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Books, Prints, and Travel: Reading in the Gaps of the Orientalist Archive
BOOKS, PRINTS, AND TRAVEL: READING IN THE GAPS OF THE ORIENTALIST ARCHIVE ELISABETH A. FRASER Writing to Madame de Re´camier during an arduous voyage to the Levant in 1817 and 1818, the beleaguered Comte Auguste de Forbin pleaded passionately for letters from her to alleviate the horrors of his journey: a difficult passage at sea, the death of a hired travelling companion, heat and plague. ‘I need them, I have been cruelly tested. Never was a voyage more unfortunate,’ he wrote. Subse- quent letters describe his ‘terrible fear’ of the plague in Constantinople (‘death is everywhere’), and the ‘devouring heat’ of Egypt.1 And yet Forbin later made light of the journey’s difficulties in his published account, the Voyage dans le Levant (1819), a sentiment reinforced by Franc¸ois-Rene´ de Chateaubriand in his review: ‘The Comte de Forbin’s publication will finally prove that today one can do quickly and easily what in the past demanded much time and effort.’2 Similarly, the Comte Marie-Gabriel de Choiseul-Gouffier’s magnificent Voyage pittoresque de la Gre`ce (1782–1822), one of Forbin’s primary models, gives no hint of the woes that dogged its production: revolution, legal battles, work lost in transport, dishonest printers, artists making off with commissioned drawings, and so on. To follow Choiseul-Gouffier’s trail through the archives is to wade in rancour, regret and litigiousness to a degree unsuspected by the reader of his serenely beautiful Voyage pittoresque.3 In a departure from earlier writing on colonialism, scholars today expect to find this kind of contradiction in the accounts of European travellers about in the world. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
PAPERS DELIVERED at SHARP CONFERENCES to DATE (Alphabetically by Author; Includes Meeting Year)
PAPERS DELIVERED AT SHARP CONFERENCES TO DATE (alphabetically by author; includes meeting year) Abel, Jonathan. Cutting, molding, covering: media-sensitive suppression in Japan. 2009 Abel, Trudi Johanna. The end of a genre: postal regulations and the dime novel's demise. 1994 ___________________. When the devil came to Washington: Congress, cheap literature, and the struggle to control reading. 1995 Abreu, Márcia Azevedo. Connected by fiction: the presence of the European novel In Brazil. 2013 Absillis, Kevin. Angele Manteau and the Indonesian connection: a remarkable story of Flemish book trade (1958-1962). 2006 ___________. The biggest scam in Flemish literature? On the question of linguistic gatekeeping In literary publishing. 2009 ___________. Pascale Casanova's The World Republic of Letters and the analysis of centre-periphery relations In literary book publishing. 2008 ___________. The printing press and utopia: why imaginary geographies really matter to book history. 2013 Acheson, Katherine O. The Renaissance author in his text. 1994 Acerra, Eleonora. See Louichon, Brigitte (2015) Acres, William. Objet de vertu: Euler's image and the circulation of genius in print, 1740-60. 2011 ____________. A "religious" model for history: John Strype's Reformation, 1660-1735. 2014 ____________, and David Bellhouse. Illustrating Innovation: mathematical books and their frontispieces, 1650-1750. 2009 Aebel, Ian J. Illustrating America: John Ogilby and the geographies of empire in Restoration England. 2013 Agten, Els. Vernacular Bible translation in the Netherlands in the seventeenth century: the debates between Roman Catholic faction and the Jansenists. 2014 Ahokas, Minna. Book history meets history of concepts: approaches to the books of the Enlightenment in eighteenth-century Finland. -
Typography: Language Made Visible Annotated Bibliography
Typography: Language Made Visible Annotated Bibliography Subject Markers. (*) Praxis (†) History and Theory (‡) Philosophy Armstrong, Helen. Graphic Design Theory: Readings from the Field. New York: Princeton Architectural Press, . Paperback. Condition: good.† Baines, Phil. Penguin By Design: A Cover Story –. New York: Penguin, . Paperback. Condition: very good.*† Bertin, Jaques. Semiology of Graphics: Diagrams, Networks, Maps. Redlands, CA: Esri Press, . Hardcover. Condition: excellent.*† Purchased spring of from Amazon. I have mixed feelings about this volume. On one hand, I am incredibly happy to see a brilliant and foundational work affordably back in print. On the other, I am a bit disgusted by the quality of the edition. The original edition of the English translation is a beautifully designed volume. The reissued edition features a blindingly white coated paper, and a puzzling insistence by Esri on using comically oversized Times New Roman typeface. The illustrations, however, have been better reproduced (and in some cases enhanced) from the earlier version. Apart from dealing with symbols, colors, and other graphic conventions, Bertin also discusses the uses of letters, labels, and visual hierarchies. Bildi Grafiks. Tempus Fugit. Barcelona: Index Books, . Hardcover. Condition: good.*‡ I purchased this book in the spring of from Amazon. The book was part of a project to redesign the calendar for the campus student film society into something readable and typographically coherent. This volume represents essentially the only book I could find on the subject of calendar design after many days of searching. It deals with novel arrangements, a dash of history, and a few interesting essays on the nature of time and representation. -
History of the Book As a Research Topic in Croatia: a Brief Overview Nada Topić, Solin Public Library, Croatia Within the Croat
