DOCSLIB.ORG

Dance Music 1970'S.Qxd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dance Music 1970'S.Qxd FORTUNE 500 DISCOTHEQUE SONGS OF THE 70’S 1. SHAME - Evelyn “Champagne” King (RCA) 77,78 63. ENOUGH IS ENOUGH - Barbara Streisand & Donna Summer (Casablanca) 79 2. LE FREAK - Chic (Atlantic) 78-79 64. SWEARIN’ TO GOD - Frankie Valli (P. Stock) 75 3. TRY ME I KNOW WE CAN MAKE IT - Donna Summer (Oasis) 76 65. MAC ARTHUR PARK/HEAVEN KNOWS - Donna Summer (Casablanca) 79 4. SAN FRANCISCO/HOLLYWOOD-Village People (Casablanca) 77 66. IT’S A SHAME - Spinners (V.I.P.) 70 5. HONEY BEE/NEVER CAN SAY GOODBYE/REACH OUT - Gloria Gaynor (MGM) 75 67. SOUL MAKOSSA - Manu DeBango (Atlantic) 73 6. BOOGIE OOOGIE OOOGIE - Taste of Honey (Capitol) 78 68. RING MY BELL/DON’T DROP MY LOVE - Anita Ward (TK) 79 7. I FOUND LOVE - Love & Kisses (Casablanca) 77 69. DANCE, DANCE, DANCE - Chic (Atlantic) 77 8. I WILL SURVIVE - Gloria Gaynor (Polydor) 78,79 70. TURN THE BEAT AROUND - Vickie Sue Robinson (RCA) 76 9. LOVE HANGOVER - Diana Ross (Motown) 76 71. LADY MARMALADE - LaBelle (Epic) 75 10. DISCO INFERNO/HAPPY PEOPLE GO - Trammps (Atlantic) 77,76 72. DO YOU THINK I’M SEXY - Rod Stewart (W.B.) 79 11. DON’T LEAVE ME THIS WAY - Thelma Houston (Tamla) 76 73. BRAZIL - Ritchie Family (20th Century) 75 12. BORN TO BE ALIVE - Patrick Hernandez (Columbia) 79 74. ROCK YOUR BABY - George McCrae (TK) 74 13. I’LL ALWAYS LOVE MY MAMA - Intruders (Gamble) 73 75. I’LL BAKE ME A MAN - Barbra Aklin (Bruns.) 73 14. MIGHTY REAL/DANCE (DISCO HEAT) - Sylvester (Fant) 78 76. GOT TO GET YOU BACK - Sons of Robin Stone (Atco) 75 15. DATE WITH THE RAIN/GIRL YOU NEED A CHANGE - Eddie Kendricks (Tamla) 72 77. SHAKE YOUR BODY (DOWN TO THE GROUND) - Jacksons (Epic) 79 16. CONTACT - Edwin Starr (20th Century) 79 78. HIT AND RUN - Loleatta Holloway (G. Mind) 77 17. THIS TIME BABY - Jackie Moore (Columbia) 79 79. DREAMING A DREAM/EVERY BEAT - Crown Heights (De-Lite) 75 18. DEVIL’S GUN - C. .J. & Co. (West Bound) 77 80. HEAVEN MUST HAVE SENT YOU - Bonnie Pointer (Motown) 79 19. LAST DANCE - Donna Summer (Casablanca) 78 81. MORE MORE MORE - Andrea True Connection (Bud) 76 20. WOMAN/WILD SAFARI - Barrabas (RCA) 73 82. LOVE IN C MINOR - Cerrone (Cotillion) 77 21. MACHO MAN - Village People (Casablanca) 78 83. RUNAWAY LOVE/IF MY FRIENDS - Linda Clifford (Curt) 78 22. WHERE DO WE GO FROM HERE - Trammps (G. Fleece) 75 84. DANCE WITH ME/DO YOU WANNA GET FUNKY - Peter Brown (TK) 78,77 23. LET’S ALL CHANT - Michael Zager (P. Stock) 78 85. I AM SOMEBODY/I’LL GO - Jimmy James (Pye) 75 24. ASK ME/GOOD THINGS DON’T LAST - Ecstasy, Passion & Pain (Roul) 74 86. SHAKE YOUR GROOVE