Women's History Month

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Women's History Month A Girl’s Bill of Rights The Library Bus by Amy B. Mucha Planting Stories by Bahram Rahman by Anika Denise An Equal Shot by Helaine Becker Standing on Her Shoulders Grandmother School by Monica Clark-Robinson by Rina Singh Building Zaha Latinitas by Victoria Tentler-Krylov The Water Walker by Joanne Robertson by Juliet Menéndez Wilma’s Way Home: The life of Wilma Mankiller How to Build a Hug Finish the Fight! by Doreen Rappartort by Amy Guglielmo by Victoria Chambers, et al A Thousand Glass Flowers by Evan Turk Mama Africa! by Kathryn Erskine Dolores Huerta Stands Strong by Marlene Targ Brill Fly, Girl, Fly by Nancy Roe Pimm Danza! Amalia Hernández and el Ballet Folklórico de Amazing Women of the México Middle East by Duncan Tonatiuh by Wafa’ Tarnowska Red Bird Sings by Gina Capaldi Sylvia and Marsha Start a Malala: My story of standing Revolution up for girls’ rights by Joy Michael Ellison by Malala Yousafzai All the Way to the Top by Annette Bay Pimentel Viva Frida Mary Seacole, Bound for the by Yui Morales Battlefield by Susan Goldman Rubin Marie Curie and the Power of Persistence by Karla Valenti Beautiful Shades of Brown Exquisite: The poetry and life by Nancy Churnin of Gwendolyn Brooks by Suzanne Slade Born Curious At the Mountain’s Base Selena: Queen of Tejano by Martha Freeman by Traci Sorell music by Silvia López The Astronaut with a Song for the Stars Good Night Stories for Rebel by Julia Finley Mosca Girls: 100 immigrant women who changed the world Girls Write Now by Elena Favilli Me and the Sky: Captain Library on Wheels Beverley Bass, pioneering by Sharlee Mullins Glenn pilot Women’s Art Work by Beverley Bass by Sophia Bennett Mother Jones and her Army of Mill Children Muslim Girls Rise Maria Sibylla Merian: Artist, by Jonah Winter by Saira Mir scientist, adventurer by Sarah B. Pomeroy Strange Fruit: Billie Holiday and the Power of a Protest Tallchief: America’s prima Song ballerina by Gary Golio by Maria Tallchief The Feminist Revolution by Jules Archer Blast Off into Space Like Mae Grasping Mysteries: Girls Jemison who loved math by Caroline Moss by Jeannine Atkins Missing Mille Benson by Julie K. Rubini Anna & Samia: The true story of saving a Black Rhino Reaching for the Moon by Paul Meisel by Katherine Johnson Untamed: The wild life of Jane Goodall by Anita Silvey The Legendary Miss Lena Horne Lotte’s Magical Paper by Carole Boston Puppets Weatherford by Brooke Hartman Proud: Living my American Dream by Ibtihaj Muhammad Tales of the Talented Tenth: Born to Ride Bessie Stringfield by Larissa Theule by Joel Christian Gill Patricia’s Vision by Michelle Lord Like a Girl by Lori Degman Kamala Harris: Rooted in Brave, Black, First justice by Cheryl Willis Hudson by Nikki Grimes Noise Makers Lumber Jills The Radium Girls by Alexandra Nayeri Davis by Kate Moore The Power of Her Pen by Lisa Cline-Ransome Superwomen in Stem by Tracey Kelly A Portrait in Poems by Evie Robillard A Ride to Remember Girl Running by Sharon Langley by Annette Bay Pimentel Heroism Begins with Her by Winifred Conkling Thanks for Frances Perkins Kate Warne: Pinkerton by Deborah Hopkinson Detective Someday is Now by Marissa Moss by Olugbemisola Rhuday-Perkovich Georgia O’Keeffe by Lucy Brownridge To Fly Among the Stars by Rebecca Siegel Nina: Jazz Legend and Civil-Rights Activist Nina Simone by Alice Brière-Haquet Never Caught: The Story of No Steps Behind Child of the Dream Ona Judge by Jeff Gottesfeld by Sharon Robinson by Erica Armstrong Dunbar We Are Inspiring (On-order) A Woman in the House and by Angel Trazo Senate History Smashers by Ilene Cooper by Kate Messner Breaking Through Rebel Voices by Sue Macy by Eve Knight Lloyd Lifting As We Climb by Evette Dionne Little Melba and Her Big Trombone Women in Sports by Katheryn Russel-Brown by Rachel Ignotofsky The Book of Queens by Stephanie Warren Drimmer Alice Across America by Sarah Glenn Marsh Make Trouble Bad Girls of Fashion by Cecile Richards by Jennifer Croll Women in the Old West Born to Fly by Marti Dumas Ada and the Number by Steve Sheinkin Crunching Machine by Zoe Tucker Anna Strong: A spy during Cloth Lullaby: The art of the American Revolution Louise Bourgeois by Sarah Glenn Marsh The Woman’s Hour: Our by Amy Novesky Fight for the Right to Vote by Elaine F. Weiss It Began with a Page by Kyo Maclear Atlas of Women Explorers by Riccardo Francaviglia Wood, Wire, Wings by Kristen W. Larson The Women who Caught the Babies Virginia Was a Spy by Eloise Greenfield A Girl Named Rosita by Catherine Urdahl by Ankia Denise R.E.S.P.E.C.T. by Carole Boston Canadian Women Now & Fancy Party Gowns: The Weatherford Then story of fashion designer by Elizabeth MacLeod Ann Cole Lowe by Deborah Blumenthal.
