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Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
DUR 22/02/2013 : CUERPO E : 1 : Página 1
E VIERNES 22 DE FEBRERO DE 2013 Editor: HILDA CASTRO B. [email protected] En la categoría de mejor actriz y la más joven y la más longeva en alcanzar esa candidatura competirán en la 85 edición de los premios. EFE NAOMI WATTS, Los Ángeles, Cal. OSCAR IMPOSIBLE La británica Naomi Watts, de 44 años, tie- La intérprete más longeva en haber sido ne una relación especial con las produc- Jennifer Lawrence, la nominada a un Oscar en la categoría de ciones de directores hispanoamericanos. actriz del momento. mejor actriz y la más joven en alcanzar A pesar de su consagrada carrera con fil- esa candidatura competirán en la 85 edi- mes como “King Kong” , “J. Edgar” , ción de los premios, aunque los pronósti- “Mulholland Dr.” y la saga “The Ring” , la cos indican que los votantes se decanta- artista ha encontrado su camino al Óscar rán por Jennifer Lawrence por “Silver Li- de la mano del mexicano Alejandro Gon- nings Playbook” . zález Iñárritu (”21 Grams”) y este año ba- jo la dirección del español Juan Antonio JENNIFER LAWRENCE, Bayona (”Lo imposible”) . LA ACTRIZ DEL MOMENTO Watts obtuvo la candidatura de mejor ac- A sus 22 años, Jennifer Lawrence os- triz por esas dos películas aunque la estatui- tenta ya un par de candidaturas a los lla parece que se le seguirá resistiendo. Óscar -ambas como mejor actriz- la pri- Su dramático trabajo como supervi- mera conseguida por la cinta indepen- viente al tsunami que arrasó el sudeste diente “Winter’s Bone” , la segunda por asiático en 2004 recogido en “Lo imposi- “Silver Linings Playbook” , largome- ble” es la única opción de ese largometra- trajes estrenados con apenas dos años je español realizado en inglés en la presen- Jessica Chastain, de Bin Laden de diferencia. -
Kenneth Anger: Where the Bodies Are Buried - Esquire 10-01-14 10:49
Kenneth Anger: Where The Bodies Are Buried - Esquire 10-01-14 10:49 Kenneth Anger: Where The Bodies Are Buried - Esquire Photo by Brian Butler On a recent warm afternoon in Los Angeles, Kenneth Anger was taking a walk in the Hollywood Forever Cemetery. Anger, 86, is the US’s most celebrated underground film-maker, named as a major influence by directors as disparate as Martin Scorsese, David Lynch and John Waters. He is also the elemental spirit whose life draws a connecting line between some of the most intriguing figures of 20th century arts and Bohemia: the occultist Aleister Crowley, Jean Cocteau, the sexologist Alfred Kinsey, Anaïs Nin, The Rolling Stones and Led Zeppelin. Anger has always liked visiting cemeteries. “They’re peaceful,” he says. “They’d better be...” And Hollywood Forever, formerly the Hollywood Memorial Park Cemetery, has a personal significance. It is the resting place of a number of famous Hollywood stars and stands behind the original Paramount lot; in fact, the studios were built on a part of the old cemetery. Anger is an authority on old Hollywood. He is the author of two volumes of Hollywood Babylon, http://www.esquire.co.uk/culture/features/5483/kenneth-anger/ Page 1 of 19 Kenneth Anger: Where The Bodies Are Buried - Esquire 10-01-14 10:49 the classic account of Tinseltown’s most infamous scandals, from the silent era up to the Fifties. A number of the cast are buried here. Rudolph Valentino, whom Anger considers the quintessential Hollywood star (“he had a short, tragic life [dead at 31] and left a big legend”) is interred in a crypt in the Cathedral Mausoleum. -
Aerin Lauder
FEBRUARY 2020 AMERICA’S LEAST BORING BILLIONAIRES The STRANGE CASE of the VA NISHING PRINCESSES T&C’s FANCY SAFARI Guide HOW NOT TO RAISE A BRAT WELR JE Y TheThe RightRight WayWay toto SpendSpend YourYour Bonus!Bonus! A S W A R D Aine Jewelsrin that L Madeau Historyder JEWELRY AND THE MOB RIHANNA AND THE RENAISSANCE A DIAMOND TROUSSEAU THE T&C Jewelry AWA R D S The new masters and reigning champions who marked the year in jewels. The Major FROM TOP ANAKHOURI DIAMOND Breakthrough AND EMERALD EVA NECKLACE $461,000 ANA KHOURI HIGH JEWELRY DIAMOND AND PARAIBA TOURMALINE PHILLIPA NECKLACE $824,000, ANAKHOURI.COM It was the diamond and Paraiba tourmaline torque du jour of Paris Couture! The Brazilian designer Ana Khouri had already established herself as a skilled sculptor of metal and stones with ear cus and a Mirian semicircle ring that have become modern classics, but the Harmony High Jewelry