Poets and Writers Coming This Fall at a Glance
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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Retrospective Analysis of Plagiaristic Practices Within a Cinematic Industry in India – a Tip in the Ocean of Icebergs
Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs Item Type Article Authors Sivasubramaniam, Shiva D; Paneerselvam, Umamaheswaran; Ramachandran, Sharavan Citation Umamaheswaran, P., Ramachandran, S. and Sivasubramaniam, S.D., (2020). 'Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India–a Tip in the Ocean of Icebergs'. Journal of Academic Ethics, pp.1-11. DOI: 10.1007/ s10805-020-09360-7 DOI 10.1007/s10805-020-09360-7 Publisher Springer Journal Journal of Academic Ethics Download date 27/09/2021 02:43:07 Link to Item http://hdl.handle.net/10545/624527 Journal of Academic Ethics https://doi.org/10.1007/s10805-020-09360-7 Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India – aTip in the Ocean of Icebergs Paneerselvam Umamaheswaran1 & Sharavan Ramachandran2 & Shivadas D. Sivasubramaniam3 # The Author(s) 2020 Abstract Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry. -
Thank You.. ZEN STORY Sometimes a Story Can Teach Much More Than Entire Philosophical Treatises a Revered Zen Teacher Once Approached the King’S Palace Late at Night
Volume 07 ** September 2020 ** Issue 09 Thank you.. ZEN STORY Sometimes a story can teach much more than entire philosophical treatises A revered Zen teacher once approached the king’s palace late at night. The guards did not stop him as he made his way inside to where the king was seated upon his throne. The king recognized him too. “Welcome, sir. What do you want?” the king asked. “I wish to sleep in this inn tonight”, said the teacher. Taken aback, the king snorted, “This is no inn! It is my palace!” The teacher politely asked, “If I may ask, who owned this palace before you?” “Why, my father, of course! He is dead now.” “And who lived here before your father?” “My grandfather, naturally. He’s dead too.” “This building where people live for some time and go away, did you say that it is not an inn?” #Contents 07 # Start-up India 10 #Case Study Hive 12 # GST Series - 26 04 # A voice that nurtured 13 # By2Coffee millions of hearts Complexity simplified If you love running your Business and are Passionate about its Growth We have a Solution for You CONTACT US: CALL: 080-4202 4038 WEBSITE: www.hiveconsultants.in EMAIL: [email protected] It is really becoming a cliche to repeat that the year and participate in several musical competitions. A 2020 has become a nightmare. It just truncated the time came when he won a competition which was glorious run of an invaluable talent that shaped the judged by S.P Kodanadapani and the great music sensibilities of millions of people down south Ghantasala. -
Department of English Central University of Karnataka