Recommended publications
  • Selected Highlights of Women's History
    Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S.
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  • Louise Bourgeois Brochure
    LOUISE BOURGEOIS American, French born (1911 - 2010) The Blind Leading The Blind 1947 - 49, painted wood 70⅜ × 96⅞ × 17⅜ in. Regents Collections Acquisition Program with Match- ing Funds from the Jerome L. Greene, Agnes Gund, Sydney and Frances Lewis, and Leonard C. Yaseen Purchase Fund, 1989 Living in New York during the mid 1940s, when World War II cut her off from friends and family in France, Louise Bourgeois created vertical wood sculptures that she exhibited as loosely grouped, solitary figures. These objects represented sorely missed people and her own loneliness and isolation in America. In 1948, Bourgeois made the first of five variations of The Blind Leading The Blind as pairs of legs which, unable to stand alone, were bound together for strength by lintel like boards. The figures appear to walk tentatively on tiptoe under the boards, the weight of which presses down on the individual pairs even as it holds them togeth- er as an uneasy collective. One of the artist’s most abstract works, this sculpture takes on an anthropomorphic presence by resting directly on the floor and sharing the viewer’s space. In 1949, after being called before the House Un-American Activities Commit- tee, Bourgeois named the series The Blind Leading the Blind. The title paraphras- es Jesus’s description of the hypocritical Pharisees and scribes (Matthew 15:14): “Let them alone, they are blind guides. And if a blind man leads a blind man, both will fall into a pit.” Exposing the folly of untested belief, unscrutinized ritual, and regimented thinking, the parable has been used as a subject by other artists.
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  • Maria Tall Chief Maria Tall Chief
    Maria Tall Chief Maria Tall Chief (later changed to Tallchief) was born in Oklahoma in 1925. Her father was Osage Native American and her mother of Scotch-Irish descent. It had been an unrealized dream of her mom to study dance and music, so Maria and her sister Marjorie were enrolled early in dance and piano lessons. Maria was only three years old when she began dance classes. It wasn’t long before Maria and Marjorie were performing at local rodeos. When she was eight, Maria’s family moved to California with the hope finding an opportunity for the girls in show business. Her mother asked a pharmacist for a recommendation for a dance teacher and was referred to Ernest Belcher, who was Marge Champion’s father. Maria soon moved on to more noted classical teachers of dance, but was also continuing to study piano and saw herself as having a career as a classical pianist. However, she continued with dance and at 17 went to New York looking for a way into the classical world of dance. Tallchief was soon offered a place with the Ballet Russe de Monte Carlo where she performed for five years. It was there that she met George Balanchine. She eventually married Balanchine and returned to New York. Balanchine had just founded the New York City Ballet and Maria became its first prima ballerina. She was the first American woman and the first Native American to be recognized world wide as a prima ballerina. She was the first American invited to dance with the Bolshoi.
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  • Feminist Scholarship Review: Women in Theater and Dance
    Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•...
