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Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Notification for the Posts of Gramin Dak Sevaks Cycle – Iii/2021-2022 Uttar Pradesh Circle
NOTIFICATION FOR THE POSTS OF GRAMIN DAK SEVAKS CYCLE – III/2021-2022 UTTAR PRADESH CIRCLE RECTT/GDS ONLINE ENGAGEMENT/CYCLE-III/UP/2021/8 Applications are invited by the respective engaging authorities as shown in the annexure ‘I’against each post, from eligible candidates for the selection and engagement to the following posts of Gramin Dak Sevaks. I. Job Profile:- (i) BRANCH POSTMASTER (BPM) The Job Profile of Branch Post Master will include managing affairs of Branch Post Office, India Posts Payments Bank ( IPPB) and ensuring uninterrupted counter operation during the prescribed working hours using the handheld device/Smartphone/laptop supplied by the Department. The overall management of postal facilities, maintenance of records, upkeep of handheld device/laptop/equipment ensuring online transactions, and marketing of Postal, India Post Payments Bank services and procurement of business in the villages or Gram Panchayats within the jurisdiction of the Branch Post Office should rest on the shoulders of Branch Postmasters. However, the work performed for IPPB will not be included in calculation of TRCA, since the same is being done on incentive basis.Branch Postmaster will be the team leader of the Branch Post Office and overall responsibility of smooth and timely functioning of Post Office including mail conveyance and mail delivery. He/she might be assisted by Assistant Branch Post Master of the same Branch Post Office. BPM will be required to do combined duties of ABPMs as and when ordered. He will also be required to do marketing, organizing melas, business procurement and any other work assigned by IPO/ASPO/SPOs/SSPOs/SRM/SSRM and other Supervising authorities. -
Ready Reckoner
READY RECKONER Of CENTRAL INTEGRATED PEST MANAGEMENT CENTRE, GORAKHPUR, UTTAR PRADESH भारत सरकार/ Government of India कृ ष एवं कसान कयाण मंालय / Ministry of Agriculture & Farmers Welfare कृ ष, सहकारता एवं कसानक याण वभाग/ Department of Agriculture, Cooperation & Farmers Welfare वनपत संरण, संगरोध एवं संह नदेशालय / Directorate of Plant Protection, Quarantine & Storage कय एककृ त नाशीजीवी बंधनके / Central Integrated Pest Management Centre "जैवक भवन", खजनी रोड, गोरखपुर, उर देश/ "Jaivik Bhavan", Khajani Road, Gorakhpur, Uttar Pradesh INDEX S. No. Description Page No. 1. Organogram 1 2. Officers Details and brief description of duties 2-6 3. Work Allocation to individual official & staff 7-11 4. Directorate of Plant Protection, Quarantine & Storage 12 5. Brief Note on Central IPM Centre, Gorakhpur 13 6. Objectives , Activities / Functions of CIPMC, GKP 14 7. Milestone achieved by Central IPM Centre, Gorakhpur 15-19 8. Priority areas i. Survey & surveillance work 20-21 ii. Bio-control activities 22 iii. Human Resource Development Programme a) Farmers Field School 23-45 b) Two Days Orientation Training Programme 46-47 c) Five Days Orientation Training Programme 48-49 d) Sesaon Long Training Programme 50 9. Other Activities- a) One day Awareness Program on Safe use of Pesticides 51 b) IPM Seva Kendra 52 c) Farm Gate Sampling-‘Monitoring of Pesticide Resides at 53 National Level’ d) Publication 54 10. Charter of duties and level of disposal 55-57 11. Statements of File 58 1. ORGANOGRAM Plant Protection Adviser Additional Plant Protection Adviser (IPM) Joint Director (PP) Joint Director (E) Joint Director (PP), RCIPMC Deputy Director, Officer in charge CIPMC, Gorakhpur (U.P) Technical Officers/Officials Administrative Staff Assistant Director (E) Upper Divisional Clerk (01) Plant Protection Officer (WS) Lower Divisional Clerk (01) Driver cum Mechanic (02) Scientific Assistant (03) Mechanic (01) Technical Assistant (02) Multi-Tasking Staff (3) Technical Officer (02) 1 READY RECKONER C.I.P.M.C., GORAKHPUR Officer/ Officials details Presently Working at CIPMC, Gorakhpur S. -
F:\Bunyad-July 2017\By Shahid\5 Saima Iram Bunyad
