Ryan Reynolds a MEGHN GULZAR

Total Page:16

File Type:pdf, Size:1020Kb

Ryan Reynolds a MEGHN GULZAR PVR MOVIES FIRST VOL. 31 YOUR WINDOW INTO THE WORLD OF CINEMA MAY 2018 21 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW INTE RYAN REYNOLDS A MEGHN GULZAR THE BEST NEW MOVIES PLAYING THIS MONTH: 102 NOT OUT, FRYDAY, KHAJOOR PE ATKE AND BOOK CLUB GREETINGS ear Movie Lovers, We rewind to “Gladiator,”(2000) Ridley Scott’s epic historical drama that won Russell Crowe an Oscar for Best Actor. Here’s the May issue of Movies First, your exclusive window Join us in wishing powerhouse actress Cate Blanchett a to the world of cinema. happy birthday. This month’s movies range from action thrillers to emotional We really hope you enjoy the issue. Wish you a fabulous tales. Ryan Reynolds returns to the screen as Marvel’s iconic month of movie watching. antihero with “Deadpool 2.” Vikramaditya Motwane’s much- Regards awaited superhero story “Bhavesh Joshi” hits the screens. Director Meghna Gulzar lets us in on interesting secrets Gautam Dutta from her upcoming thriller, “Raazi.” CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for... Tap for... MUST WATCH FESTIVAL FLASH Tap for... Tap for... GUEST INTERVIEW RISING Star TO BOOK TICKETS GO TO PVRCINEMAS.COM OR DOWNLOAD OUR MOBILE APP. AVAILABLE ON PVR MOVIES FIRST PAGE 3 RELEASING THIS MONTH A SNEAK-PEAK INTO THE BIG RELEASE OF THE MONTH! PLAY TRAILER BOOK TICKETS SET REMINDER many unsung heroes, who have been risking everything to provide the army with top secret information and save the RAAZI country. He then narrated his mother’s story, who is the A DAUGHTER, A WIFE, A SPY fearless protagonist here. THE PLOT: The film is an adaptation of Harinder Sikka’s novel ‘Calling Sehmat’, about an Indian spy married to a Pakistani military officer, who provides India with classified information during the 1971 Indo-Pakistan war. he AUDIENce It is based on the true story of a young girl, who was sent WIll see me IN A to Pakistan, to source any information she could, as war completelY DIffereNT was becoming imminent between India and Pakistan. It looK, at least that’S what is the journey of an ordinary Indian girl, in extraordinary I WIsh for as the FIlm IS circumstances. verY DIffereNT. AND IT’S the FIrst TIme that I am doING A THE INSPIRATION: This feisty lady was a Kashmiri Muslim. perIod FIlm based ON trUE Harinder S. Sikka, a former Lieutenant Commander of STORY, SO I AM VERY the Indian Navy, brought out her story through his novel EXCIted for IT AND hope published in 2008. It was his anger against the many intelligence failures of the Indian Army during the Kargil THE AUDIENCE LIKES IT. war that gave him this fascinating story. In 1999, he had - Alia Bhatt gone to cover the Kargil war. He met an Army officer there, who pointed out that not everyone is corrupt and there are PVR MOVIES FIRST PAGE 4 The Collection Alia is only 25 years old but she has DID YOU KNOW? shown her critics why she is here to This was the first time that stay. She has received critical acclaim Alia Bhatt gave a nod to for portraying emotionally intense doing a film, without even characters. These are her award going through the script. winning roles: She was given a ten minute narration by Meghna and she was on board. Sikka was so intrigued by the story that he tracked down the woman and met her at her home in Maler Kotla, Punjab. During their conversation, he learnt her story. The most important information she provided was Pakistan’s plan to sink INS Viraat, which helped in saving this pride of India! After effectively finishing her duties as an undercover Indian agent, she got back to India alone. She was pregnant when she returned. Her son went on to become a responsible Indian army officer, who narrated this story to Sikka. It took the author eight years to fictionalize her story and knit everything into a cohesive narrative. ‘highway’(2014), which won her the FilmFare critics award For best actress. RAAZI RELEASE 11 MAY Genre: Crime, Thriller Language: Hindi Director: Meghna Gulzar Cast: Alia Bhatt, Vicky Kaushal Studio: Junglee Pictures, Dharma Productions ‘Udta PUnjab’(2016), which won Pic Courtesy: AA Films her the FilmFare award For best actress. PVR MOVIES FIRST PAGE 5 PVR MOVIES FIRST PAGE 6 PLAY TRAILER BOOK TICKETS SET REMINDER DEADPOOL 2 MOVIE OF THE MONTH Tagline: Prepare for the second coming aggressive canines, as he journeys around the world to Release Date: 18 May, 2018 discover the importance of