IAFOR Journal of Media, Communication & Film Volume 2
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Indian Movies, Brand Australia and the Marketing of Australian Cosmopolitanism
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2013 Indian movies, brand Australia and the marketing of Australian cosmopolitanism Andrew Hassam University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Hassam, Andrew, "Indian movies, brand Australia and the marketing of Australian cosmopolitanism" (2013). Faculty of Law, Humanities and the Arts - Papers. 919. https://ro.uow.edu.au/lhapapers/919 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Indian movies, brand Australia and the marketing of Australian cosmopolitanism Abstract Indian movies shot overseas have attracted the attention of not only advertising agencies keen to see their clients' brands appearing on-screen, but also government tourism commissions eyeing India's growing middle classes as potential visitors. Australian federal and state governments offer Indian film producers financial incentives to film in Australia, and Australian cities now regularly supply Indian movies with backdrops of upmarket shopping malls, stylish apartments and exclusive restaurants. Yet in helping to project the lifestyle fantasies of India's new middle classes, Australian government agencies are supporting an Indian view of Australia. While this image may attract Indian tourists to Australia, it presumes Australia is culturally White and British, and as a result Australian agencies market an Australian cosmopolitanism defined not in terms of cultural diversity but in terms of the availability of global brands. -
Bhagawan Sri Sathya Sai Baba
Om Sri Sai Ram BHAGAVAT GITA VAHINI By Bhagawan Sri Sathya Sai Baba Greetings Bhagawan Sri Sathya Sai Baba is the Sanathana Sarathi, the timeless charioteer, who communicated the Geetha Sastra to Adithya and helped Manu and king Ikshwaku to know it; He was the charioteer of Arjuna during the great battle between good and evil fought out at Kurukshetra. When the rider, Arjuna, was overcome with grief at the prospect of the fight, Krishna instructed him in the science of recognising one's oneness with all, and removed the grief and the fear. He is the charioteer even now, for every one of us; let me greet you as a fellow-sufferer and a fellow-disciple. We have but to recognise Him and accept Him in that role, holding the reins of discrimination and flourishing the whip of detachment, to direct the horses of the senses along the path of Sathya, asphalted by Dharma and illumined by Prema towards the goal of Shanthi. Arjuna accepted Him in that role; let us do likewise. When worldly attachment hinders the path of duty, when ambition blinds the eyes of sympathy, when hate shuts out the call of love, let us listen to the Geetha. He teaches us from the chariot whereon He is installed. Then He showers His grace, His vision and His power, and we are made heroes fit to fight and win. This precious book is not a commentary or summary of the Geetha that was taught on the field of Kurukshetra. We need not learn any new language or read any old text to imbibe the lesson that the Lord is eager to teach us now, for victory in the battle we are now waging. -
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ARCHETYPAL PATTERNS IN IBSEN'S HEDDA GABLER A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts by Maureen Frances Voigt, Bachelor of Arts The Ohio State University 1984 Approved by Copywright ~ 1984 / ~ "' by Maureen Frances Voigt kiL ../]/vl' /~-.- All rights reserved. ; Adviser Department of English "A plant which is to be brought to the fullest possible unfolding of its particular character must first of all be able to grow in the soil wherein it is planted." Carl Jung, Psychological Types Archetypal Patterns in Ibsen's Hedda Gabler Henrich Ibsen is often described as a social dramatist. In many of his plays, the focus is on such issues as the rights of women, a theme in A Doll House (1879), or illegitimacy, which is a major concern in The Wild Duck (1884). Ibsen shocked his audiences by his frank treatment of such social themes. In Ghosts (1881), a son suffers because of the venereal disease that he has