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Raazi V10 22-7-17 Clean
DHARMA PRODUCTIONS JUNGLEE PICTURES DIRECTED BY MEGHNA GULZAR SCREENPLAY BHAVANI IYER & MEGHNA GULZAR DIALOGUE MEGHNA GULZAR BASED ON THE NOVEL “CALLING SEHMAT” BY HARINDER S SIKKA © Meghna Gulzar 2017 FADE IN: 1 INT. PAK ARMY HQ - SITUATION ROOM - EVENING Title Card: February 1971. Pakistan. A series of pictures, black-and-white, low exposure but clearly outlining two figures and faces that are in deep conversation are seen on an old fashioned projector screen. Uniformed top brass from all the defense services (Army, Navy and Air Force) and Pakistan’s Intelligence sit around a table, being briefed by BRIGADIER SYED (57), tall hard-eyed with a striking military bearing in his uniform. The meeting is already in session. Syed clicks a button to zoom in on one of the men in the projected photograph. SYED Bangaal mein aazaadi ki tehreek zor pakad rahi hai. Vahaan Awami League ki khufiya Military Council ke rehnuma ye shakhs hain – Colonel Usmani. Lt. GENERAL AMIR BEIG (68), grey-haired with cold eyes looks at the image. BEIG Election bhi jeet chuke hain. Inki neeyat kya hai? The other senior leaders at the table murmur similarly. SYED Mujibur Rahman ne apne saath kuchh aise log jama kar liye hain, jo ab apne-aap ko Mukti fauj kehlate hain... (looks around) Mukti - aazaadi.. Sniggers around the room. Syed clicks for the picture to zoom in to the other face, only partially seen. SYED (CONT’D) Aur ye shakhs hai Khalid Mir... Iski padtaal rakhna bahaut zaroori hai. Ye Hindustan ke Intelligence ke bade afsar hain... Murmurs around the room. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Imtiaz to Attend Indian Film Festival of LA 2020, Dtnext.In–February 27
2/27/2020 Imtiaz to attend Indian Film Festival of LA 2020 - DTNext.in Imtiaz to attend Indian Film Festival of LA 2020 The festival will open with 'An Evening with Imtiaz Ali'. He will be joined onstage by Kashyap to discuss the scope and influence of Imtiaz's career. The session will be followed by the screening of Imtiaz's hit movie Highway . Mumbai: The 18th edition of Indian Film Festival of Los Angeles (IFFLA) is all set to kick-start from April 1 to April 5, and audience will get to witness the insightful discussions between the renowned filmmakers Imtiaz Ali and Anurag Kashyap at the five-day gala. The festival will open with 'An Evening with Imtiaz Ali'. He will be joined onstage by Kashyap to discuss the scope and influence of Imtiaz's career. The session will be followed by the screening of Imtiaz's hit movie "Highway". "We are thrilled to open this year's festival with an insightful and unfiltered conversation with Imtiaz Ali, moderated by longtime friend of IFFLA Anurag Kashyap. "Imtiaz's intuitive work with actors and independent spirit are a natural fit for IFFLA," Christina Marouda, IFFLA's Executive Director said. IFFLA's closing night will see the Los Angeles premiere of "The MisEducation of Bindu", a delightful coming-of-age tale set in the American suburbs about a bright young Indian girl who resolves to test out of her high school, but must turn to the students who constantly torment her to raise the money for the test fee. Vikrant Massey and Shweta Tripathi's sci-fi fantasy "Cargo" and Konkana Sen Sharma's "Dolly Kitty Aur Woh Chamakte Sitare" will be among many others to enthrall the audience. -
Women Directors I
Paper – 10, Module –19 Women Directors I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita Parmar Allahabad University, Allahabad Paper Coordinator Prof. Sisir Basu Banaras Hindu University, Varanasi Content Writer/Author (CW) Mehrazun Neesa ,Research Scholar Banaras Hindu Haque University,Varanasi Content Reviewer (CR) Prof. Sisir Basu Benaras Hindu University Language Editor (LE) Prof. Sumita Parmar Allahabad University Prof. Sumita Parmar DescriptionPrincipal of Module Investigator Allahabad University, Allahabad Items Description of Module Subject Name Women’s Studies Paper Name Women, Media & Films Module Name/ Title Women Directors Module ID Paper -10 Module-19 Pre-requisites The reader is expected to have the knowledge of different Women Directors in Indian Film Industry, the challenges faced by them and what are the opportunities that women directors in India have. Objectives To make the readers aware about the various issues taken up by women directors and the changing perception of people towards women directors in the film industry. Keywords Indian Cinema , Directors, Path-Breakers, Consolidators, Innovators, Trailblazers , Challenges, Opportunities, Women, 1 Women, Media and Films Women’s Studies Women Directors Filmmakers 1. Objectives This module is designed to introduce to you different women directors of Indian Cinema, their works and the problems they encounter in their profession. After studying this module, you should be able to: explain the works of female directors in India; describe the efforts the women directors have undertaken to establish themselves in the profession; and identify the problems faced by women directors in their profession. 2. Introduction Cinema is the supreme medium to express yesterday, today and tomorrow with its own unique language. -
