(Tjedan 45/2013.) 1. Zar Malo to Je Tony Cetinski Aquarius Records 2

Total Page：16

File Type：pdf, Size：1020Kb

04. studenog – 10. studenog 2013. (tjedan 45/2013.) 1. Zar malo to je Tony Cetinski Aquarius Records 2. Suze nam stale na put Massimo Aquarius Records 3. Donna Psihomodo pop Dallas Records 4. Lako je tebi Boris Novković Hit Records 5. Anđele Colonia Menart 6. Prokleta ljubav Elemental Menart 7. Hurem Severina Dallas Records 8. S tobon jubavi Oliver Dragojević Aquarius Records 9. Ljubav čuvaj Goran Karan Scardona 10. Stoljeće ne mijenjaju ljude Sandi Cenov Hit Records 11. Ja sa vinom nastavio Dražen Zečić Croatia Records 12. Bilo koji broj Hladno pivo Menart 13. Cirkus Jelena Rozga Croatia Records 14. U mom zagrljaju Oliver Dragojević Aquarius Records 15. Grijeh Natali Dizdar Agapa 16. 1000 milja Vanna Mediteran film 17. Samo da znaš Parni valjak Croatia Records 18. Tanki živci Parni valjak Croatia Records 19. Sada kasno je Marko Tolja Aquarius Records 20. Ljubomorni ljudi Jasmin Stavros Scardona 21. Woody Ivana Kindl Menart 22. Imam neke fore Crvena jabuka Croatia Records 23. Bilo je dobro dok je trajalo Vatra Dallas Records 24. Traje noć Ivana Radovniković Dallas Records 25. Ljubav Quasarr feat. Josipa Lisac Croatia Records 26. Dobro došla mi u sjećanje Baruni Hit Records 27. Srce veliko Detour Aquarius Records 28. Nizbrdo od ljubavi Davorin i Bogovići Croatia Records 29. Gdje sam bio Željko Bebek Aquarius Records 30. Isti kao ti Magazin Croatia Records 31. Lipoto Tomislav Bralić & Klapa Intrade Scardona 32. Nima šoldi, e, pa ća Ivana Kovač Croatia Records 33. Dolazi trideseta Begini Menart 34. Bolji nego ikad TS Mejaši Croatia Records 35. Ide ljubav Headoneast Aquarius Records 36. S tobom sve je savršeno Songkillers feat. Vedran Aquarius Records 37. Oprosti mi jube Klapa Cambi (K. kambelovac) Scardona 38. Ja sam rojen da mi bude lipo Tonči Huljić & Madre Badessa Croatia Records 39. Godina još sto Igor Delač Dancing Bear 40. A onda dođe ljubav Vladimir Kočiš Zec Croatia Records .

Copy Link

Recommended publications

Muzički Biennale Zagreb I Svjetski Dani Nove Glazbe/ Miljenku Grgiću U Spomen/Jurica Popović U Povodu 30
MUZIČKI BIENNALE ZAGREB I SVJETSKI DANI NOVE GLAZBE/ MILJENKU GRGIĆU U SPOMEN/JURICA POPOVIĆ U POVODU 30. OBLJETNICE TROTAKT PROJEKTA/ 80. ROĐENDAN RUBENA RADICE I ANĐELKA KLOBUČARA/ PORIN I PORIN CLASSIC 2011./DISKOGRAFIJA NOVINE HRVATSKOGA DRUŠTVA SKLADATELJA BROJ 168 LIPANJ 2011. CIJENA 20 kn ISSN 1330–4747 HNK ZAGREB — PREMIJERA BALETA AIR KREŠIMIRA SELETKOVIĆA — 17. TRAVNJA 2011. NA SVEČANOM ZATVARANJU 26. MUZIČKOG BIENNALA ZAGREB SUSRET S NEOKLASIKOM Svjetlo kao treća dimenzija Piše: Sanja Raca CANTUS CANTUS ir Krešimira Seletkovića pripada neoklasič- Anom tipu baleta u kojemu se osobita pozor- nost poklanja što većem savršenstvu oblika. Este- tika kojoj se priklonio koreograf Martino Müller ANTUS CANTUS CANTUS na neki je način očekivana s obzirom na partnera, veliki ansambl Baleta HNK Zagreb, čijim teh- ničkim vještinama i plesnim predispozicijama odgovara upravo takav estetski izraz. Oni su, kao kolektivno tijelo s istaknutim solima, oblikovali ciklički plesni krug u trinaest prizora, djelomično narativno vezan, no mahom apstraktnih konota- cija. Takva odvojenost od pojmovnog, povremeno je skretala prema naivnoj alegoriji kakva je bila glomazna ptičja kandža, jasna poruka prijetnje koja se s »neba« nadnosila nad plesni par i osjećaje koje su prikazivali ili u snimci zvuka lepeta krila, pokretima rukū koje se pokreću kao krila ptice, maskama u obliku velikog ptičjeg kljuna, čak i u kombinaciji bijelog i crnog perja ovješena o kosti- me umjetnika. Primijenjena glazba Krešimira Seletkovića slijedi- CANTUS CANTUS CANTUS CANTUS CANTUS la je format zajedničkog ostvarenja, a njezini slo- bodni dijelovi, osobito oni lirski (prizor uz glaso- CANTUS CANTUS CANTUS CANTUS C vir, prizor Nevinost uz glasove), dali su joj željenu transformaciju po zakonima glazbene dramaturgi- je kojoj je Martino Müller nerijetko pretpostavljao konceptualnu i plesnu dramaturgiju.
