DOCSLIB.ORG

1929 Bis 1970 1971 Bis 1978 1979 1980-81 1982-83 1984-85 1986

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1929 Bis 1970 1971 Bis 1978 1979 1980-81 1982-83 1984-85 1986 1929 bis 1970 1971 bis 1978 1979 1980-81 1982-83 1984-85 1986 1987 und 1988 Start Peter Weibel 1989 1990 1991 und 1992 1993 1994 1995 Start Gerfried Stocker 1996 1997 1998 1999 und 2000 2001 2002 2003 Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen Softwareklasse - Anwendungstypen / Institutionen ATR Advanced Telecomunication Research Institute (Kyote) Theater / neue Medien (Sommerakademie–Hellerau) Festival Media Arts / ACA (Japanese Animation! ACA ) Visuelle Computerkunst MultiMedia Innovation / CENTERDISC ARS electronica / Etablierung - innerhalb der großen Veranstaltungen getragen von der japan. Regierung, NTT, Sony, Panasonic, u.a. multimedia performance (1999) / Multimediales Theater (2000) (S. Tomioka, K. Yamamura, U. Tanaka, S. Hirata, S. Sakamoto, 1 rationale Ästhetik 1955 Video Outliner 1973/T (S. Beck) elektronische Bilder K16 Sound - Sampling (Speicherung von Originalklängen) K34 (1982/K47/K84) Erster Prototyp einer Multimedia-SW!! K45/K84 (Rus Gant) Electronic-Cafe (Projekt 1984 Los Angeles) Hypertext / PC-Programme Gründung: ART+COM Berlin 1988 1989/J195 ARS zur Interaktion Gründung: ISEA / Int. Symposium on Electronic Art - Netherlands VR / Gründung Architectural Space Laboratory 1992 1994/K145 ASL ETH-Zürich Interaktive Medienkunst / Ausstellung Anaheim T SIGGRAPH und Imagina als drittes eigenständiges Forum P10 Choreographiesystem (Arbeitsstelle: Christa Sommerer, Laurent Mignonneau) // ICC-Eröff. Gründung: Media Lab Helsinki K153 Animation / Image-Morphing (100te Bilder als Morphinggrundlage) P137 (T. Waliczky) Augmented Reality (AR-Einrichtungen) 1999 Gründung: C3 Center Budapest K299 Literatur: Future Cinema (ZKM) / Jeffrey Shaw, Peter Weibel Ed. A. Kondoh, M. Shinka) F19,K393 2 Kino / expanded cinema 1960 Videola Installation 1973/T (D. Hallock) Elektronischer Malkasten K10 ARS Live-Elektronik / Konzept K52 Interaktion / Blitzauslösende Skulptur K41 (Joe Davis) Simulations-Spielfilm / 100% virtuell K124 Bildbearbeitung / QUANTELpaint box K13 (Sandborn) Gründung: interactive cinema group 1988 am MIT Media Laboratory AEC-Konzeption J195 Gründung: Medien Kunsthochschule Köln T Festival: Multimediale 1 im ZKM 1992/T AI Based Arts Exhibition / AAAI 92: K181 CAAD / Computer Aided Architectural Design K144 VRML (Virtual Reality Modelling Language) K220 (David Blair) CAVE / wissenschaftliche Visualisierung (SIGGRAPH 92 Showcase J85 (Daniel J. Sandin) AEC Future Lab K12 Interactive Home Systems (s.a. CORBIS / Microsoft Bilddatenbank) II-K230 Design-Software / PKW-Design ca. 2000 Digital Millenium Copyright Act (DMCA) K212 Flash Art code art / code poetry / software art / Poesie des Programmierens 2003 Image Processing / Paint.Net (Sherry Miller Hocking, Richard Brewster) Videospiele / militärische Simulatoren (SIMNET) Bildtechnologien (1986) Visualisierung (1986) Gründung: ZKM Medientechnologie PRIX / Kat. Interaktive Art Symposium: Artificial Life Cyber City / Berlin virtuell // Computer-Stadt Bis Ende der 80er galten die militärischen Simulatoren – das amerikanische Spielerische Interaktion Design Noir / Mentale Interfaces (Produkt-Erfahrungen) Computergrafiken / Anfänge (BRD) Zeichenautomaten / mechanisch & digital Computergrafik (1986) pictoriale Repräsentation (1986) Mit der Einrichtung eines Preises wurde Interaktivität erstmals (Kevin Kelly, Ken Karakotsios, T.S. Ray, P. Prusinkiewicz, K. Sims, L. Cyber city flight – Berlin virtuell / Virtuelle