inherited from his father. Because of its daring theme, the play could not be performed in the Scandinavian countries, and its first performance was in chicago. l By calling attention to social issues, Ibsen reminded his world that its prudish attitudes were really hypocriti cal because it pretended that the realities of life did not exist. In nineteenth-century Norwegian society, appearances meant more than realities, but through his plays, Ibsen 1 2 forced people to see life's truths behind bourgeois society's pretentious exterior. He felt that it was the poet's task to "see" life and to convey his vision in such a way "that whatever is seen is perceived by the audience just as the poet saw it."2 Thus, in an Ibsen play, the characters must confront life as it is, not as they would like it to be or as society dictates it. -
We Have a Movie for Everyone
FALL / WINTER 2015 NEW RELEASES The Martian 2015 • 122 min. • Colour • 20th Century Fox We have a Director: Ridley Scott Cast: Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara, Sebastian Stan, Michael Peña Movie for During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm Everyone and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenu- ity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Pan 2015 • Colour • Warner Brothers Director: Joe Wright Cast: Hugh Jackman, Rooney Mara, Cara Delevingne, Amanda Seyfried Garrett Hedlund The story of an orphan who is spirited away to the magical Neverland. There, he finds both fun and dangers, and ultimately dis- covers his destiny -- to become the hero who will be forever known as Peter Pan. Shaun the Sheep Movie 2015 • 85 min. • Colour • Elevation Pictures Director: Mark Burton, Richard Starzak Cast: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Richard Webber When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home. Kung Fu Panda 3 2015 • Colour • 20th Century Fox Director: Alessandro Carloni, Jennifer Yuh Cast: Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan Seth Rogen, Lucy Liu Continuing his “legendary adventures of awesomeness”, Po must face two hugely epic, but different threats: one super- natural and the other a little closer to his home. -
Immunogenic Potential of DNA Vaccine Candidate, Zycov-D Against SARS-Cov-2 in Animal Models
Vaccine 39 (2021) 4108–4116 Contents lists available at ScienceDirect Vaccine journal homepage: www.elsevier.com/locate/vaccine Immunogenic potential of DNA vaccine candidate, ZyCoV-D against SARS-CoV-2 in animal models Ayan Dey a, T.M. Chozhavel Rajanathan a, Harish Chandra a, Hari P.R. Pericherla a, Sanjeev Kumar b, Huzaifa S. Choonia a, Mayank Bajpai a, Arun K. Singh b, Anuradha Sinha a, Gurwinder Saini a, Parth Dalal a, Sarosh Vandriwala a, Mohammed A. Raheem a, Rupesh D. Divate a, Neelam L. Navlani a, Vibhuti Sharma b, ⇑ Aashini Parikh b, Siva Prasath a, M. Sankar Rao a, Kapil Maithal a, a Vaccine Technology Centre, Cadila Healthcare Ltd, Ahmedabad, India b Zydus Research Centre, Cadila Healthcare Ltd, Ahmedabad, India article info abstract Article history: Severe Acute Respiratory Syndrome Coronavirus 2 (SARS-CoV-2), initially originated in China in year Received 15 February 2021 2019 and spread rapidly across the globe within 5 months, causing over 96 million cases of infection Received in revised form 21 May 2021 and over 2 million deaths. Huge efforts were undertaken to bring the COVID-19 vaccines in clinical devel- Accepted 28 May 2021 opment, so that it can be made available at the earliest, if found to be efficacious in the trials. We devel- Available online 1 June 2021 oped a candidate vaccine ZyCoV-D comprising of a DNA plasmid vector carrying the gene encoding the spike protein (S) of the SARS-CoV-2 virus. The S protein of the virus includes the receptor binding domain Keywords: (RBD), responsible for binding to the human angiotensin converting enzyme (ACE-2) receptor. -
Bharat Biotech Inks Licensing Deal with Washington University School of Medicine in St