[Show full text]
Fabian Stilke, Marketing Director, Universal Music D.O.O
1 Content 2 Foreword – Želimir Babogredac 3 Foreword – Branko Komljenović 4 Next steps 5 Understanding online piracy 7 Record labels in the digital world 8 Croatia Records 9 Menart 10 Dancing Bear 11 Aquarious Records 12 Dallas Records 13 Hit Records 14 Scardona 15 Deezer 16 Online file sharing development 18 Did you know? ABOUT HDU Croatian Phonographic Association (HDU) is a voluntary, non-partisan, non-profit, non-governmental organization which, in accordance with the law, promotes the interests of record labels - phonogram producers, as well as the interests of the Croatian record industry in general. Croatian Phonographic Association was established on 14 June 1995 and was originally founded as an association of individuals dealing with discography and related activities, since at that time this was the only form of association possible under the Law on Associations. Work and affirmation of HDU has manifested mainly in active participation in the implementation of Porin Awards, as well as in various other actions. The HDU is also active with its department for combating piracy that de-lists links from Google, removes pirated content from Web sites and participates in regional initiatives to close the portals that illegally distribute pirated content. Thanks to the successful work, HDU has become an official member of the International Federation of the Phonographic Industry (IFPI) at the beginning of 2007. 2 Foreword Foreword Želimir BabogredacBabogredac, President HDU Branko Komljenović, Vice President HDU The digital era is omnipresent. The Why the first edition of Digital report only work related to the digitization of music now when it is well known that the global experienced a significant upswing, and digital revolution is in full swing in most offer of legal music streaming services world discography markets? and services worldwide increases daily.
[Show full text]
Prijedlozi Za Nominacije
glazbena nagrada 2021. SADRŽAJ OPĆE NAGRADE STR. 4-19 SVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POSEBNA GLAZBENA PODRUČJA STR. 20-35 ZABAVNA, POP, ROCK, ALTERNATIVNA, HIP HOP I ELEKTRONIČKA GLAZBA 2 (KATEGORIJE 4-13) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM HIP HOP GLAZBE NAJBOLJI ALBUM ELEKTRONIČKE GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA STR. 36-39 (KATEGORIJE 14-16) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE TAMBURAŠKA, POP- FOLKLORNA GLAZBA I WORLD MUSIC ALBUM STR. 40-43 4 (KATEGORIJE 17-19) NAJBOLJI ALBUM TAMBURAŠKE GLAZBE NAJBOLJI ALBUM POP-FOLKLORNE GLAZBE NAJBOLJI WORLD MUSIC ALBUM 2 ARANŽMAN, PRODUCENT GODINE, SNIMKA ALBUMA STR. 44-53 (IZVAN KLASIČNE GLAZBE) 5 (KATEGORIJE 20-22) NAJBOLJI ARANŽMAN PRODUCENT GODINE NAJBOLJA SNIMKA ALBUMA KLASIČNA GLAZBA STR. 56-61 (KATEGORIJE 23-27) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PRODUKCIJA ALBUMA KLASIČNE GLAZBE SVA GLAZBENA PODRUČJA STR. 62-77 (KATEGORIJE 28-36) 7 NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM BOŽIĆNE GLAZBE NAJBOLJI ALBUM S RAZNIM IZVOĐAČIMA NAJBOLJI KONCERTNI ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) 3 NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 OPĆE NAGRADE SVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 Kategorija 1 / ALBUM GODINE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama.