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  • Executive Order 13978 of January 18, 2021
    6809 Federal Register Presidential Documents Vol. 86, No. 13 Friday, January 22, 2021 Title 3— Executive Order 13978 of January 18, 2021 The President Building the National Garden of American Heroes By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Background. In Executive Order 13934 of July 3, 2020 (Building and Rebuilding Monuments to American Heroes), I made it the policy of the United States to establish a statuary park named the National Garden of American Heroes (National Garden). To begin the process of building this new monument to our country’s greatness, I established the Interagency Task Force for Building and Rebuilding Monuments to American Heroes (Task Force) and directed its members to plan for construction of the National Garden. The Task Force has advised me it has completed the first phase of its work and is prepared to move forward. This order revises Executive Order 13934 and provides additional direction for the Task Force. Sec. 2. Purpose. The chronicles of our history show that America is a land of heroes. As I announced during my address at Mount Rushmore, the gates of a beautiful new garden will soon open to the public where the legends of America’s past will be remembered. The National Garden will be built to reflect the awesome splendor of our country’s timeless exceptionalism. It will be a place where citizens, young and old, can renew their vision of greatness and take up the challenge that I gave every American in my first address to Congress, to ‘‘[b]elieve in yourselves, believe in your future, and believe, once more, in America.’’ Across this Nation, belief in the greatness and goodness of America has come under attack in recent months and years by a dangerous anti-American extremism that seeks to dismantle our country’s history, institutions, and very identity.
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  • Double Vision: Woman As Image and Imagemaker
    double vision WOMAN AS IMAGE AND IMAGEMAKER Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern. -------------- Louise Bourgeois HOBART AND WILLIAM SMITH COLLEGES The Davis Gallery at Houghton House Sarai Sherman (American, 1922-) Pas de Deux Electrique, 1950-55 Oil on canvas Double Vision: Women’s Studies directly through the classes of its Woman as Image and Imagemaker art history faculty members. In honor of the fortieth anniversary of Women’s The Collection of Hobart and William Smith Colleges Studies at Hobart and William Smith Colleges, contains many works by women artists, only a few this exhibition shows a selection of artworks by of which are included in this exhibition. The earliest women depicting women from The Collections of the work in our collection by a woman is an 1896 Colleges. The selection of works played off the title etching, You Bleed from Many Wounds, O People, Double Vision: the vision of the women artists and the by Käthe Kollwitz (a gift of Elena Ciletti, Professor of vision of the women they depicted. This conjunction Art History). The latest work in the collection as of this of women artists and depicted women continues date is a 2012 woodcut, Glacial Moment, by Karen through the subtitle: woman as image (woman Kunc (a presentation of the Rochester Print Club). depicted as subject) and woman as imagemaker And we must also remember that often “anonymous (woman as artist). Ranging from a work by Mary was a woman.” Cassatt from the early twentieth century to one by Kara Walker from the early twenty-first century, we I want to take this opportunity to dedicate this see depictions of mothers and children, mythological exhibition and its catalog to the many women and figures, political criticism, abstract figures, and men who have fostered art and feminism for over portraits, ranging in styles from Impressionism to forty years at Hobart and William Smith Colleges New Realism and beyond.
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  • The Brooklyn Museum Announces Upcoming 2020 Exhibitions
    The Brooklyn Museum Announces Upcoming 2020 Exhibitions The Brooklyn Museum is pleased to announce a selection of upcoming 2020 exhibitions. This winter, we welcome back our iconic Kehinde Wiley painting Napoleon Leading the Army over the Alps (2005), which for the first time at the Brooklyn Museum will be presented in dialogue with its early nineteenth-century source painting, Jacques-Louis David’s Bonaparte Crossing the Alps (1800–1). We also look at our collection from new perspectives with focused exhibitions that present historical works through a contemporary, multifaceted lens. Out of Place: A Feminist Look at the Collection examines nearly 50 collection works using an intersectional feminist framework. Climate in Crisis: Environmental Change in the Indigenous Americas is an installation of the Museum’s Arts of the Americas collection which reconsiders indigenous art from the perspective of the prolonged and ongoing impact of climate change and colonization. Contemporary artist and MacArthur Fellowship recipient Jeffrey Gibson mines our collection and archives to examine collecting practices and reinterpret historical representations of indigenous communities. We also present African Arts—Global Conversations, a cross-cultural exhibition pairing diverse African works with collection objects made around the world, and Striking Power: Iconoclasm in Ancient Egypt, which examines the damage to sculptures and reliefs in ancient Egypt as a way of also exploring twenty-first-century concerns and struggles over public monuments and the destruction of antiquities. In March, we celebrate the iconic history and trailblazing aesthetics of Studio 54 in a special exhibition featuring never-before-seen archival materials, video, photography, fashion, and more.