Bharat Biotech Inks Licensing Deal with Washington University School of Medicine in St. Louis to advance COVID-19 Intranasal Vaccine Technology Hyderabad, India, 23 September 2020: Vaccine Innovator, Bharat Biotech announces today, a licensing agreement with Washington University School of Medicine in St. Louis for a novel chimp- adenovirus, single dose intranasal vaccine for COVID-19. Bharat Biotech owns the rights to distribute the vaccine in all markets except USA, Japan and Europe. While the Phase I trials will take place in Saint Louis University’s Vaccine & Treatment Evaluation Unit, Bharat Biotech, upon obtaining the required regulatory approval, will pursue further stages of clinical trials in India and undertake large scale manufacture of the vaccine at its GMP facility located in Genome Valley, Hyderabad. We are proud to collaborate on this innovative vaccine. We envision that we will scale this vaccine to 1 billion doses, translating to 1 billion individuals vaccinated receiving a single-dose regimen. An intranasal vaccine will not only be simple to administer but reduce the use of medical consumables such as needles, syringes, etc., significantly impacting the overall cost of a vaccination drive. Our experience in viral vaccines, manufacturing capabilities, and distribution continue to be our strong suit in ensuring safe, efficacious, and affordable vaccines. It is prudent for Bharat to be involved in diverse but tenable projects to provide a much-needed vaccine against COVID-19 reaches all citizens of the world.” Dr. Krishna Ella, Chairman and Managing Director of Bharat Biotech, stated. This intranasal vaccine candidate has shown unprecedented levels of protection in mice studies; the technology and data having been recently published in the prestigious scientific journal Cell and in an editorial in Nature. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
Androcentrism in Indian Sports
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Androcentrism in Indian sports Bijit Das [email protected] Ph.D. Research Scholar, Department of Sociology Dibrugarh University Dibrugarh, Assam, India 786004 Abstract The personality of every individual concerning caste, creed, religion, gender in India depends on the structures of society. The society acts as a ladder in diffusing stereotypes from generation to generation which becomes a fundamental constructed ideal type for generalizing ideas on what is masculine or feminine. The gynocentric and androcentric division of labor in terms of work gives more potential for females in household works but not as the position of males. This paper is more concentrated on the biases of women in terms of sports and games which are male- dominated throughout the globe. The researcher looks at the growing stereotypes upon Indian sports as portrayed in various Indian cinemas. Content analysis is carried out on the movies Dangal and Chak de India to portray the prejudices shown by the Indian media. A total of five non-fictional sports movies are made in India in the name of Bhaag Milkha Bhaag (2013), Paan Singh Tomar(2012), MS Dhoni: An untold story(2016), Azhar(2016), Sachin: A billion dreams(26 May 2017) are on male sportsperson whereas only two movies are on women, namely Mary Kom (2014), Dangal(2017). This indicates that male preference is more than female in Indian media concerning any sports. The acquaintance of males in every sphere of life is being carried out from ancient to modern societies. This paper will widen the perspectives of not viewing society per media but to the independence and equity of both the sex in every sphere of life. -
SEAN FADEN VFX Supervisor Seanfaden.Com
SEAN FADEN VFX Supervisor seanfaden.com PROJECTS DIRECTORS PRODUCERS/STUDIOS LADY AND THE TRAMP VFX Supervisor Charlie Bean Walt Disney Pictures MULAN VFX Supervisor Niki Caro Walt Disney Pictures POWER RANGERS Dean Israelite Marty Bowen, Wyck Godfrey VFX Supervisor, 2nd Unit Director Brent O’Connor / Lionsgate / Temple Hill FANTASTIC FOUR (Pixomondo) Josh Trank 20th Century Fox SLEEPY HOLLOW Season 2 (Pixomondo) Various Directors Marc Alpert, Dennis Hammer 20th Century Fox SCORPION Pilot (Pixomondo) Justin Lin Don Tardino, Clayton Townsend / CBS GAME OF THRONES Season 3 (Pixomondo) Various Directors HBO VFX Supervisor, 2nd Unit Director Nomination - VES Award WANDA RIDE FILM (Pixomondo) Aerial Unit Director FAST & FURIOUS 6 (Pixomondo) Justin Lin Universal Pictures A GOOD DAY TO DIE HARD (Pixomondo) John