[Show full text]
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Klemen Domjo Sprejemanje Hrvaške Popularne Glasbe V Sloveniji in Slovenske Po
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Klemen Domjo Sprejemanje hrvaške popularne glasbe v Sloveniji in slovenske popularne glasbe na Hrvaškem Diplomsko delo Ljubljana, 2009 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Klemen Domjo Mentor: izr. prof. dr. Gregor Tomc Sprejemanje hrvaške popularne glasbe v Sloveniji in slovenske popularne glasbe na Hrvaškem Diplomsko delo Ljubljana, 2009 Sprejemanje hrvaške popularne glasbe v Sloveniji in slovenske popularne glasbe na Hrvaškem Slovenija ima dolgo in pestro zgodovino odnosov s Hrvaško, ki se razteza več stoletij in je preživela razne vojne, nacionalne tvorbe, menjave oblasti,…V vsem tem času ostaja nekakšna specifična kulturna povezanost, ki hkrati enoti in razdvaja. Že od časov Jugoslavije je obstajalo poletno, dopustniško »romanje« Slovencev na Hrvaško, ki pa je vojnam navkljub ostalo, ne glede na morebitne nenaklonjene politične, socialne ali kakršnekoli razmere. Podobno je tudi s hrvaško zabavno glasbo, ki je bila zelo priljubljena že v bivši državi, in še danes se množično prirejajo nastopi hrvaških izvajalcev v Sloveniji. Toda ali je na Hrvaškem slovenska glasba ravno tako priljubljena, kot je hrvaška glasba v Sloveniji? Slovenska glasba je še v lastni državi precej nespoštovana, da pa bi slovenski glasbeni izvajalci bili uspešni na Hrvaškem, je izjemna redkost. Vzporedno z dogajanjem v zabavni glasbi pa se odvija tudi obmejni spor med državama, ki je v zadnjem letu prišel do stopnje vrelišča. Mediji obeh držav so se obsežno razpisali o krajah, lastninah, pravicah, zločinih, dokumentih, …Ali bo to stanje prineslo kakšne spremembe, poleg na gospodarskem, političnem, socialnem, morda tudi na glasbenem področju ? Ali ta politični spor lahko dejansko vpliva tudi na glasbene odnose med državama? Ključne besede: Nacionalni stereotipi, mediji, jugonostalgija, domača in tuja glasba.