History of the book as a research topic in Croatia: a brief overview Nada Topić, Solin Public Library, Croatia Within the Croatian research community an interest in the history of the book can be found in the areas of information sciences, the humanities, social sciences, and especially in history, literature, sociology, anthropology, and linguistics. Due to the high degree of interdisciplinarity, it is very difficult to offer a brief overview of the area or determine what elements should be included. This brief study will focus on the following components: the research community, university infrastructure, research projects and programs, conferences and summer schools, journals publishing articles on book history, academic monographs published to date, and recent doctoral dissertations. The book history research community in Croatia includes practitioners and theorists from various professional backgrounds, from librarians, information specialists, and museologists, to archivists, historians, literary historians, sociologists, linguists, and others. A number of steps precede the interpretation of historical material, including organization, restoration, preservation, and digitization. Connections and cooperation between all participants is therefore extremely important. Since 1996, in Croatia, the AKM (Archives, Libraries, Museums) annual conference has been held in Poreč and Rovinj in Istria. Many of the aforementioned participants meet at the conference to share their experience and progress, as well as to develop tools which allow, -
From Hardcover to Paperback
THE ORIGIN OF PAPERBACKS IN AMERICA Maria Bissonette GENERAL HISTORY INTRODUCTON CONCLUSION In the 1950’s, American publishers joined in on the growing popularity of paperback production. The purpose of this project is to discover and The shift in the making of books with hard discuss the development of American covers to paper backs reveals sociological shift in publishing, specifically the transition from both book and American culture of the time. hardcover books to paperback books. This While at first glance, then and now, the decision project will look specifically at the change for change might seem solely financially within the American publishing industry but motivated, the transition is actually based on… will also mirror the changes made in other countries way of publishing books, seeing as having both hardcover and paperback books is a global practice. Focusing on the modern shift of VISUAL DIFFERENCES the binding of books will also reveal the KEYWORDS HARDCOVER Hardcover – This describes the kind of binding WORKS CITED that is inherently rigid, as the term suggests. This kind of binding in more durable and sturdier “How Paperbacks Transformed the Way but is also more expensive to manufacture. The Americans Read.” Mental Floss, 19 Apr. 2014, spine of the book is flexible but the front and www.mentalfloss.com/article/12247/how- back covers are not, something paperbacks can paperbacks-transformed-way-americans-read. be. Hardcovers are usually made from cardboard or a form of heavy paperboard. Osnos, Peter. “How Book Publishing Has Changed Since 1984.” The Atlantic, Atlantic Paperback – Sometimes known as “softcover”, Media Company, 12 Apr. -
<Fc9c72f> (PDF) the Story of Spain: the Dramatic History of Europe's
(PDF) The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Mark R. Williams - pdf free book The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country PDF, Read Best Book Online The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, I Was So Mad The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Mark R. Williams Ebook Download, full book The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, pdf download The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, Download Free The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Book, Download Online The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Book, Download PDF The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, pdf free download The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Mark R. Williams pdf, Mark R. Williams epub The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, pdf Mark R. Williams The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country, Download Online The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country Book, Read Online The Story Of Spain: The Dramatic History Of Europe's Most Fascinating Country E-Books, Read The Story Of Spain: The Dramatic History Of Europe's Most Fascinating -
Glossary of Publishing Terms
Glossary of Publishing Terms Acknowledgements – An optional component in a book, which can be inserted at the beginning or end of the book, where the author writes words of thanks to those who helped with the book. This may include literary agent, editor(s), fellow authors, book contributors, interviewees, family, friends, etc. Advance – A payment by a traditional publisher to an author as part of a publishing agreement. Advances are often paid in installments. For example, one third paid upon contract execution, one third paid upon submission of the manuscript to publisher, and one third paid upon publication of the book. Appendix – Supplemental material inserted at the end of the book. ARC (Advanced Review Copy, AKA: “Galley”) – ARCs are often printed versions of a book that are made available to media ahead of the book’s release date. ARCs are often un-edited and used solely for the purposes of generating publicity of early reviews. When printing ARCs, the cover and interior should be stamped with a notice such as: “Advanced Review Copy – Not for Resale.” Back Matter – The materials included at the end of a book including an appendix, resources, end notes, etc. Back-of-the-Room Sales – The act of selling books after giving a speaking engagement. Backlist – Titles a publisher printed previously that are still actively selling through retail channels but are not newly released. Bar Code – A graphic representation of a unique ISBN that is placed on the back of a book (or other retail product) to help retailers with inventory and sales management. Beta Readers – People who are given pre-publication access to an author’s manuscript or book for purposes of providing feedback, reviews, and word-of-mouth marketing. -