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  • Canada Mexico Puerto Rico United
    Travel the world with UZBEKISTAN MYANMAR MADAGASCAR CANADA AZ: 8. Where Is the Grand Canyon? MA: 21. What Was the Boston Tea Party? AFRICA AUSTRALIA AUSTRIA 1. Who Is Wayne Gretzky? TX: 9. What Was the Alamo? 22. What Was the First Thanksgiving? 29. Who Was Nelson Mandela? 38. Where Is the Great Barrier Reef? 46. Who Was Wolfgang Amadeus Mozart? 10. What Was the Wild West? MO: 23. What Was the Lewis and 30. Who Was King Tut? 39. Who Was Steve Irwin? MEXICO LA: 11. What Was Hurricane Katrina? Clark Expedition? 31. Where Are the Great Pyramids? PORTUGAL 2. Who Was Frida Kahlo? 47. Who Was Ferdinand Magellan? GA: 12. What Was the Underground Railroad? UNITED KINGDOM CENTRAL AMERICA ASIA 40. Who Was Queen Elizabeth? PUERTO RICO IL: 13. What Was the Great Chicago Fire? 24. What Is the Panama Canal? 32. Who Was Gandhi? 41. Who Was William Shakespeare? GREECE 3. Who Was Roberto Clemente? PA: 14. What Was the Battle of Gettysburg? 33. Who Was Genghis Kahn? 48. Where Is the Parthen? 15. What Is the Declaration of Independence? SOUTH AMERICA 34. Who Is Malala Yousafzai? FRANCE 49. What Are the Summer Olympics? UNITED STATES DC: 16. What Was the March on Washington? 25. Who Is Pope Francis? 35. Where Is the Great Wall? 42. Where Is the Eiffel Tower? HI: 4. What Was Pearl Harbor? 17. Where Is the White House? 26. Where Is the Amazon? 36. Where Is the Taj Mahal? 43. Who Was Jacques Cousteau? ISRAEL CA: 5. What Was the Gold Rush? NY: 18.
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  • Women's History Month Children's Books.Pdf
    Books for Family Sharing Charles, Tami. Fearless Mary: Mary Fields, American Stagecoach Driver. Illus. by Claire Almon. J-Biography 388.3228 FIEL Set in Cascade, Montana, in 1895, this rip-roaring account tells the true-life tale of a Wild West paragon—the first African American woman to drive a stagecoach while fearlessly fending off outlaws and wild critters to safely deliver the mail. Clinton, Chelsea. She Persisted: 13 American Women Who Changed the World. Illus. by Alexandra Boiger. J-Biography 305.40922 CLIN Concise text and warm watercolor illustrations introduce 13 inspiring women who "did not take no for an answer," including Ruby Bridges, Maria Tallchief, Sonia Sotomayor, and more. She Persisted Around the World and She Persisted In Sports offer more profiles of remarkable individuals. Engle, Margarita. Drum Dream Girl: How One Girl’s Courage Changed Music. Illus. by Rafael López. J-Easy Based on the childhood of musician Millo Castro Zaldarriaga, this lyrical picture book describes how a young girl in 1930s Cuba strived to become a drummer, though reminded again and again that only boys play percussion, and ultimately broke traditional stereotypes to follow her dream. Harrison, Vashti. Little Dreamers: Visionary Women Around the World. J-Biography 305.42 HARR Harrison’s one-page profiles and eye-catching portraits introduce 36 daring and resourceful women from throughout history and across the globe. Also check out the companion volume, Little Leaders: Bold Women in Black History. Hubbard, Rita Lorraine. The Oldest Student: How Mary Walker Learned to Read. Illus. by Oge Mora. J-Biography 306.3 WALK Born enslaved in 1848 on an Alabama plantation and freed at age 15, Walker grew into adulthood and worked hard for decades to support her family before taking a literacy class and learning to read at the age of 116.
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  • Louise Bourgeois at Heide
    HEIDE EDUCATION Louise Bourgeois at Heide Louise Bourgeois: Late Works Exhibition dates: 24 November 2012 to 11 March 2013 Curator: Jason Smith Louise Bourgeois and Australian artists Exhibition dates: 13 October 2012 to 14 April 2013 Curator: Linda Michael Louise Bourgeois: Late Works installation view Heide Museum of Modern Art Photograph: John Gollings, 2012 This Education Resource has been produced by Heide Museum of Modern Art to provide information and support school visits to the museum and as such is intended for this use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. ©Heide MoMA 2013 Educational use only Page 1 of 28 HEIDE EDUCATION Introduction Louise Bourgeois: Late Works assembles 23 of the most important of Bourgeois’ works from 1996 to 2009. It is only the second significant survey of Bourgeois’ work in Australia. The first was organised by the National Gallery of Victoria in 1995 and travelled to the MCA in 1996. That first exhibition, simply titled Louise Bourgeois, included works from two critical decades in her career: the mid 1940s to mid 1950s, when Bourgeois first exhibited her personages sculptures; and the mid 1980s to early 1990s, the years following her acclaimed 1982 retrospective at the Museum of Modern Art In New York. Heide’s 2012 exhibition has been curated to follow on from the 1995 exhibition with a tightly selected group of works that are central to Bourgeois’ late oeuvre, and which represent the diverse subjects and forms produced in the last years of her life.