* . Grahame Bailey A History of Urdu Literature I have highlighted important trends and movements, which characterise the various phases of its development. . . . . . Early History . 1- Modern Indian Languages, 2- Western Hindi Dialects, 3- The Many Names of Urdu, 4- Literary Traditions, 5-Forms of Urdu Poetry 1- An Outline History of English Literature. (W. H. Hudson) 2- A Short History of English Literature. (E. Deguis) 3- A Short History of English Literature. (B. Ifor Evans) 4- A Short History of English Literature. (Deguis and Cazamian) . Earliest Writings (11th-16th Century) 1- Amir Khusrau, 2- Rekhtah, 3- Transfer of Tradition . Dakhani Urdu (14th-18th Century) 1- Official Language, 2- Earliest Dakhani Work, 3- Three Main Phases, 4- Sab-Ras, 5-In Gujarat, 6-Vali, 7- Post-Vali period, 8- Prose . . The Northern Scene (16th-17th Century) : 1- Braj Bhasha, 2- Rapprochement, 3- In Shahjahanabad, 4- Lexicons, 5- Afzal Jhanjhanavi A Golden Phase -
Travel, Travel Writing and the "Means to Victory" in Modern South Asia
Travel, Travel Writing and the "Means to Victory" in Modern South Asia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Majchrowicz, Daniel Joseph. 2015. Travel, Travel Writing and the "Means to Victory" in Modern South Asia. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467221 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Travel, Travel Writing and the "Means to Victory" in Modern South Asia A dissertation presented by Daniel Joseph Majchrowicz to The Department of NELC in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Near Eastern Language and Civilizations Harvard University Cambridge, Massachusetts May 2015 © 2015 Daniel Joseph Majchrowicz All rights reserved. Dissertation Advisor: Ali Asani Daniel Joseph Majchrowicz Travel, Travel Writing and the "Means to Victory" in Modern South Asia Abstract This dissertation is a history of the idea of travel in South Asia as it found expression in Urdu travel writing of the nineteenth and twentieth centuries. Though travel has always been integral to social life in South Asia, it was only during this period that it became an end in itself. The imagined virtues of travel hinged on two emergent beliefs: that travel was a requisite for inner growth, and that travel experience was transferable. -
National Council for Promotion of Urdu Language Ministry of Human
National Council for Promotion of Urdu Language Ministry of Human Resource Development Department of Higher Education, Government of India Farogh-e-Urdu Bhawan, FC-33/9, Institutional Area Jasola, New Delhi-110 025 SANCTION ORDER Consequent upon the recommendations of the Grant-In-Aid Committee in its meeting held on 24th August 2016 sanction is accorded to the Grant-in-Aid of Rs. 3,71,75,642/- (Rs. Three Crore Seventy One Lakhs Seventy Five Thousand Six Hundred Forty Two only) in favour of the following NGOs/ Organizations/Authors (amount indicated against each), for undertaking select Urdu Promotional activities for the current financial year 2016-2017. Proposals for Seminar/Conference/Workshop/Mushaira S. Name & Address of the NGO/VO/ Topic Sanctioned No Institutions Amount (in Rs) Bihar 1. Mr. Md. Izhar Hussain State Level 60,000/- Secretary Seminar Naaz Commercial Institute Hazrat Ameer Khusro ki Shakhsiyat At-Makhdumpur, Near Masjid, aur Unke Adabi Khidmaat صضـت اهیـ عنـّ کی ىغَیت اؿّ اى کی Dist. Jehanabad-804422, Bihar اػثی عؼهبت 9097351490 [email protected] 2. Mr. Md. Shah Alam National Level 1,25,000/- Secretary Seminar Maulana Waizul Haque Educational Urdu Fiction aur Qaumi Yakjehti اػؿّ فکيي اؿّ لْهی یکزہتی Trust At-Qazi Chak, P.O. Kurnowl, Muzaffarpur-843125, Bihar 9835896866 [email protected] 3. Ms. Farhat Jahan State Level 50,000/- Secretary Seminar Jan Kalyani Allama Iqbal ki Adabi Khidmaat ػﻻهہ الجبل کی اػثی عؼهبت House of Sri Chhote Lal Singh, Behind of Cooperative Bank Hisua, Post Hisua, Dist. Nawada, Bihar 9525414633, 8298517671 4. Ms. Rukhsana International Level 2,00,000/- Secretary Women Mushaira Aasra Bodhgaya Chhatta Masjid, Bari Road, Gaya-823001, Bihar 9835429989, [email protected] 5. -
District Census Handbook, Sant Kabir Nagar, Part XII-A & B, Vol-II, Series
