Conditions for Construction Tenant Construction Standards

Total Page:16

File Type:pdf, Size:1020Kb

Conditions for Construction Tenant Construction Standards BANK OF AMERICA PLAZA ATLANTA, GEORGIA Conditions for Construction and Tenant Construction Standards PUBLISHED FEBRUARY 20, 2020 SHORENSTEIN REALTY SERVICES, L.P. SHORENSTEIN BANK OF AMERICA PLAZA, ATLANTA TENANT CONSTRUCTION STANDARDS ..................................................................................... 3 ARCHITECT OR GENERAL CONTRACTOR FORM OF INDEMNITY/ INSURANCE LETTER ........... 133 CONSTRUCTION PROJECT CLOSEOUT CHECKLIST ........................................................ 188 LIEN RELEASE FORMS ........................................................................................................... 20 GENERAL BUILDING INFORMATION ..................................................................................... 21 PLANNING & DESIGN GUIDELINES ....................................................................................... 22 “GREEN” BUILDING CONSTRUCTION STANDARDS ............................................................ 25 HAZARDOUS MATERIALS ....................................................................................................... 29 GENERAL QUALITY REQUIREMENTS ................................................................................... 30 TEMPORARY FACILITIES AND CONTROLS .......................................................................... 32 METALS ..................................................................................................................................... 36 METAL FABRICATIONS ........................................................................................................ 36 WOOD AND PLASTICS ............................................................................................................ 38 ARCHITECTURAL WOODWORK ......................................................................................... 38 BUILDING INSULATION ........................................................................................................ 40 Thermal and Moisture Protection ............................................................................................... 41 PATCHING EXISTING FIREPROOFING .............................................................................. 41 FIRESTOPPING & JOINT SEALERS .................................................................................... 48 DOORS AND WINDOWS .......................................................................................................... 50 WOOD DOORS ...................................................................................................................... 50 STEEL DOORS AND FRAMES ............................................................................................. 51 INTERIOR ALUMINUM FRAMES .......................................................................................... 51 ACCESS DOORS AND PANELS .......................................................................................... 52 HARDWARE........................................................................................................................... 53 DOOR ASSEMBLIES ............................................................................................................. 54 GLAZING ................................................................................................................................... 56 FINISHES ................................................................................................................................... 58 GYPSUM BOARD ASSEMBLIES .......................................................................................... 58 ACOUSTICAL CEILINGS ........................................................................................................ 62 TILE ........................................................................................................................................ 65 RESILIENT TILE FLOORING ................................................................................................ 67 CARPET ................................................................................................................................. 68 VINYL WALL COVERING ...................................................................................................... 69 WALL FABRICS ..................................................................................................................... 70 PAINTS AND COATINGS ...................................................................................................... 71 Specialties .................................................................................................................................. 73 FIRE EXTINGUISHERS AND CABINETS ............................................................................. 73 Furnishings................................................................................................................................. 74 PERIMETER LOUVER BLINDS AND WINDOW COVERINGS ............................................ 74 SOLAR-CONTROL FILM (OPTIONAL) ................................................................................. 75 Special Construction .................................................................................................................. 77 ROOF ANTENNAS AND SATELLITE DISHES ..................................................................... 77 Conveying Systems ................................................................................................................... 78 ELEVATOR INFORMATION .................................................................................................. 78 Mechanical ................................................................................................................................. 79 FIRE PROTECTION ............................................................................................................... 79 PLUMBING ............................................................................................................................. 83 HVAC ...................................................................................................................................... 92 ELECTRICAL ........................................................................................................................... 111 Electrical ............................................................................................................................... 111 LIFE SAFETY SYSTEM ....................................................................................................... 