family, friendship, and flavour Genre: Action, Adventure - finding a new taste for adventure and earning the coveted Language: English, Hindi, Tamil, Telugu coffee mug title of World’s Best Lover. Director: David Leitch Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller Studio: Marvel Entertainment, Genre Films, 20th Century Fox Pic Courtesy: 20th Century Fox OU CAn’T DENY THE EXPECTATION. THERE’S SUCH AN THE STORY: Wisecracking mercenary Deadpool battles the INCREDIBLY PASSIONATE evil and powerful Cable and other baddies to save a boy, FOLLOWING, WHICH I’M with awesome mutant powers. In doing so, he gets help GRATEFUL FOR TO BE INVOLVED from friends old and new, as he relies on assistance from members of the, newly formed X-Force. The story follows IN IT. RYAN KNOWS DEADPOOL disfigured cafeteria chef (Wade Wilson aka Deadpool), who LIKE THE BACK OF HIS HAND after surviving a near fatal bovine attack, struggles to fulfill AND WE’RE IN A REALLY his dream of becoming Mayberry’s hottest bartender, while GOOD PLACE. also learning to cope with his lost sense of taste. Searching – David Leitch to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually PVR MOVIES FIRST PAGE 7 EADPOOL 2. FallING somewhere betweeN The Godfather 2 AND DIRTY DANCING: HAVANA NIGHTS. – Ryan Reynolds to be shooting guns and fighting with rigorous full body movements. THE HERO: Born in 1976, Ryan Reynolds is a well known Canadian actor and an established name in Hollywood. THE VILLIAN: Josh Brolin plays Cable, who is introduced He is synonymous with playing superhero character in in this sequel. He is a powerful mutant soldier with a films. He portrayed the DC Comics superhero in ‘Green complicated history (involving time travel and conflicting Lantern’(2011) and has played Marvel Comics superheroes, timelines) and a stoic demeanor that often runs counter like Hannibal King in ‘Blade:Trinity’(2004), and Wade to Deadpool’s erratic nature. As the son of Cyclops and Wilson / Deadpool in ‘X-Men Origins: Wolverine’(2009) Madelyne Pryor, Cable was sent to the future and trained and ‘Deadpool’(2016). to become a super powered, gun-toting soldier, with the purpose of returning to present day and preventing the THE WORLD OF DEADPOOL: Deadpool is a fictional apocalyptic future from ever happening. character appearing in American comic books published by Marvel Comics. Initially he was depicted as a supervillain, THE DIRECTOR: David Leitch is an actor, stuntman, writer, when he made his first appearance in ‘The New Mutants’ director and producer. He made his debut as a director and later in issues of ‘X-Force’, but later evolved into his with Chad Stahelski in ‘John Wick’(2014), and then worked more recognizable antiheroic persona. His real name is on his own solo feature ‘Atomic Blonde’(2017). He has also Wade Wilson, who is a disfigured and deeply disturbed proven his chops in the action genre as stunt coordinator in mercenary and assassin with the superhuman ability of dozens of films including ‘TRON: Legacy’, ‘Teenage Mutant an accelerated healing factor and physical prowess. The Ninja Turtles’ and ‘Ninja Assassin’. character is known as the ‘Merc with a Mouth’, because of his tendency to joke constantly. THE FEMALE LEADS: Morena Baccarin returns in this sequel as Vanessa, an escort and Deadpool’s fiancée and Brianna Hildebrand as Negasonic Teenage Warhead, a teenage X-Man with the mutant power to detonate atomic bursts from her body. Her character has grown and matured to a ‘new level of X-Men’ after being a trainee in the first film. Zazie Beetz joins the cast as Domino, a mercenary with the mutant ability to manipulate luck. Beetz began doing strength conditioning when she got this role, as she had PVR MOVIES FIRST PAGE 8 TRIVIA The sequel was announced three days 01 before the release of ‘Deadpool’(2016). On April 6, 2016, Ryan Reynolds officially signed on for the sequel. Brad Pitt met with the Director to discuss 02 the part of Cable, but couldn’t commit due to scheduling conflicts. This won’t be the title of the movie 03 when it hits the theatres, but the working title for ‘Deadpool 2’ while it was in production was, appropriately, ‘Love Machine’. Reynolds told Entertainment Weekly of 04 the Director’s hiring. “One of the things that David Leitch does that very few filmmakers can do these days, is he can make a movie on an ultra tight budget look like it was shot for 10 to 15 times of the cost.” A trilogy was planned for the character 05 from the very beginning.