CENSUS OF INDIA 2001 SERIES-10 UTTAR PRADESH DISTRICT CENSUS HANDBOOK Part - A & B SANT KABIR NAGAR VOLUME - II VILLAGE & TOWN DIRECTORY VILLAGE AND TOVVN 'WISE PRIMARY CENSUS ABSTRACT DIRECTORATE OF CENSUS OPERATIONS, UTTAR PRADESH LUCKNOW Contents Page Foreword XI Preface XIII Acknowledgement XIV VOLUME - I District Highlights - 2001 Census XVI Important Statistics in tl1e District XVII Ranking of Tahsils in the District XIX Statement-l Name of the headquarters of district/tahsil, their rural-urban status XX and distance from district headquarters, 2001. Staternent-2 Name of the headquarters of district/C D block their rural-urban status xx _r and distance from district headquarters, 2001. Statement-3 PopUlation of the district at each census from 1901 to 2001. XXI Statement-4 Area, number of villages/towns and popUlation in district and tahsil, 2001. XXII Statement-5 C D Blockwise number of villages and rural population~ 2001. XXIII Staternent-6 Population of Urban Agglomerations/towns, 2001. XXllI Statement-7 Villages with population of 5,000 and above at C D Block level as per i 2001 census and amenities available. XXIV Statement-8 Statutory towns with population less than 5000 as per 2001 census and amenities available. XXIV Statement-9 Houseless and Institutional population of tahsils, rural and urban, 2001 . XXV Analytical Note (i) History and scope of the District Census Handbook 2 (ii) Brief history of the district 2 (iii) Administrative set-up 5 .(iv) Physical features 7 (1) Location and size 7 (2) Physiography 7 (3) Drainage 8 (4) Climate 8 (5) Natural Economic Resources 8 (v) Census Concepts 15 (vi) Non-Census Concepts 23 (vii) 2001 Census findingS-Population, its distribution etc. -
Twentieth-Century Urdu Literature
Published in Handbook of Twentieth-Century Literatures of India, ed. by Nalini Natarajan, Greenwood Press, Westport, CT, 1996. TWENTIETH-CENTURY URDU LITERATURE1 Omar Qureshi This introductory summary, of the course of Urdu literature in the twentieth century must continuously refer back to the nineteenth. This becomes necessary because, depending on one’s point of view, it was Urdu’s destiny or misfortune to gradually become identified as the lingua franca of the Muslims of India in the latter half of the last century. Consequently, the still unresolved dilemmas of the politics of Muslim identity in South Asia are difficult to separate from their expression in and through the development of Urdu. For our purposes then, the most significant consequence of the failed rebellion of 1857 was the gradual emergence of group identity among the recently politically dispossessed and culturally disoriented Muslim elite of North India. This effort to define Indian Muslim nationhood in the new colonial environment placed issues of past, present and future identity at the center of elite Muslim concerns. Not only were these concerns expressed largely in Urdu, but the literary legacy of Urdu formed the terrain through and on which some of the more significant debates were conducted. The Muslim leadership that emerged after 1857 looked to this pre-colonial literary legacy as an authentic, but highly problematic repository of the Indian Muslim identity; and the Urdu language itself as the most effective medium for the renewal and reform of the Muslims of British India. As Muslim identity politics gathered strength in colonial India, and Urdu was turned into the print language of the emerging nation, discussions of an apparently purely literary nature became a veritable mirror of ideological and sociopolitical change among India’s Muslims. -
Communalism.Pdf
(Sugata Bose and Ayesha Jalal (eds.), Nationalism, Democracy and Development: State and Politics in India, Delhi: Oxford University Press, 1998-9) Exploding Communalism: The Politics of Muslim Identity in South Asia Ayesha Jalal Farewell O Hindustan, O autumnless garden We your homeless guests have stayed too long Laden though we are today with complaints The marks of your past favors are upon us still You treated strangers like relations We were guests but you made us the hosts .... You gave us wealth, government and dominion For which of your many kindnesses should we express gratitude But such hospitality is ultimately unsustainable All that