131 6/1/2018 TABLE OF CONTENTS SHORENSTEIN BANK OF AMERICA PLAZA, ATLANTA TENANT CONSTRUCTION STANDARDS The following construction procedures, requirements, conditions and standards (these “Tenant Construction Standards) are applicable to the building referenced above (the “Building”, which term shall include any garage located in, under or adjacent to such building, the parcel(s) of land on which the building and/or garage are located, and any other improvements on such land, including any plaza areas). Any Vendor, subvendor, architect, designer, or consultant (“Vendor”) that performs any work or service in, upon or about the Building, and any tenant, subtenant, licensee or other occupant of the Building (“Tenant”) that shall engage any Vendor to perform any such work or service (the “work” or the “project”, which terms shall include, without limitation, alterations, additions, improvements, renovations, retrofits and other construction or construction related services), shall upon receipt of these Tenant Construction Standards be deemed to have agreed to the provisions hereof. Any breach of these Tenant Construction Standards shall be deemed a breach under Vendor’s agreement with the Building owner (“Landlord”) and/or a breach under Tenant’s lease or other occupancy agreement with Landlord, as the case may be. These Tenant Construction Standards shall be interpreted to the maximum extent possible consistent with the terms of Tenant’s lease, license, or other occupancy agreement with Landlord (“Lease”, which term shall include Landlord’s written Consent to Sublease, in the case of a subtenant), but in the case of any irreconcilable conflict between the Lease and these Tenant Construction Standards, the provisions of the Lease shall control. These Tenant Construction Standards shall be interpreted to the maximum extent possible consistent with the terms of Vendors construction contract, service agreement or work order with Landlord (“Vendor Contract”), but in the case of any irreconcilable conflict between the Construction Contract and these Tenant Construction Standards, the provisions of these Tenant Construction Standards shall control. Shorenstein Realty Services, L.P. or Shorenstein Realty Services East LLC for New York City properties (“SRS”) is Landlord’s agent for purposes of these Tenant Construction Standards, and all rights and remedies of Landlord hereunder may be exercised by Landlord through SRS as Landlord’s agent. A. Field verification is required for all scopes of work. Vendor to verify field conditions including, but not limited to any sound/noise and electrical/harmonic conditions throughout leased premises in regards to design/location of offices, quiet rooms, conference room, etc. 6/1/2018 Page 3 of 140 TENANT CONSTRUCTION STANDARDS SHORENSTEIN BANK OF AMERICA PLAZA, ATLANTA B. Any building engineering, security, elevator, dumpster or maintenance costs related to the project shall be the joint responsibility
Recommended publications
  • Disco Top 15 Histories
    10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
    [Show full text]
  • As One of Nola Blue Records' Newest Signings, Clarence Spady Is
    As one of Nola Blue Records’ newest signings, Clarence Spady is thoroughly motivated when it comes to his career. “Here we are in the saddle,” says the veteran blues guitarist. “I’ve got both hands on the reins right now. So I don’t plan on letting go.” Excellent news for contemporary blues fans who are well aware of Spady’s acclaimed 1996 album Nature of the Beast and his equally impressive 2008 followup Just Between Us. Clarence’s musical career has weathered its share of peaks and val- leys, but playing his singularly funky brand of impassioned, electrifying blues—a talent that has taken him all over the world—dominates his time these days as he writes great new material and prepares to record it. By any standard, Clarence embarked on his musical odyssey at an uncommonly tender age. Born in Paterson, New Jersey, Spady began playing guitar when he was only five years old (his family moved a couple of hours west to Scranton, PA during this period, a town Spady lives in today). Clarence’s musical exploits commenced due to encouragement from two guitarists in his immediate family, his father (also named Clarence) and his Uncle Fletchey. “He was a very good blues guitarist, the likes of Otis Rush or Booba Barnes,” Spady says of his uncle. “He had that nasty, raw feel. He was from North Carolina origi- nally. And he could sing. “When I was five, we were sitting at my Uncle Fletchey’s. He had a blues jam every weekend. And I would sit on my dad’s left knee while he was playing, looking at his hand.
    [Show full text]
  • Big Blast & the Party Masters
    BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat.
    [Show full text]
  • Artists in Transition
    Updates New On The Charts This Month Artists In Transition This is a listing of ARTISTS that previously recorded for a major company, and that are now looking for a new situation. This ‘new situation’ may be more than just another record deal, making other interested parties (ad agencies, film& TV music supervisors, mobile distributors, etc.) aware of their availability. Roy Ayers Randy Muller Formerly: Polydor, then Columbia, Ichiban- World famous jazz vibraphonist now open to Formerly: United Artists, Capitol, Salsoul- Producer/Songwriter/Arranger/Keyboardist of new situation Brass Construction, Skyy, Cameron, BT Express, etc. - Now with new Urban Funky Smooth Contact: Kendall A. Minter, Esq.- Minter & Assoc’s. 5398 E. Mountain St. Stone Mountain Jazz album just completed and open to new situation GA 30083-3079 (770)879-7400FAX:(770)879-5695 e-mail: [email protected] Contact: Randy Muller- Plaza Records 244 Fifth Ave. #2050 NYC NY 10001 Steve Azar (914)345-0555FAX:(914)592-4032 e-mail: [email protected] Formerly: Polygram, then Mercury- Successful Nashville artist who crossed over to Top 40 Louise ‘Angel’ Sabater with his hit single “Waitin’ On Joe” - now open to new situations Formerly: Hola/WB- Formerly of The Cover Girls then worked as a solo artist, now doing Contact: Joe Serling, Esq.- Serling Rooks & Ferrara 119 Fifth Ave. 3rd Fl. New York NY Rock-Dance-Freestyle 10003 (212)245-7300FAX:(212)586-5175 e-mail: [email protected] Contact: Latif- La’ Entertainment P.O. Box 701, Radio City Station NYC NY 10019 The Family Stand (718)893-7179FAX:(718)893-0688 e-mail: [email protected] Formerly: Atlantic, then East West- R&B group that enjoyed success with “Ghetto Heaven” Sounds Of Blackness and “Promise Of A New Day”(Written by Paula Abdul) are still together, touring and have Formerly: Perspective then SLR/Lightyear- Grammy award winning Gospel choir and new deals in Benelux and Japan for their latest CD - open to other situations orchestra Contact: Abbe Rosenfeld- 1233 E 31 St.
