Greg Hamlincredits 2012
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RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Fight for Net-Profits Payments from Blockbuster Hollywood Productions
JOURNAL OF LAW, TECHNOLOGY& THE INTERNET· VOL. 4 ·No. 2 · 2013 JouRNALOFLAw, TECHNOLOGY&THElNTERNET · VoL.4 · No.2 · 2013 Personal Health Information Shared Via Social Networking HIT LOSERS: THE GOOD (FAITH) the problem until information is inappropriately disclosed results in little opportunity for a meaningful remedy. FIGHT FOR NET-PROFITS PAYMENTS Federal regulations would protect the value placed on control of PHI by attaching protection to the information itself. It is more FROM BLOCKBUSTER HOLLYWOOD realistic to place restrictions on what can be done with acquired PRODUCTIONS information than to attempt detailed regulation of this rapidly evolving industry.209 While users should also participate in the protection of their personal information through use of the privacy Max Bialystock: You were saying that, under the right settings afforded, deceptive privacy advertisement and obtuse privacy circumstances, a producer could make more money with a flop policies should not render this participation meaningless. than he could with a hit. Preemptively establishing a set of federal regulations as a benchmark Leo Bloom: Yes. It's quite possible. for addressing these kinds of issues before they arise will help mitigate Max Bialystock: You keep saying that, but you don't say how! 1 the harms that are otherwise sure to follow. Federal regulations Leo Bloom: Well, it's simply a matter of creative accounting. requiring meaningful privacy disclosures and truthful advertising, Gould: I think conservatively, you and me, we build ourselves establishing guidelines for use of PHI, and providing causes of action in to split, ten percent. (Pause.) with precedential value would keep pace with reality of the evolution Fox: Of the net. -
80S Movie Trivia Questions and Answers
80s Movie Trivia Questions From: conversationstartersworld.com/80s-movie-trivia 1. Which 80s movie was the highest grossing film of the decade? E.T. The Extraterrestrial The 1982 movie surpassed Star Wars to become the highest grossing film of all time. The movie held that record for 11 years until it was surpassed by Jurassic Park in 1993. 2. Which 80s movie was Alan Rickman’s first feature film role? Die Hard The 1988 film grossed over $140 million worldwide and turned Bruce Willis into an action star. Before then he had been known only as a comedy actor. Willis filmed the comedy television series Moonlighting at the same time as Die Hard. Beethoven’s Ode to Joy is the terrorist’s theme song in the movie, and Rickman can be seen humming the song during his elevator scene with Mr. Takagi. 3. Which 80s movie spawned 6 sequels and a T.V. series? Police Academy The comedy film grossed $146 million worldwide and became the sixth highest grossing film of 1984. The film was inspired by real life police cadets. During the filming of The Right Stuff Paul Maslansky witnessed a diverse group of police cadets ineffectively doing crowd control for the filming. He found the situation humorous, and that night he wrote up two pages to give to the Ladd Company. They loved the concept and agreed to develop the movie. 4. Which 80’s movie was the first to become a hit largely due to MTV? Flashdance The 1983 film had a decent opening weekend but the soundtrack was what catapulted the film to success. -