DEPARTMENT OF ENGLISH CENTRAL UNIVERSITY OF KARNATAKA Kadaganchi, Kalaburagi-585367 CUCET-2018: OMNIBUS LIST Vacancy seats for Program: IMA English (NO. OF SEATS: 30 = GEN–16, OBC–08, SC–04, ST–02) (Supernumerary Seats : HKR – 3, NCC/NSS/SPORTS ‐1, WDP ‐1, PH – 02, KM ‐ 01) Note: The number of seats in Supernumerary category is as per the announcement in the Prospectus 2018-19. Instruction to Candidates for admission through Open Counselling on 27/06/2018 for Vacant Seats. 1. Candidates are hereby informed to register their names in the respective departments before 12.00 noon on 27.06.2018. Candidates who come after 12.00 noon will not be allowed for counselling. Provisional selected list will be announced in the department Notice Board at 2.00 pm on the same day. 2. Candidate must be present at the time of Open Counselling. No representative / parents will be allowed on behalf of the candidate. 3. Admissions will be made based on the merit by following GOI reservation policy. 4. The cut off score of CUCET 2018 results for General Merit is revised and restricted to 25 Marks for counselling. 5. The cut off score of CUCET 2018 results for OBC/PWD is revised and restricted to 20 Marks for counselling. 6. The cut off score of CUCET 2018 results for SC/ST is revised to 20 Marks. 7. In case of SC/ST category if the seats still remain vacant after exercising the cut off score of CUCET 2018 of 20 Marks, candidates with score less than 20 Marks and have registered in person with original documents will also be considered according to merit. -
MESS BILL for OCTOBER 2013 Srno Roll No Name Mess Total 1 101111041 K
MESS BILL FOR OCTOBER 2013 srno Roll No Name Mess total 1 101111041 K. S. Kaushik A & B 2170 2 101113001 A J SUDHI A & B 2170 3 101113002 ADAPALA ARAVINDH BABU A & B 2170 4 101113004 AMIT KUMAR A & B 2170 5 101113005 AMITHVISHAL. P A & B 2470 6 101113007 ANGAMBA NAMEIRAKPAM A & B 2689 7 101113008 ANIRUDH DEORAH A & B 2365 8 101113010 ANWIN P S A & B 2545 9 101113011 ARUN. M.V A & B 2170 10 101113012 ASHISH RANJAN A & B 2170 11 101113014 CHANDU SAI TARUN A & B 2348 12 101113016 GUDALA DILEEP A & B 2170 13 101113017 HUKUMU RIO DEBBARMA A & B 2621 14 101113019 JULIAN DIVAKAR A A & B 2170 15 101113020 KARNIK N HEGDE A & B 2170 16 101113021 KOKKIRALA HARSHA VARDHAN RAO A & B 2170 17 101113022 KUMAVATH CHANDRA SHEKHAR NAIK A & B 2758 18 101113024 M GOKUL ANAND A & B 2170 19 101113025 MADAM MALLIKARJUN A & B 2170 20 101113026 MAHONRING SHAIZA A & B 2668 21 101113027 MOHAMMED SIRAJUDDIN A & B 2170 22 101113029 NIKHIL CHOPRA GALIMOTU A & B 2529 23 101113030 NILESH ROY A & B 2687 24 101113034 RAFAEL WILLIAMS MANNERS A & B 2170 25 101113035 RAHUL SOMARAJAN NAIR A & B 2170 26 101113036 RAVIPUDI SRIKANTH A & B 2170 27 101113037 S N MITHUN BALAJI A & B 2170 28 101113038 S P GANESHAN A & B 2170 29 101113039 S SANTHOSH A & B 2728 30 101113040 S SIDDHARTH A & B 2170 31 101113042 SHAHUL SHANAVAS S A & B 2170 32 101113043 SIDHARTH.K A & B 2170 33 101113045 SRIRAM R A & B 2425 34 101113048 YOKESHWAR ELANGOVAN A & B 2170 35 102111003 A. -
S.No. Regd.No. Name Caste Gender Marks 1 1001