The Changing Role of Women in Hindi Cinema
RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Yeh Hai Aashiqui’ Presented by GLAM-UP
bindass to bring alive ‘love against all odds’ stories in brand new show ‘Yeh Hai Aashiqui’ presented by GLAM-UP The show featuring unique love stories will premiere on August 25th at 7pm Mumbai Aug 21, 2013: bindass the ultimate content destination for youth is all set to bring yet another exciting offering ‘Ye Hai Aashiqui’ centered on the theme of ‘love against all odds’. Through this show bindass will showcase the most unique love stories which prove the age-old adage that love is the strongest emotion and can indeed, triumph despite facing the most daunting of odds. The show will feature youngsters who have dared to pursue love that does not fit into societal norms, and considered relationships that society at large still considers unusual. True to its promise of being a mirror of today’s youth, bindass, with yet another show, will represent their relationships, to showcase how love can help people conquer all difficulties. Yeh Hai Aashiqui underlines the reality that today’s youth does not look at age, societal standing, the possible obstacles or even gender before falling in love. “bindass prides itself in creating shows with engaging narratives, on themes that are close to the hearts of youth. The Indian youth are able to relate and understand stories with complex emotions given a comparatively higher Emotional Quotient. Romance without a worry for the odds is very much at the center of a youngster’s life and unconventional as it may be, love without rules and societal norms are a reality in today’s times. -
`100 October 1-15, 2017 Volume 6, Issue 8
October 1-15, 2017 Volume 6, Issue 8 `100 The 1st The Who’s Who of Indian web publishers participated in this first ever initiative to reward excellence in web publishing. Nineteen came out tops. DI 20 eol This fortnight... Volume 6, Issue 8 ur Cover Story this fortnight is extremely special. While it may look like a EDITOR Sreekant Khandekar Oregular ‘awards story,’ it stands for something much, much bigger. First of all, PUBLISHER October 1-15, 2017 Volume 6, Issue 8 `100 this was the first time websites in English and Indian languages were felicitated for Prasanna Singh their work and initiatives; they were judged on a spectrum of parameters such as EXECUTIVE EDITOR content, brand partnerships and overall user experience. Ashwini Gangal The 1st ASSOCIATE EDITOR Sunit Roy In India, web publishing has been around for over two decades. If that number PRODUCTION EXECUTIVE seems a touch too large, and if web publishing feels like a much younger industry, Andrias Kisku The Who’s Who of Indian web publishers participated in don’t fret. That’s a cognitive error we’re making, collectively. We’re making it ADVERTISING ENQUIRIES this first ever initiative to reward excellence in web publishing. because the business of online publishing is changing every day. Existing players Shubham Garg Nineteen came out tops. are still experimenting and newer ones, some highly specialised, are mushrooming 81301 66777 (M) constantly. All of them grapple with similar issues: What’s better, mobile site or app? Apoorv Kulshrestha 9873824700 (M) How does fake news affect my business? Are these algorithms out to get me? Is video Noida advertising worth it? Nikhil Jhunjhunwala DI 20 9833371393 (M) Mumbai Now, on to my favourite part: at the Digipub Awards, which, mind you, saw [email protected] the participation of almost every major publishing group and website out there, the MARKETING OFFICE brand that swept the show, is a toddler in the universe of web publishing - The B 3, Ground Floor, Sector 4, Noida -201301 Uttar Pradesh Quint. -
Sacred Games’ Daytime Contact Phone Number
