AVATAR: REACHING the HEART “We Should Not Be Afraid to Fight For
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The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
Women in Film Time: Forty Years of the Alien Series (1979–2019)
IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Women in Film Time: Forty Years of the Alien Series (1979–2019) Susan George, University of Delhi, India. Abstract Cultural theorists have had much to read into the Alien science fiction film series, with assessments that commonly focus on a central female ‘heroine,’ cast in narratives that hinge on themes of motherhood, female monstrosity, birth/death metaphors, empire, colony, capitalism, and so on. The films’ overarching concerns with the paradoxes of nature, culture, body and external materiality, lead us to concur with Stephen Mulhall’s conclusion that these concerns revolve around the issue of “the relation of human identity to embodiment”. This paper uses these cultural readings as an entry point for a tangential study of the Alien films centring on the subject of time. Spanning the entire series of four original films and two recent prequels, this essay questions whether the Alien series makes that cerebral effort to investigate the operations of “the feminine” through the space of horror/adventure/science fiction, and whether the films also produce any deliberate comment on either the lived experience of women’s time in these genres, or of film time in these genres as perceived by the female viewer. Keywords: Alien, SF, time, feminine, film 59 IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Alien Films that Philosophise Ridley Scott’s 1979 S/F-horror film Alien spawned not only a remarkable forty-year cinema obsession that has resulted in six specific franchise sequels and prequels till date, but also a considerable amount of scholarly interest around the series. -
Demon Girl Power: Regimes of Form and Force in Videogames Primal and Buffy the Vampire Slayer
Demon Girl Power: Regimes of Form and Force in videogames Primal and Buffy the Vampire Slayer Tanya Krzywinska Brunel University Abstract 'There's nothing like a spot of demon slaughter to make a girl's night' Since the phenomenal success of the Tomb Raider (1996) videogame series a range of other videogames have used carefully branded animated female avatars. As with most other media, the game industry tends to follow and expand on established lucrative formats to secure an established market share. Given the capacity of videogames to create imaginary worlds in 3D that can be interacted with, it is not perhaps surprising that pre-established worlds are common in videogames, as is the case with Buffy the Vampire Slayer (there are currently three videogames based on the cult TV show 2000-2003), but in other games worlds have to be built from scratch, as is the case with Primal (2003). With the mainstream media's current romance with kick- ass action heroines, the advantage of female animated game avatars is their potential to broaden the appeal of games across genders. This is however a double-edged affair: as well as appealing to what might be a termed a post-feminist market, animated forms enable hyper-feminine proportions and impossible vigour. I argue that becoming demon - afforded by the plasticity of animation –- in these games troubles the representational qualities ordinarily afforded to female avatars in videogames. But I also argue that theories of representation are insufficient for a full understanding of the formal particularities of videogames and as such it is crucial to address the impact of media-specific attributes of videogames on the interpellation of players into the game space and the way that power regimes are organised. -
Cetaceans in the Indian Ocean Sanctuary: a Review a WDCS Science Report
Cetaceans in the Indian Ocean Sanctuary: A Review A WDCS Science report Editors: M.N. de Boer, R. Baldwin, C.L.K. Burton, E.L. Eyre, K.C.S. Jenner, M-N.M. Jenner, S.G. Keith, K.A.McCabe, E.C.M. Parsons, V.M. Peddemors, H.C. Rosenbaum, P. Rudolph and M. P. Simmonds WDCSWhale and Dolphin Conservation Society WDCS is the global voice for the protection of whales, dolphins and their environment. CETACEANS IN THE INDIAN OCEAN SANCTUARY: A REVIEW A WDCS SCIENCE REPORT M.N. de Boeri, R. Baldw in:. C.L.K. Burton:. E.L. Eyre: K.C.S. Jenners, M-N.M. Jenners, S.G. Keith:. K.A. McCabes, E.C.M. Parsons7, V.M. Peddemorss, H.C. Rosenbaums P. Rudolphio and M. P. Simmondsi 1. Whale and Dolphin Conservation Society, Brookfield House, 38 St Paul Street, Chippenham, Wiltshire.'SN15 1LU. UK 2. P.O. Box 2531, CPO 111. Sultanate of Oman. 3. Western Whale Research, 25 Knightsbridge Crescent, Mullaloo, Western Australia 6027 4. Biological Sciences Department, Macquarie University, NSW 2109 Australia 5. Centre for Whale Research (Western Australia) Inc. PO Box 1622, Fremantle WA 6959, Australia 6. Institute of Biomedical and Life Sciences, University of Glasgow, Glasgow, G12 8QQ, Scotland. 