THING/REUNITED - Peaches & Herb (Polydor) 79 25. STAYIN’ ALIVE/NIGHT FEVER - Bee Gees (RSO) 78 87. PEACE AND LOVE - Ron Butler & Ramblers (Play Boy) 75 26. THE LOVE I LOST - Harold Melvin & Blue Notes (Philly Int.) 73 88. I’VE GOT THE NEXT DANCE - Deniece Willams (Columbia) 79 27. LA LA PEACE SONG - O. C. Smith (Columbia) 73 89. HEY GIRL COME AND GET IT - Stylistics (Avco) 75 28. HOT STUFF/BAD GIRLS - Donna Summer (Casablanca) 79 90. GET DANCIN’ - Disco Tex & Sex-o-lettes (Chel) 75 29. COME TO ME/DON’T STOP DANCING - France Joli (Prelude) 79 91. HOLLYWOOD SWINGING - Kool & the Gang (De-Lite) 75 30. DOWN TO LOVE TOWN - Originals (Motown) 77 92. YOU SHOULD BE DANCING - Bee Gees (RSO) 76 31. BAD LUCK - Harold Melvin & Blue Notes (Philly Int.) 75 93. STAR WARS - Meco (Mill) 77 32. I FEEL LOVE - Donna Summer (Casablanca) 77 94. POP MUZIK - M (Sire) 79 33. SUGAR PIE GUY/HEY BABE - Jones’s (Mercury) 74 95. MAGIC BIRD OF FIRE/RUNAWAY - Salsoul Orchestra (Salsoul) 77 34. I LOVE MUSIC - O’Jays (Philly Int.) 75 96. KNOCK ON WOOD - Amii Stewart (Ariola) 79 35. FIRST,LAST, MY EVERYTHING/CAN’T GET ENOUGH - Barry White (20th Century) 74 97. MAKES YOU BLIND - Glitter Band (Arista) 76 36. 10%/MY LOVE IS FREE - Double Exposure (Salsoul) 76 98. GOOD TIMES - Chic (Atlantic) 79 37. ZING WENT THE STRINGS OF MY HEART - Trammps (Bud) 72 99. DO IT ANY WAY YOU WANNA - Peoples Choice (TSOP) 75 38. THE HUSTLE - Van McCoy (Avco) 75 100. HAPPINESS IS JUST AROUND THE BEND - Main Ingredient (RCA) 74 39. SEX MACHINE/GIVE IT UP TURN IT LOOSE - James Brown (King) 70 101. I DON’T WANNA LOSE YOUR LOVE - Emotions (Columbia) 76 40. T.S.O.P./LOVE IS THE MESSAGE - MFSB (Philly Int.) 74 102. CHEREZ LA FEMME/SOUR & SWEET - Dr. Buzzard’s Savannah Band (RCA) 76 41. WHEN THE LOVE FUEL OUT - Executive Suite (Babylon) 73 103. GIRLS - Moments & Whatnauts (All Plat) 75 42. DO WHAT YOU WANNA DO - T-Connection (TK) 77 104. DON’T LET ME BE MISUNDERSTOOD - Santa Esmeralda (Casablanca) 77 43. UNDER THE INFLUENCE/LOVES THEME - Love Unlimited Orchestra (20th Century) 73 105. INSTANT REPLAY/COUNT DOWN - Dan Hartman (B. Sky) 78 44. LOVE TRAIN - O’Jays (Philly Int.) 73 106. THE BOTTLE - Gil Scott Heron (Strata East) 74 45. HOT SHOT - Karen Young (West End) 78 107. AIN’T NO STOPPIN’ US NOW - McFadden & Vvhitehead (Philly Int.) 79 46. BLACK SKIN BLUE-EYED BOYS - Equals (Shout) 71 108. HARMONY - Suzi Lane (Elektra) 79 47. LIFE AND DEATH IN G & A - Abaco Dream (A&M) 69 109. I LOVE YOU/RUMOR HAS IT - Donna Summer (Casablanca) 77 48. SULTANA/RAIN 2,000 - Titanic (Epic) 71, 74 110. WE ARE FAMILY/GREATEST DANCER - Sister Sledge (Cotillion) 79 49. THINK (ABOUT IT) - Lyn Collins (People) 