Stadt – deterritorialisierte II-K95 Digital City Linz (digitale Möglichkeiten der Kommunikation: SIMNET und Applikationen wie Flugsimulatoren – als Ursprung des VR / Feldmodelle (Feldmodelle von Bewegung, Rauminanspruchnahme, (Ursula Damm, als zentrales „Muster“ der ars: Spiele, Musik-Tools, ... Das geheime Leben elektronischer Objekte // K273 (Fiona Raby) 3 Anfänge mittels eines Digitalen Computers in Deutschland 1960 (Kurt Alsleben, W. Fetter) Videotechnik / Multikeyer 1973/T (G. Brown) Schreibmaschinengrafik K42 (H.W. Franke) Sound / Elektronischer Klangteppich s.u. K11 Videoskulpturen K102 (Nam June Paik) TV-Broadcasting / MTV Europa sendet T Digitale video-effekte (1986) 1992/II-K169 (Experimental Television Center) PRIX / Computeranimation (visual effects) 1987 NTT entscheidet 1989 das ICC "museum of the future" zu gründen T offiziell als neue Kunstform proklamiert ! LINZ ... ! (Roger Malina) Festival documenta 9 / Medienkunst 1992/T Yeager, F. Dietrich) künstliche Lebewesen K105 „Metastadt“ (PV) / Multimedia Stadtbühne / Multimediale Stadt u.a. (ART+COM) Digitales Environment /vs/ Werkzeug Computer P20 (Roy Ascott) Stadtverwaltung und Bürger) J29 (Janko) Konferenz: Perception / Amsterdam K153 Doors of Percption kommerziellen Videospiels II-K178 Kommunikation und Energie ) K359 Michael Hoch) Dokumentspeicherung / Emulatoren K340 durchwandern, durchreisen, suchen, erforschen, ... (1996/K406) (Masaki Fujihata) relationale Ästhetik / u.a. u.a. Computer Schach-Weltmeisterschaft Nr. 3 TV Bra, TV Cello, TV Bed (1982/K65) ... „Sky Kiss“ Concert for TV-Cello : (Charlotte Moorman, Simulation / Design & Materialforschung 1985 Musikcomputer & Performance-Software / Interkunst-Projekt (Ed Emshwiller, Net.Art / erste Literatur // Netzine Elektronische Stadt / Abbild der Stadt Albuquerque S. Weiguang, W. Jincheng, I.N. Panarin, G. Schöfbänker, M. Wilson, C.H Augmented Reality fiction (S. Schemat, M. Joyce, B. Carstens Computer Animation Schachprogramme PAL-Fassung (ORF) Nam June Paik) Immateriaux - die von Lyotard inspirierte Ausstellung (1985) 1988/K84 (Multimediawerk) M. Subotnick) Hotwired // Mediamatic (Untersuchung des Verkehrsaufkommens) Gray, M. Felsmann, I. Bordoni, R.P. Dalò) 4 Simulation / prozeßorientierte Sprachen 1960er Videotechnik / Dual Colorizer 1973 (Vasulka, Siegel) K17 K177 K59 Lyotard BBS Bulletin-Board 1989/K130 1988/K129 ARS Themen-Monitoring / SIGGRAPH (USA) J203 Games / Go-Programme K-I-152 (A. Steininger) Interaktives Kino 1991/P140 (Peter Krieg) Artificial Life / Physically-Based Modelling ALIVE-System DigitalSymposium City / ArchitekturTRON Computer-Stadt & elektron. //Medien Computer / Citydigital architecture K136 1995 K141 C. Barrett TRANSIMS Medienkunstmuseum II-Knn P90 Grafik-Design / Rendering-Automation (Auto-Illustrator) F32) (Ade Ward) Game design F12 E.W. Adams Symposium: Tangible CODE F12 numerische Ästhetik Elektronische Publikationen Theater / Schaumaschinerie (1994/K30) Bereits 1976 hat Cedric Price das Projekt „Generator“ (Hadid, Irie, Toyo Ito, Datenbanken / Mythos Information digitale Kulturstufe / digitale Kultur / digitales Zeitalter Ute Bernhardt, M. Geyer, B. Richard, M DeLanda, J. doyne Farmer, Image manipulation soundtrack / Kunstprojekt K380 mapping cyberspace / Informationsvisualisierung / semantische Ästhetik Informationssysteme (1986) Wissenspeicherung (1986) (s.a. "Mechano"-Projekt / 1921 O. Schlemmer, et.al./ 1965 F. Kiesler Virtual Museum / 3D-generierters Museum Bildgenerierung / Synthesebilder (Variabilität, Kombinatorik, Aleatorik) entworfen, Klonarides, Koder, PRIX, Wissensrepräsentation digitale Repräsentation / digitale Kunstwerke VRML (s.a. 2D-, Text- oder Voxel-Avatare) K177 M. Müller & W. Wagner, P. Virilio, E. Schmiederer, Kunda Dixit, D. Rushko Found Footage von CCTV-Surveillance-Kameras, Traffic Cams, (2000/ mediale Repräsentation / digitale Informationsschichten 5 materiale Ästhetik <1960 Hypertext Begriff von Ted Nelson 1974 Ted Nelson Videoart & Computerfilm / Mixed Media K10 Games / Pac Man (erst n. 20 J konnte ein Spieler alle 256 Level spielen) T Kybernetische Skulptur / Environment 1983 (Wenig-Ying Tsai) Computergesteuertes Editieren K122 Digitale Poesie (1986) 1989/K129 ACEN "Raumbühne") 1988/K38 Textsynthese, Bildsynthese , Klangsynthese K106 Bildbearbeitung / Video (APPLE) T (Abbildung der je aktuellen Situation (Landesgalerie)) 1992/K105 (Jeffrey Shaw) Visuelle Repräsentation bei dem sich das Gebäude ständig nach den Wünschen der Benutzer II-08 Sakamura, Lainer) Navigationserlebnisse elektronisches Abbild / Multi-User-VRML Welt K390 Erdbeobachtungssatelliten, Bankomat-Kameras, ... K315) (jomasounds) digitale Archäologie / digitale Archivierung / Avatare / Synthetic Character Group P110 Data transformation / Data collage K226 6 Hybrid Graphic Animation Computer 1962/T Digital Video Weaver 1974/T (S. Beck) Imaging / Varioklischograph K44 (ars intermedia) Kinetische Plastik K101 (Chryssa Vardea) Algorithmus 1982 Bildgenerierung / Plotterzeichnung bis Interaktive Grafik K134 (H.W. Franke) Elektronische Bibliothek / Electronic Publishing 1989/K130 Interaktivität als zentraler Begriffe (so D. Rockeby) 1988 Elektronisches Tagebuch K235 (Lynn Hershman) VR Entwicklungsumgebung II-K302,5 (Eric Gullichsen, PatriceGelband) VR / hyperbolischer Raum 1992/P60 (Dana S. Scott) Genetische Bilder K401
Load more

Recommended publications
  • 3Dfx Oral History Panel Gordon Campbell, Scott Sellers, Ross Q. Smith, and Gary M. Tarolli
    3dfx Oral History Panel Gordon Campbell, Scott Sellers, Ross Q. Smith, and Gary M. Tarolli Interviewed by: Shayne Hodge Recorded: July 29, 2013 Mountain View, California CHM Reference number: X6887.2013 © 2013 Computer History Museum 3dfx Oral History Panel Shayne Hodge: OK. My name is Shayne Hodge. This is July 29, 2013 at the afternoon in the Computer History Museum. We have with us today the founders of 3dfx, a graphics company from the 1990s of considerable influence. From left to right on the camera-- I'll let you guys introduce yourselves. Gary Tarolli: I'm Gary Tarolli. Scott Sellers: I'm Scott Sellers. Ross Smith: Ross Smith. Gordon Campbell: And Gordon Campbell. Hodge: And so why don't each of you take about a minute or two and describe your lives roughly up to the point where you need to say 3dfx to continue describing them. Tarolli: All right. Where do you want us to start? Hodge: Birth. Tarolli: Birth. Oh, born in New York, grew up in rural New York. Had a pretty uneventful childhood, but excelled at math and science. So I went to school for math at RPI [Rensselaer Polytechnic Institute] in Troy, New York. And there is where I met my first computer, a good old IBM mainframe that we were just talking about before [this taping], with punch cards. So I wrote my first computer program there and sort of fell in love with computer. So I became a computer scientist really. So I took all their computer science courses, went on to Caltech for VLSI engineering, which is where I met some people that influenced my career life afterwards.
    [Show full text]
  • BCIS 1305 Business Computer Applications
    BCIS 1305 Business Computer Applications BCIS 1305 Business Computer Applications San Jacinto College This course was developed from generally available open educational resources (OER) in use at multiple institutions, drawing mostly from a primary work curated by the Extended Learning Institute (ELI) at Northern Virginia Community College (NOVA), but also including additional open works from various sources as noted in attributions on each page of materials. Cover Image: “Keyboard” by John Ward from https://flic.kr/p/tFuRZ licensed under a Creative Commons Attribution License. BCIS 1305 Business Computer Applications by Extended Learning Institute (ELI) at NOVA is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted. CONTENTS Module 1: Introduction to Computers ..........................................................................................1 • Reading: File systems ....................................................................................................................................... 1 • Reading: Basic Computer Skills ........................................................................................................................ 1 • Reading: Computer Concepts ........................................................................................................................... 1 • Tutorials: Computer Basics................................................................................................................................ 1 Module 2: Computer
    [Show full text]
  • Silicon Graphics® 230 Visual Workstation with Vpro™ Graphics Silicon Graphics 230 Visual Workstation for Windows® Silicon Graphics 230L Visual Workstation for Linux®
    Datasheet Silicon Graphics® 230 Visual Workstation with VPro™ Graphics Silicon Graphics 230 Visual Workstation for Windows® Silicon Graphics 230L Visual Workstation for Linux® Exceptional Graphics Performance at Features Benefits Unprecedented Prices Silicon Graphics VPro graphics subsystem Provides unprecedented application and The Silicon Graphics 230 visual workstation includes OpenGLon a Chip™ implementation, system performance; fully OpenGL® 1.2 provides professional graphics performance at accelerated geometry pipeline, and conformant and accelerated professional texture mapping capabilities a remarkably low price. Affording customers an unparalleled technical, creative, and scientific Aggressive system price Delivers high-performance workstation graphics capabilities to technical and tool for visualization, Silicon Graphics 230 creative professionals at an extremely incorporates state-of-the-art Intel® architectures affordable price with Silicon Graphics visualization subsystems, Integrated transform and lighting Allows more realistic object behaviors setting a new standard for graphics application and character animation, as well as performance for Windows and Linux operating significantly more complex 3D modeling systems. As the entry system into the Silicon Intel based system utilizing industry- Incorporates renowned SGI graphics Graphics family of visual workstations, the 230 standard architecture and components capabilities in a cost-effective, reliable, offers amazing reliability, flexibility, and and flexible system that is easy to performance at a truly unbelievable price. This upgrade, maintain, and support combination of high-performance graphics and Single Intel Pentium® III processor Provides superior computing performance computing power for markets such as digital featuring fast on-die 256KB Level 2 Advanced Transfer Cache content creation, MCAD/MCAE, scientific visualization, and EDA has never been more Flexible, intelligently designed system Easy, toolless access for upgrade, accessible.
