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— the Outdoor Season Now Officially Hot —
Volume 13, No. 19 April 07, 2014 version ii — The Outdoor Season Now Officially Hot — II(-1.0)–1. Eddie Lovett' (Fl) 13.60; 2. Aleec Elite 56.15. — Florida Relays — Harris (USC) 13.61; 3. Keith Hayes (unat) II-1. South Carolina 57.31 (CL). Gainesville, April 4-5— 13.67; 4. *Donald Pollitt (Syr) 13.76. Field Events (4/4—100, 200, 400, 800, 110H, 400H, LJ, IV(1.6)–1. Gerkenz Senesca (Nik) 13.76. HJ: 1. Viktor Fajoyomi (USC) 7-1 (2.16); HT, JT) 400H: I–1. Roxroy Cato' (StA) 48.67 PR 2. **Avion Jones (ECar) 7-1 PR. 100: I(1.0)–1. James Ellington' (GB) 10.16 (WL); 2. Jeffery Gibson' (Bah) 48.95; 3. Eric PV: 1. Japheth Cato (Wi) 17-¾ (5.20). PR; 2. Harry Aikines-Aryeetey' (GB) 10.17; Alejandro' (PR) 49.12; 4. Emanuel Mayers' LJ: 1. ***Kenneth Fisher (B-C) 25-2¾ 3. Churandy Martina' (Hol) 10.25; 4. Adam (Tri) 49.86; 5. Seth Mbow' (StA) 50.12. (7.69) PR. Harris' (Guy) 10.31. II–1. *Keyunta Hayes (UTSA) 49.59 (AL, TJ: 1. DeJon Wilkinson (StA) 53-11¼ II(2.4)–1. Tony McQuay (adi) 10.13w; 2. CL); 2. **Rilwan Alowonle (NC) 50.44; 3. (16.44) PR; 2. *Marquis Dendy (Fl) 52-6 Javon Young (unat) 10.29w; 3. Clayton Par- **Jermaine Collier (SC) 50.96. (16.00). ros (LSpeed) 10.32w. Relay Events SP: 1. *Jonathan Jones (Buf) 64-5¾ III(-0.1)–1. ***Trayvon Bromell (Bay) 10.16; 4 x 100: 1. -
Heroes / Low Symphonies Mp3, Flac, Wma
Bowie Heroes / Low Symphonies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Heroes / Low Symphonies Country: Europe Released: 2003 Style: Contemporary MP3 version RAR size: 1762 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1677 mb Rating: 4.7 Votes: 492 Other Formats: VQF AUD WAV MP4 FLAC ADX DMF Tracklist Heroes Symphony 1-1 Heroes 5:53 1-2 Abdulmajid 8:53 1-3 Sense Of Doubt 7:21 1-4 Sons Of The Silent Age 8:19 1-5 Neuköln 6:44 1-6 V2 Schneider 6:49 Low Symphony 2-1 Subterraneans 15:11 2-2 Some Are 11:20 2-3 Warszawa 16:01 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Record Company – Universal Music Phonographic Copyright (p) – Universal International Music B.V. Credits Composed By – Philip Glass Conductor [Associate Conductor] – Michael Riesman (tracks: 1-1 to 1-6) Conductor [Principal] – Dennis Russell Davies Engineer – Dante DeSole (tracks: 2-1 to 2-3), Rich Costey (tracks: 1-1 to 1-6) Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston Music By [From The Music By] – Brian Eno, David Bowie Orchestra – American Composers Orchestra (tracks: 1-1 to 1-6), The Brooklyn Philharmonic Orchestra Producer – Kurt Munkacsi, Michael Riesman Producer [Associate] – Stephan Farber (tracks: 1-1 to 1-6) Notes This compilation ℗ 2003 Decca Music Group Limited © 2003 Decca Music Group Limited CD 1 ℗ 1997 Universal International Music BV CD 2 ℗ 1993 Universal International Music BV Artists listed as: Bowie & Eno meet Glass on spine; Glass Bowie Eno on front cover; Bowie Eno Glass on both discs. -
Senate the Senate Met at 10 A.M
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 117 CONGRESS, FIRST SESSION Vol. 167 WASHINGTON, THURSDAY, JUNE 17, 2021 No. 106 Senate The Senate met at 10 a.m. and was appoint the Honorable JACKY ROSEN, a Sen- INFRASTRUCTURE called to order by the Honorable JACKY ator from the State of Nevada, to perform the duties of the Chair. Mr. SCHUMER. Madam President, on ROSEN, a Senator from the State of Ne- another issue, infrastructure, despite a vada. PATRICK J. LEAHY, President pro tempore. consensus in Washington that America f needs more investment in our infra- Ms. ROSEN thereupon assumed the PRAYER structure, it has been decades