72 111. DOCTOR LOVE - First Choice (G. Mind) 77 50. ROCK THE BOAT - Hues Corporation (RCA) 74 112. CHRISTMAS MEDLEY - Salsoul Orchestra (Salsoul) 77 51. IN THE BUSH/KEEP JUMPING - Musique (Prelude) 78 113. H.A.P.P.Y. RADIO - Edwin Starr (20th. Century) 79 52. GET DOWN TONIGHT/THAT’S THE WAY - K.C. & Sunshine Band (TK) 75 114. EAST TO WEST/LADY AMERICA - Voyage (TK) 78 53. DON’T STOP TILL YOU GET ENOUGH/ROCK WITH WITH ME - Michael Jackson (Epic) 79 115. HEAVEN/DON’T TAKE AWAY THE MUSIC - Tavares (Capitol) 76 54. WE’RE ON THE RIGHT TRACK - Ultra High Frequency (Wand) 73 116. ROMEO & JULIET - Alec R. Costandinos (Casablanca) 78 55. LOVE TO LOVE YOU BABY - Donna Summer (Oasis) 75 117. COME INTO MY HEART/LOVES COMING - USA-European (TK) 78 56. FLY ROBIN FLY/SAVE ME - Silver Convention (Midsong) 75 118. LADIES NIght - Kool & The Gang (De-Lite) 79 57. THERE BUT FOR THE GRACE OF GOD - Machine (RCA) 79 119. NATIVE NEW YORKER - Odyssey (RCA) 77 58. WHERE THERE IS LOVE/ONCE MORE WITH FEELING - Whispers (Janus) 74 120. MIGHTY HIGH/MIGHTY CLOUDS - Mighty Clouds of Joy (ABC) 76, 74 59. IT ONLY TAKES A MINUTE - Tavares (Capitol) 75 121. BROTHERS GONNA WORK IT OUT - Willie Hutch (Motown) 73 60. I CAN UNDERSTAND IT - New Birth (RCA) 73 122. FREE MAN/RIGHT TRACK - South Shore Commission (Wand) 75 61. DIRTY OLD MAN - 3 Degrees (Philly Int.) 75 123. LITTLE BIT OF LOVE - Brenda & the Tabulations (Epic) 72 62. I DON’T LOVE YOU/YOU CAN’T HIDE - Teddy Pendergrass (Philly Int.) 77 124. 4 SEASONS OF LOVE - Donna Summer (Casablanca) 76 THE DISC-O-LA FORTUNE 500 DISCOTHEQUE SONGS OF THE 70’S WAS COMPILED BY ED ROTHSCHILD WITH THE ASSISTANCE OF JOHNNY TRIPP AND CHIPPER MC KEARNIN (MAXIMUS, NEW CITY, N.Y.) DISC-O-LA USA, 35-13 LENOX DRIVE, FAIR LAWN, N.J. 07410, (201) 796-5119 FORTUNE 500 DISCOTHEQUE SONGS OF THE 70’S 125. DO IT TILL YOU’RE SATISFIED/EXPRESS/PEACE PIPE - B.T. Express (R. Show) 74, 75 188. LOVIN’ IS REALLY MY GAME - Brainstorm (Tabu) 77 126. DOING IT TO DEATH - J.B.’s (People) 73 189. ANOTHER STAR/ISN’T SHE LOVELY/SIR DUKE - Steve Wonder (Tamla) 76 127. GET ON THE FUNK TRAIN - Munich Machine (Casa) 77 190. WHERE IS THE LOVE - Betty Wright (Alston) 75 128. HONEY PLEASE - Barry White (20th Cent) 75 191. I NEED A MAN/LA VIEN ROSE - Grace Jones (Beam Junc.) 129. GIVE ME LOVE/SUPER NATURE - Cerrone (Cot) 77 192. DISCO NIGHTS (Rock Freak) - G.Q. (Arista) 79 130. I BELIEVE IN MIRACLES - Jackson Sisters (Prophesy) 73 193. I GOTTA KEEP DANCING - Carrie Lucas (S. Train) 77 131. UPTOWN FESTIVAL - Shalimar (S. Train) 77 194. TANGERINE/RIGHT SIZE/SALSOUL HUSTLE - Salsoul Orch. (Sal) 75 132. IT’S A NEW DAY - James Brown (King) 70 195. ROUGH