Collection of diamonds and rare stones she showed this year at the Musée des Arts Décoratifs signaled the evolution of a rising talent into a celebrated DON PENNY, STYLED BY MIAKO KATOH MIAKO BY STYLED DON PENNY, member of the establishment. The ultimate getting-ready selfie: a white bathrobe and a 128-carat The Red Carpet diamond. Appearance LADY GAGA IN THE TIFFANY DIAMOND Was it the most expensive jewel ever worn to the Academy Awards? Worth a reported $30 million, it’s likely that Lady Gaga’s Tif- fany diamond necklace claims that title. (The previous record was held by Titanic actress Gloria Stuart’s $20 million Harry Winston blue diamond, inspired by the movie’s Heart of the Ocean.) But that was actually not why this particular diamond necklace sent jewelry experts into a frenzy on Oscar night. -
Experimental Film
source guides experimental film National Library experimental film 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv INTRODUCTION . .1 GENERAL REFERENCES . .1 FOCUS ON: DEREK JARMAN . .4 CHRIS MARKER . .6 MARGARET TAIT . .10 CASE STUDIES: ANGER, BRAKHAGE, AND WARHOL . .12 KENNETH ANGER . .13 STAN BRAKHAGE . .17 ANDY WARHOL . .23 Compiled by: Christophe Dupin Stephen Gordon Ayesha Khan Peter Todd Design/Layout: Ian O’Sullivan Project Manager: David Sharp © 2004 BFI National Library, 21 Stephen Street, London W1T 1LN 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i BFI National Library All the materials referred to in this guide are available for consultation at the BFI National Library. If you wish to visit the reading room of the library and do not already hold membership, you will need to take out a one-day, five-day or annual pass. Full details of access to the library and charges can be found at: www.bfi.org.uk/filmtvinfo/library BFI National Library Reading Room Opening Hours: Monday 10.30am - 5.30pm Tuesday 10.30am - 8.00pm Wednesday 1.00pm - 8.00pm Thursday 10.30am - 8.00pm Friday 10.30am - 5.30pm If you are visiting the library from a distance or are planning to visit as a group, it is advisable to contact the Reading Room librarian in advance (tel. -
“T I T a N I C 3 D”
“T I T A N I C 3 D” “Titanic was called the Ship of Dreams. And it was. It really was...” In 1997, James Cameron’s TITANIC set sail in theaters -- and one of the world’s most breathtaking and timeless love stories was born. The film’s journey became an international phenomenon as vast as its name, garnering a record number of Academy Award® nominations, 11 Academy Awards® and grossing over $1.8 billion worldwide. On April 6th, 2012, precisely a century after the historic ship’s sinking and 15 years after the film’s initial theatrical release, TITANIC resurfaces in theaters in state-of-the-art 3D. Upon its original release, TITANIC was celebrated for transporting audiences back in time, right into the belly of the R.M.S Titanic in all her glory and into the heart of a forbidden love affair entwined with the ship’s epic collision with human arrogance, nature and fate. Now, the leading edge of 3D conversion technology has allowed Oscar® winning director James Cameron to bring moviegoers the most visceral and dynamic screen experience of TITANIC yet imagined. The artistic process of re-visualizing TITANIC in three dimensions was overseen entirely by Cameron himself, along with his long-time producing partner Jon Landau – who both pushed the conversion company Stereo D literally to unprecedented visual breadth. Cameron guided them to use the latest visual tools not only to intensify the film’s sweeping race for survival, but to reveal the power of 3D to make the film’s most stirring emotions even more personal. -
Looking at Hollywood with Ed Sullivan
P.~. Tw. Chic ••• Saaday Trihaae Looking at Hollywood with Ed Sullivan l DclYid Ni.•.•n Rudy Vcd1ee D. FClirbcmb Jr. RlchGrd Gr •• ne Jimmy St.wGrt Joe Sch.nck on the coast and he has loads brothers, three of them, are don't believe that there will be of dough. Or how about some- married. So are Jack Haley, Jack any reaction whatsoever. The thing in writers or directors- Benny, George Burns, Frank studio bosses are of the opinion Norman Krasna, Rouben Ma· McHugh, Al Jolson, Bert Wheel· that a performer who is married moulian, Bob Risklnd, Carl er, Bob Hope, Fred Allen, Frank happily is better liked by the Laemmle Jr., Eddie Sutherland, Morgan, George Jessel. Their public and gains solid prestige. Austin Fairman? Uh-huh, you marriage rating is high. want