S.NO. REGD.NO. NAME CASTE GENDER MARKS 1 1001 NAGASHYAM KIRAN MANCHIKANTI OC MALE 58 2 1002 KRISHNA REDDERY SC MALE 41 3 1003 ELMAS BANU SHAIK BC-E FEMALE 61 4 1004 VENKATA RAMANA KHEDRI ST MALE 60 5 1005 SANDYA RANI CHINTHAKUNTA SC FEMALE 36 6 1006 GOPINATH SALAKARU PUJARI SC MALE 28 7 1007 SREENIVASA REDDY GOTLURI OC MALE 78 8 1008 LEELA RANI B BC-A FEMALE 57 9 1009 RADHIKA KONDA OC FEMALE 30 10 1010 SREEDHAR M BC-D MALE 68 11 1011 CHANDRAMOULI KOTTACHINNA OC MALE 42 12 1012 SREENIVASA PAVAN KUMAR MANGU OC MALE 35 13 1013 SREEKANT SUPPI BC-A MALE 56 14 1014 KISHORE NAYAK PUJARI ST MALE 39 15 1015 SHAJAHAN KOVURI BC-B MALE 61 16 1016 VAHEEDA TABASSUM SHAIK OC FEMALE 45 17 1017 SONY JONNA BC-B FEMALE 60 18 1018 PRASAD PEETLA BC-A MALE 51 19 1019 SUJATHA BUMMANNA GARI SC FEMALE 49 20 1020 OBULESH ADIANDHRA SC MALE 32 21 1021 SANTHAMANI BATHALA SC FEMALE 31 22 1022 SARASWATHI GOLLA BC-D FEMALE 47 23 1023 LAVANYA GAJULA OC FEMALE 55 24 1024 SATEESH KUMAR MAHESWARAM BC-B MALE 38 25 1025 KRANTHI NALLAGATLA BC-B FEMALE 33 26 1026 RAVI KUMAR BATHALA BC-B MALE 68 27 1027 ADI LAKSHMI BANTHANAHALL SC FEMALE 38 28 1028 SAMATHA BALIMI BC-A FEMALE 41 29 1030 ANANDA GURIKALA BC-A MALE 37 30 1031 NAGAMANI KURUBA BC-B FEMALE 44 31 1032 MUJAFAR SAMI M MD BC-E MALE 27 32 1033 POOJA RATHOD DESE ST FEMALE 42 33 1034 ANAND KUMART BADIGI SC MALE 26 34 1035 KHASEEM SAHEB DUDEKULA BC-B MALE 29 35 1036 MASTHAN VALI MUNNA BC-B MALE 38 36 1037 SUCHITRA YELLUGANI BC-B FEMALE 44 37 1038 RANGANAYAKULU GUDIDAMA SC MALE 46 38 1039 SAILAJA VUBBARA OC FEMALE 38 39 1040 SHAKILA BANU SHAIK BC-E FEMALE 52 40 1041 BABA FAKRUDDIN SHAIK OC MALE 49 41 1042 VENKATESH DEMAKETHEPALLI BC-A MALE 26 42 1043 SWETHA NAIDU PAKAM OC FEMALE 55 43 1044 SUMALATHA JUKUR BC-B FEMALE 37 44 1047 CHENNAPPA ARETI BC-A MALE 29 45 1048 NAGARAJU CHALUKURU OC MALE 40 Page 1 of 127 S.NO. -
The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXIV 1993 arsr nrafcr a s farstfa s r 3 ii “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014 Annual Subscription -- Inland Rs.40: Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewrittern (dounle-spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS S.No. Page 1. 66th Madras Music Conference - Official Report 1 2. Advisory Committee Meetings 20 3. The Sadas 47 4. Tyagaraja and the Bhakti Community - William Jackson 70 Princess Rukinini Bai - B.Pushpa 79 6. Indian classical Music - T.S.Parthasarathy 83 Tagore’s Dance concept - Gayatri Chatterjce 97 From Sarn^adeva to Govinda 101 Literary and Prosodical Beauties - T.S. Parthasarathy 107 10. -
Of Love and Longing - Chandrakauns Raagam
Of love and longing - Chandrakauns Raagam A raga that brims with emotion and conveys longing, delicate romance and loneliness, is Chandrakauns. A raga that is close to Hindolam, Chandrakauns is well known in Hindustani music. In the Carnatic music, this raga is used in tail pieces and lighter presentation such as viruttams and bhajans. When Hindolam’s kaisiki nishada is replaced with kakali nishada it becomes Chandrakauns. The notes present in Chandrakauns aresadja, sadharana gandhara, suddha madhyama, suddha dhaivata, and kakali nishada. The arohana and avarohana are symmetrical and the key to this raga lies in the MDNS region. The emotive appeal is achieved when one lingers long enough in the nishada and then touches the sadja. When the sadharana gandhara is replaced with the antara gandhara in Hindolam, the result is the raga Surya (also known as Sallabam). This too is an exotic raga, full of surprises. It is usually used in lighter pieces; however, these days, artistes even sing ragam-tanam-pallavis in such ragas. There aren’t very many well-known Carnatic pieces