    [Show full text]
  • White's Funeral Home
    404 E. Foothill Blvd., Azusa, CA 91702 (626) 334-2921 www.whitesfuneralhome.com G E N E R A L P R I C E L I S T These prices are effective August 30, 2019 and are subject to change without notice. Our Guarantee of Excellence We the Staff at White’s Funeral Home are committed in helping you to create an individualized tribute to your loved one. We are privileged to be of service to your family. We believe that trust is built on a relationship of openness and honesty. To ensure that your needs are met, please know that we will answer all of your questions in a clear and understandable manner. We will clearly and openly explain our prices and payment methods. Methods of Payment Cash or Check; Credit Cards: Visa, MasterCard, Discover, American Express; Insurance Policies. Full payment is required 24 Hours prior to services rendered. GENERAL PRICE LIST These prices are effective August 30, 2019 and are subject to change without notice. The goods and services shown below are those we provide to our customers. You may choose only those items you desire. You may require additional items based on your specific needs or circumstances. However, any funeral arrangements you select will include a charge for our basic services and overhead described under Professional Services. If legal or other requirements mean you must buy any items you did not specifically ask for, we will explain the reason in writing on the statement we provide describing the funeral goods and services you selected. Prior to drafting any contract for goods or services, the responsible party or the decedent’s survivor who is handling the funeral arrangements is entitled to receive a copy of any preneed agreement in the possession of the funeral establishment that has been signed and paid for, in full or in part, by or on behalf of the decedent.
    [Show full text]
  • The Five Star Band Song List
    CURRENT & LEGENDARY DANCE HITS! 5 Seconds of Summer Iggy Azalea Katy Perry › She Looks So Perfect ›I'm So Fancy › Dark Horse › Roar Ariana Grande Jessie J › Problem (feat. Iggy Azalea) › Bang Bang(Ariana Grande, Nicki Minaj) Ne-Yo › Break Free › She Knows (feat. Juicy J) › One Last Time Justin Timberlake Aviici › Can't Stop the Feeling Pharrell › Wake Me Up › Happy Lil' Jon Z & DJ Snake Bruno Mars > Turn Down for What Pitbull › 24K Magic › Time of Our Lives (feat. Ne-Yo) › Finesse Lorde › Timber (feat. Ke$ha) › That's What I Like › Royals › Don't Stop This Party Luis Fonsi/Daddy Yankee/ Bieber › Despacito Capital Cities › Safe and Sound The Chainsmokers & Coldplay › Something Just Like This Charlie Puth › Attention Macklemore and Ryan Lewis Rude › Can't Hold Us › Magic! Ed Sheeran › Castle on the Hill Maroon 5 Sam Smith › Shape of You › Sugar › Stay With Me › Thinking Out Loud › Animals Ellie Goulding Taylor Swift › Burn Mark Ronson › Shake It Off › Uptown Funk (feat. Bruno Mars) › Blank Space Fall Out Boy › Centuries Meghan Trainor The Weeknd › All About That Bass › Can't Feel My Face Camila Cabello › Blank Space › Havava › Lips Are Movin Usher › I Don’t' Mind J Lo Nicki Minaj › Dance Again (feat. Pitbull) >Anaconda Walk The Moon › On the Floor >Starships › Shut Up and Dance with Me John Legend › All of Me A Taste of Honey Doobie Brothers Morris Day & the Time › Boogie Oogie Oogie › Long Train Runnin' › The Bird › Jungle Love Earth, Wind & Fire Adele › Let's Groove › Rolling in the Deep › September Natalie Cole › Someone Like You › Boogie