Paper Jam September 2017
REEDLEY COLLEGE READING & WRITING CENTER PRESENTS... The Paper Jam Fall 2017 SEPTEMBER 2017 Welcome Back ! 1 Book 1 College ...are you ready for the semester? Papers due? We are here for YOU!!! -Elizabeth KleinKramer her cells to flourish out- face of modern medi- INSIDE THIS This year, the faculty side of her body. For cine. To accompany the ISSUE: have chosen The Immor- many years the Ameri- One Book/One College tal Life of Henrietta can public knew nothing experience, Reedley Col- Meet the Author 2 Lacks, written by Rebec- about the woman whose lege has invited a mem- ca Skloot, as the One cells made it possible to ber of the Lacks family Shakespeare 3 Book/One College recip- cure polio and study to speak at the college on ient. The One Book/One gene mapping. Even March 15th, 2018 at 1st Wed. @ 1 3 College program is de- Henrietta’s family had 7pm. The students, fac- signed to help the stu- no idea what their moth- ulty, and community are Back to School 4 dents delve deeper into er’s cells were worth. invited to come out and literature, and many in- The book discusses the see this year’s One structors have been as- Calendar 5 ethics of the scientists Book/One College signing this book to be and doctors involved in speaker in the spring. read in their classes. The taking Lacks’ cells, and Additional resources for Crossword 6-7 Immortal Life of Henri- simultaneously illus- students and faculty have etta Lacks is a nonfiction trates her life and the been made available by New Tutors of 8-9 book about Henrietta lives of her family mem- librarian Lynn Kemmer the RWC Lacks. -
HISTORY 2020 CATALOG of HISTORY TITLES Bold Thinking Starts Here
LIBERTY FUND BOOKS HISTORY 2020 CATALOG OF HISTORY TITLES Bold Thinking Starts Here Liberty Fund, Inc., is a private educational through our own times. The programs are intended to enrich foundation established to encourage the study of the understanding and appreciation of the complex nature of a society of free and responsible individuals and to contribute to ideal of a society of free and responsible individuals. its preservation. Liberty Fund develops, supervises, and finances its own As a tax-exempt, private operating foundation, Liberty Fund’s educational activities to foster thought and encourage discourse purposes are educational and intellectual. Liberty Fund does on enduring issues pertaining to liberty. not, therefore, engage in politics or political action of any kind. These programs focus on the place individual liberty has in an Liberty Fund fulfills its mission by conducting programs, not by intellectual heritage evident from ancient times and continuing awarding grants to outside organizations or individuals. Liberty Fund activities are concentrated in three areas: BOOKS Liberty Fund has published over 400 titles for scholars, CONFERENCES Each year, Liberty Fund conducts over 150 students, and general readers since its first publication, conferences throughout the United States, Canada, Latin Education in a Free Society, appeared in 1973. Most titles America, and Europe. explore some aspect of the interrelationship of liberty and responsibility in individual life, society, and governance. WEB Liberty Fund’s online educational resources offer libraries, blogs, podcasts, forums, discussions, and a variety Our print and ebooks are edited and translated by world- of content to encourage a dialogue of ideas pertaining to renowned scholars who bring to the task the expertise liberty. -
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Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship. -
Writing a History of the Book for an Electronic Age
8 RARE BOOKS & MANUSCRIPTS LIBRARIANSHIP KRK Communications Revolutions: Writing a History of the Book for an Electronic Age Robert A. Gross Originally presented as the keynote address for the Rare Books and Manuscript Pre conference on June 25, 1997, in Claremont, California. hen does an academic field begin? For the expanding specialty known as the history of the book, the landmarks are many: W • Major publications: Elizabeth Eisenstein’s The Printing Press as an Agent of Change and Robert Darnton’s The Business of Enlightenment, both appearing in 1979.1 • Intellectual centers: the Center for the Book at the Library of Con gress (1977) and the Program in the History of the Book in American Cul ture at the American Antiquarian Society (1983).2 • Encyclopedias and reference works: since the appearance in the 1980s of the multivolume Histoire de l’Edition, the French pioneer in the field, na tional book histories have been launched in the United States, England, Scot land, Wales, Ireland, Australia, New Zealand, and Canada. Robert A. Gross, Forrest D. Murden Jr. Professor of History and American Studies at the College of William and Mary, is chair of the American Antiquarian Society’s Program in the History of the Book in American Culture. 8 COMMUNICATIONS REVOLUTIONS 9 • Degree programs, including M.A. courses of study at the Universities of Alabama, Iowa, and Wisconsin and University College, London, and a Ph.D. minor at the University of South Carolina, all established since 1986.3 • Scholarly associations, notably SHARP, the Society for the History of Authorship, Reading and Publishing, created in 1991 and now counting some 900 members in 20 countries.4 By such innovations and advances, encompassing multiple initiatives and interests, does a new discipline take shape in the contemporary world of schol arship.