DOCSLIB.ORG

Over 200 Films from Different Decades of Cinema Were Added to the HBO Max Catalog in the Region

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Over 200 Films from Different Decades of Cinema Were Added to the HBO Max Catalog in the Region Over 200 films from different decades of cinema were added to the HBO Max catalog in the region The HBO Max movie catalog expands with new horror, action and fiction stories, as well as unforgettable classics and new releases, in order to continue increasing the content available in the region. MIAMI, FL., September 6, 2021 - Today, HBO Max is continuing to expand its catalog of stories available from different genres and for the whole family by making available more than 200 new films on the platform starring, directed and written by great talents from Hollywood and from around the world. A selection of stories from different genres for everyone. Iconic, classic, multi-award-winning films and other titles that entertained movie lovers and entertainment fans in decades past as well as new and up-and-coming productions. With this, HBO Max offers unparalleled entertainment value for the latin americans . All this content adds to a wide catalog of iconic productions from brands such as HBO, Max Originals, Warner Bros., DC and Cartoon Network. Among the most recent releases are exciting stories such as JUMANJI: THE NEXT LEVEL, a film starring Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan and Nick Jonas; ZOMBIELAND: DOUBLE TAP, a comedy starring Woody Harrelson, Jesse Eisenberg, Emma Stone and Abigail Breslin that follows a group of survivors in the midst of a zombie apocalypse; HAPPIEST SEASON, a romantic comedy starring Kristen Stewart; MONSTER HUNTER, an action packed movie based on the famous video game franchise, starring Milla Jovovich, Ron Pearlman and Mexican actor Diego Boneta; and WORDS ON BATHROOM WALLS, which follows the love story of a young man diagnosed with a disease who falls in love with a high school classmate that inspires him not to be defined by his condition. There are also multi-award winning films like THE SOCIAL NETWORK, based on the book “The Accidental Billionaires” by Ben Mezrich that tells about the life of Mark Zuckerberg and the beginnings of Facebook; SERPICO, a film starring Al Pacino, for which he won a BAFTA Award for Best Actor, as well as a Golden Globe and an Oscar; JERRY MAGUIRE, the unforgettable romantic comedy starring Tom Cruise and Renée Zellweger that earned nominations in four categories at the Oscars and for which actor Cuba Gooding Jr. won his first Academy Award in the Best Supporting Actor category. Plus, there are action-packed stories like BAD BOYS FOR LIFE in a new installment of the hilarious tale of two cops played by Will Smith and Martin Lawrence; and BLOODSHOT, a film with Vin Diesel, based on the comic created in the 1990s that follows the story of a former agent who becomes a mercenary.Some stories loaded with drama and some already classics like ALL THE KING'S MEN, which stars Sean Penn, Jude Law, Kate Winslet and James Gandolfini and is based on the Pulitzer Prize winning novel about the life of a politician and his ambition for power; GLORY, a story set during the time of the American Civil War, starring Matthew Broderick, Denzel Washington and Morgan Freeman; THE PURSUIT OF HAPPYNESS with a moving story about a persistent man who fights hard to get ahead and make his dreams come true; and TOOTSIE, which follows the story of an actor, played by Dustin Hoffman, who loses his job and dresses up as a woman in order to find new work.There are some animated stories as well as fantasy and comedy films that can be enjoyed together with the family such as THE SMURFS, which follows the new adventures of The Smurfs; LABYRINTH, a story starring by the talented David Bowie that tells the story of a girl who decides to enter a labyrinth in order to rescue her brother after he is kidnapped by a goblin; and MADELINE, which tells the story of a girl who tries to save the boarding school where she lives. For lovers of horror and suspense there are stories like the one of four young people with supernatural powers in THE COVENANT; a film directed by Sam Raimi and starring one of the most iconic actors of the genre, Bruce Campbell, in THE EVIL DEAD; and PANIC ROOM, a psychological thriller directed by David Fincher and starring Jodie Foster and Kristen Stewart, among many other titles. Posted on 2021/09/06 on hbomaxlapress.com Over 200 films from different decades of cinema were added to the HBO Max catalog in the region Posted on 2021/09/06 on hbomaxlapress.com.