since Chair as Acting President pro tempore. Congress passed a stand-alone bill to The Chaplain, Dr. Barry C. Black, of- f address the issue. This Congress is fered the following prayer: RESERVATION OF LEADER TIME working hard to remedy that fact. Let us pray. As I have repeated, discussions about Eternal God, although we cannot see The ACTING PRESIDENT pro tem- infrastructure are moving forward You with our eyes or touch You with pore. Under the previous order, the along two tracks. One is bipartisan, our hands, we have experienced the re- leadership time is reserved. and the second deals with components ality of Your might and majesty. Every f of the American jobs and families plan, time we hear a newborn baby cry or which we will consider even if it lacks touch a leaf or see the sky, we know RECOGNITION OF THE MAJORITY LEADER bipartisan support—though, I would why we believe. -
Masayoshi Sukita “40Th Anniversary of David Bowie's Heroes”
Masayoshi Sukita “40th Anniversary of David Bowie's Heroes” 12. Mai – 12. August 2017 Heroes © 1977 / 1997 Risky Folio, Inc. Courtesy of The David Bowie Archive ™ Preisliste / Pricelist All pictures of the exhibition are titled and signed on the back including local sales tax (19%). galerie hiltawsky Tucholskystraße 41, 10117 Berlin +49 (0)30 285 044 99 | (0)171 81 34 567 Di – Sa 14 – 19 Uhr u.n.V. Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 01. Masayoshi Sukita, "Heroes" To Come, Japan, 1977 Lambda print on Fuji photographic paper 50,8 cm x 40,6 cm, Edition 10/30, € 1.950 02. Masayoshi Sukita, MY-MY / MY-MY, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 4/30, € 1.950 03. Masayoshi Sukita, 1977 n°1, Japan, 1977 Lambda print on Fuji photographic paper 76,2 cm x 101,6 cm, Edition 1/10, € 3.900 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. Mai – 12. August 2017 Preisliste / Pricelist 04. Masayoshi Sukita, 1977 n°2, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 05. Masayoshi Sukita, "Heroes", Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 18/30, € 29.000 (one of the last 2 available !) 06. Masayoshi Sukita, 1977 n°3, Japan, 1977 Lambda print on Fuji photographic paper 40,6 cm x 50,8 cm, Edition 1/30, € 1.950 Masayoshi Sukita 40th Anniversary of David Bowie's Heroes 12. -
GIRL with a CAMERA a Novel of Margaret Bourke-White
GIRL WITH A CAMERA A Novel of Margaret Bourke-White, Photographer Commented [CY1]: Add Photographer? By Carolyn Meyer Carolyn Meyer 100 Gold Avenue SW #602 Albuquerque, NM 87102 505-362-6201 [email protected] 2 GIRL WITH A CAMERA Sometime after midnight, a thump—loud and jarring. A torpedo slams into the side of our ship, flinging me out of my bunk. The ship is transporting thousands of troops and hundreds of nurses. It is December 1942, and our country is at war. I am Margaret Bourke-White, the only woman photographer covering this war. The U.S. Army Air Forces has handed me a plum assignment: photographing an Allied attack on the Germans. I wanted to fly in one of our B-17 bombers, but the top brass ordered me to travel instead in the flagship of a huge convoy, headed from England through the Straits of Gibraltar towards the coast of North Africa. It would be safer than flying, the officers argued. As it turns out, they were dead wrong. Beneath the surface of the Mediterranean, German submarines glide, silent and lethal, stalking their prey. One of their torpedoes has found its mark. I grab my camera bag and one camera, leaving everything else behind, and race to the bridge. I hear the order blare: Abandon ship! Abandon ship! There is not enough light and not enough time to take photographs. I head for Lifeboat No. 12 and board with the others assigned to it, mostly nurses. We’ve drilled for it over and over, but this is not a drill. -