Recommended publications
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • HM 06 FEBRUARY Page 10.Qxd (Page 1)
    www.himalayanmail.com 10 JAMMU ☯ SATURDAY ☯ FEBRUARY 06, 2021 ENTERTAINMENT The Himalayan Mail Katrina looks marvelous in her recent Varun Dhawan joins Ranveer Singh & commercial video along with Amitabh, Nagarjuna! Katrina Kaif is shooting Rohit Shetty on the sets of Cirkus! for her next horror-comedy film Phone Bhoot alongside Ishaan Khatter and Sid- dhant Chaturvedi. Recently, the actress shared her shoot diaries on social media where she can be seen doing fun with her Phone Bhoot gang. Similar pictures were also shared by Siddhant Chaturvedi. On Friday, Katrina Kaif reposted a video by Amitabh Bachchan on Instagram and captioned it, "Trust - the only emotion that binds every relationship. #TrustI- sEverything #BharosaHiS- abKuchHai." In the shared commercial advertisement, Amitabh Bachchan was seen alongside his wife Jaya and daughter Shweta Bachchan. It also stars Nagarjuna, Kat- rina Kaif, and Punjabi ac- tress Wamiqa Gabbi. Check out the video post here - On the work front, Katrina will share the screen space with Ishaan Khatter and Siddhant Chaturvedi in the horror-comedy film 'Phone Bhoot', helmed by Gurmeet Ranveer Singh is shooting for his comedy flick Cirkus and has been enjoying his time while shooting with Singh and produced by his favorite director Rohit Shetty. On Varun Sharma's birthday, Ranveer's co-star in the film, celebrated Ritesh Sidhwani and Farhan his birthday on the film sets and was accompanied by the newly married Varun Dhawan. Akhtar. She is also waiting Ranveer Singh shared a picture from the sets of Cirkus on Instagram featuring Varun Dhawan, Rohit for her next release Rohit Shetty, Jacqueline Fernandez, Pooja Hegde, and himself.
    [Show full text]
  • Utopias and Dystopias in World Literature
    MEJO The MELOW Journal of World Literature Volume 4 February 2020 ISSN: 2581-5768 A peer-refereed journal published annually by MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) Sunny Pleasure Domes and Caves of Ice: Utopias and Dystopias in World Literature Editor Manpreet Kaur Kang Volume Sub-Editors Neela Sarkar Barnali Saha 1 Editor Manpreet Kaur Kang, Professor of English, Guru Gobind Singh IP University, Delhi Email: [email protected] Volume Sub-Editors Neela Sarkar, Associate Professor, New Alipore College, W.B. Email: [email protected] Barnali Saha, Research Scholar, Guru Gobind Singh IP University, Delhi Email: [email protected] Editorial Board: Anil Raina, Professor of English, Panjab University Email: [email protected] Debarati Bandyopadhyay, Professor of English, Visva-Bharati, Santiniketan Email: [email protected] Himadri Lahiri, Professor of English, University of Burdwan Email: [email protected] Manju Jaidka, Professor, Shoolini University, Solan Email: [email protected] Rimika Singhvi, Associate Professor, IIS University, Jaipur Email: [email protected] Roshan Lal Sharma, Professor, Central University of Himachal Pradesh, Dharamshala Email: [email protected] 2 3 EDITORIAL NOTE MEJO, or the MELOW Journal of World Literature, is a peer-refereed E-journal brought out biannually by MELOW, the Society for the Study of the Multi-Ethnic Literatures of the World. It is a reincarnation of the previous publications brought out in book or printed form by the Society right since its inception in 1998. MELOW is an academic organization, one of the foremost of its kind in India.
