help retailers with inventory and sales management. Beta Readers – People who are given pre-publication access to an author’s manuscript or book for purposes of providing feedback, reviews, and word-of-mouth marketing. -
The Impact of the Historical Development of Typography on Modern Classification of Typefaces
M. Tomiša et al. Utjecaj povijesnog razvoja tipografije na suvremenu klasifikaciju pisama ISSN 1330-3651 (Print), ISSN 1848-6339 (Online) UDC/UDK 655.26:003.2 THE IMPACT OF THE HISTORICAL DEVELOPMENT OF TYPOGRAPHY ON MODERN CLASSIFICATION OF TYPEFACES Mario Tomiša, Damir Vusić, Marin Milković Original scientific paper One of the definitions of typography is that it is the art of arranging typefaces for a specific project and their arrangement in order to achieve a more effective communication. In order to choose the appropriate typeface, the user should be well-acquainted with visual or geometric features of typography, typographic rules and the historical development of typography. Additionally, every user is further assisted by a good quality and simple typeface classification. There are many different classifications of typefaces based on historical or visual criteria, as well as their combination. During the last thirty years, computers and digital technology have enabled brand new creative freedoms. As a result, there are thousands of fonts and dozens of applications for digitally creating typefaces. This paper suggests an innovative, simpler classification, which should correspond to the contemporary development of typography, the production of a vast number of new typefaces and the needs of today's users. Keywords: character, font, graphic design, historical development of typography, typeface, typeface classification, typography Utjecaj povijesnog razvoja tipografije na suvremenu klasifikaciju pisama Izvorni znanstveni članak Jedna je od definicija tipografije da je ona umjetnost odabira odgovarajućeg pisma za određeni projekt i njegova organizacija s ciljem ostvarenja što učinkovitije komunikacije. Da bi korisnik mogao odabrati pravo pismo za svoje potrebe treba prije svega dobro poznavati optičke ili geometrijske značajke tipografije, tipografska pravila i povijesni razvoj tipografije. -
HISTORY 2020 CATALOG of HISTORY TITLES Bold Thinking Starts Here
LIBERTY FUND BOOKS HISTORY 2020 CATALOG OF HISTORY TITLES Bold Thinking Starts Here Liberty Fund, Inc., is a private educational through our own times. The programs are intended to enrich foundation established to encourage the study of the understanding and appreciation of the complex nature of a society of free and responsible individuals and to contribute to ideal of a society of free and responsible individuals. its preservation. Liberty Fund develops, supervises, and finances its own As a tax-exempt, private operating foundation, Liberty Fund’s educational activities to foster thought and encourage discourse purposes are educational and intellectual. Liberty Fund does on enduring issues pertaining to liberty. not, therefore, engage in politics or political action of any kind. These programs focus on the place individual liberty has in an Liberty Fund fulfills its mission by conducting programs, not by intellectual heritage evident from ancient times and continuing awarding grants to outside organizations or individuals. Liberty Fund activities are concentrated in three areas: BOOKS Liberty Fund has published over 400 titles for scholars, CONFERENCES Each year, Liberty Fund conducts over 150 students, and general readers since its first publication, conferences throughout the United States, Canada, Latin Education in a Free Society, appeared in 1973. Most titles America, and Europe. explore some aspect of the interrelationship of liberty and responsibility in individual life, society, and governance. WEB Liberty Fund’s online educational resources offer libraries, blogs, podcasts, forums, discussions, and a variety Our print and ebooks are edited and translated by world- of content to encourage a dialogue of ideas pertaining to renowned scholars who bring to the task the expertise liberty. -
No. 3 Science and History Behind the Design of Lucida Charles Bigelow