DIAMOND - Madleen Kane (WB) 78 133. RISKY CHANGES - Bionic Boogie (Poly) 78 196. IT’S BETTER THAN WALKING OUT - Marlena Shaw (B. Note) 76 134. YEAR OF DECISION/WHEN WILL I SEE YOU - 3 Degrees (Phil. Int) 74 197. VERTIGO/RELIGHT MY FIRE - Dan Hartman (B. Sky) 79 135. MY MISTAKE WAS TO LOVE YOU - D. Ross & M. Gaye (Mot) 74 198. LET’S START THE. DANCE - Bohannon (Merc) 78 136. KEEP ON DANCING/DO IT AT THE DISCO - Gary’s Gang (Col) 79 199. DOCTOR’S ORDERS - Carol Douglas (Midsong) 74 137. WHERE ARE ALL MY FRIENDS - Harold Melvin & Blue Notes (Phil. Int.) 74 200. GOT MY MIND MADE UP - Instant Funk (Sal) 79 138. THE BOSS/NO ONE GETS THE PRIZE - Diana Ross (Mot) 79 201. HAVEN’T STOPPED DANCING - Gonzalez (Cap) 79 139. YOU AND I - Rick James (Mot) 78 202. I GOT IT - Gloria Spencer (Jay Walk) 72 140. THAT LADY - Isley Bros. (T-Neck) 73 203. HOT PANTS I’M COMING - Bobby Byrd (Brown Stone) 71 141.
Load more

Recommended publications
  • Online Versions of the Handouts Have Color Images & Hot Urls September
    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
    [Show full text]
  • THE PRESS in CROWN HEIGHTS by Carol B. Conaway
    FRAMING IDENTITY : THE PRESS IN CROWN HEIGHTS by Carol B. Conaway The Joan Shorenstein Center PRESS ■ POLI TICS Research Paper R-16 November 1996 ■ PUBLIC POLICY ■ Harvard University John F. Kennedy School of Government FRAMING IDENTITY: THE PRESS IN CROWN HEIGHTS Prologue 1 On the evening of August 19, 1991, the Grand Bystanders quickly formed a crowd around the Rebbe of the Chabad Lubavitch was returning car with the three Lubavitcher men, and several from his weekly visit to the cemetery. Each among them attempted to pull the car off of the week Rabbi Menachem Schneerson, leader of the Cato children and extricate them. Lifsh tried to worldwide community of Lubavitch Hasidic help, but he was attacked by the crowd, consist- Jews, visited the graves of his wife and his ing predominately of the Caribbean- and Afri- father-in-law, the former Grand Rebbe. The car can-Americans who lived on the street. One of he was in headed for the international headquar- the Mercury’s riders tried to call 911 on a ters of the Lubavitchers on Eastern Parkway in portable phone, but he said that the crowd Crown Heights, a neighborhood in the heart of attacked him before he could complete the call. Brooklyn, New York. As usual, the car carrying He was rescued by an unidentified bystander. the Rebbe was preceded by an unmarked car At 8:22 PM two police officers from the 71st from the 71st Precinct of the New York City Precinct were dispatched to the scene of the Police Department. The third and final car in accident.