    [Show full text]
  • Raazi V10 22-7-17 Clean
    DHARMA PRODUCTIONS JUNGLEE PICTURES DIRECTED BY MEGHNA GULZAR SCREENPLAY BHAVANI IYER & MEGHNA GULZAR DIALOGUE MEGHNA GULZAR BASED ON THE NOVEL “CALLING SEHMAT” BY HARINDER S SIKKA © Meghna Gulzar 2017 FADE IN: 1 INT. PAK ARMY HQ - SITUATION ROOM - EVENING Title Card: February 1971. Pakistan. A series of pictures, black-and-white, low exposure but clearly outlining two figures and faces that are in deep conversation are seen on an old fashioned projector screen. Uniformed top brass from all the defense services (Army, Navy and Air Force) and Pakistan’s Intelligence sit around a table, being briefed by BRIGADIER SYED (57), tall hard-eyed with a striking military bearing in his uniform. The meeting is already in session. Syed clicks a button to zoom in on one of the men in the projected photograph. SYED Bangaal mein aazaadi ki tehreek zor pakad rahi hai. Vahaan Awami League ki khufiya Military Council ke rehnuma ye shakhs hain – Colonel Usmani. Lt. GENERAL AMIR BEIG (68), grey-haired with cold eyes looks at the image. BEIG Election bhi jeet chuke hain. Inki neeyat kya hai? The other senior leaders at the table murmur similarly. SYED Mujibur Rahman ne apne saath kuchh aise log jama kar liye hain, jo ab apne-aap ko Mukti fauj kehlate hain... (looks around) Mukti - aazaadi.. Sniggers around the room. Syed clicks for the picture to zoom in to the other face, only partially seen. SYED (CONT’D) Aur ye shakhs hai Khalid Mir... Iski padtaal rakhna bahaut zaroori hai. Ye Hindustan ke Intelligence ke bade afsar hain... Murmurs around the room.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • Women Directors I
    Paper – 10, Module –19 Women Directors I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita Parmar Allahabad University, Allahabad Paper Coordinator Prof. Sisir Basu Banaras Hindu University, Varanasi Content Writer/Author (CW) Mehrazun Neesa ,Research Scholar Banaras Hindu Haque University,Varanasi Content Reviewer (CR) Prof. Sisir Basu Benaras Hindu University Language Editor (LE) Prof. Sumita Parmar Allahabad University Prof. Sumita Parmar DescriptionPrincipal of Module Investigator Allahabad University, Allahabad Items Description of Module Subject Name Women’s Studies Paper Name Women, Media & Films Module Name/ Title Women Directors Module ID Paper -10 Module-19 Pre-requisites The reader is expected to have the knowledge of different Women Directors in Indian Film Industry, the challenges faced by them and what are the opportunities that women directors in India have. Objectives To make the readers aware about the various issues taken up by women directors and the changing perception of people towards women directors in the film industry. Keywords Indian Cinema , Directors, Path-Breakers, Consolidators, Innovators, Trailblazers , Challenges, Opportunities, Women, 1 Women, Media and Films Women’s Studies Women Directors Filmmakers 1. Objectives This module is designed to introduce to you different women directors of Indian Cinema, their works and the problems they encounter in their profession. After studying this module, you should be able to: explain the works of female directors in India; describe the efforts the women directors have undertaken to establish themselves in the profession; and identify the problems faced by women directors in their profession. 2. Introduction Cinema is the supreme medium to express yesterday, today and tomorrow with its own unique language.
    [Show full text]
  • Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
    [LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films.
    [Show full text]
  • The Changing Role of Women in Hindi Cinema
    RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then.
    [Show full text]
  • From Mother India to Queen
    KCG-Portal of Journals Continuous Issue-36 | October – November 2018 A study of Female hero: From Mother India to Queen Movies are considered to be a source of entertainment though they carry some societal reflection, significantly, most of the movies are made keeping public taste in mind. But few are made to highlight the social evil, out dated rituals and tradition prevalent in the society; providentially, condition of woman is among them. Usually, in most of the Indian movies the role of a female counterpart (heroine) is to entertain the public by dancing, singing and by acting on some romantic scenes; thus, the role of a heroine in most of the movies is to add spices and seductive flavor by exposing her figure, while acting is not so important. Consequently, role of a heroine in most of the Indian movies is narrowed down and she is used just to sell the product, mere commoditization of a woman body, nothing else!Humorously, the condition of a female shown in most of the movies projects advancement in style of costumes, make up and life styles but thinking is still outdated. But certain categories of movies have female heroes.They steer the movie on her shoulders without any dominant male counterpart. And they leave behind a long lasting message for the society as they attack those apparently spotless surface of social evil, patriarch locked perception! Though Indian cinema, especially, Bollywood has produced many movies in which women have main lead creating a tiny revolution of 21st century! For instance Fashion(2008), narrating a story of an ambitious girl, there are movies like Chak de India (2007)Mary Kom(2014), Dangal(2016), two of them are based on real life story, it also brought in an issue of promoting girls for sports.