Gable or Robert Taylor- Perhaps we shouldn't indulge • • • you will have to take that up in any such broad generality. There are one hundred argu- with Miss Lombard or Miss W. C. Fields, Edgar Bergen, Mil· ments in support of this idea. Stanwyck, ma'am. Can I Inter- ton Berle, and Edward Everett Gable was tremendous at the est you in a nice, swingy band Horton are comics who are root- box office while he was married. leader? Guy Lombardo, Abe loose and fancy-free. So, too, is So was W1lliam Powell. Bing Lyman, Skinnay Ennis. Hal Ken Murray. Charlie Butter- Crosby as a married man and Kemp? No, a lady came and worth is getting a divorce, or a father has gained in popular- got him just the other day. -
1 NS1 Document Wallet Catalogues of Golden
1 NS1 Document wallet Catalogues of Golden Dawn manuscripts and others a). G. J. Yorke: `Golden Dawn manuscripts in the possession of G. J. Yorke'. (2 copies) b). G. J. Yorke: `Catalogue of G∴D∴ material in the collection of G. J. Yorke' c). `Golden Dawn material not at the Warburg Institute' (This is now part of the Warburg collection) d). Daniel Montagu: Catalogue of Golden Dawn documents. Based upon the work of Frater V. I. e). G. J. Yorke: Golden Dawn MSS. O Cypher MSS (3 copies). f). `The Golden Dawn Material'. An anonymous description of Golden Dawn material in the Bridewell Library, Southern Methodist University, Dallas, Texas g). `Crowley binders not at Warburg Institute' (This is now part of the Warburg Collection) h). `A note on the Yorke Collection of printed material' with a selective list of printed works by Crowley and followers [Mic. 175pp] NS2 Document wallet 1. Photostats of the Cypher manuscripts, ff. 1-57 2. Deciphers ff. 1-58 3. O1-04; Cypher message about Fraulein Sprengel, letter from Ellie Howe to G. J. Y, letter from Wynn Westcott to F. L. Gardner [Mic. 123pp] NS3 Springback folder of loose sheets of typescript O. T. O. Instructions and Sex Magick 1. `De Arte Magica' (1914), with annotations by Yorke [26pp] 2. `Liber De Natura Deorum', with annotations from original MS by Yorke [15pp] 3. `De Homunculo Epistola', with annotations from original MS by Yorke. [Yorke note: no record that A. C. ever tried to do this. Jack Parsons tried and failed in his Babylon Working] [7pp] 4. -
WHITNEY BIENNIAL 2006: DAY for NIGHT to OPEN Signature Survey Measuring the Mood of Contemporary American Art, March 2-May 28, 2006
Press Release Contact: Jan Rothschild, Stephen Soba, Meghan Bullock (212) 570-3633 or [email protected] www.whitney.org/press February 2006 WHITNEY BIENNIAL 2006: DAY FOR NIGHT TO OPEN Signature survey measuring the mood of contemporary American art, March 2-May 28, 2006 Peter Doig, Day for Night, 2005. Private Collection; courtesy Contemporary Fine Arts, Berlin. The curators have announced their selection of artists for the 2006 Whitney Biennial, which opens to the public on March 2, and remains on view at the Whitney Museum of American Art through May 28, 2006. The list of participating artists appears at the end of this release. Whitney Biennial 2006: Day for Night is curated by Chrissie Iles, the Whitney’s Anne & Joel Ehrenkranz Curator, and Philippe Vergne, the Deputy Director and Chief Curator of the Walker Art Center in Minneapolis. The Biennial’s lead sponsor is Altria. "Altria Group, Inc. is proud to continue its forty year relationship with the Whitney Museum of American Art by sponsoring the 2006 Biennial exhibition," remarked Jennifer P. Goodale, Vice President, Contributions, Altria Corporate Services, Inc. "This signature exhibition of some of the most bold and inspired work coming from artists' studios reflects our company's philosophy of supporting innovation, creativity and diversity in the arts." Whitney Biennial 2006: Day for Night takes its title from the 1973 François Truffaut film, whose original French name, La Nuit américaine, denotes the cinematic technique of shooting night scenes artificially during the day, using a special filter. This is the first Whitney Biennial to have a title attached to it. -
3 Extraordinary Women