www.WeeklyVoice.com BOLLYWOOD Friday, October 26, 2018 | B-19 Enter to win ‘Mirzapur’ Promises A Gory Bloodbath Movie Passes Mumbai: From the look of its trailer, “Mirzapur” -- Amazon’s new bust-or- boom series -- promises a fusillade of lamboyant ights and bloodshed. First things irst. It feels reassuring and comforting to see the very gifted Pankaj Tripathi inally taking centre- stage. He was plainly riveting as the Shakespearean maia don in Shankar Raman’s “Gurgaon”. He returns to play a restless crimelord with a problem- atic son in “Mirzapur”. It’s a world that perhaps Francis Ford Coppola or Martin Scorcese would approve of. There is sly deceit and torment- ing treachery as Tripathy’s Kaleen Bhai (he deals in carpets) tries to control his wild son, played by that extraordinarily credible actor Divy- Who does Salman want to endu Sharma, last seen stealing every dead at the end of the series. Till then, two brothers promise to turn the rug- scene from Shahid Kapoor in “Batti the show ofers us dollops of aggres- ged terrain of “Mirzapur” into an area marry in the movie ‘Hum Gul Meter Chalu”. I suspect there are sion and trippy retribution served up of a subverted Mahabharat. only scene-steelers, no scene-stealers with a dash of humorous relish. The series is splattered with superb Aapke Hain Kaun?’ in “Mirzapur”. Ali Fazal has bulked up and trimmed actors. Rasika Dugal turns up as Pan- Divyendu is the Sonny Corleone of his hair to look menacing and the kaj Tripathi’s sex-starved wife remind- Email to: admin@weeklyvoice. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
Achiever's Academy Shivamogga
Achiever’s Academy Shivamogga 64th Filmfare Awards Announced: Complete List of Winners Winners of the 64th Filmfare Awards were announced at Jio Garden, BKC, Mumbai. Alia Bhatt won Best Actress for playing the role of a spy while Raazi also fetched Meghna Gulzar the Best Director Filmfare Award. Raazi also grabbed the Best Filmtrophy. Meanwhile, Ranbir Kapoor scored the Best Actor Filmfare Award for playing the role of Sanjay Dutt in biopic Sanju. Here’s the complete winner’s list of 64th Filmfare Awards 2019: Sl. Category Winner No. 1. Best Film Raazi 2. Critics’ Award for Best Film AndhaDhun 3. Best Actor in a Leading Role (Female) Alia Bhatt, Raazi 4. Best Actor in a Leading Role (Male) Ranbir Kapoor, Sanju 5. Best Director Meghna Gulzar, Raazi 6. Best Playback Singer (Male) Arijit Singh for Ae Watan, Raazi 7. Best Playback Singer (Female) Shreya Ghoshal for Ghoomar, “Padmaavat” 8. Best Cinematography Pankaj Kumar, Tumbbad 9. Best Debut Actor(Female) Sara Ali Khan, Kedarnath 10. Best Debut Actor(Male) Ishaan Khatter, Beyond The Clouds 11. Best Debut Director Amar Kaushik, Stree 12. Best VFX Red Chillies Fx, Zero Achiever’s Academy Shivamogga Nitin Zihani Chaudhary and Rajesh Yadav 13. Best Production Design (Tumbbad) 14. Best Costume Sheetal Sharma, Manto 15. Best Cinematography Pankaj Kumar, Tumbbad 16. Best Editing Pooja Ladha Surti, AndhaDhun Vikram Dahiya, Sunil Rodriguez, 17. Best Action Mukkabaaz Kruti Mahesh Midya, Jyoti Tomaar for 18. Best Choreography Ghoomar, “Padmaavat” 19. Best Sound Design Kunal Sharma, Tumbbad 20.. Best Background Score Daniel George, AndhaDhun 21. Best Lyrics AndhaDhun 22. -
Imtiaz Ali to Attend Indian Film Festival of Los Angeles in April 2020
2/27/2020 Imtiaz Ali to attend Indian Film Festival of Los Angeles in April 2020 ENTERTAINMENT TV FASHION PHOTOS VIDEOS LIFESTYLE BOX OFFICE 2020 िहंदी Advertisement Google Cloud Storage Durable & Highly Available Object Storage. Start Your Free Trial. Google Cloud Storage Home ⁄ Entertainment Imtiaz Ali to attend Indian Film Advertisement Festival of Los Angeles in April 2020 The 18th edition of Indian Film Festival of Los Angeles (IFFLA) is all set to kick-start from April 1 to April 5, and audience will get to witness the insightful discussions between the renowned filmmakers Imtiaz Ali and Anurag Kashyap at the five-day gala. Written By I.A.N.S | 29684 reads | Mumbai | Published: February 20, 2020 02:59 pm You May Also Like These Kartik Aaryan has THIS to say about working on Imtiaz Ali's next with Deepika Padukone; Read On Imtiaz Ali to attend Indian Film...Iron, Folate, Calcium Deficienci...Alia Bhatt's dolled up picture wPr...egnancy: Household items https://www.pinkvilla.com/entertainment/news/imtiaz-ali-attend-indian-film-festival-los-angeles-april-2020-509227 1/14 2/27/2020 Imtiaz Ali to attend Indian Film Festival of Los Angeles in April 2020 ENTERTAINMENT TV FASHION PHOTOS VIDEOS LIFESTYLE BOX OFFICE 2020 िहंदी Sara Ali Khan is Imtiaz Ali’s ‘little kid’ who’s all grown up & THIS pic of them bonding over tea is priceless Imtiaz Ali to attend Indian Film Festival of Los Angeles in April 2020 0 Sara Ali Khan talks about her character Zoe in Love Aaj Kal, The festival will open with 'An Evening with Imtiaz Ali'.