Moore 20th Century Fox VFX Supervisor, On-set VFX Supervisor A NIGHTMARE ON ELM STREET (Method Studios) Samuel Bayer New Line Cinema VFX Supervisor, On-set VFX Supervisor, 2nd Unit Director PERCY JACKSON & THE OLYMPIANS: Chris Columbus Fox 2000 THE LIGHTNING THIEF (Method Studios) LET ME IN (Method Studios) Matt Reeves Overture Films VFX Supervisor, On-set VFX Supervisor A LITTLE BIT OF HEAVEN Nicole Kassell Davis Entertainment (Method Studios) The Weinstein Company GULLIVER’S TRAVELS Rob Letterman 20th Century Fox (Method Studios) LOCKE & KEY Pilot (Method Studios) Mark Romanek Dimension Films VFX Supervisor, On-set VFX Supervisor CAPTAIN AMERICA: THE FIRST AVENGER Joe Johnston Paramount (Method Studios) THE GIRL WITH THE DRAGON TATOO David Fincher Columbia Pictures (Method Studios) THE PURGE (Method Studios) James DeMonaco Blumhouse / Universal Pictures VFX Supervisor, On-set VFX Supervisor ARTHUR NEWMAN GOLF PRO (Method Studios) Dante Ariola Vertebra Films TERMINATOR: SALVATION (Asylum) McG Warner Bros. -
Recruiter's Handbook 2020
Recruiter’s Handbook 2020 VISION To create a state-of-the-art institution that sets new standards of world-class education in film, communication and creative arts. MISSION Benchmarking quality, inspiring innovation, encouraging creativity & moulding minds, by leading from the front in the field of film, media and entertainment education. ONE OF THE TEN BEST FILM SCHOOLS IN THE WORLD - THE HOLLYWOOD REPORTER Degree & Diploma 5.5 ACRE programmes CAMPUS acceredited by the TISS 1300+ 2200+ STUDENTS Media & Film industry Alumni campus SCHOOL OF EVENT MANAGEMENT Subhash Ghai Founder & Chairman, Whistling Woods International Chairman, Mukta Arts Limited Member, Executive Committee, Film & Television Producers Guild of India Member, United Producers Forum Education Evangelist Karamveer Chakra Awardee Chairman, MESC Subhash Ghai is a globally renowned filmmaker having directed 19 films over a four-decade career, with 14 of them being blockbusters. Recipient of many national and international awards, he has also been honoured by the United States Senate. He has been a former Chairman of the Entertainment Committee of Trade body CII and also a member of FICCI, NASSCOM and TIE Global & its alliances. He has been invited to address various forums and seminars on corporate governance and the growth of Media & Entertainment industry globally and in India. He is presently serving as the Chairman of Media and Entertainment Skills Council (MESC). Message from the Founder & Chairman My journey as a filmmaker in the Media & Entertainment (M&E) industry has been a long and cherished one. Over the years, the one factor that has grounded me and contributed to my success is the basic film education I received from the film institute I studied in, coupled with my strong desire to learn and re-learn from my days as part of the Indian film industry. -
Times Network Channel Rate Card A-La-Carte
TIMES NETWORK CHANNEL RATE CARD A-LA-CARTE CHANNELS Operator Rate* payable to the Broadcaster A-la- per carte S. subscriber Tick / Channels MRP Genre Language No. per channel Cross (in per month Rs.) (excluding all applicable taxes) (in Rs.) News & Current 1 Times Now 3.00 2.40 English/Hindi Affairs News & Current 2 ET Now 3.00 2.40 English/Hindi Affairs General 3 Zoom 0.50 0.40 Hindi Entertainment 4 Movies Now 10.00 8.00 Movies English Movies Now 5 12.00 9.60 Movies English HD 6 Romedy Now 6.00 4.80 Movies English Romedy Now 7 9.00 7.20 Movies English HD 8 MN+ (HD) 10.00 8.00 Movies English News & Current 9 Mirror Now 2.00 1.60 English/Hindi Affairs 10 MNX 6.00 4.80 Movies English 11 MNX HD 9.00 7.20 Movies English Times Now News & Current 12 5.00 4.00 English World (HD) Affairs BOUQUET-1 Operator Rate* Tick/Cross payable to the Broadcaster per S. Channels MRP (in Rs.) subscriber per month No. (excluding all applicable taxes) (in Rs.) 1 Times Now 2 ET Now 5.00 4.00 3 Zoom 4 Mirror Now BOUQUET-2 Operator Rate* payable to the Broadcaster per S. subscriber per month Tick/Cross Channels MRP (in Rs.) No. (excluding all applicable taxes) (in Rs.) 1 Times Now 2 Mirror Now 3 ET Now 4 Zoom 13.00 10.40 5 Movies Now 6 MNX 7 Romedy Now BOUQUET-3 Operator Rate* payable to the Broadcaster per S.