METRO PICTURES Cotter, Holland
METRO PICTURES Cotter, Holland. “Cindy Sherman’s Divas, Poised for a Final Close-Up,” NYTimes.com (May 26, 2016). Cindy Sherman‘s “Untitled” (2016). In the transgender, avatar-populated present, personal identity feels increasingly like a pliable condition. It’s one that Cindy Sherman has been playing with in her photographs for decades. While still in art school in the early 1970s, she was transforming herself, for the camera, into an epic cast of individual characters — sullen teen queens, nerdy guys, Hollywood vamps — through a use of makeup and costuming so virtuosic and expressive as to rival the brushwork of a master painter. Now, some 40 years on, in a show of new work at Metro Pictures, the virtuosity is greater than ever, or at least subtler, and Ms. Sherman is still sole actor, director and costumer in a continuing drama. But the cast of characters has changed, simplified. Guys are long gone; the teen queens have grown; the vamps remain, all veteran divas poised for a final close-up. With their elegiac tone, the new pictures, Ms. Sherman’s first in five years, seem specifically designed to prompt reflection on the histories she has taken these divas through over time. She introduced them, in 1977, in a now- renowned series of black-and-white photographs called “Untitled Film Stills,” as starlets on the rise. They played ingénues — young housewives, career girls — threatened, in noirish, B-movie solo scenes, by unnamed dangers lurking just out of camera range. 519 W 24TH ST NEW YORK, NY 10011 T 212 206 7100 F 212 337 0070 WWW.METROPICTURES.COM [email protected] When Ms. -
David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story ............................................. -
Track & Field Athletics Meeting
Track & Field Athletics Meeting See New Zealand’s best in action and breaking records!!! Saturday 20th January 2021 4:00 – 8:00pm Newtown Athletics Stadium, Wellington Entry Adults $10 Students $ 5 Prices Children (under 12) FREE Acesports and Athletics Wellington Track & Field present the 2021 TEAM LEDGER Harcourts Capital Classic Track & Field Meeting Mayor’s Welcome Kia ora competitors, supporters, and fans Welcome to the annual 17th Capital Classic Track and Field Meeting an event that has justly earnt its place in the annals of New Zealand sporting history. I want to acknowledge the commitment to your sporting discipline that will be so evident in this year’s competition. The challenge that you as individual athletes have faced to compete is inspiration to both fellow competitors and the wider community. The preparedness to pit yourself against each other and the elements is exciting and takes personal courage. In the words of the late and great Sir Peter Snell, “when it's pouring rain and you're bowling along through the wet, there's satisfaction in knowing you're out there and the others aren't.” Good luck everyone. Andy Foster Mayor of Wellington City Acesports and Athletics Wellington Track & Field present the 2021 TEAM LEDGER Harcourts Capital Classic Track & Field Meeting Welcome to Newtown Park on behalf of Athletics Wellington. This is the 17th edition of the Capital Classic and once again we are incredibly happy to hold such a prestigious event here in Wellington. We especially welcome all athletes and coaches who have travelled to Wellington this year and wish them all the best. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.