7. SEAQUEST, Main Street, Tobermory, Isle of Mull, Argyll, PA75 6NU, Scotland/ School of Life Sciences, Napier University, Colinton Road, Edinburgh EH 14 1DJ, Scotland. 8. School of Life & Environmental Sciences, University of Durban-Westville, P. Bag X54001, Durban 4000, South Africa 9. Science Resource Center, The Wildlife Conservation Society, 2300 Southern Blvd, Bronx, NY 10460, USA; American Museum of Natural History, Center for Biodiversity and Conservation and Molecular Systematics Laboratory, 79th Street and Central Park West. -
From Synthespian to Convergence Character: Reframing the Digital Human in Contemporary Hollywood Cinema by Jessica L. Aldred
From Synthespian to Convergence Character: Reframing the Digital Human in Contemporary Hollywood Cinema by Jessica L. Aldred A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2012 Jessica L. Aldred Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94206-2 Our file Notre reference ISBN: 978-0-494-94206-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
MARK CARWARDINE WILD THOUGHTS I Was Saddened Recently to Hear of the Death of an Old Friend of Mine
MARK CARWARDINE WILD THOUGHTS I was saddened recently to hear of the death of an old friend of mine. Richard Henry, who was believed to be more than 80 years old, died of natural causes. A legendary kakapo from New Zealand, he was named after a Victorian conservationist who pioneered efforts to save this Critically Endangered night parrot from extinction. Then I started to think about how many of the last survivors of a range of endangered species I happen to have met over the years. There are loads: from Lonesome George, the last known individual of the Pinta Island giant tortoise in the Galápagos Islands, to Najin, Fatu, Sudan and Suni, four of the world’s last remaining eight northern white rhinoceroses, who I accompanied on their long journey from the Czech Republic to Kenya last year. Of course, scientists working full-time in the field know a great many more individuals by name. Partly, this is a measure of the Mark Carwardine intensity of conservation and research efforts: people get to know and recognise individuals personally because they spend so much time with them – in many cases, more time than they spend with their spouses. I have friends who study humpback The head-mating Sirocco, perhaps whales, and they can the best-known kakapo in the world. recognise and name every individual in “I suppose it’s inevitable populations of hundreds that we get to know the or even thousands. last survivors when there But often this is a measure of how rare are so few left, but it’s many species have shocking nonetheless.” become. -
The “Tron: Legacy”
Release Date: December 16 Rating: TBC Run time: TBC rom Walt Disney Pictures comes “TRON: Legacy,” a high-tech adventure set in a digital world that is unlike anything ever captured on the big screen. Directed by F Joseph Kosinski, “TRON: Legacy” stars Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, James Frain, Beau Garrett and Michael Sheen and is produced by Sean Bailey, Jeffrey Silver and Steven Lisberger, with Donald Kushner serving as executive producer, and Justin Springer and Steve Gaub co-producing. The “TRON: Legacy” screenplay was written by Edward Kitsis and Adam Horowitz; story by Edward Kitsis & Adam Horowitz and Brian Klugman & Lee Sternthal; based on characters created by Steven Lisberger and Bonnie MacBird. Presented in Disney Digital 3D™, Real D 3D and IMAX® 3D and scored by Grammy® Award–winning electronic music duo Daft Punk, “TRON: Legacy” features cutting-edge, state-of-the-art technology, effects and set design that bring to life an epic adventure coursing across a digital grid that is as fascinating and wondrous as it is beyond imagination. At the epicenter of the adventure is a father-son story that resonates as much on the Grid as it does in the real world: Sam Flynn (Garrett Hedlund), a rebellious 27-year-old, is haunted by the mysterious disappearance of his father, Kevin Flynn (Oscar® and Golden Globe® winner Jeff Bridges), a man once known as the world’s leading tech visionary. When Sam investigates a strange signal sent from the old Flynn’s Arcade—a signal that could only come from his father—he finds himself pulled into a digital grid where Kevin has been trapped for 20 years. -