[Show full text]
(Tjedan 17/2015.) 1. 1 Dan Ljubavi Massimo Aqarius Records 2
17. - 23. travnja 2015. (tjedan 17/2015.) 1. 1 dan ljubavi Massimo Aqarius Records 2. Zalutali pogled Tomislav Bralić & Klapa Intrade Scardona 3. Pet slova Đani Stipaničev Dancing Bear 4. Nebo na mojoj strani Pravila igre Hit Records 5. Vjeruj u mene Hladno pivo Gajba Records 6. Jedan u nizu Ivan Zak Menart 7. Svadba Sandi Cenov feat. Tifa Hit Records 8. Reci mi Boris Novković Hit Records 9. Jer je pjesma dio nas Neno Belan & Fiumens Dallas Records 10. Goli i bosi Elemental Menart 11. Žena nad ženama Tony Cetinski Aquarius Records 12. Za svaku tvoju suzu Opća opasnost Croatia Records 13. Od najgorih najbolji Lana Jurčević & Luka Nižetić Croatia Records 14. Probaj Vanna Hit Records/Mediteran film 15. Fališ mi Klapa Rišpet Hit Records 16. Kraj Vatra Dallas Records 17. Krik Tony Cetinski Aquarius Records 18. Nov čovjek Jacques Houdek Croatia Records 19. Saturn Vatra Dallas Records 20. Back to basics Marko Tolja Aquarius Records 21. Budiš more Auguste Dallas Records 22. Malena Gretta feat. Geby Aquarius Records/Spona 23. Drukčije Nola Menart 24. Dio mene Songkillers feat. Nikola Marjanović Aquarius Records 25. Kako da te zaboravim Mejaši Croatia Records 26. Miriše Giuliano Hit Records 27. Uvik isti Petar Grašo Tonika 28. Iluzionist Natali Dizdar Agapa 29. Moja slavonka Klapa Cambi & Miroslav Škoro Scardona 30. Anja Od srca do srca Menart 31. Nije to ljubav Buđenje Croatia Records 32. Imam Bang Bang Croatia Records 33. Vjetrenjače Nina Badrić Aquarius Records 34. Lud za tobom Kristijan Rahimovski Hit Records 35. Nisam papak Tonči Huljić & Madre Badessa Tonika 36. Kada ljubav stisne zube Damir Kedžo Hit Records 37.
[Show full text]
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
[Show full text]
Godišnje Izvješće 2016
ZAPRAF - godišnje izvješće 2016. 1 godišnje IZVJEšće 20 16 Udruga za zaštitu, prikupljanje i raspodjelu naknada fonogramskih prava ZAPRAF Ulica kneza Borne 5, 10 000 Zagreb Tel: +385 1 3668 194 Fax:+385 1 3668 072 www.zapraf.hr email adresa: [email protected] Šifra djelatnosti: djelatnosti ostalih članskih organizacija, d.n. (9499) Registarski broj: 00000541 Matični broj: 1150006 OIB: 43794390104 IBAN: HR9823600001101365900 Predsjednik: Želimir Babogredac Direktorica: Maja Vidmar 2 ZAPRAF - godišnje izvješće 2016. 1.) SKUPŠTINA Skupština ZAPRAF-a sastoji se od 16 članova. 2.) UPRAVNI ODBOR Upravni odbor ZAPRAF-a sastoji se od 7 članova. Predsjednik Upravnog odbora: Želimir Babogredac, Croatia Records Dopredsjednik Upravnog odbora: Branko Komljenović, Menart Popis redovnih članova UO: • CROATIA RECORDS • MENART • DANCING BEAR • AQUARIUS RECORDS • DALLAS RECORDS • SCARDONA • HIT RECORDS 3.) DIREKTORICA Maja Vidmar 4.) NADZORNI ODBOR Članovi Nadzornog odbora ZAPRAF-a su Mirjana Matić, Zrinko Tutić i Šima Jovanovac. Ustrojstvo ZAPRAF-a Ustrojstvo ZAPRAF - godišnje izvješće 2016. 3 Sadržaj Uvodna riječ predsjednika ZAPRAF-a ...................................................6 Uvodna riječ direktorice ZAPRAF-a ....................................................8 Djelovanje ZAPRAF-a u razdoblju između dvije godišnje Skupštine ........................10 Redovna godišnja Skupština ZAPRAF-a ................................................10 Djelovanje Upravnog odbora ......................................................... 11 Najistaknutije ......................................................................11
[Show full text]
DVD 1 Kristijan Rahimovski Stopala 2019 2 Marko Kutli?
DVD 1 Kristijan Rahimovski Stopala 2019 2 Marko Kutli? U kapi tvoje ljubavi 2019 3 To?e Proeski 3 DVD box 2011 4 Tony Cetinski Live in Arena Zagreb - Furia Tour ´09 2010 CD 1 Megamix 2004 2 Kako mi je, tako mi je 2007 3 ?eljko Kru?lin & Latino Ljubav.com 2019 4 Aleksandra Radovi? ?ar ptica 2010 5 Alen Islamovi? Hitovi za sva vremena 2004 6 Armin Jo? te volim 2009 7 Boa Kao nekad 2004 8 Baruni Otkad s tobom ne spavam 2002 9 Baruni Ljubav nosi tvoje ime 2003 10 Baruni Najbolje od najboljeg 2006 11 Baruni Svanut´ ?e jutro puno ljubavi 2007 12 Blanka Do?en Starogradski biseri 2005 13 Blanka Do?en Iz starogradske riznice 2011 14 Bojan Marovi? Za tebe i mene 2011 15 Boris Re?ak Nakon toliko godina 2004 16 Boris Rogoznica Izgubljeno / na?eno 2019 17 Caniz Red eyes 2003 18 Doris Dragovi? Doris Live Spaladium Arena 2017 19 Dra?en Ze?i? Megamix 2003 20 Dra?en Ze?i? Pokidat ?u lance sve 2004 21 Dra?en Ze?i? Zora 2006 22 Dra?en Ze?i? Hitovi 2 u 1 2007 23 Drugi na?in Ponovo na putu 2009 24 El combo Moj sombrero 2009 25 Elio Pisak Najve?i hitovi 2008 26 ET Vrhunski album 2007 27 ET Powercore 2010 28 David Temelkov Di?em za nas 2019 29 Flashback Muzika i pivo 2010 30 _ Arhan?eo Rafael 2011 31 Galija The best of 2011 32 Haris D?inovi? Magic 2010 33 Halid Be?li? Halid Be?li? 08 2008 34 Halid Be?li? Samo najbolje 2008 35 Hanka Paldum ?ena kao ?ena 2006 36 Hanka Paldum Sevdah je ljubav 2008 37 Hari Mata Hari Najljep?e od Hari Mata Hari 2006 38 Hari Mata Hari Nikad bolje 2008 39 Hari Mata Hari Sre?a 2009 40 Hari Mata Hari ?ilim 2016 41 ITD band Sve najbolje 2006 42 Ivan Zak Adrenalin 2010 43 Ivan Zak Sve si moje 2017 44 Ivan Zak Milion 2019 45 Hari Ron?evi? Da napi?e? na nebu 2017 46 Jasmin Stavros Kre?em ponovo 2004 47 Jasmin Stavros Nemoj se udavati 2007 48 Jelena Rozga Bi?uterija 2011 49 Jole Odijelo 2009 50 Klapa Sol O, more..
[Show full text]
Music Artist Management of Balkan Music Celebrities in Slovenia - the Case of Učiteljice
UNIVERSITY OF LJUBLJANA FACULTY OF ECONOMICS MASTER’S THESIS MUSIC ARTIST MANAGEMENT OF BALKAN MUSIC CELEBRITIES IN SLOVENIA - THE CASE OF UČITELJICE Ljubljana, June 2017 ANA MARIJA MIHELIČ AUTHORSHIP STATEMENT The undersigned Ana Marija Mihelič, a student at the University of Ljubljana, Faculty of Economics, (hereafter: FELU), author of this written final work of studies with the title Music artist management of Balkan music celebrities in Slovenia - the case of Učiteljice, prepared under supervision of prof. Adriana Rejc Buhovac, DECLARE 1. this written final work of studies to be based on the results of my own research; 2. the printed form of this written final work of studies to be identical to its electronic form; 3. the text of this written final work of studies to be language-edited and technically in adherence with the FELU’s Technical Guidelines for Written Works, which means that I cited and / or quoted works and opinions of other authors in this written final work of studies in accordance with the FELU’s Technical Guidelines for Written Works; 4. to be aware of the fact that plagiarism (in written or graphical form) is a criminal offence and can be prosecuted in accordance with the Criminal Code of the Republic of Slovenia; 5. to be aware of the consequences a proven plagiarism charge based on this written final work could have for my status at the FELU in accordance with the relevant FELU Rules; 6. to have obtained all the necessary permits to use the data and works of other authors which are (in written or graphical form) referred to in this written final work of studies and to have clearly marked them; 7.
