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Senate the Senate Met at 10 A.M
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 117 CONGRESS, FIRST SESSION Vol. 167 WASHINGTON, THURSDAY, JUNE 17, 2021 No. 106 Senate The Senate met at 10 a.m. and was appoint the Honorable JACKY ROSEN, a Sen- INFRASTRUCTURE called to order by the Honorable JACKY ator from the State of Nevada, to perform the duties of the Chair. Mr. SCHUMER. Madam President, on ROSEN, a Senator from the State of Ne- another issue, infrastructure, despite a vada. PATRICK J. LEAHY, President pro tempore. consensus in Washington that America f needs more investment in our infra- Ms. ROSEN thereupon assumed the PRAYER structure, it has been decades since Chair as Acting President pro tempore. Congress passed a stand-alone bill to The Chaplain, Dr. Barry C. Black, of- f address the issue. This Congress is fered the following prayer: RESERVATION OF LEADER TIME working hard to remedy that fact. Let us pray. As I have repeated, discussions about Eternal God, although we cannot see The ACTING PRESIDENT pro tem- infrastructure are moving forward You with our eyes or touch You with pore. Under the previous order, the along two tracks. One is bipartisan, our hands, we have experienced the re- leadership time is reserved. and the second deals with components ality of Your might and majesty. Every f of the American jobs and families plan, time we hear a newborn baby cry or which we will consider even if it lacks touch a leaf or see the sky, we know RECOGNITION OF THE MAJORITY LEADER bipartisan support—though, I would why we believe. -
GIRL with a CAMERA a Novel of Margaret Bourke-White
GIRL WITH A CAMERA A Novel of Margaret Bourke-White, Photographer Commented [CY1]: Add Photographer? By Carolyn Meyer Carolyn Meyer 100 Gold Avenue SW #602 Albuquerque, NM 87102 505-362-6201 [email protected] 2 GIRL WITH A CAMERA Sometime after midnight, a thump—loud and jarring. A torpedo slams into the side of our ship, flinging me out of my bunk. The ship is transporting thousands of troops and hundreds of nurses. It is December 1942, and our country is at war. I am Margaret Bourke-White, the only woman photographer covering this war. The U.S. Army Air Forces has handed me a plum assignment: photographing an Allied attack on the Germans. I wanted to fly in one of our B-17 bombers, but the top brass ordered me to travel instead in the flagship of a huge convoy, headed from England through the Straits of Gibraltar towards the coast of North Africa. It would be safer than flying, the officers argued. As it turns out, they were dead wrong. Beneath the surface of the Mediterranean, German submarines glide, silent and lethal, stalking their prey. One of their torpedoes has found its mark. I grab my camera bag and one camera, leaving everything else behind, and race to the bridge. I hear the order blare: Abandon ship! Abandon ship! There is not enough light and not enough time to take photographs. I head for Lifeboat No. 12 and board with the others assigned to it, mostly nurses. We’ve drilled for it over and over, but this is not a drill. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Soprano Cornet
SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor -
Russia's Strategic Mobility
Russia’s Strategic Mobility: Supporting ’Hard Pow Supporting ’Hard Mobility: Strategic Russia’s Russia’s Strategic Mobility Supporting ’Hard Power’ to 2020? The following report examines the military reform in Russia. The focus is on Russia’s military-strategic mobility and assess- ing how far progress has been made toward genuinely enhanc- ing the speed with which military units can be deployed in a N.McDermott Roger er’ to2020? theatre of operations and the capability to sustain them. In turn this necessitates examination of Russia’s threat environ- ment, the preliminary outcome of the early reform efforts, and consideration of why the Russian political-military leadership is attaching importance to the issue of strategic mobility. Russia’s Strategic Mobility Supporting ’Hard Power’ to 2020? Roger N. McDermott FOI-R--3587--SE ISSN1650-1942 www.foi.se April 2013 Roger N. McDermott Russia’s Strategic Mobility Supporting ‘Hard Power’ to 2020? Title Russia’s Strategic Mobility: Supporting ‘Hard Power’ to 2020? Titel Rysk strategisk mobilitet: Stöd för maktut- övning till 2020? Report no FOI-R--3587--SE Month April Year 2013 Antal sidor/Pages 101 p ISSN 1650-1942 Kund/Customer Försvarsdepartementet/ Ministry of Defence Projektnr/Project no A11301 Godkänd av/Approved by Maria Lignell Jakobsson Ansvarig avdelning/Departement Försvarsanalys/Defence Analysis This work is protected under the Act on Copyright in Literary and Artistic Works (SFS 1960:729). Any form of reproduction, translation or modification without permission is prohibited. Cover photo: Denis Sinyakov, by permission. www.denissinyakov.com FOI-R--3587--SE Summary Since 2008, Russia’s conventional Armed Forces have been subject to a contro- versial reform and modernization process designed to move these structures be- yond the Soviet-legacy forces towards a modernized military. -