    [Show full text]
  • Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
    Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT.
    [Show full text]
  • Disco Top 15 Histories
    10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
    [Show full text]
  • Print Complete Desire Full Song List
    R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C.
    [Show full text]
  • Discourse on Disco
    Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture.
    [Show full text]
  • Whitney Houston 1963—2012
    The Legend Lives On Whitney Houston 1963—2012 Photo courtesy Resilient Media Entertainment via Creative Commons P A G E 24 F L O W S P R I N G 2 0 2 0 Whitney Houston’s undeniable talent, beauty and good works made her America’s sweetheart By Vanessa Gyamfi Houston was not only a talented artist, she was Standing on the stage shy and nervous with also a humanitarian she established the Whitney Hou- clenched hands, wearing a purple off-the-shoulder dress ston Foundation for Children, a nonprofit organization was a 20-year-old Whitney Houston making her first ever that funds projects to help needy children all over the national television debut on “The Merv Griffin Show.” world. Her undeniable talent, beauty, voice, charity work She sang her version of the song “Home” from the mov- and good girl image made her America’s sweetheart. ie, “The Wiz.” Her voice and performance were so beau- That's why it came as surprise to people when she mar- tiful and refreshing. This was the day the world wit- ried the overly provocative and bad boy of R&B, Bobby nessed a star in the making. Brown, in 1992. Houston received a lot of criticism, espe- The Queen of R&B was born August 9,1963, in cially from family members on her decision. But she Newark, N. J. She was blessed to be born into a musical loved Brown and refused to listen to her family members family, with her mother being Cissy Houston a gospel and the naysayers.
    [Show full text]
  • Cha -Cha In. June
    Cha -Cha London. Singer, Boston Opera, Metropolitan Opera Co.. Ince productions. Pictures include "The Loot Battalion." 1917-22; actor, such productions as Wild Duck. Beyond Double Alibi, Fugitive From Justice, others. the Horizon," "Mourning Becomes Electra," The Eternal Recent Pictures: Captain Tugboat Annie, Jungle Captive, Road, "Outward Bound." Director of short producs., Fox The October Man. Film; associate editor, Fox Movietone News; European pro- duction editor, Fox Movietone News; Editor, Pathe Topics. CHANDLER GEORGE: Actor. b. Waukegan, In. June March of Time Industrial Div. In 1940, collaborated on 40, 1902; e. Ill. U. In vaudeville as "George Chandler animation "World in Flames," Par. the Musical Nut. In 1929 en screen in Tenderfoot Thrillers; pictures include: Pretty Baby, This Woman Is Dangerous, CHAMBERS, GORDON A.: b. Rochester, N. Y., May Meet Me at the Fair. Ham Christian Andersen, Island la 30, 1905; e. St. Lawrence U., B.Sc. 1926. Employed in the Sky, Rails into Laramie, High and the Mighty, Steel Eastman Kodak Co. continuously since graduation, in Cage, Apache Ambush, Girl Rush. Research Laboratories (Rochester) 1926-9, in m.p. film dept. (Hollywood) 1929-42; on leave for duty In U.S.N.R. CHANDLER, LANE: Actor. r. n. Lane Oakes. b. Culbert- 1942-5, disch. 1952; m.p. film dept. Rochester 1945, chief son, Mont.. June 4, 1899. Without previous acting experience. mgr m,p, film dept., 1960. appeared in number of silent prod. Pictures Include: Follow the Boys, Men on Her Mind. CHAM IE, ALFRED P.: Attorney, e. U.C.L.A.-A.B.. Saratoga Trunk, Casanova Brown, Great Mike, Laura, The Harvard Law School, L.L.B.; U.