    [Show full text]
  • 25 Years of Ars Electronica
    Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2
    [Show full text]
  • SOFTIMAGE|XSI Setup Guide Was Written by Maggie Kathwaroon, John Woolfrey; Edited by Edna Kruger and John Woolfrey; and Formatted by Luc Langevin
    SOFTIMAGE®|XSI™ Version 1.0 Setup Guide For IRIX and Windows NT systems a The SOFTIMAGE|XSI Setup Guide was written by Maggie Kathwaroon, John Woolfrey; edited by Edna Kruger and John Woolfrey; and formatted by Luc Langevin. Special thanks to Sammy Nelson, Greg Smith, Raonull Conover, Bruce Priebe, and Marc Villeneuve for their assistance in assuring the technical integrity of this guide. © 1998–2000 Avid Technology, Inc. All rights reserved. SOFTIMAGE and Avid are registered trademarkss of Avid Technology, Inc. mental ray and mental images are registered trademarks of mental images GmbH & Co. KG in the U.S.A. and/or other countries. FLEXlm is a registered trademark of GLOBEtrotter Software Inc. All other trademarks contained herein are the property of their respective owners. The SOFTIMAGE|XSI application uses JScript and Visual Basic Scripting Edition from Microsoft Corporation. This document is protected under copyright law. The contents of this document may not be copied or duplicated in any form, in whole or in part, without the express written permission of Avid Technology, Inc. This document is supplied as a guide for the Softimage product. Reasonable care has been taken in preparing the information it contains. However, this document may contain omissions, technical inaccuracies, or typographical errors. Avid Technology, Inc. does not accept responsibility of any kind for customers’ losses due to the use of this document. Product specifications are subject to change without notice. Printed in Canada. Document No. 0130-04619-01 0400 Contents Contents Introduction . .5 Online Help . .6 System Requirements . .7 Before You Begin . .9 Installation Checklist.
    [Show full text]
  • John Carmack Archive - .Plan (1999)
    John Carmack Archive - .plan (1999) http://www.team5150.com/~andrew/carmack March 18, 2007 Contents 1 January 6 1.1 Jan 10, 1999 ............................ 6 1.2 Jan 29, 1999 ............................ 11 2 March 14 2.1 Mar 03, 1999 ........................... 14 2.2 First impressions of the SGI visual workstation 320 (Mar 17, 1999) ............................. 15 3 April 18 3.1 We are finally closing in on the first release of Q3test. (Apr 24, 1999) ............................. 18 3.2 Apr 25, 1999 ........................... 20 3.3 Interpreting the lagometer (the graph in the lower right corner) (Apr 26, 1999) ...................... 23 3.4 Apr 27, 1999 ........................... 25 3.5 Apr 28, 1999 ........................... 26 3.6 Apr 29, 1999 ........................... 26 3.7 Apr 30, 1999 ........................... 27 1 John Carmack Archive 2 .plan 1999 4 May 28 4.1 May 04, 1999 ........................... 28 4.2 May 05, 1999 ........................... 29 4.3 May 07, 1999 ........................... 29 4.4 May 08, 1999 ........................... 29 4.5 May 09, 1999 ........................... 30 4.6 May 10, 1999 ........................... 31 4.7 May 11, 1999 ........................... 32 4.8 May 12, 1999 ........................... 35 4.9 Now that all the E3 stuff is done with, I can get back to work... (May 19, 1999) ...................... 37 4.10 May 22, 1999 ........................... 38 4.11 May 26, 1999 ........................... 40 4.12 May 27, 1999 ........................... 41 4.13 May 30, 1999 ........................... 41 5 June 45 5.1 Whee! Lots of hate mail from strafe-jupers! (Jun 03, 1999) . 45 5.2 Jun 27, 1999 ........................... 47 6 July 52 6.1 AMD K7 cpus are very fast. (Jul 03, 1999) ........... 52 6.2 Jul 24, 1999 ...........................