2020-2021 SEASON for the the Lied Center Has Been Proud to Serve Our Community As Nebraska’S Home for the Performing Arts
LIED CENTER FOR PERFORMING ARTS LIEDCENTER.ORG | 402.472.4747 2020-2021 SEASON FOR THE the Lied Center has been proud to serve our community as Nebraska’s home for the performing arts. We’ve laughed together, LAST 30 cried together, been inspired together and together witnessed YEARS, unforgettable performances from some of the greatest artists in the world. There’s no doubt our upcoming season is going to look different than in the past, but by becoming a subscriber today you demonstrate your belief in the value of the performing arts. You know that the hope, joy and inspiration that come from great performances are essential. As we navigate these unprecedented times, we want you to know we are committed to making your Lied Center experience the best and safest it can be. OUR COMMITMENT TO SUBSCRIBERS INCLUDES: An unwavering focus on your health and safety Comprehensive Ticket Flexibility All Lied Center shows through at least January 16, We understand that circumstances may impact 2021, will feature socially distanced seating and a your decision to attend a performance this season. limited seating capacity. Whatever the reason, your subscription tickets are fully refundable right up to showtime. o Most seating availability will be in pairs of tickets with six feet of distance between each group of If a show is postponed or canceled, we will always seats. offer you the option to keep the value of your tickets as on-account credit or to receive a full refund. The Lied Center and the University of Nebraska- Purchasing a ticket to a show at the Lied Center is Lincoln have adopted a policy requiring facial truly risk-free. -
The Influence of Jazz on Timbre in Selected Compositions for Solo Trombone
THE INFLUENCE OF JAZZ ON TIMBRE IN SELECTED COMPOSITIONS FOR SOLO TROMBONE Daniel J. Aldag, B.A., M.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2002 APPROVED: Vern Kagarice, Major Professor Joseph Klein, Minor Professor Tony Baker, Committee Member John Scott, Chair of the DMA Committee James C. Scott, Dean of the College of Music i Aldag, Daniel J., The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. Doctor of Musical Arts (Performance), December 2002, 40 pp., bibliography, 66 titles. A significant body of solo literature for the trombone has been written in the last fifty years that draws as much from the jazz tradition as from that of European classical music. While much attention has been paid to these works’ use of characteristic jazz rhythms, harmonies and melodic inflections, there has been little focus on timbre, the musical element that perhaps most readily distinguishes jazz from other styles of Western music. This paper focuses on the important role jazz timbres should play in a performer’s interpretation of those works that are significantly influenced by jazz. It includes explorations of the significant differences in concepts of timbre between European classical music and jazz, some of the ways in which these timbral differences are produced, and methods by which performers can develop the skills necessary to produce these varied timbres. Particular attention is paid to the importance of timbre to idiomatically appropriate performances of two significant works from the solo trombone repertoire, Robert Suderburg’s Night Set (Chamber Music III) and Richard Peaslee’s Arrows of Time. -
Reds ROK Troops Kill 82 Prison Riot