    [Show full text]
  • Betty Wright Slip and Do It Mp3, Flac, Wma
    Betty Wright Slip And Do It mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Slip And Do It Country: US Released: 1975 Style: Funk MP3 version RAR size: 1541 mb FLAC version RAR size: 1263 mb WMA version RAR size: 1243 mb Rating: 4.6 Votes: 596 Other Formats: MP3 ASF XM TTA ADX APE AC3 Tracklist Hide Credits Slip And Do It A Arranged By [Horns] – Mike Lewis Producer – Willie ClarkeWritten-By – E. Dixon*, J. 3:15 Thompson* I Think I Better Think About It B Arranged By [Strings] – Mike Lewis Producer – Willie ClarkeWritten-By – B. Wright*, W. 3:08 Clarke* Companies, etc. Phonographic Copyright (p) – Alston Records Distributed By – T.K. Productions Mastered At – Sterling Sound Credits Mastered By [Viny] – RL* Notes Center label variant. Recorded on MCI equipment. Barcode and Other Identifiers Matrix / Runout (Side A run out): ALS-3718-A 10-23-75 STERLING RL Matrix / Runout (Side B run out): ALS-3718-B 10-23-75 Other versions Category Artist Title (Format) Label Category Country Year Betty 3718 Slip And Do It (7") Alston Records 3718 US 1975 Wright Betty Slip And Do It (7", XB-02067 RCA XB-02067 Canada 1975 Wright Single) Betty Slip And Do It (7", XB 02067 RCA Victor XB 02067 France 1975 Wright Single) XB-02 067, XB - RCA Victor, XB-02 067, XB - Betty Slip And Do It (7", 02067, RCA Victor, 02067, Germany 1975 Wright Single) 26.11372 RCA Victor 26.11372 Betty Slip And Do It (7", 3718 Alston Records 3718 US 1975 Wright Single, Promo) Related Music albums to Slip And Do It by Betty Wright Betty Wright - Shoorah! Shoorah! Betty Wright - From Pain To Joy Betty Wright - Clean Up Woman Betty Wright - Where Is The Love / My Baby Ain't My Baby Anymore Betty Wright - Betty Wright Live Betty Wright - If You Love Me Like You Say You Love Me / I'm Gettin' Tired Baby dj slip - ever Betty Wright - Shoorah! Shoorah! / Tonight Is The Night Betty Wright - Baby Sitter / Outside Woman Betty Wright - Life.
    [Show full text]
  • Lyricist's Lyrical Lyrics: Widening the Scope of Poetry Studies by Claiming the Obvious
    Paper from the Conference “Current Issues in European Cultural Studies”, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS) in Norrköping 15-17 June 2011. Conference Proceedings published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=062. © The Author. Lyricist’s Lyrical Lyrics: Widening the Scope 1 of Poetry Studies by Claiming the Obvious Geert Buelens Utrecht University/ Stellenbosch University [email protected] Poetry is all but absent from Cultural Studies. Most treatments of the genre tend to focus on canonized poets whose work is wilfully difficult and obscure. Alternative histories should be explored, opening up possibilities to view poetry again as a culturally relevant art form. The demotic and popular strain provides a case in point. From the Romantics onwards modern poetry linked itself with oral or folk traditions like the ballad. Socially the most popular of these forms is the pop lyric. Since the 1950s rock lyrics have been studied in Social Studies, Cultural Studies, Musicology and some English Departments, but rarely within the context of Poetics or Comparative Literature. Rap and canonized singer-songwriters like Dylan and Cohen are the exceptions to the rule. Systematic attention to both lyrics and performance may open up current ideas of what a poem is and how it works. 1 This article is the non copy-edited draft of a paper presented at the 2011 ACSIS conference ‘Current Issues in European Cultural Studies’, Norrköping, 15-17 June 2011 within the session ‘Revisiting the Literary Within Cultural Studies’. 495 LYRICIST’s LYRICAL LYRICS: WIDENING THE SKOPE OF POETRY STUDIES BY CLAIMING THE OBVIOUS Listen – I’m not dissin but there’s something that you’re missin Maybe you should touch reality KRS-One/Boogie Down Productions, ‘Poetry’ (1987) (in Bradley&DuBois 2010, 145) It is a truism of sorts to claim that Cultural Studies tries to understand the world we live in and to explain how cultural artefacts both reflect and construct that world and its inherent political tensions.