    [Show full text]
  • Understanding the Linux Kernel
    Understanding the Linux Kernel Daniel P. Bovet Marco Cesati Publisher: O'Reilly First Edition October 2000 ISBN: 0-596-00002-2, 702 pages Understanding the Linux Kernel helps readers understand how Linux performs best and how it meets the challenge of different environments. The authors introduce each topic by explaining its importance, and show how kernel operations relate to the utilities that are familiar to Unix programmers and users. Table of Contents Preface .......................................................... 1 The Audience for This Book .......................................... 1 Organization of the Material .......................................... 1 Overview of the Book .............................................. 3 Background Information ............................................. 4 Conventions in This Book ........................................... 4 How to Contact Us ................................................. 4 Acknowledgments ................................................. 5 1. Introduction .................................................... 6 1.1 Linux Versus Other Unix-Like Kernels ............................... 6 1.2 Hardware Dependency .......................................... 10 1.3 Linux Versions ................................................ 11 1.4 Basic Operating System Concepts .................................. 12 1.5 An Overview of the Unix Filesystem ................................ 16 1.6 An Overview of Unix Kernels ..................................... 22 2. Memory Addressing ............................................
    [Show full text]
  • A Survey of Visibility for Walkthrough Applications
    412 IEEE TRANSACTIONS ON VISUALIZATION AND COMPUTER GRAPHICS, VOL. 9, NO. 3, JULY-SEPTEMBER 2003 A Survey of Visibility for Walkthrough Applications Daniel Cohen-Or, Member, IEEE, Yiorgos L. Chrysanthou, Member, IEEE, Cla´udio T. Silva, Member, IEEE, and Fre´do Durand Abstract—Visibility algorithms for walkthrough and related applications have grown into a significant area, spurred by the growth in the complexity of models and the need for highly interactive ways of navigating them. In this survey, we review the fundamental issues in visibility and conduct an overview of the visibility culling techniques developed in the last decade. The taxonomy we use distinguishes between point-based and from-region methods. Point-based methods are further subdivided into object and image-precision techniques, while from-region approaches can take advantage of the cell-and-portal structure of architectural environments or handle generic scenes. Index Terms—Visibility computations, interactive rendering, occlusion culling, walkthrough systems. æ 1INTRODUCTION ISIBILITY determination has been a fundamental problem Z-buffer algorithm is then usually used to obtain correct Vin computer graphics since the very beginning of the images. field [5], [83]. A variety of hidden surface removal (HSR) Visibility culling starts with two classical strategies: algorithms were developed in the 1970s to address the back-face and view-frustum culling [35]. Back-face culling fundamental problem of determining the visible portions of algorithms avoid rendering geometry that faces away from the scene primitives in the image. The basic problem is now the viewer, while viewing-frustum culling algorithms avoid believed to be mostly solved and, for interactive applications, rendering geometry that is outside the viewing frustum.