NARRATIVE Directions in Econarratology
ENVIRONMENT New NARRATIVE Directions in Econarratology edited by ERIN JAMES AND ERIC MOREL ENVIRONMENT AND NARRATIVE THEORY AND INTERPRETATION OF NARRATIVE James Phelan and Katra Byram, Series Editors ENVIRONMENT AND NARRATIVE NEW DIRECTIONS IN ECONARRATOLOGY EDITED BY Erin James AND Eric Morel THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data Names: James, Erin, editor. | Morel, Eric, editor. Title: Environment and narrative : new directions in econarratology / edited by Erin James and Eric Morel. Other titles: Theory and interpretation of narrative series. Description: Columbus : The Ohio State University Press, [2020] | Series: Theory and interpretation of narrative | Includes bibliographical references and index. | Summary: “Collection of essays connecting ecocriticism and narrative theory to encourage constructive discourse on narrative’s influence of real-world environmental perspectives and the challenges that necessitate revision to current narrative models”—Provided by publisher. Identifiers: LCCN 2019034865 | ISBN 9780814214206 (cloth) | ISBN 0814214207 (cloth) | ISBN 9780814277546 (ebook) | ISBN 0814277543 (ebook) Subjects: LCSH: Ecocriticism. | Environmental literature. | Narration (Rhetoric) Classification: LCC PN98.E36 E55 2020 | DDC 809/.93355—dc23 LC record available at https://lccn.loc.gov/2019034865 Cover design by Andrew Brozyna Text design by Juliet Williams Type set in Adobe Minion Pro for Ben and Freddie, my favorites From Erin for Grandmaman, an avid reader and early recommender of books From Eric CONTENTS Acknowledgments ix INTRODUCTION Notes Toward New Econarratologies ERIN JAMES AND ERIC MOREL 1 I. NARRATOLOGY AND THE NONHUMAN CHAPTER 1 Unnatural Narratology and Weird Realism in Jeff VanderMeer’s Annihilation JON HEGGLUND 27 CHAPTER 2 Object-Oriented Plotting and Nonhuman Realities in DeLillo’s Underworld and Iñárritu’s Babel MARCO CARACCIOLO 45 II. -
Fiscal Year 2015 Annual Financial Report and Shareholder Letter 10DEC201511292957
6JAN201605190975 Fiscal Year 2015 Annual Financial Report And Shareholder Letter 10DEC201511292957 10DEC201400361461 Dear Shareholders, The Force was definitely with us this year! Fiscal 2015 was another triumph across the board in terms of creativity and innovation as well as financial performance. For the fifth year in a row, The Walt Disney Company delivered record results with revenue, net income and earnings per share all reaching historic highs once again. It’s an impressive winning streak that speaks to our continued leadership in the entertainment industry, the incredible demand for our brands and franchises, and the special place our storytelling has in the hearts and lives of millions of people around the world. All of which is even more remarkable when you remember that Disney first started entertaining audiences almost a century ago. The world certainly looks a lot different than it did when Walt Disney first opened shop in 1923, and so does the company that bears his name. Our company continues to evolve with each generation, mixing beloved characters and storytelling traditions with grand new experiences that are relevant to our growing global audience. Even though we’ve been telling our timeless stories for generations, Disney maintains the bold, ambitious heart of a company just getting started in a world full of promise. And it’s getting stronger through strategic acquisitions like Pixar, Marvel and Lucasfilm that continue to bring new creative energy across the company as well as the constructive disruptions of this dynamic digital age that unlock new opportunities for growth. Our willingness to challenge the status quo and embrace change is one of our greatest strengths, especially in a media market rapidly transforming with each new technology or consumer trend. -
Abschlussprüfung Englisch 2009