    [Show full text]
  • Carol Douglas Dancing Queen / in the Morning Mp3, Flac, Wma
    Carol Douglas Dancing Queen / In The Morning mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Dancing Queen / In The Morning Country: US Released: 1976 Style: Disco MP3 version RAR size: 1224 mb FLAC version RAR size: 1272 mb WMA version RAR size: 1144 mb Rating: 4.1 Votes: 517 Other Formats: ADX ASF FLAC TTA WAV DMF APE Tracklist Hide Credits Dancing Queen A 7:18 Written-By – Ulvaeus-Andersson*, Anderson* In The Morning B 6:58 Written-By – John Davis Companies, etc. Copyright (c) – Midland International Records, Inc. Phonographic Copyright (p) – Midland International Records, Inc. Manufactured By – RCA Records, New York, N.Y. Distributed By – RCA Records, New York, N.Y. Published By – John Davis Music Published By – Pocket Full Of Tunes, Inc. Credits Arranged By, Conductor – John Davis Producer – Ed O'Loughlin* Barcode and Other Identifiers Rights Society: BMI Rights Society: ASCAP Matrix / Runout (A Side): M d 10870A 3 Matrix / Runout (B Side): M d 10870B 3 Other (B Side Etching): A 2 B Other versions Category Artist Title (Format) Label Category Country Year Carol Dancing Queen MD 0870 RCA Victor MD 0870 France 1976 Douglas (12", Maxi) Dancing Queen / Carol SS-3078 In The Morning RCA SS-3078 Japan 1977 Douglas (7") Carol Dancing Queen SPEC-1777 Unidisc SPEC-1777 Canada Unknown Douglas (12") Carol Dancing Queen MD-10870 RCA Victor MD-10870 Canada 1976 Douglas (12") Midland Dancing Queen / JD-10870, Carol International, JD-10870, In The Morning US 1976 MD-10870 Douglas Midland MD-10870 (12", Promo) International Related Music albums to Dancing Queen / In The Morning by Carol Douglas 1.
    [Show full text]
  • As One of Nola Blue Records' Newest Signings, Clarence Spady Is
    As one of Nola Blue Records’ newest signings, Clarence Spady is thoroughly motivated when it comes to his career. “Here we are in the saddle,” says the veteran blues guitarist. “I’ve got both hands on the reins right now. So I don’t plan on letting go.” Excellent news for contemporary blues fans who are well aware of Spady’s acclaimed 1996 album Nature of the Beast and his equally impressive 2008 followup Just Between Us. Clarence’s musical career has weathered its share of peaks and val- leys, but playing his singularly funky brand of impassioned, electrifying blues—a talent that has taken him all over the world—dominates his time these days as he writes great new material and prepares to record it. By any standard, Clarence embarked on his musical odyssey at an uncommonly tender age. Born in Paterson, New Jersey, Spady began playing guitar when he was only five years old (his family moved a couple of hours west to Scranton, PA during this period, a town Spady lives in today). Clarence’s musical exploits commenced due to encouragement from two guitarists in his immediate family, his father (also named Clarence) and his Uncle Fletchey. “He was a very good blues guitarist, the likes of Otis Rush or Booba Barnes,” Spady says of his uncle. “He had that nasty, raw feel. He was from North Carolina origi- nally. And he could sing. “When I was five, we were sitting at my Uncle Fletchey’s. He had a blues jam every weekend. And I would sit on my dad’s left knee while he was playing, looking at his hand.
    [Show full text]