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  • International Women's Forum
    BERMUDA S CANA AMA DA AH ISRAEL B ND ITALY CH A ELA J IC RI IR AM AG ST NEW MEXICO AI O U IA SEY N C A D JER EW A IN W N TENNE YO C NE WEDE SSEE R J H IA S K O I L N TEX R LE A O A AI A N D R H D SP S O A T A A R N S D V TR TH C U I E IA IN O A N N C R ID K L O A A O F D R A G O LI O N R S N & A IC A L S A C T IN A D S O X O K É A S O N N B R A A G M E G K H N T N K R O C O U O E O A O N H O R www.iwforum.org C S T N T T U C U H N C R E A I O E I R K A K C R N N A E Y C T O I O Y I W C R C Z I M F A A U R A H L L T U A E I H N F B T O E I A U T R D R E N A O D N O A A S O N P I N L K A I A N L A I T N A H G N G N S G I E N O I D S L G S O H N O R I M D O O U A A E C I A S N L S I I I A S A A INTERNATIONAL WOMEN’S FORUM WOMEN’S INTERNATIONAL U W T S W O T Y N U A N A K N A R H O L R A C A Celebrating 45 Years of Promoting Women’s Leadership Women’s Promoting of Years 45 Celebrating E M D H M , V H R O M N A E G M O I N A E R T G R A C C I U G N U O B U N S I E U O A T H V T O S S A I D E I S A R R P I O E W M G G M R V R A S O E E T R E O S M N A T N O S S E I N N A P I T O T E P G G W P N I A I P S H C G L A I P I H N H Y P S A U M S P I S E A A I S T E N P A S T C E V N L N Y I S T S N M A F I R M N A F I T C L O H S A I E G N A N N I M N T D S A O F C L N O U R S I D A A D I R F O L Table of Contents IWF History....................................................................................................1 Who We Are & What We Do......................................................................
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  • CELEBRATING SIGNIFICANT CHICAGO WOMEN Park &Gardens
    Chicago Women’s Chicago Women’s CELEBRATING SIGNIFICANT CHICAGO WOMEN CHICAGO SIGNIFICANT CELEBRATING Park &Gardens Park Margaret T. Burroughs Lorraine Hansberry Bertha Honoré Palmer Pearl M. Hart Frances Glessner Lee Margaret Hie Ding Lin Viola Spolin Etta Moten Barnett Maria Mangual introduction Chicago Women’s Park & Gardens honors the many local women throughout history who have made important contributions to the city, nation, and the world. This booklet contains brief introductions to 65 great Chicago women—only a fraction of the many female Chicagoans who could be added to this list. In our selection, we strived for diversity in geography, chronology, accomplishments, and ethnicity. Only women with substantial ties to the City of Chicago were considered. Many other remarkable women who are still living or who lived just outside the City are not included here but are still equally noteworthy. We encourage you to visit Chicago Women’s Park FEATURED ABOVE and Gardens, where field house exhibitry and the Maria Goeppert Mayer Helping Hands Memorial to Jane Addams honor Katherine Dunham the important legacy of Chicago women. Frances Glessner Lee Gwendolyn Brooks Maria Tallchief Paschen The Chicago star signifies women who have been honored Addie Wyatt through the naming of a public space or building. contents LEADERS & ACTIVISTS 9 Dawn Clark Netsch 20 Viola Spolin 2 Grace Abbott 10 Bertha Honoré Palmer 21 Koko Taylor 2 Jane Addams 10 Lucy Ella Gonzales Parsons 21 Lois Weisberg 2 Helen Alvarado 11 Tobey Prinz TRAILBLAZERS 3 Joan Fujisawa Arai 11 Guadalupe Reyes & INNOVATORS 3 Ida B. Wells-Barnett 12 Maria del Jesus Saucedo 3 Willie T.
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