204 TUGboat, Volume 39 (2018), No. 3 Science and history behind the design of Lucida Charles Bigelow & Kris Holmes 1 Introduction When desktop publishing was new and Lucida the first type family created expressly for medium and low-resolution digital rendering on computer screens and laser printers, we discussed the main design de- cisions we made in adapting typeface features to digital technology (Bigelow & Holmes, 1986). Since then, and especially since the turn of the 21st century, digital type technology has aided the study of reading and legibility by facilitating the Figure 1: Earliest known type specimen sheet (detail), development and display of typefaces for psycho- Erhard Ratdolt, 1486. Both paragraphs are set at logical and psychophysical investigations. When we approximately 9 pt, but the font in the upper one has a designed Lucida in the early 1980s, we consulted larger x-height and therefore looks bigger. (See text.) scientific studies of reading and vision, so in light of renewed interest in the field, it may be useful to say Despite such early optimism, 20th century type more about how they influenced our design thinking. designers and manufacturers continued to create The application of vision science to legibility type forms more by art and craft than by scientific analysis has long been an aspect of reading research. research. Definitions and measures of “legibility” Two of the earliest and most prominent reading often proved recalcitrant, and the printing and ty- researchers, Émile Javal in France and Edmund Burke pographic industries continued for the most part to Huey in the US, expressed optimism that scientific rely upon craft lore and traditional type aesthetics. -
141 18 Survey 3 Block Books and Baroque 1450-1750.Key
Survey 2 quiz God and Gutenberg (0-1450 CE) 2 What were early books written on before paper making techniques spread from Asia? (ca. 100-400) Thousands of years ago the Ancient Egyptians used papyrus as a writing surface for their scrolls. The Egyptians, and other civilizations also used animal skins to write on. These scraped animal skins used for writing are known as A: Parchment What do we call the fine parchment made from lamb or calf-skin that was used for very expensive books? A: Vellum One of the great qualities of parchment was that it was more opaque than papyrus, so both sides could be used for writing. More (not part of the quiz, just recapping): This membrane, made most often of sheep, or goatskin, was more opaque than papyrus, allowing scribes to write on both sides. The skins were scraped, stretched and dried (similar to the skin on a first nations drum). High quality parchment, made from calfskin, was called vellum. Unlike papyrus, this more supple material was easily folded and bound. Gradually manuscripts transitioned from scrolls to codices (singular codex): a term used to describe any ancient manuscript text in book form. These were bound books as we know them today, with folded sheets, stitched and glued along the spine. It is said that the parchment trade developed from Pergamon (now in Turkey). The city certainly became a huge production centre. Legend has it that king Ptolemy of Egypt banned papyrus export to Pergamon, in fear that the library of king Eumenes II of Pergamon would surpass his library in Alexandria. -
Please Click Here
WITNESS TO ANCIENT HISTORY Life and Death in the Ancient City Books in 2019–2020 JOSEPHHISTORY J. WALSH 2020 Johns Hopkins University Press press.jhu.edu Press Johns Hopkins University American History 2 European History 9 History of Science 11 History of Technology 12 History of Medicine 13 Journals 15 1 AMERICAN HISTORY New Not Even Past Breakaway Americas The Stories We Keep Telling about the Civil War The Unmanifest Future of the Jacksonian Cody Marrs United States Thomas Richards, Jr. How the Civil War endures in American life through literature and culture. A reinterpretation of a key moment in the political history of the United States—and 2020 240 pp., 33 b&w illus. of the Americans who sought to decouple 978-1-4214-3665-4 $28.00 hardcover Also available as an e-book American ideals from US territory. Published in Cooperation with the William P. Clements Center for Southwest Studies, Faces of Civil War Nurses Southern Methodist University Ronald S. Coddington 2020 360 pp., 16 b&w illus. A collection of rare archival images and 978-1-4214-3713-2 $49.95 hardcover biographical sketches of the dauntless women Also available as an e-book who served as nurses and caregivers during the Civil War. The Lost Tradition of Economic 2020 424 pp., 79 b&w photos Equality in America, 1600–1870 978-1-4214-3794-1 $32.95 hardcover Also available as an e-book Daniel R. Mandell An important examination of the foundational Come and Be Shocked American ideal of economic equality—and Baltimore beyond John Waters and The Wire how we lost it. -
More Info About Book Construction