[Show full text]
(Tjedan 46/2013.) 1. Suze Nam Stale Na Put Massimo Aquarius Records
11. studenog – 17. studenog 2013. (tjedan 46/2013.) 1. Suze nam stale na put Massimo Aquarius Records 2. Cirkus Jelena Rozga Croatia Records 3. Donna Psihomodo pop Dallas Records 4. Zar malo to je Tony Cetinski Aquarius Records 5. Prokleta ljubav Elemental Menart 6. Lako je tebi Boris Novković Hit Records 7. Ja sa vinom nastavio Dražen Zečić Croatia Records 8. Ispod tvog kaputa Buđenje Croatia Records 9. Bilo koji broj Hladno pivo Menart 10. Stoljeće ne mijenjaju ljude Sandi Cenov Hit Records 11. S tobon jubavi Oliver Dragojević Aquarius Records 12. U mom zagrljaju Oliver Dragojević Aquarius Records 13. 1000 milja Vanna Mediteran film 14. Hurem Severina Dallas Records 15. Pravo vrijeme Boa feat. Massimo Menart 16. Ljubavnici Sinovi ravnice & Colonia Menart 17. Grijeh Natali Dizdar Agapa 18. Nizbrdo od ljubavi Davorin i Bogovići Croatia Records 19. Gdje sam bio Željko Bebek Aquarius Records 20. Ljubomorni ljudi Jasmin Stavros Scardona 21. Sada kasno je Marko Tolja Aquarius Records 22. Tanki živci Parni valjak Croatia Records 23. Bilo je dobro dok je trajalo Vatra Dallas Records 24. Dobro došla mi u sjećanje Baruni Hit Records 25. Srce veliko Detour Aquarius Records 26. Imam neke fore Crvena jabuka Croatia Records 27. Samo da znaš Parni valjak Croatia Records 28. Bolji nego ikad TS Mejaši Croatia Records 29. Woody Ivana Kindl Menart 30. Godina još sto Igor Delač Dancing Bear 31. Neopisivo Nina Badrić Aquarius Records 32. Isti kao ti Magazin Croatia Records 33. 700 milja daleko od kuće (live) Parni valjak Croatia Records 34. Ja sam rojen da mi bude lipo Tonči Huljić & Madre Badessa Croatia Records 35.
[Show full text]
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less.
[Show full text]
Popular Music and Political Change in Post- Tuñman Croatia Dr Catherine
‘It’s all the same, only he’s not here’?: popular music and political change in post- Tuñman Croatia Dr Catherine Baker University of Southampton Abstract: While Franjo Tuñman was the president of Croatia (1990–99), popular music and other forms of entertainment were heavily structured around the key presidential narratives: Croatia’s political and cultural independence from Yugoslavia, and the idea that Croatia’s war effort had been purely defensive. After Tuñman, the Croatian music industry had to cope with media pluralism and the transnational challenges of the digital era. Patriotic popular music expressed an oppositional narrative of Euroscepticism and resistance to the Hague Tribunal, yet Croatia retained and expanded its position in the transnational post-Yugoslav entertainment framework, undermining a key element of Tuñman’s ideology. ‘It’s all the same, only he’s not here’?: popular music and political change in post- Tuñman Croatia In September 2002, after another summer of protests against the government extraditing Croatian generals to the Hague Tribunal, the musician Marko Perković Thompson opened his concert at the Poljud stadium in Split by projecting a video which featured himself, the singer Ivan Mikulić and the Slavonian tamburica ensemble Najbolji hrvatski tamburaši. 1 The song, called ‘Sveto tlo hrvatsko’ (‘Holy Croatian soil’), lauded the late Croatian president Franjo Tuñman, who had died in December 1999. The men sang of Tuñman’s achievements and the sudden appearance of critics who had not dared to defy him when he was alive, and Thompson, a veteran of the Homeland War, contributed a verse remembering the days when friend had stood together with friend to defend Croatia.
[Show full text]