    [Show full text]
  • 25 Years of Ars Electronica
    Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2
    [Show full text]
  • Leistungsanalyse Von Graphiksystemen
    Leistungsanalyse von Graphiksystemen Semesterarbeit Winter 1998/1999 Stephan Würmlin Pascal Kurtansky ETH Zürich Departement Informatik Institut für Wissenschaftliches Rechnen Forschungsgruppe Graphische Datenverarbeitung Prof. Dr. Markus Gross Betreuer: Daniel Bielser Reto Lütolf 1Inhaltsverzeichnis Zusammenfassung v Abstract vii Aufgabenstellung ix 1 Einleitung 1 1.1 Benchmarks . 1 1.2 Graphikleistung . 1 1.2.1 3D Anwendungsleistung . 2 1.2.2 Leistung von OpenGL Graphikoperationen . 2 1.3 Systemleistung . 3 1.4 Die getesteten Computersysteme . 3 1.5 Überblick . .4 BESCHREIBUNG DER SYSTEME 7 2 Indigo2 XZ/Extreme und Maximum Impact von SGI 9 2.1 Systemarchitektur der Indigo2 mit XZ/Extreme . 10 2.2 Systemarchitektur der Indigo2 Maximum Impact . 12 2.3 XZ und Extreme Graphiksystem . 12 2.3.1 Die Standard Rendering-Pipeline . 13 2.3.2 Das CPU-Interface . 14 2.3.3 Das Geometry-Subsystem . 14 2.3.4 Das Raster-Subsystem . 15 2.3.5 Das Display-Subsystem . 16 2.3.6 Die XZ und Extreme Graphic-Features . 17 2.4 Das Maximum Impact Graphiksystem . 19 3 Die O2 von SGI 21 3.1 Systemarchitektur . 22 3.1.1 Systemplatine . 22 3.1.2 Die Prozessoren: MIPS R5000 und R10000 . 23 3.1.3 Der R10000 in der O2 . 26 3.1.4 Der Speicher (UMA) . 27 3.2 Graphikleistung . 30 3.2.1 Allgemeine Bemerkungen . 30 3.2.2 Vergleich mit Indigo2 Systemen . 31 4 Die Octane von SGI 33 4.1 Die Octane Modelle . 34 4.2 Systemarchitektur . 35 4.2.1 Systemplatine . 35 4.2.2 Die Crossbar-Switch Technologie . 38 4.3 Graphiksystem . 39 i ii Inhaltsverzeichnis 5 Die Onyx2 von SGI 41 5.1 Systemarchitektur .
    [Show full text]
  • Silicon Graphics® 330 Visual Workstation with Vpro™ Graphics Silicon Graphics 330 Visual Workstation for Windows® Silicon Graphics 330L Visual Workstation for Linux®
    Datasheet Silicon Graphics® 330 Visual Workstation with VPro™ Graphics Silicon Graphics 330 Visual Workstation for Windows® Silicon Graphics 330L Visual Workstation for Linux® A Scalable Graphics Solution Designed for Features Benefits Maximum Flexibility Silicon Graphics VPro graphics sub- Provides unprecedented application and The Silicon Graphics 330 visual workstation system includes an OpenGL on a Chip™ system performance; fully OpenGL® 1.2 provides a scalable graphics solution at implementation, an accelerated geometry conformant and accelerated affordable prices. Customers are afforded pipeline, and professional texture mapping capabilities maximum flexibility in tailoring the amount of processing power to their exact needs. Hardware-accelerated transform Allows more realistic object behaviors Offering the ultimate in technical, creative, and lighting and character animation, as well as significantly more complex 3D modeling; and scientific tools for visualization, frees up CPU for intensive computations Silicon Graphics 330 incorporates a state- Single or dual Intel Pentium® III processor Provides superior computing performance of-the-art Intel® architecture with Silicon (Via Apollo Pro 133A chipset) featuring fast on-die 256KB Level 2 Graphics visualization subsystems, setting a Advanced Transfer Cache; the scalable new standard for graphics performance on design and flexible architecture allow Windows and Linux operating systems. As the customer to add only the amount of the midrange system of the Silicon Graphics processing
    [Show full text]
  • 25 Jahre Ars Electronica
    Literatur: Preisträger in der Filmsparte – Computeranimation – visual effects Literatur: Literatur : Literatur: Literatur (2) : Literatur: Literatur (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali u. Anerkennungen s.r. Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Hg. Marcus S. Kleiner, A. Szepanski 25 Jahre ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Hg.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (zur Radiokunst) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Hg. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 (zur Radiokunst)
    [Show full text]