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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
KLOS Aug.5Th
1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. -
(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
BWTB Revolver @ 50 2016
1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. -
Bub Gb Smieaaaambaj.Pdf
Calvin Klein body Copyrighted material CONTENTS December 2001 nnNTiNiirn on parf a 8 Contributors: laune stone. Ted Gideonse. Rob Barber, and others 1 0 Your Letters: Much ado about Matthew, crystal meth. and staying coupled 1 5 Letter From the Editor Expanding the GLBT rubric cxjtFront 17-20 Film A sexy queer boy explores intergenerational love in a controversial new movie; reviews of The Royal Tenenbaums, Princesa, Eban and Charley, American Adobo, and The Business of Strangers. 22 Books Reviews of Michael Craft, Mark Doty, and Stephen D. Moore; a book that cracks the Hollywood closet 24-30 Music A hot gay rapper with a phat new album takes on the hip-hop estab- lishment—and Eminem; Liza Minnelli and Alan Camming discuss a holiday album benefiting AIDS sufferers and victims of the September ii attacks; reviews of new albums from Kittie. Kiki and Herb, Derrick Carter, and more. 32-36 Art+Design A lesbian artist makes distinctive sculptures of surprising body parts; one of the gay greats at Disneyland presents two new spectacles. 38 People hi tribute to tliose who died on September ii and over the past year. Out recognizes those who made a difference in gay and lesbian lives. ON 1HE COVER: PETER MIGE Ar<D RANDY HARRISON PHOTOGRAFHIED BY CHRIS CHAP»«AN FOR OUT: PHOTO Of FIREFIGHTER TOM RYAN COURTESY OF TOM RYAN' JOHN CAMERON MITCHELL AS HEDWIG BY S. GIRAUtVFINE LINE FEATURES. HEDI SLIMANE FROM NYT. REBECCA WALKER FROM AP/WlOE WORLD PHOTOS; MELISSA ETHERIDGE BY DAN WINTERS. MICHAEL STIPE BY STEPHEN OXENBURY/CORBIS OUTLINE: ANGELINA JOLIE BY VINCE BUCCI/GETTY. -
Congressional Record-House. 323
• 1903. CONGRESSIONAL RECORD-HOUSE. 323 Mr. McCOMAS introduced a bill (S. 1379) for repayment of HARBOR OF ST. PETERSBURG, FLA.. duty on anthracite coal, and for other purposes; which was read Mr. MALLORY submitted the following concurrent resolution; twice by its title, and refe1Ted to the Committee on Finance, which was referred to the Committee on Commerce. · He also introduced a bill (S. 1380) to provide for a site for a de Re~;olved by the Senate (the House of Rep1·esentatives concurl''ing), That the pot for the Revenue-Cutter Service; which was read twice by its Secretary of War be, and he is hereby, authorized and directed to cause a survey to be made of the harbor of St. Petersburg, on Tampa Bay, in Florida, title, and referred to the Committee on Commerce. with a view to securing an adequate basin at said point for loading and unload He also introduced a bill (S. 1381) for the relief of the heu·s of ing ocean-going vessels, with a channel roo feet in width and 24 feet in depth, John D. Clemson; which was read twice by its title, and referred from said basin to the main ship channel in Tampa Bay. to the Committee on Claims. TRE.!.TY OF 18i8 WITH NEW GRAN ADA. He also introduced a bill (S. 1382) to provide for the sale of lot :Mr. SPOONER submitted the following resolution; which was 4, square 1113. in the city of Washington, D. C.; which was read considered by unanimous consent, and agreed to: twice by its title, and referred to the Committee on the District Resolved, That the b·eaty of peace, amity, navigation, and commerce en of Columbia. -
BWTB Valentines LOVE Show 2016
1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
November 13, 1990 5 WHO YA GONNA CALL? I F~ Let's Face It--There Are a Lot Ofsickos from Around Here Who See the Claremont H1;
UJUYIIaSAL 8TVDI- 8ACK L.0Y TVUDAY NOV&M•a••,.. I I c Jr ...._ • I I Jl I Jl ~ ............................................... G fl'edS C{aremont ~ncli Mar~t featuring .... :Fresfi Qyafity Produce & Meat Budweiser Case .. $9.79 White Zinfandel .. $3.99 Large Eggs ... 99¢ Doz. Be 11 Brand Chips Twin Pack .... 89¢ • • • • • • • • COUPON • • • • • • • • • 1 WITH $25 PURCHASE OR MORE! 1 I I 1 Free $3 off 1 6-Pack of OR 6-Pack of Must 1 Coke Budweiser have 1 I l.o. I ~ ................... ~ LIQUOR in the Pepper Tree Square Shopping Center 364 South Indian Hill Blvd. (Corner of Arrow Hwy & Indian Hill Blvd. Claremont Ca. (714) 398-1082 We Accept Visa and Mastercard t:> Open Daily Q [7 AM- 8 PM ; Arrow Hlghway ~ I I PEPPERTREE SOl AAE CD J l Fri- Sat. t i 11 < !" 9 PM I I * I N .\ ~~ 0 ~.' T TH E C0 \' ER Pitzer Junior Bruce Sums pulls an olfie. Paoro COCITL.q> o; Till Omu Sll)l AICllll£5. The Other Side Ll;lJEBS A~ Rl44ingfiw Alkmative Peep~. au eswca mo x uw ...ex&J.tUJ&tt Editor erage that Tbe Otbtr Side does. Articles As for ·the shocked gasps of the Geri J. Patrick Henry Kill Your Television Smith Praises ranging from the campus interest pieces tol crew,• I would like to enlighten you Associate Editor on safety and AIDS awareness to the with the fact that many older people en· here is something I need to tell you about television. You might not David Glickman Editor's Remarks global commentary by Seth leibsohn gage in regular and perfecting satisfying know it, but television is really dangerous. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 9-27-1994 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1994). The George-Anne. 1324. https://digitalcommons.georgiasouthern.edu/george-anne/1324 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. " Wake up!i | Strategies p» At the movies Newspaper urges GSU to take Columnist gives credit to Eagle 'Timecop' criticized in first advantage of computer technology football coach Tim Stowers cinema review of the year Please see editorial, page 4A Please see "Between the Please see Arts and Lines," page 1B Entertainment, page 4B BLUE EDITION Tuesday, September 27,1994 / Vol. 66, No. 21 Morehouse College Georgia Southern George-AnjieUniversity's Official Student Newspaper statesboro. Georgia 30460 Founded 1927 president resigns in face of benefits questions The Associated Press Henry: we should link GSU once again ATLANTA — Morehouse College President Leroy Keith stepped down slowing enrollment on the eve of a trustees' meeting to classroom with campus By Stacy Jordan system is budgeted, there is discuss a report that he may have Staff Writer received thousands of dollars in unap- By Enoch W. Autry a two year [funding] lag, and proved benefits. Editor Returning students do not when we slow down enroll- ment, we have a better Keith resigned effective next Fri- A genuine opportunity to upgrade the qual- have to worry about fighting more students over parking chance of letting the re- day, insisting the report is "filled with ity of campus life and self-awareness is now spaces this year.