Load more

Recommended publications
  • MICHAEL BONVILLAIN, ASC Director of Photography
    MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J.
    [Show full text]
  • 2009-10-05-Halloween Guide.Pdf
    2 | The Daily Titan Details of events on page 8 Halloween Guide 2009 | 3 Movie Reviews by Jonathan Montgomery Zombieland Jennifer’s Body Remember mad cow disease? What if it the movie really focuses on the character Typically, “scary” is the last word that nifer is openly, well, open); she turns into had actually escalated into a global epidem- development of lone survivors. It is ev- comes to my mind when I think of Me- some sort of boy-hating vampire, and her ic, spreading infected zombies into your eryone’s selfishness and adherence to self- gan Fox (“Transformers,” “Transformers: quest for blood begins. surrounding cities? (Yeah, zombies! Not interest that kept them alive thus far. But as Revenge of the Fallen”). Between the gruesome killings and brief those wimpy vampires that have been run- their time spent together lengthens, an im- However, “Jennifer’s Body” really pres- moments of comedic relief, the movie it- ning around lately.) minent family bond grows between them. ents her in a way I’m not accustomed to: self never really commits to either genre. Well, apparently, deceitful, young attrac- With that said, this isn’t just a sappy sto- a blood-sucking, flesh-eating, boy-killing That is not to say the movie doesn’t tive girls, a Michael Cera clone, Jesse Eisen- ry. It is still a zombie movie, and it follows kind of gal. shine in either respects. berg, a Twinkie-obesessed Woody Harrel- most of the zombie film rules. Similar to Directed by Karyn Kusama (“Aeon Diablo Cody delivers some expected son and Bill Murray would be among the “Shaun of the Dead,” the movie is hilari- Flux”) and written by Diablo Cody clever one-liners and memorable quirky survivors.
    [Show full text]
  • County Eyes $900,000 Transfer for Workhouse by BRIAN GRAVES Commission Voting Agenda for Aug
    T U E S D A Y 162nd YEAR • No. 75 JULY 26, 2016 CLEVELAND, TN 16 PAGES • 50¢ County eyes $900,000 transfer for workhouse By BRIAN GRAVES Commission voting agenda for Aug. 1, Davis said by statute, the money in Spring Branch Industrial Park infra- when Chancellor Jerri S. Bryant will Banner Staff Writer after Finance Chairman Milan Blake the reserve was collected for use of law structure. hear from County Attorney Crystal noted the amount was “too great for the enforcement items. “If we get past Wednesday’s court Freiberg, who under advisement from The Bradley County Commission consent agenda.” Blake asked Davis how long the funds date, it’s a simple process with the state officials, will formally present the Finance Committee voted Monday to “This is where we had a reserve fund would last, “because once we use these trustee and we might just do the $3 mil- plan to borrow funds from the proceeds recommend transferring $900,000 from that has accumulated quite a bit over up, we’ll have to issue the bonds.” lion for the industrial park,” Davis said. of the sale of Bradley Memorial reserve funds to finance construction of the years,” said County Mayor D. Gary The mayor said the plan is to bond “We probably won’t need this money Hospital. the new workhouse facility through the Davis. “Our plan from the beginning out the workhouse balance — roughly until the end of the calendar year.” State statutes allowed that process first of the year. was to use this for the first part of pay- $2 million — at the same time bonds are The court date Davis spoke of is one The action is now on the County ment for the workhouse.” let on a $3 million commitment for scheduled for Wednesday morning See WORKHOUSE, Page 16 Inside Today Craft beer restaurant gets first Council approval Second reading Back in pads set in 2 weeks The Cleveland Blue Raiders put the pads on for the first time By JOYANNA LOVE Monday in preparation for the Banner Senior Staff Writer upcoming football season.
    [Show full text]
  • Alice in Zombieland SUMMARY
    Alice in Zombieland Gena Showalter Harlequin Enterprises Limited, 2012 404 pages SUMMARY: After a car crash kills her parents and younger sister, sixteen year old Alice Bell learns that her dad was right. The monsters are real. Now, Ali must learn to fight the monsters in order to stay alive. IF YOU LIKED THIS BOOK TRY… Wake, Lisa McMann Through the Zombie Glass, Gena Showalter Infinity, Sherrilyn Kenyon School Spirits, Rachel Hawkins WEBSITES: White Rabbit Chronicles, http://www.wrchronicles.com Official website of Gena Showalter, http://genashowalter.com BOOKTALK: Disclaimer: If (because of the book’s title) you are expecting a re-telling of Lewis Carroll’s Alice in Wonderland, you will be disappointed. However, don’t let that stop you from picking up this book. It’s a great read with a different twist on the whole Zombie concept. Yes, there are zombies in the book, but they’re not your typical zombies. Instead of being undead humans that crave human flesh, Showalter’s zombies are really infected spirits that eat the spirits of humans which then causes the humans to become infected. Not everyone can see the zombies. Sixteen year old Alice Bell doesn’t see them until after a car crash that kills her parents and younger sister. Alice moves in with her grandparents and attend a different high school. At her new school, Ali hooks up with a group of kids who turn out to be zombie slayers. Cole, the leader of the group, just happens to be the most gorgeous “bad boy” that Ali has ever seen.
    [Show full text]
  • Atlanta People and Places #Atlantaisnow
    ATLANTA PEOPLE AND PLACES #ATLANTAISNOW FROM SEATTLE TO SHANGHAI, MEN, WOMEN AND BUSINESSES HAVE FIGURED IT OUT: ATLANTA ISN’T UP AND COMING – IT’S HERE, IT’S NOW AND IT’S NEXT. A REGION OF VISIONARIES WHO DO WHAT OTHERS NEVER IMAGINED. INVENTING. CONNECTING. INSPIRING. THRIVING. WE NURTURE AND WELCOME THE BRIGHTEST TALENT – LEADERS WHO DISRUPT THE STATUS QUO AND CRUSADE TO CHANGE THE WORLD. WE ARE DREAMERS WHO GALVANIZED THE CIVIL RIGHTS MOVEMENT, CREATIVES WHO ARE REDEFINING DIGITAL ENTERTAINMENT AND INNOVATORS WHO ARE PAVING AN INCLUSIVE WAY TO URBAN DEVELOPMENT. IN ATLANTA, WE SHARE ONE AMBITION: TO NEVER STOP RISING. AGENDA - DAY 1 MORNING 8:00 AM // WELCOME TO ATLANTA Savannah College of Art and Design - Atlanta Breakfast & Itinerary Loretta Project Update & Atlanta Overview University System Panel Meeting with Governor Deal and Mayor Lance Bottoms 10:05 AM // STARTUPS, TECH TALENT & INNOVATION CENTERS 10:50 AM // TOUR OF MIDTOWN 11:50 AM // EXPERIENCE ART AT THE GOAT FARM AFTERNOON 12:30 PM // LUNCH AT JCT. KITCHEN & BAR Up Close with NCR Atlanta Neighborhoods 2:00 PM // TOUR OF DOWNTOWN SOUTH 3:20 PM // TOUR OF OLD 4TH WARD 4:30 PM // PONCE CITY MARKET Up Close with Cardlytics Ponce City Market Experience 5:30 PM // ATLANTA BELTLINE 6:00 PM // DINNER WITH TECH INDUSTRY AT TWO URBAN LICKS 8:00 PM // ADJOURN DAY 1 3 | IT’S DAY ONE IN ATLANTA AGENDA - DAY 2 7:15 AM // LUGGAGE CALL 7:30 AM // BREAKFAST AT EMPIRE STATE SOUTH K-12 Leaders and Students Taxes & Incentives at The Peachtree Club 9:05 AM // TOUR OF QUARRY YARDS 10:15 AM // A VISIT WITH PORSCHE USA Up Close with Coca-Cola ChooseATL & THEA Conversation 11:10 AM // ACADEMY CONCEPT 11:40 AM // LUNCH & ASK ATLANTA PANEL 12:40 PM // CLOSING 1:00 PM // ADJOURN DAY 2 MARTA Rail Side Streets Interstates SCAD - Atlanta PEACHTREE STREET The Goat Farm JCT.
    [Show full text]
  • November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
    November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter,
    [Show full text]
  • Zombieland 106 Spring 2016
    2016 Exemplary Award Winner (ENWR106) Nicole Marquez Zombieland: A Post-Apocalyptic Nightmare or Adulthood Reality? In the film Zombieland (2009), directed by Ruben Fleischer, a young, anxious man known to the audience as Columbus – because of his hometown/ destination of Columbus, Ohio – encounters a man named Tallahassee and two sisters, Wichita and Little Rock. The group has their ups and downs and eVentually becomes what Columbus identifies as his “family”. While the film appears to be a mere zombie flick about good guys kicking zombie ass while trying to find somewhere to go in a post-apocalyptic world, Zombieland actually offers a notable look into the way that society is on a quest for a sense of simplistic innocence that perhaps is only possible to experience as children – deeming our quest pointless since aging and mortality are ineVitable. The zombie, having no regards for human life and being “hateful and Violent”, as described by Columbus, is itself a representation of what we can become as adults. We are left on our own to fend off the terrors of the real world with no direction, in recoVery of complicated parental relationships and a lost childhood. As children we create monsters out of the unknown (which is plenty when we are so young and full of blissful ignorance). As adults, we fear the monsters we know to be real. We fear the things that we’Ve already witnessed to be possibilities. Yes, we fear death and things still unknown to us as adults; howeVer, more damaging, we fear losing loVed ones, relationships or the lack of, not being loVed in return, being alone, and finding ourselVes in “Zombieland.” The film, Zombieland, reveals the way that growth into adulthood can desensitize us or inflict so much fear to the point of mental instability.
    [Show full text]
  • Can Tweets Kill a Movie? an Empirical Evaluation of the `Bruno
    1 Can Tweets Kill a Movie? An Empirical Evaluation of the Bruno Effect Omar Wasow Abstract Princeton University On Friday, July 10th 2009, the movie Bruno was number 1 Fisher Hall, 201 one at the box office and took in over $18.8 million in rev­ Princeton, NJ 08544 USA enue. Based on this initial performance, analysts predicted [email protected] the movie would rake in over $50 million in its opening week­ end. By Saturday, however, the movie experienced an un­ Alex Baron usually sharp 38% decline in box office receipts. Several [email protected] prominent journalists speculated that comments on the social media site Twitter.com may have amplified negative word­ Marlon Gerra of­mouth about the movie and caused the dramatic fall­off in [email protected] revenue. We investigate this ‘Bruno effect’ and, contrary to popular accounts, find that the valence of comments on Twit­ Katharine Lauderdale ter, without accounting for other factors, is only weakly as­ [email protected] sociated with changes in box office performance. We do find evidence, however, of a ”midnight effect,” in which movies Han Zhang with cult­like followings that open Thursday at midnight see [email protected] significant drops in revenue between Friday and Saturday. In addition, we find strong evidence that, after accounting for a Suggested citation: Wasow, O. A., Baron, M. Gerra, K. Laud­ few factors like midnight openings and the volume of tweets, erdale, and H. Zhang. “Can Tweets Kill a Movie? An Empirical twitter sentiment is positively associated with increases in Evaluation of the Bruno Effect.” Presented at the workshop Friday­to­Saturday revenue.
    [Show full text]
  • Screenwriters/Executive Producers Rhett Reese & Paul Wernick
    The post-apocalyptic zombie road trip comedy Zombieland (2009) centers on four survivors of a viral pandemic: Tallahassee (Woody Harrelson), Columbus (Jesse Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin). After most of the world’s population has turned into zombies, surviving humans are locked in an ongoing battle against the hungry undead. The seemingly-mismatched central characters journey towards an alleged safe haven in Los Angeles, following a strict set of survival rules and zombie-killing strategies as they travel. Script to Screen is delighted to welcome screenwriters/executive producers Rhett Reese and Paul Wernick for a virtual Q&A. The conversation will be moderated by Pollock Theater Director Matt Ryan. Zombieland can be streamed on Amazon Prime Video, Google Play, and iTunes. Screenwriters/Executive Producers Rhett Reese & Paul Wernick Writer-Producers Rhett Reese and Paul Wernick met in high school in Phoenix, Arizona and have been creative partners since 2001. The pair wrote and executive-produced Twentieth Century Fox’s Deadpool, starring Ryan Reynolds. The 2016 superhero action-comedy remains the highest grossing R-rated movie of all time and was nominated for Best Picture (Comedy or Musical) at the Golden Globe Awards and Best Adapted Screenplay by the Writer’s Guild. Reese and Wernick subsequently co-wrote and executive-produced Deadpool 2, which became the third highest grossing R-rated movie of all time. Reese’s and Wernick’s first feature collaboration was Zombieland, which they wrote and executive- produced for Columbia Pictures in 2009. Reese and Wernick also wrote the screenplay for its sequel Zombieland: Double Tap (2019).
    [Show full text]
  • Sarah Mays Makeup Department Head Atlanta Iatse 798
    SARAH MAYS MAKEUP DEPARTMENT HEAD ATLANTA IATSE 798 FEATURES/DEPARTMENT HEAD VACATION FRIENDS • Broken Road Pictures • Exec. Producer: Timothy M. Bourney • 2020 Cast: John Cena, Meredith Hagner, Lil Rel Howery, Yvonne Orji GREENLAND• Thunder Road Pictures • Exec. Producer: Harold van Lier, Nik Bower, Deepak Nayar • 2019 Cast: Gerard Butler, Morena Baccarin IRRESISTIBLE• Focus Features • Exec. Producer: Lila Yacoub • Director: Jon Stewart • 2019 Cast: Steve Carell, Rose Byrne, Chris Cooper, Mackenzie Davis, Topher Grace, Natasha Lyonne ZOMBIELAND 2: DOUBLE TAP • Sony Pictures • Exec. Producer: Paul Wernick, Rhett Reese • Director: Ruben Fleischer • 2019 Cast: Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin, Zoey Deutch, Avan Jogi, Bill Murray, Rosario Dawson FATHER FIGURES • Warner Bros/Alcon Entertainment • Exec. Prod: Tim Bourne • Director: Larry Sher • 2015 Cast: Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons, Katt Williams, Terry Bradshaw, Ving Rhames KEEPING UP WITH THE JONESES • 20th Century Fox • Exec. Prod: Tim Bourne • Director: Greg Mottolo • 2015 Cast: Zach Galifianakis, Jon Hamm, Isla Fisher, Gal Gadot THE ACCOUNTANT • Warner Bros. • Producer: Marty Ewing Director: Gavin O'Connor • 2015 Cast: Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Cynthia Addai-Robinson, Jeffrey Tambor, John Lithgow TERM LIFE • Redeemed Prod., LLC • Prod: Tim Bourne, Victoria, Vince Vaughn • Director: P. Billingsley • 2014 Cast: Vince Vaughn, Hailee Steinfeld, Bill Paxton, Johanth Banks, Terrence Howard, Shea Whigham SINGLE MOM'S CLUB • Tyler Perry Studios • Producer: Jonathan McKoy • Director: Tyler Perry • 2013 Cast: Nia Long, Wendi McLendon-Covery, Amy Smart, Zulay Henao, Coca Brown, Ryan Eggold THE INTERNSHIP • Twentieth Century Fox • Exec. Prod: Mary McLaghlen • Director: Shawn Levy • 2013 Cast: Vince Vaughn, Owen Wilson, Rose Byrne, Max Minghella, Josh Brener Dylan O’Brien AMERICAN REUNION • Universal • Producers: Chris Moore, Craig Perry • Director: J.
    [Show full text]
  • Antlers Movie List
    DVD MOVIE RENTAL LIST The movie rental charge is $4.00 per film. All Movies Rentals include a bag of popcorn! 3:10 TO YUMA..........................Christian Bale, Russell Crowe, R 13 GOING ON 30........................Jennifer Garner, PG-13 16 BLOCKS.............................Bruce Willis, Mos Def, PG-13 17 AGAIN..............................Zac Efron, PG-13 21....................................Kevin Spacey, PG-13 21 JUMP STREET........................Jonah Hill, Channing Tatum, R 27 DRESSES............................Katherine Heigl, PG-13 30 DAYS OF NIGHT......................Josh Hartnett, Melissa George, R 40 YEAR OLD VIRGIN....................Steve Carrell, Catherine Keener, UR 101 DALMATIONS 2......................Sequel to Disney Classic, G 127 HOURS.............................James Franco, R 300...................................Gerard Butler, R 500 DAYS OF SUMMER....................Zooey Deschanel, PG-13 1408..................................John Cusack, Samuel Jackson, PG-13 10,000 BC.............................Prehistoric Epic, PG-13 A SERIES OF UNFORTUNATE EVENTS........Jim Carrey, PG A-TEAM, THE...........................Liam Neeson, Bradley Cooper, PG-13 ADAM SANDLER, BEST OF SNL.............Adam Sandler, NR ALL ABOUT STEVE.......................Sandra Bullock, Bradley Cooper PG-13 AMERICAN BEAUTY.......................Kevin Spacey, Annette Benning, R AMERICAN DREAMZ.......................Hugh Grant, Mandy Moore, PG-13 AMERICAN GANGSTER.....................Denzel Washington, Russell Crowe, R AMERICAN PIE 2........................Jason
    [Show full text]
  • Holy Horror: a Quantitative Analysis of the Use of Religion in the Yearly Top Grossing Horror Films from 2000 to 2009
    Holy Horror: A Quantitative Analysis of the Use of Religion in the Yearly Top Grossing Horror Films From 2000 to 2009 Jason Wheeler Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Masters of Arts in the Department of Communications, Liberty University May 2011 1 Acknowledgments To my Mom and Dad, thank you for all of your support, both physically and financially, throughout the process of writing this thesis. Without your help this accomplishment would not have been possible. To my brother, thank you for everything you did that allowed me to be able to accomplish this thesis. Without your help, I could never have made it. While these past two years were difficult, you brother made it easier, and that is something that will always be very special to me. I would also like to thank the rest of my family for your support throughout this process. 2 Abstract The yearly top-grossing films from 2000 to 2009 were analyzed to see if correlation exists between overt religious content and box office success. Also, the films were analyzed to see if correlation exists between overt religious content and IMDb.com user ratings. Neither box office success nor IMDb.com user ratings were found to be correlated with over religious content. 3 Table of Contents Acknowledgments…………………………………………………………………………1 Abstract……………………………………………………………………………………2 Chapter 1: Introduction……………………………………………………………………4 Chapter 2: Literature Review……………………………………………………………...7 Chapter 3: Methodology …………………………………………………………………20 Chapter 4: Study………………………………………………………………………….25 Chapter 5: Discussion……………………………………………………………………49 Bibliography.……………………………………………………………………………..53 4 Holy Horror: A Quantitative Analysis of the Use of Religion in the Yearly Top Grossing Horror Films From 2000 to 2009 Introduction The popularity of the horror genre has risen significantly over the past few decades, but opinions on what makes these films so popular is widely varied.
    [Show full text]