Abschlussprüfung 2017 Time: an den Realschulen in Bayern 105 minutes Englisch Written Test Haupttermin Name: 10 10 LAST CHANCE TO SEE PART I: Reading TASK 1 Read the text Last Chance to See (page 8). Are sentences 1-8 ‘True’ (T) or ‘False’ (F)? Choose ‘Not in the text’ (N) if there is not enough information to answer ‘True’ or ‘False’. Tick () the correct answer. T F N 1 The author developed an understanding for the baiji’s situation. 2 The baiji gradually lost most of its ability to see. 3 The baiji’s sense of hearing is not very well developed. 4 More dolphins were killed by ships than by water pollution. 5 The white rhino’s name is the result of a misunderstanding. 6 Until the 20th century northern white rhinos were unknown in Europe. 7 Northern white rhinos are endangered because of their size. 8 Today both species are extinct. (8) ___________________________________________________________________________________________________________ Abschlussprüfung Englisch 2017 • NACHTERMIN Schülerblatt 1 von 10 TASK 2 Read the following text and look carefully at each line. Some lines are correct, but seven of the lines 1-12 have a word which should not be there. Write the words which should not be there on the lines next to the text. There is one example (0) at the beginning. Zoologist Mark Carwardine on Extinction 0 For over millions of years animals have become extinct. But what has ____over____ 1 changed is the extinction rate. We are now eliminating more than a thousand ____________ 2 different species of animals and plants from our planet for every year. -
Tools of the Trade
The contents of a rhino Kenya: ranger’s rucksack Ranger Kilitia, tracker dog unit: “My dogs. We were also, thanks to a matching grant They have helped us catch many poachers by the Kenya Wildlife Service, finally able to and it means the poachers can run, but implement the long-awaited construction not hide. The dogs are like witch doctors.” of a borehole in the Chyulus, releasing $42,500 from USFWS and 10,000 euros Ranger Masangao: “The camera traps. The from Amnéville Zoo. This will provide a Chyulu rhino are like ghosts. We see their clean and secure drinking water supply for tracks and dung but, because the bush is the Chyulus’ black rhinos, without their so thick and they mainly move at night, we having to leave the boundary of the Park IMAGES: MAASAILAND PRESERVATION TRUST very seldom see them. The camera traps on the heavily populated eastern side of help us identify them and make them real.” the Hills. Our thanks to everyone concerned. Bosco and Drastic are a force to be reckoned with And mine? If you can call commitment a tool then that would be my choice. Without Nothin’ but a hound dog the commitment of these rangers there One of the bloodhounds died from sleeping would be no rhino left in the Chyulus. sickness. Giles Sim, a former Master of Foxhounds, who had recently been out to Tools of the trade Grants stay at Ol Donyo Wuas, offered to find a We are extremely grateful to Chester Zoo replacement hound (and another for Lewa The Chyulu Hills National Park, Kenya extends to the north of Tsavo West National Park, and is a vital part and to the Ernest Kleinwort Charitable Downs Conservancy). -
University of Jyväskylä Physics and Metaphysics In
UNIVERSITY OF JYVÄSKYLÄ PHYSICS AND METAPHYSICS IN THE HITCHHIKER SERIES (1979-1992) BY DOUGLAS ADAMS A Pro Gradu Thesis By Kalle Häkkänen The English Language 2006 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Kalle Häkkänen Physics and metaphysics in the Hitchhiker series (1979-1992) by Douglas Adams Pro gradu-tutkielma Englannin kieli Toukokuu 2006 81 sivua Tutkielman tarkoitus on osoittaa että Douglas Adamsin (1952-2001) humoristinen science fiction-kirjasarja The Hitchhiker’s Guide to the Galaxy (1979-1992) on saanut runsaasti vaikutteita 1900-luvun teoreettisesta fysiikasta, erityisesti Albert Einsteinin suhteellisuusteorioista ja kvanttimekaniikasta. Brian Greenen The Elegant Universe (2000), Stephen Hawkingin The Universe in a Nutshell (2001) ja Peter Coveneyn ja Roger Highfieldin The Arrow of Time (1991) ovat teoreettisen fysiikan saavutuksia popularisoiden kuvaavia kirjoja. Niiden esittelemiä fysiikan teorioita verrataan Adamsin kirjasarjassa esiintyviin tapahtumiin, ja teorioiden vaikutus kirjasarjaan pyritään osoittamaan. Lisäksi, Helge Kraghin Quantum Generations (1999) toimii käsiteltyjen fysiikan teorioiden syntyajankohtaa tarkentavana hakuteoksena. Tutkielma pyrkii myös kumoamaan Adamsin väitteen jonka mukaan yhtäläisyydet hänen kirjasarjansa tapahtumien ja tieteellisten teorioiden välillä ovat täysin sattumanvaraisia. Väitteen kumoamista oikeutetaan mainitsemalla joitakin M.J. Simpsonin Douglas Adams-elämäkerrassaan Hitchhiker (2003) listaamia väritettyjä tarinoita, joita Adams kertoi itsestään. Tutkielman rakenne on kolmiosainen.