OVERVIEW OF BOOK SPREADS Why 32 pages? The “industry standard” for picture books is currently 32 pages. Why? It all comes down to the construction and printing of the book. 32 pages are generally the most economical when printing hardcover books. If you do see alternate sizes you’ll usually find them in increments of 8 or 16. (for examples 16, 24, 40 or 48 pages) I could go into all the details about why this is the standard, but if you’d like to learn more check out these links: more info about Book construction: http://editorialanonymous.blogspot.com/2008/10/basic-book-construction.html http://taralazar.com/2009/02/22/picture-book-construction-know-your-layout/ http://booksforkeeps.co.uk/issue/194/childrens-books/articles/process-creation-and-audience-the-32-page-picture-book It’s important to note though that current print-on-demand technologies and self-publishing platforms open the door for more flexibility and more potential to experiment with layout outside of “industry standards.” But, if you’re going the traditional routes or want to hook-in to existing structures and channels (such as bookstores and libraries) when self-publishing then you can expect to create a 32 page book similar to what you see on the adjacent page. A few optional layouts: 1. Traditional Full Opening then Story: Title (pg 1) - Copyright (pg 2) - Dedication (pg 3) - 14 Full Spreads (pgs 4-31) - About/ Credits or other back matter (pg 32); 2. Story Bracketed: Title (pg 1) - 15 Full Spreads (pgs 2-31) - About/ Credits/Dedication or other back matter (pg 32); (Call Me Tree follows this format) 3. -
This Guide Will Walk You Through Our Offerings and Rates. STRATEGY
LET'S BUILD YOUR BOOK We help authors develop, design, and distribute their books. This guide will walk you through our offerings and rates. STRATEGY We share the most valuable thing we have—our thinking. (You can't get it anywhere else.) ✓ VOICE DISCOVERY ✓ MANUSCRIPT OUTLINING ✓ BOOK TITLING ✓ CONTENT REVIEW ✓ UNIQUE SELLING PROPOSITION ✓ DESIGN CONSULTING *Our firm has consulted on over 200 projects, including multiple bestsellers. "The process and the communication were excellent. I highly recommend this model." —John Lowe, New Life Christian Church COVER DESIGN ✓ FRONT, BACK, and SPINE LAYOUT ✓ UNLIMITED REVISIONS ✓ BASED ON AUTHOR PREFERENCE ✓ PRINT READY DIMENSIONING ✓ STYLISTICALLY COHESIVE A TINY SAMPLE OF OUR WORK "We are getting so much positive feedback about the cover. It’s alive!" —Michael Aviel, Ontario Canada TYPESETTING The interface for your content. ✓ FRONT MATTER and BACK MATTER LAYOUT ✓ CHAPTER HEADINGS ✓ SUBHEADINGS and BLOCK QUOTES ✓ HEADERS and FOOTERS ✓ PAGINATION ✓ STUNNING DESIGN “You have made what seemed could be a difficult process into a joy and pleasure.” —Allison Michel, Vestavia, Alabama EBOOK DESIGN For the digital age. ✓ .ePUB output ✓ READABLE ON ANY DEVICE ✓ CROSS-PLATFORM FORMATTING ✓ FRONT MATTER and BACK MATTER LAYOUT ✓ SUBHEADINGS and BLOCK QUOTES ✓ CHAPTER HEADINGS ✓ HEADERS and FOOTERS ✓ PAGINATION ✓ STUNNING DESIGN "You guys knocked it out of the park!" —Phillip Knox, Perris, California DISTRIBUTION AND ROYALTIES ✓ AMAZON LISTINGS ✓ GLOBAL DISTRIBUTION ✓ MONTHLY ROYALTIES ✓ AUTHOR DASHBOARD ACCESS ✓ MONTHLY REPORTING ✓ PAPERBACK/EBOOK/HARDCOVER AVAILABLE PROOFS AND PRINTING ✓ DIGITAL FILES TO PROOF ✓ PHYSICAL PROOF COPY (PRE-RELEASE) ✓ SMALL PRINT and LARGE PRINT RUNS ✓ DROP SHIPPING AVAILABLE ✓ YOUR CHOICE OF COVER FINISH ✓ YOUR CHOICE OF PAPER TYPE ✓ MASSIVE AUTHOR DISCOUNT FOR LIFE ✓ HARDCOVER PRINTING MARKETING The gap between the book and the buyer. -
Georgia Vs Bodoni Y Y Y Y
Georgia, a relatively new serif typeface, was designed in 1993 by Matthew Carter. Microsoft adopted this typeface to be the serif companion to Verdana both of which were intended to be optimally read on a digital screen. Georgia was ironically used in the branding for the 1996 Olympic Games in Atlanta, Georgia. Georgia has many similarities with Times New Roman, but its differences make Georgia much more legible in the digital format. Over 200 years ago, Giambattista Bodoni designed a classic serif typeface that has been used prevalently in design ever since. The early versions of Bodoni were considered transitional but have since been altered to be a modern Didone typeface. Giambattista Bodoni looked to the ideas of John Baskerville when designing this font. He also studied the French type founders Pierre Simon Fournier and Firmin Didot and drew inspiration from their work but ultimately found his own style of typography. Although Bodoni is said to be difficult to read in digital format, printers have acceptedk Bodoni as a beautiful and classic typeface. Although Bodoni and Georgia are separated greatly by age, the both have roots in the transitional typeface catagory. Bodoni has developed over time to be a much more modern typeface, while Georgia has stayed truer to its original design. The greatest similarities to be found between Georgia and Bodoni are when they are bold and oblique. The serifs become much more rounded. Bodoni already has proven its longevity, and in a few hundred years, Georgia may prove to as well. Southern Charm Georgia vs Bodoni y y y y.