    [Show full text]
  • Priyanka Chopra Jonas Is the New Chairperson of Jio MAMI Mumbai Academy of Moving Image Unveils Plans for 2021-22
    Priyanka Chopra Jonas is the new Chairperson of Jio MAMI Mumbai Academy of Moving Image unveils plans for 2021-22 17th August, 2021, Mumbai - The Mumbai Academy of Moving Image (MAMI) today unveiled its plans for the coming year and edition. The blueprint for the festival will feature new leadership and a new creative vision that is attuned to the radical changes the world has witnessed in the last two years. Taking over the reins as Chairperson is actor, producer and author Priyanka Chopra Jonas. She was unanimously nominated by MAMI’s Board of Trustees which comprises Nita M. Ambani (Co- Chairperson), Anupama Chopra (Festival Director), Ajay Bijli, Anand G. Mahindra, Farhan Akhtar, Isha Ambani, Kabir Khan, Kaustubh Dhavse, Kiran Rao, Rana Daggubati, Riteish Deshmukh, Rohan Sippy, Siddharth Roy Kapur, Vikramaditya Motwane, Vishal Bhardwaj and Zoya Akhtar. The board also welcomed two new members to its fold, acclaimed filmmaker Anjali Menon and renowned filmmaker and archivist Shivendra Singh Dungarpur. "For us, building a unique cultural space and platform for cinema like the Jio MAMI Mumbai Film Festival over six years has been immensely fulfilling. Now more than ever, we need to nurture the power of cinema and art to heal and help humanity move forward. I look forward to my dear friend Priyanka Chopra Jonas joining our team and leading the way for Jio MAMI to reach new heights. She is a multifaceted global artist and a force of nature, we are privileged to have her on board," said Isha Ambani (Board of Trustees, MAMI) “Continuing Jio MAMI’s strong tradition of female leadership, the indomitable Priyanka Chopra Jonas now joins as chairperson.
    [Show full text]
  • UTV Spotboy and Anurag Kashyap Reunite for a Madcap Comedy Titled
    UTV acquires the Feature Film rights of Chetan Bhagat's latest bestseller Revolution 2020 Mumbai 16th November, 2011: UTV Motion Pictures has acquired the movie rights of Chetan Bhagat's latest bestseller Revolution 2020. Revolution 2020 will be made into an epic drama with strong roles for the lead cast. Chetan's new novel has notched up sales of 800,000 copies in just a month since its release and its already on track to become the largest selling book of all time by an Indian author in English. The book has great roles for its key protagonists, as it narrates the story of three central characters - Gopal, Raghav and Aarti whose destinies are intertwined. Speaking on the development, CEO of UTV Motion Pictures Siddharth Roy Kapur says, "We have been in discussions with Chetan for a while to do something together. When he shared his latest book with us even before it was published, we read it cover to cover in a single sitting. Its simply unputdownable. He has crafted such a dramatic plot with such sharply defined characters, that you're constantly wondering how things will play out. The issues he deals with in the book are those today's youth will instantly relate to and identify with. We're very excited to work with him on making a great film from what we all believe is a great book." Excited about this development, Chetan Bhagat says, "Yes, UTV finally managed to seduce me. A great offer, immense excitement about the story and a wonderful team with a track record makes me feel they can do justice to Revolution 2020, a story very close to me and the readers' hearts." Every book authored by Chetan so far has been optioned for movie rights.
    [Show full text]
  • Eros International Plc
    Eros International Plc 6.50 PER CENT. STERLING BONDS DUE 2021 AN INVESTMENT IN THE BONDS INVOLVES CERTAIN RISKS. YOU SHOULD HAVE REGARD TO THE FACTORS DESCRIBED IN SECTION 2 (RISK FACTORS) OF THIS PROSPECTUS. YOU SHOULD ALSO READ CAREFULLY SECTION 10 (IMPORTANT LEGAL INFORMATION) Lead Manager INVESTEC PROSPECTUS DATED 25 SEPTEMBER 2014 IMPORTANT NOTICES reproduced and, as far as the Issuer is aware and About this document is able to ascertain from information published by This document (the “Prospectus”) has been that third party, no facts have been omitted which prepared in accordance with the Prospectus Rules would render the reproduced information of the United Kingdom Financial Conduct inaccurate or misleading. The source of third Authority (the “FCA”) and relates to the offer by party information is identified where used. Eros International Plc (the “Issuer”) of its sterling Use of defined terms in this Prospectus denominated 6.50 per cent. bonds due 2021 (the Certain terms or phrases in this Prospectus are “Bonds”) at a price of 100 per cent. of their defined in bold and in “double quotation” marks nominal amount. and subsequent references to that term are The Bonds are freely transferable unsecured debt designated with initial capital letters. instruments and are due to be issued by the Issuer In this Prospectus, references to the “Issuer” are on 15 October 2014. The nominal amount of each to Eros International Plc, which is the issuer of the Bond (being the amount which is used to calculate Bonds. All references to the “Group” are to Eros payments made on each Bond) is £100; however International Plc and its subsidiaries taken as a the minimum subscription amount per investor is whole.
    [Show full text]