you gave you kept in the end Well, one has a right to one's own property Take it from whoever you want, give it to whoever you will Pull out our tongues the very instant They forgetfully utter a word of complaint about this But the complaint is that what we brought with us That too you took away and turned us into beggars .... You've turned lions into lowly beings, O Hind Those who were Afghan hunters came here to become the hunted ones We had foreseen all these misfortunes When we came here leaving our country and friends We were convinced that adversity would befall us in time And we O Hind would be devoured by you .... So long as O Hindustan we were not called Hindi We had some graces which were not found in others 2 .... You've made our condition frightening We were fire O Hind, you've turned us into ash.1 Altaf Husain Hali (1837-1914) in his inimitable way captures the dilemma of Muslim identity as perceived by segments of the ashraf classes in nineteenth century northern India. -
TABOR-DISSERTATION-2014.Pdf
Copyright by Nathan Lee Marsh Tabor 2014 The Dissertation Committee for Nathan Lee Marsh Tabor Certifes that this is the approved version of the following dissertation: A Market for Speech Poetry Recitation in Late Mughal India, 1690-1810 Committee: Syed Akbar Hyder, Supervisor Kathryn Hansen Kamran Asdar Ali Gail Minault Katherine Butler Schofeld A Market for Speech Poetry Recitation in Late Mughal India, 1690-1810 by Nathan Lee Marsh Tabor, B.A.; M.Music. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfllment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Acknowledgments Dissertations owe their existence to a community of people who support their authors and the awkward acknowledgments section does little to give enough credit where it’s due. Nonetheless, I tip my hat to the myriad people who helped me. Fieldwork was a long process with strange turns. Fellow tea-drinkers and gossips in Muzafarnagar were witty, sagacious, hospitable, and challenging companions who helped me to chart this project albeit indirectly. Though my mufassal phase only gets a nod in the present work, Muzafarnagar-folks’ insights and values informed my understanding of Urdu literature’s early history and taught me what to look for while wading through compendiums. Now the next project will be better prepared to tell their complicated and intriguing stories. Had it not been for Syed Akbar Hyder, my advisor and guide, there would be no “speech market.” He knew me, my strengths, hopefully overlooked my shortcomings, and put me on a path perfectly hewn for my interests. -
Glimpses of Urdu Poetry : Selected Ghazals, Nazms, Humorous Poetry, Rubaies; Text, Translation and Transliteration / K
Contents Introduction (i) Ghazals 1. Mir Taqi Mir (1723-1810) 3 2. Insha Allah Khan Insha (1752-1818) 39 3. Bahadur Shah Zafar (1775-1862) 41 4. Sheikh Mohammed Ibrahim Zauq (1788-1855) 51 5. Asadullah Khan Ghalib (1797-1869) 59 6. Dagh Dehlvi (1831-1905) 125 7. Sir Mohammed Iqbal (1873-1938) 133 8. Fani Badayuni (1879-1941) 149 9. Brij Narain Chakbast (1882-1926) 159 10. Asghar Gondvi (1884-1936) 167 11. Jigar Moradabadi (1893-1960) 177 12. Raghupati Sahai Firaq (1896-1982) 191 13. Faiz Ahmed Faiz (1911-1984) 209 Nazms 14. Nazir Akbarabadi (1732-1830) (0 Annals of Man (AadmiNama) 215 (if) Old Age (Burhapa) 223 15. Babar Ali Anees (1804-1874) (i) The Burning Plain of Karbala (Garmi-e-Dasht-e-Karbala) 233 16. Ram Parshad Bismil (1867-1917) (i) Desire for Self-sacrifice (Sar Faroshi ki Tamanna) 239 (ii) For Long Had the Memory of Home (DoorTakYaad-e-WatanAaiThi...) 243 17. Sir Mohammed Iqbal (1873-1938) (i) Song of Hindustan (Tarana-e-Hindi) 247 (ii) Naya Shivala 249 (Hi) Saqi Naama 251 (iv) A Picture of Pain (Tasveer-e-Dard) 261 (v) The Edict of God (Farmaan-e-Khuda) 271 18. Tilok Chand Mehroom (1885-1966) (i)Tomb of Nur Jahan (Nur Jahan ka Mazaar) 273 19. Abu-Al-Asar Hafeez Jullundhary (1900-1982) (i) The Dancing Belle (Raqasa) 281 (ii) I am as yet rather Young (Abhi tau Main Jawan hoon) 291 20. Josh Malihabadi (1898-1982) (i) The Toiling Beauty (Husn aur Mazdoori) 297 21. Akhtar Sheerani (1905-1948) (i) Woman (Aurat) 303 22.