    [Show full text]
  • Brass Construction Conversations Mp3, Flac, Wma
    Brass Construction Conversations mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Conversations Country: US Released: 1983 Style: Funk, Disco MP3 version RAR size: 1564 mb FLAC version RAR size: 1600 mb WMA version RAR size: 1582 mb Rating: 4.9 Votes: 266 Other Formats: VQF DMF AA XM MP4 DXD TTA Tracklist Hide Credits We Can Work It Out A1 5:12 Written-By – Randy Muller Walkin' The Line A2 5:01 Written-By – Randy Muller Physical Attraction A3 5:14 Written-By – Randy Muller Easy A4 3:46 Written-By – Randy Muller Breakdown B1 4:38 Written-By – Randy Muller I Do Love You B2 5:20 Written-By – Randy Muller It's A Shame B3 4:50 Written-By – J. Wong*, M. Grudge* No Communication B4 4:05 Written-By – L. Payton*, R. Muller* Companies, etc. Manufactured By – Capitol Records, Inc. Phonographic Copyright (p) – Capitol Records, Inc. Copyright (c) – Capitol Records, Inc. Published By – One To One Music Recorded At – Blank Tape Studios Credits Artwork – Jim O'Connell Engineer – John Bradley Mastered By – Dennis King Mixed By – John Bradley, Randy Muller Performer [Help] – Diane Alexander, Elliot Rosoff, Spice Strings, The*, Lois Tate, Mike Jones*, Norman Hedman, Ron Thomas , The Skyy Gang*, Smith Cox Photography By – Marlis Momber Producer, Arranged By, Mixed By – Randy Muller Notes Produced & Arranged for the Muller Organisation ℗ 1983 Capitol Records, Inc. © 1983 Capitol Records, Inc. Printed in U.S.A. Recorded at Blank Tape Studios, New York, N.Y. Barcode and Other Identifiers Barcode: 0 7777-12268-4 Rights Society:
    [Show full text]
  • BIG SWING & the BALLROOM BLASTERS 2021 Song List
    BIG SWING & THE BALLROOM BLASTERS 2021 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● Meghan Trainor - All About That Bass, Lips Are is Love, Come Together, Birthday, In My Life, I Movin Will ● Ariana Grande - Problem (feat. Iggy Azalea), ● Beyoncé & Destiny's Child - Crazy in Love, Déjà Break Free Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Mark Ronson - Uptown Funk (feat. Bruno Single Ladies(Put a Ring On it) Mars) ● Black Eyed Peas - Let's Get it Started, Boom ● Ne-Yo - She Knows (feat. Juicy J) Boom Pow, Hey Mama, Imma Be, I Gotta Feeling ● Capital Cities - Safe and Sound ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ed Sheeran - Sing(feat. Pharrell Williams), Is You Love Thinking Out Loud ● Bill Withers - Use Me, Lovely Day ● Ellie Goulding - Burn ● The Blues Brothers - Everybody Needs ● Fall Out Boy - Centuries Somebody, Minnie the Moocher, Jailhouse Rock, ● J Lo - Dance Again (feat. Pitbull), On the Floor Sweet Home Chicago, Gimme Some Lovin' ● Iggy Azalea - I'm So Fancy ● Bobby Brown - My Prerogative ● Katy Perry - Dark Horse, Roar ● Brass Construction - L-O-V-E - U ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● The Brothers Johnson - Stomp! ● Pharrell - Happy ● Brittany Spears - Slave 4 U, Till the World Ends, ● Lil' Jon Z & DJ Snake - Turn Down for What Hit Me Baby One More Time
    [Show full text]
  • The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
    The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie .
    [Show full text]
  • MUSIC WEEK JULY 21, 1984 Edited by BARRY LAZELL
    MUSIC WEEK JULY 21, 1984 Edited by BARRY LAZELL Electro ijanacttL The Frankie factor undoing with pans of the specialist lore of PHIL FEARON with Galaxy, no stranger Prince's imminent album, the audience, even though the record sits not A LIST to the top of the disco/dance chart, soundtrack from Purple Rain, should at all uncomfortably alongside similarly BAND OF GOLD; Love Songs Are seems almost certain to be sitting there however be packed with dancefloor chunky sounds such as Change's Change Back Again RCA again soon, as Everybody's Laughing winners if US reviews are to be believed Of Heart. Again, the forthcoming album. the jungle BRASS CONSTRUCTION: The leaps onto this week's listing at number - it can only help WEA's current hot Victory, surely can't help but be an Partyline Capitol two. Its sales still have some way to go to streak. across-the-board smash. The first-week DETROIT SPINNERS; Love Is In catch those of Ollie & Jerry, whose The fact that State Of Shock sounds THE ODDEST story of the week concerns Season Atlantic Polydor single is far and away the biggest more like a Rolling Stones single than a shipout in the US was a staggering 2m the first release on Jungle Rhythm, a PHIL FEARON & GALAXY: Every- seller in specialist shops at the moment. Jacksons release might have proved its plus .... label which describes itself as "a body's Laughing Ensign/Island Readers who wonder why Two Tribes travelogue of music, specialising in JAKI GRAHAM; Heaven Knows is not occupying this spot, considering its electro and beatboxing from all urban and (Feels So Good) EMI gigantic sales across the country, must uncharted centres of the Earth." POINTER SISTERS: Jump (For My realise that because the Frankie single is The release is a 12-inch EP containing Love) Planet so huge, specialist black or dance- four variations of a beatbox dance track SHAKATAK: Down On The Street orientated shops are only handling a by Four Corners Of The Earth, entitled Polydor fraction of the demand for it.
    [Show full text]
  • Albumreviews
    ALBUMREVIEWS ALL THIS AND WORLD WAR II — Various Artists — 20th Cen- PIPE DREAMS — Gladys Knight And The Pips— Buddah BDS tury 2T-522 — Producer: Lou Reizner — List: 12.98 * 5676 ST — Producers: Bubba Knight, Dominic Frontiere, They’re all here, singing some of our favorite Beatle songs, Michael Masser — List: 6.98 backed by the London Symphony Orchestra and the Royal $ > The soundtrack from the movie of the same name, Philharmonic Orchestra: Elton John, Keith Moon, The Four jr “Pipelines” presents an interesting side of Gladys Knight. Seasons, the Brothers Johnson, Rod Stewart and more. (Prob- There’s the current single in here, “So Sad The Song,” an ably these artists, with their own recordings, account for an as- aching ballad which is certainly not representative of Knight’s tounding share of total chart action.) With symphonic back- career to date, yet works well to create a mood. Other cuts are grounds these tunes are striking, appealing all over again. With more upbeat here. With the movie tie-in, this should be a the tie-in to the movie of the same name, this just might outsell fit* JL serious seller — plus her many fans are eager for new product. the “Tommy” LP of a few years back. This is quality that should satisfy. SOMETHING SPECIAL — The Sylvers — Capitol ST 11580 — BIG BEAT — Sparks — Columbia PC 34359 — Producer: Producer: Freddie Perren — List: 6.98 Rupert Holmes — List: 6.98 This new Sylvers LP reflects considerable maturation in Sparks is back with a solid and accessible LP. The pace is terms of recording: the arrangements (particularly the vocal much less frantic; still, the sound is ultimately distinctive.
    [Show full text]
  • Who Got Da Funk? an Etymophony of Funk from the 1950S to 1979
    i Université de Montréal Who Got Da Funk? An Etymophony of Funk music from the 1950s to 1979. par Robert Davis Faculté de musique Thèse présentée à la faculté des études supérieures eu vue de l’obtention du grade de Philosophiae Doctor (Ph.D) en Musicologie. Décembre 31, 2005. © Robert Davis, 2005 ii Université de Montréal Faculté des études supérieures Cette thèse intitulée : Who Got da Funk? An Etymphony of Funk from the 1950s to 1979 presénté par Robert Davis a été évaluée par un jury composé des personnes suivantes: …………………………………….………….. …………………………………….………….. …………………………………….………….. …………………………………….………….. Thése acceptée le: …………………………………………… i Abstract The codification of music into categories of style or genre is an activity that fans, musicians, journalists, producers and academics engage in on a daily basis. Over the years a significant body of literature has been created theorising genre formations. While we are able to identify, understand and problematize general terms such as rock, jazz, funk, disco and metal, there has been relatively little musicological discourse to investigate the musical basis for this vocabulary. The consequence of the lack of musicological discourse is that genre formations are often created around personality, politics, fashion or socio-cultural activity rather than the sonic experience. Existing musicological discourse on genre suggests a hierarchical approach has developed which privileges writing on jazz and rock leaving ‘minor’ genres such as funk relatively ignored. The aim of this thesis is to present an etymophony of funk which traces the development of the genre through an investigation of the sonic text. To facilitate the discussion I have created a conceptual framework for understanding the process of genre formation.
    [Show full text]