Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact
[email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime.