Alice in Zombieland SUMMARY
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MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
2009-10-05-Halloween Guide.Pdf
2 | The Daily Titan Details of events on page 8 Halloween Guide 2009 | 3 Movie Reviews by Jonathan Montgomery Zombieland Jennifer’s Body Remember mad cow disease? What if it the movie really focuses on the character Typically, “scary” is the last word that nifer is openly, well, open); she turns into had actually escalated into a global epidem- development of lone survivors. It is ev- comes to my mind when I think of Me- some sort of boy-hating vampire, and her ic, spreading infected zombies into your eryone’s selfishness and adherence to self- gan Fox (“Transformers,” “Transformers: quest for blood begins. surrounding cities? (Yeah, zombies! Not interest that kept them alive thus far. But as Revenge of the Fallen”). Between the gruesome killings and brief those wimpy vampires that have been run- their time spent together lengthens, an im- However, “Jennifer’s Body” really pres- moments of comedic relief, the movie it- ning around lately.) minent family bond grows between them. ents her in a way I’m not accustomed to: self never really commits to either genre. Well, apparently, deceitful, young attrac- With that said, this isn’t just a sappy sto- a blood-sucking, flesh-eating, boy-killing That is not to say the movie doesn’t tive girls, a Michael Cera clone, Jesse Eisen- ry. It is still a zombie movie, and it follows kind of gal. shine in either respects. berg, a Twinkie-obesessed Woody Harrel- most of the zombie film rules. Similar to Directed by Karyn Kusama (“Aeon Diablo Cody delivers some expected son and Bill Murray would be among the “Shaun of the Dead,” the movie is hilari- Flux”) and written by Diablo Cody clever one-liners and memorable quirky survivors. -
The Grotesque in the Fiction of Joyce Carol Oates
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible. -
County Eyes $900,000 Transfer for Workhouse by BRIAN GRAVES Commission Voting Agenda for Aug
T U E S D A Y 162nd YEAR • No. 75 JULY 26, 2016 CLEVELAND, TN 16 PAGES • 50¢ County eyes $900,000 transfer for workhouse By BRIAN GRAVES Commission voting agenda for Aug. 1, Davis said by statute, the money in Spring Branch Industrial Park infra- when Chancellor Jerri S. Bryant will Banner Staff Writer after Finance Chairman Milan Blake the reserve was collected for use of law structure. hear from County Attorney Crystal noted the amount was “too great for the enforcement items. “If we get past Wednesday’s court Freiberg, who under advisement from The Bradley County Commission consent agenda.” Blake asked Davis how long the funds date, it’s a simple process with the state officials, will formally present the Finance Committee voted Monday to “This is where we had a reserve fund would last, “because once we use these trustee and we might just do the $3 mil- plan to borrow funds from the proceeds recommend transferring $900,000 from that has accumulated quite a bit over up, we’ll have to issue the bonds.” lion for the industrial park,” Davis said. of the sale of Bradley Memorial reserve funds to finance construction of the years,” said County Mayor D. Gary The mayor said the plan is to bond “We probably won’t need this money Hospital. the new workhouse facility through the Davis. “Our plan from the beginning out the workhouse balance — roughly until the end of the calendar year.” State statutes allowed that process first of the year. was to use this for the first part of pay- $2 million — at the same time bonds are The court date Davis spoke of is one The action is now on the County ment for the workhouse.” let on a $3 million commitment for scheduled for Wednesday morning See WORKHOUSE, Page 16 Inside Today Craft beer restaurant gets first Council approval Second reading Back in pads set in 2 weeks The Cleveland Blue Raiders put the pads on for the first time By JOYANNA LOVE Monday in preparation for the Banner Senior Staff Writer upcoming football season. -
Atlanta People and Places #Atlantaisnow
ATLANTA PEOPLE AND PLACES #ATLANTAISNOW FROM SEATTLE TO SHANGHAI, MEN, WOMEN AND BUSINESSES HAVE FIGURED IT OUT: ATLANTA ISN’T UP AND COMING – IT’S HERE, IT’S NOW AND IT’S NEXT. A REGION OF VISIONARIES WHO DO WHAT OTHERS NEVER IMAGINED. INVENTING. CONNECTING. INSPIRING. THRIVING. WE NURTURE AND WELCOME THE BRIGHTEST TALENT – LEADERS WHO DISRUPT THE STATUS QUO AND CRUSADE TO CHANGE THE WORLD. WE ARE DREAMERS WHO GALVANIZED THE CIVIL RIGHTS MOVEMENT, CREATIVES WHO ARE REDEFINING DIGITAL ENTERTAINMENT AND INNOVATORS WHO ARE PAVING AN INCLUSIVE WAY TO URBAN DEVELOPMENT. IN ATLANTA, WE SHARE ONE AMBITION: TO NEVER STOP RISING. AGENDA - DAY 1 MORNING 8:00 AM // WELCOME TO ATLANTA Savannah College of Art and Design - Atlanta Breakfast & Itinerary Loretta Project Update & Atlanta Overview University System Panel Meeting with Governor Deal and Mayor Lance Bottoms 10:05 AM // STARTUPS, TECH TALENT & INNOVATION CENTERS 10:50 AM // TOUR OF MIDTOWN 11:50 AM // EXPERIENCE ART AT THE GOAT FARM AFTERNOON 12:30 PM // LUNCH AT JCT. KITCHEN & BAR Up Close with NCR Atlanta Neighborhoods 2:00 PM // TOUR OF DOWNTOWN SOUTH 3:20 PM // TOUR OF OLD 4TH WARD 4:30 PM // PONCE CITY MARKET Up Close with Cardlytics Ponce City Market Experience 5:30 PM // ATLANTA BELTLINE 6:00 PM // DINNER WITH TECH INDUSTRY AT TWO URBAN LICKS 8:00 PM // ADJOURN DAY 1 3 | IT’S DAY ONE IN ATLANTA AGENDA - DAY 2 7:15 AM // LUGGAGE CALL 7:30 AM // BREAKFAST AT EMPIRE STATE SOUTH K-12 Leaders and Students Taxes & Incentives at The Peachtree Club 9:05 AM // TOUR OF QUARRY YARDS 10:15 AM // A VISIT WITH PORSCHE USA Up Close with Coca-Cola ChooseATL & THEA Conversation 11:10 AM // ACADEMY CONCEPT 11:40 AM // LUNCH & ASK ATLANTA PANEL 12:40 PM // CLOSING 1:00 PM // ADJOURN DAY 2 MARTA Rail Side Streets Interstates SCAD - Atlanta PEACHTREE STREET The Goat Farm JCT. -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter, -
Zombieland 106 Spring 2016
2016 Exemplary Award Winner (ENWR106) Nicole Marquez Zombieland: A Post-Apocalyptic Nightmare or Adulthood Reality? In the film Zombieland (2009), directed by Ruben Fleischer, a young, anxious man known to the audience as Columbus – because of his hometown/ destination of Columbus, Ohio – encounters a man named Tallahassee and two sisters, Wichita and Little Rock. The group has their ups and downs and eVentually becomes what Columbus identifies as his “family”. While the film appears to be a mere zombie flick about good guys kicking zombie ass while trying to find somewhere to go in a post-apocalyptic world, Zombieland actually offers a notable look into the way that society is on a quest for a sense of simplistic innocence that perhaps is only possible to experience as children – deeming our quest pointless since aging and mortality are ineVitable. The zombie, having no regards for human life and being “hateful and Violent”, as described by Columbus, is itself a representation of what we can become as adults. We are left on our own to fend off the terrors of the real world with no direction, in recoVery of complicated parental relationships and a lost childhood. As children we create monsters out of the unknown (which is plenty when we are so young and full of blissful ignorance). As adults, we fear the monsters we know to be real. We fear the things that we’Ve already witnessed to be possibilities. Yes, we fear death and things still unknown to us as adults; howeVer, more damaging, we fear losing loVed ones, relationships or the lack of, not being loVed in return, being alone, and finding ourselVes in “Zombieland.” The film, Zombieland, reveals the way that growth into adulthood can desensitize us or inflict so much fear to the point of mental instability. -
Joyce Carol Oates and Food David Rutledge University of New Orleans
Bearing Witness: Joyce Carol Oates Studies Volume 1 Article 5 2014 Distaste: Joyce Carol Oates and Food David Rutledge University of New Orleans Follow this and additional works at: http://repository.usfca.edu/jcostudies Part of the Literature in English, North America Commons, and the Modern Literature Commons Citation Information Rutledge, David (2014) "Distaste: Joyce Carol Oates and Food," Bearing Witness: Joyce Carol Oates Studies: Vol. 1, Article 5. DOI: http://dx.doi.org/10.15867/331917.1.5 Available at: http://repository.usfca.edu/jcostudies/vol1/iss1/5 For more information, please contact [email protected]. Creative Commons 4.0 Rutledge: Distaste Distaste: Joyce Carol Oates and Food W David Rutledge University of New Orleans Here I am—food. But I won’t nourish you. —Joyce Carol Oates, “What Then, My Life?” Introduction In the essay “Writer’s Hunger: Food as Metaphor,” Joyce Carol Oates looks briefly at a number of authors for whom food is significant. She mentions “food as sheer sensuality” in Henry Fielding’s art, “the claustrophobic holiday dinner” in James Joyce’s “The Dead,” and Charles Dickens’s descriptions of “many-coursed Victorian dinners of stupefying-excess,” among others. Although she does not go into depth as to the meaning of food for these authors, she points towards the importance of food: “In literature, eating and not eating are always symbolic. Food always ‘means’ something other than mere food.” This sense of the meaning of food extends into her art. In Oates’s writing, the human relationship with food tends to be unhealthy. There is overindulgence and self-starvation; there are orgies of food and a corresponding sense of nausea and vomiting. -
Can Tweets Kill a Movie? an Empirical Evaluation of the `Bruno
1 Can Tweets Kill a Movie? An Empirical Evaluation of the Bruno Effect Omar Wasow Abstract Princeton University On Friday, July 10th 2009, the movie Bruno was number 1 Fisher Hall, 201 one at the box office and took in over $18.8 million in rev Princeton, NJ 08544 USA enue. Based on this initial performance, analysts predicted [email protected] the movie would rake in over $50 million in its opening week end. By Saturday, however, the movie experienced an un Alex Baron usually sharp 38% decline in box office receipts. Several [email protected] prominent journalists speculated that comments on the social media site Twitter.com may have amplified negative word Marlon Gerra ofmouth about the movie and caused the dramatic falloff in [email protected] revenue. We investigate this ‘Bruno effect’ and, contrary to popular accounts, find that the valence of comments on Twit Katharine Lauderdale ter, without accounting for other factors, is only weakly as [email protected] sociated with changes in box office performance. We do find evidence, however, of a ”midnight effect,” in which movies Han Zhang with cultlike followings that open Thursday at midnight see [email protected] significant drops in revenue between Friday and Saturday. In addition, we find strong evidence that, after accounting for a Suggested citation: Wasow, O. A., Baron, M. Gerra, K. Laud few factors like midnight openings and the volume of tweets, erdale, and H. Zhang. “Can Tweets Kill a Movie? An Empirical twitter sentiment is positively associated with increases in Evaluation of the Bruno Effect.” Presented at the workshop FridaytoSaturday revenue. -
Screenwriters/Executive Producers Rhett Reese & Paul Wernick
The post-apocalyptic zombie road trip comedy Zombieland (2009) centers on four survivors of a viral pandemic: Tallahassee (Woody Harrelson), Columbus (Jesse Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin). After most of the world’s population has turned into zombies, surviving humans are locked in an ongoing battle against the hungry undead. The seemingly-mismatched central characters journey towards an alleged safe haven in Los Angeles, following a strict set of survival rules and zombie-killing strategies as they travel. Script to Screen is delighted to welcome screenwriters/executive producers Rhett Reese and Paul Wernick for a virtual Q&A. The conversation will be moderated by Pollock Theater Director Matt Ryan. Zombieland can be streamed on Amazon Prime Video, Google Play, and iTunes. Screenwriters/Executive Producers Rhett Reese & Paul Wernick Writer-Producers Rhett Reese and Paul Wernick met in high school in Phoenix, Arizona and have been creative partners since 2001. The pair wrote and executive-produced Twentieth Century Fox’s Deadpool, starring Ryan Reynolds. The 2016 superhero action-comedy remains the highest grossing R-rated movie of all time and was nominated for Best Picture (Comedy or Musical) at the Golden Globe Awards and Best Adapted Screenplay by the Writer’s Guild. Reese and Wernick subsequently co-wrote and executive-produced Deadpool 2, which became the third highest grossing R-rated movie of all time. Reese’s and Wernick’s first feature collaboration was Zombieland, which they wrote and executive- produced for Columbia Pictures in 2009. Reese and Wernick also wrote the screenplay for its sequel Zombieland: Double Tap (2019). -
Sarah Mays Makeup Department Head Atlanta Iatse 798
SARAH MAYS MAKEUP DEPARTMENT HEAD ATLANTA IATSE 798 FEATURES/DEPARTMENT HEAD VACATION FRIENDS • Broken Road Pictures • Exec. Producer: Timothy M. Bourney • 2020 Cast: John Cena, Meredith Hagner, Lil Rel Howery, Yvonne Orji GREENLAND• Thunder Road Pictures • Exec. Producer: Harold van Lier, Nik Bower, Deepak Nayar • 2019 Cast: Gerard Butler, Morena Baccarin IRRESISTIBLE• Focus Features • Exec. Producer: Lila Yacoub • Director: Jon Stewart • 2019 Cast: Steve Carell, Rose Byrne, Chris Cooper, Mackenzie Davis, Topher Grace, Natasha Lyonne ZOMBIELAND 2: DOUBLE TAP • Sony Pictures • Exec. Producer: Paul Wernick, Rhett Reese • Director: Ruben Fleischer • 2019 Cast: Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin, Zoey Deutch, Avan Jogi, Bill Murray, Rosario Dawson FATHER FIGURES • Warner Bros/Alcon Entertainment • Exec. Prod: Tim Bourne • Director: Larry Sher • 2015 Cast: Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons, Katt Williams, Terry Bradshaw, Ving Rhames KEEPING UP WITH THE JONESES • 20th Century Fox • Exec. Prod: Tim Bourne • Director: Greg Mottolo • 2015 Cast: Zach Galifianakis, Jon Hamm, Isla Fisher, Gal Gadot THE ACCOUNTANT • Warner Bros. • Producer: Marty Ewing Director: Gavin O'Connor • 2015 Cast: Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Cynthia Addai-Robinson, Jeffrey Tambor, John Lithgow TERM LIFE • Redeemed Prod., LLC • Prod: Tim Bourne, Victoria, Vince Vaughn • Director: P. Billingsley • 2014 Cast: Vince Vaughn, Hailee Steinfeld, Bill Paxton, Johanth Banks, Terrence Howard, Shea Whigham SINGLE MOM'S CLUB • Tyler Perry Studios • Producer: Jonathan McKoy • Director: Tyler Perry • 2013 Cast: Nia Long, Wendi McLendon-Covery, Amy Smart, Zulay Henao, Coca Brown, Ryan Eggold THE INTERNSHIP • Twentieth Century Fox • Exec. Prod: Mary McLaghlen • Director: Shawn Levy • 2013 Cast: Vince Vaughn, Owen Wilson, Rose Byrne, Max Minghella, Josh Brener Dylan O’Brien AMERICAN REUNION • Universal • Producers: Chris Moore, Craig Perry • Director: J. -
Antlers Movie List
DVD MOVIE RENTAL LIST The movie rental charge is $4.00 per film. All Movies Rentals include a bag of popcorn! 3:10 TO YUMA..........................Christian Bale, Russell Crowe, R 13 GOING ON 30........................Jennifer Garner, PG-13 16 BLOCKS.............................Bruce Willis, Mos Def, PG-13 17 AGAIN..............................Zac Efron, PG-13 21....................................Kevin Spacey, PG-13 21 JUMP STREET........................Jonah Hill, Channing Tatum, R 27 DRESSES............................Katherine Heigl, PG-13 30 DAYS OF NIGHT......................Josh Hartnett, Melissa George, R 40 YEAR OLD VIRGIN....................Steve Carrell, Catherine Keener, UR 101 DALMATIONS 2......................Sequel to Disney Classic, G 127 HOURS.............................James Franco, R 300...................................Gerard Butler, R 500 DAYS OF SUMMER....................Zooey Deschanel, PG-13 1408..................................John Cusack, Samuel Jackson, PG-13 10,000 BC.............................Prehistoric Epic, PG-13 A SERIES OF UNFORTUNATE EVENTS........Jim Carrey, PG A-TEAM, THE...........................Liam Neeson, Bradley Cooper, PG-13 ADAM SANDLER, BEST OF SNL.............Adam Sandler, NR ALL ABOUT STEVE.......................Sandra Bullock, Bradley Cooper PG-13 AMERICAN BEAUTY.......................Kevin Spacey, Annette Benning, R AMERICAN DREAMZ.......................Hugh Grant, Mandy Moore, PG-13 AMERICAN GANGSTER.....................Denzel Washington, Russell Crowe, R AMERICAN PIE 2........................Jason