fV ■ >• . \ / ■■ \ , I...— ■A. I .. SATURDAY, DECEMBER 13, 1952 PAGE TWELVE ATtnge Daily Net Praia Run ThaWaatkar ^ngning ljgraU> For the Wosk Ended Fnaonst o< U. 0. WaatiMr IN eM f Dec.'U; list BsMe etothHaeM, eeU tonight; two cherubs went off to sleep. TVo AUTHORIZED hours later the parents had un A Go4m1 LUtle Girl Plays Smta Oaua Bonds to Aid 10,835 ■anion— M. FiAr, c— tlanN enU About Town Heard Along Main Street packed many items and were Just UONEL SERVICE Meaher #( the Audit about exhausted. They decided at Bnrcaa ef CirenlatiGBs 11:55 to call it a day. Still the beds Israeli State N O R M A N 'S Manche»ter—‘A City of Village Charm Mystic Review, No. 2, WBA. And on Some of Manchester*i Side StreeU^ Too did not arrive. “Tlie Variety Mart” will meet Tueidey nicht in Odd Then suddenly, a bright light The r-s»ef 449 HARTFORD ROAD f-eUawe JUU for e brtef buelneee flashed into the living room and MANCHESTER. CONN„ MONDAY, DECEMBER .15. 1952 (TWENTY PAGES) PRICE FIVE CEHT8 meetinc to be followed with • cun Happen Here • takes your buck. You go off mut- Special Ginvass Aimed VOL. LXXII, NO. 64 (O m sIIM AdTortlahig sa Pag* 11) Easlest solution to a «re is to terlng something the ehtaf pre- kitchen. *rhe man of the houSe got Christines perty. Gifts « f a dollor out of bed td see what was the To Relieve Gmnlry’s Tslue will be exchanfed. Mrs. attribute it to carelessness and let tends dot to hear. -
Music for Brass Quintet with Orchestral Accompaniment: Commissioned Works, the Annapolis Brass Quintet, and a Survey of Literature for Brass Quintet and Orchestra
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA Stacy L. Simpson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.269 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Simpson, Stacy L., "MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA" (2016). Theses and Dissertations--Music. 67. https://uknowledge.uky.edu/music_etds/67 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Humberts Top Brass Making Big Cash
Et Cetera Online: httD://etcetera.huniberc.on.ca What is wrong The sexy with the styles Internet? of97 15 Pg.2l pg. i^» jrm ^^ ''dg^ ^^f^^ ^^Wr~^^^ ^^T^^P IWIj^^wfl (Bt Cetera Humberts top brass 3Jn£iitie making big cash by Chris Attard Missing from the list is Kris Squee (Gordon) has to run an $84 and last year's Social Services News Reporter Gataveckas, Humber's vice presi- million school. ..and had to cut $13 Minister David Tsubouchi, who The numbers are in. And three dent of Business Development million from the budget last year. told consumers to haggle with gro- of Humber College's top brass and the college's only female VP. And he only gets paid $129,000 a cery stores over prices of canned made over $100,000 during 1996. Gordon, who sets the salaries year. Some private sector workers tuna ($101,308.) More than $56 But those salaries remained of those In administration, said get paid a lot more," he said. million in salaries are paid to those relatively unchanged from the Gataveckas salary is now over "1 think we're getting a good employed by Ontario's Attorney previous year. $100,000 for this year, but last deal for the quality that we're get- General including Crown Counsels Under the Public Salary year she paid, "$99,000 or was ting. 1 think he should be paid and judges. The highest paid civil Disclosure Act, any civil servant's said her salary reflected so." He more." servant in Ontario is Michael over be her length of time at income $100,000 must Humber. -
An Exclusive Tour for the Missouri Fox Trotting Horse Enthusiast
An Exclusive Tour for the Missouri Fox Trotting Horse Enthusiast Missouri Fox Trotting Horse Breed Association P.O. Box 1027 • Ava, MO 65608 417-683-2468 [email protected] www.mfthba.com Manna Pro is a proud sponsor of the 2013 MFTHBA Stallion Tour. We nurture what you love. We’re proud to be part of the Missouri Foxtrotter community, and we thank you for your loyalty to our products. To learn more about Manna Pro’s values and products, and to locate a dealer near you, please visit our website at www.mannapro.com. www.mannapro.com Calf-Manna • Feeds • Treats • Milk Replacers • Supplements • Fly Sprays • Sweet PDZ Stall Refresher • Calm Coat Skin and Coat Care • Max-E-Glo Stabilized Rice Bran Missouri Fox Trotting Horse Stallion Tour 2013 Page 3 Table of Contents Welcome Letter ...................................................................................................5 CANTRELL STABLES Boss’ Midnight Cash ......................................................................................9 HTR’s Rock N’ Roller ....................................................................................10 King Me .......................................................................................................11 Midnight Masterpiece .................................................................................12 Miller Time ...............................................................................................13 Pride’s Traveling John John ..........................................................................14 Rex’s