Three Extraordinary Women Temple B’nai Shalom, Braintree Rabbi Van Lanckton Saturday, February 4, 2012 - 11 Shevat 5772 – “Women’s Shabbat” Anne Scheiber lived a long and quiet life, but she left an enormous and inspiring legacy. Anne Scheiber was born in Brooklyn in 1893. Or maybe 1894. Nobody is quite sure. Her father lost his money in bad investments in property. He died young, leaving a family of nine children. Her mother became a real estate agent to support the family. Ms. Scheiber attended secretarial school. She got a bookkeeping job. Later, she went to law school at night. She joined the IRS as an estate auditor. She passed the bar to become a lawyer. She worked at the IRS for about thirty years, until 1944. She was 51 years old when she resigned from the IRS. She had only one address in her adult life, a rent-stabilized studio apartment on West 56th Street in New York City. Her home had no luxuries. The paint was peeling. The furniture was old. Dust covered her bookcases. She walked everywhere. She almost always wore the same black coat and matronly hat. She never married, never even had a sweetheart. After her retirement, she seldom left her apartment. With one exception. She would regularly put on her old black coat and old- fashioned hat and leave her apartment for one purpose: to visit her broker. By the time she left the IRS she had managed to save $5,000. She invested all of it in the stock market. Over the next fifty years, she parlayed that $5,000 into a portfolio that included holdings in Coca-Cola, Paramount and more than 100 other stocks. -
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aft noon . p.g.^3 Iter ,459 lianrhpBtfr Mprali 1248 .211 >000 Saturday, Sept. 17, 1988 Manchester, Conn. — A City of Village Charm 30 Cents Ztl Klll$r storm brings heavy rain, high waves and high wind... page 2 .................. jUn , za * Ul; V l \'i i i l V) ,759 1279 ,480 'i-iLC >000 180 M Olympic opening Korean dancers r?i surround flags of the 24th Olympiad during the opening lie ceremonies in Seoul. Stories on page 41. AP photo 221 336 l a ,T Wayward 685 000 Locai women Connecticut % Heated* words 185 gets its day in hike backbone IS" in the sun /4 for Senate /lO of Engiand /17 1 in k I ig tratlon. lEmn. Eighth District set to strike up the band Dr. Crane’s Quiz By Alex GIrelll a.m. will not be eligible to win a trophy as division of the parade will stop at the Manchester Herald The parade begins at noon Sunday. the best-appearing Dalmatian in the stand and take positions there to 1. A creature nicknamed Bruin is often put to rout Marchers will form near Manchester parade, one of the more than 70 review the parade. by Manchester will have more than its High School, go south on Brookfield awards that will be given at Robert UUU JJJ BBB COC share of firefighters this weekend Street, west on EastCenterStreetand son Park after the parade. Axe is not The dignitaries include U.S. Sen. 2. Which one of these has 2 hands but not even one when the Eighth Utilities Fire Depart north on Main Street to Robertson eligible because he is a member of the L«well Weicker, U.S. -
Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’S Magick Lantern Cycle
Doyle White, E 2016 Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle. Present Pasts, 7(1): 2, pp. 1–10, DOI: http://dx.doi.org/10.5334/pp.73 RESEARCH PAPER Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle Ethan Doyle White* One of the great figureheads of American experimental cinema, Kenneth Anger (b.1927), is internationally renowned for his pioneering work, recognisable for its blend of homoerotica, popular and classical music, and dark, symbolist imagery. A follower of Thelema, the religion of infamous British occultist Aleister Crowley (1875–1947), Anger’s work is imbued with occult themes and undercurrents rarely comprehen- sible to the non-initiated viewer. In exploring these esoteric ideas, Anger makes use of archaeology and heritage in his short filmsEaux d’Artifice (1953) and Inauguration of the Pleasure Dome (1954–66), as well as in the lost films The Love That Whirls (1949) and Thelema Abbey (1955), which utilize such disparate elements as Aztec human sacrifice and putative Renaissance Satanism. However, this theme only reaches its apex in Lucifer Rising (1980), an exploration of Thelemic theology filmed at such sites as Avebury, Luxor, and Karnak, which reflects and propagates the Thelemic view of the past—an ‘alternative archaeology’ rooted in Crowley’s own fascination with Egyptomania. This paper seeks to explore Anger’s use of the past and place it in its proper context of twentieth-century Western esotericism. Kenneth Anger (b.1927) is one of the foremost figures of through the transformation of individual consciousness American experimental cinema, an artist who produced via artistic mediums (Hughes 2011: 12).