in Chandrakauns, barring a few such as the Purandaradasa kriti ‘Kandena Govindana’. This raga is apt for astapadis and bhajans. In Surya, ‘Narahari Vesha’ is an attractive piece composed by Rukmini Ramani. These scales are very recent; hence, the paucity of traditional pieces. In film music, Chandrakauns has been handled beautifully. The 1961 film Bhagyalakshmi features a spectacular piece composed by Viswanathan-Ramamurthy. ‘Maalai Pozhudhin Mayakkathile’ is lilting. In the phrase, ‘Manadil Irundhum Varthaigal Illai’, the nishada is well defined. In some portions of the song, the kaisiki nishada occurs as well. -
Slno Candidate Name Reg No Father / Mother Name Total Mark Obtained Mark Percentage % 1 Gowthami P 401511 Shankarappa P 600
LIST OF 1% TOP STUDENTS OF SCIENCE IN II PUC MARCH 2015 EXAM IN KARNATAKA STATE SLNO CANDIDATE NAME REG_NO FATHER / MOTHER NAME TOTAL MARK OBTAINED MARK PERCENTAGE % 1 GOWTHAMI P 401511 SHANKARAPPA P 600 595 99.17 2 SANJAY V GORUR 427216 VARADHARAJ GV 600 594 99.00 3 AVINASH DEVADHAR S 222676 SURESHA DEVADAR C 600 593 98.83 4 NAMRATHA G NAIK 204796 G B NAIK 600 592 98.67 5 HARSHA B J 173398 JAYARAMAIAH 600 592 98.67 6 PRAJWAL K 426081 KUMAR N K 600 592 98.67 7 PRAJWAL B BHARADWAJ 427037 BHASKAR V 600 592 98.67 8 VANDANA M 254771 VIDYADHARA PRABHU 600 592 98.67 9 MONISH UTHAPPA M C 252774 CHENGAPPA M U 600 592 98.67 10 PRAJWAL SUKHAMUNISWAMI LINGAD 253223 SUKHAMUNISWAMI 600 592 98.67 11 KEERTHANA H L 962063 LOKESHAPPA H 600 592 98.67 12 YASHAS D 478628 DEVARAJAIAH V C 600 592 98.67 13 APURVA P 426494 PURUSHOTAMA N A 600 591 98.50 14 RAHUL M V 427092 M N VENKATESH 600 591 98.50 15 MYTHRI B S 962152 SRINIVAS B V 600 591 98.50 16 RASHMI HEGDE 101012 LAXMINARAYAN HEGDE 600 591 98.50 17 AKSHAY KUMAR V N 251031 VENKATESHA N 600 591 98.50 18 NITHIN KUMAR K S 253016 SRINIVASA K S 600 591 98.50 19 A SHIVANI POOVAIAH 260684 A T POOVAIAH 600 591 98.50 20 RASHMI JAYAKAR POOJARY 190784 JAYAKAR POOJARY 600 591 98.50 21 N M NAVYASHREE 252795 M B PRABHUSWAMY 600 590 98.33 22 NEETA PRAKASH HEGDE 101836 PRAKASH HEGDE 600 590 98.33 23 SUPRIYA G HEGDE 195919 HEGDE G S 600 590 98.33 24 KAUSHIK NAYAK 192642 YASHAWANTHA NAYAK 600 590 98.33 25 ARYA M 255164 MANI NAYAK 600 590 98.33 26 SANGEETHA V S 461810 SAKTHIVEL E V 600 590 98.33 27 PHALGUNI R 478130 RAVINARAYAN -
John Adams Middle School HR2MP2 2019-20 Marking Period 2
John Adams Middle School HR2MP2 2019-20 Marking Period 2 Grade 6 Ajoy, Johan Allidina, Serena Amagowni, Dhruv Anand, Advika Appana, Narun Aravindan, Arjun Arji, Sriman Arya, Shaurya Ashok, Sahaanaa Bajaj, Mishti Banerjee, Durva Bansal, Divya Bapat, Veeren Barskiy, Steven Basavaraj, Eshaan Batchali, Sreya Behera, Pranava Berrios, Jayden Bhalerao, Pranav Bhandar, Eshaan Bhatt, Rohan Bhoyar, Priyanshu Biezewski-Carter, Calissa Borkar, Ava Bose, Inesh Bothra, Neev Brett, Brielle Budhan, Sanya Cadet, Rayahna Calara, Elena Chakrabarty, Drisana Chaudhari, Omkar Chaudhuri, Ritam Chopra, Esmeet Cruz Paredes, Hector D'Souza, Ashlyn Das, Bihan Devarakonda, Shruthi Dichwlkar, Arusha Doshi, Aksh Farooqui, Daniyal John Adams Middle School HR2MP2 2019-20 Marking Period 2 Gamini, Gaayathri Gandhi, Guru Garcia, Cristian Gaur, Arya Ghedia, Dhwani Goel, Aarush Gopinath, Aditya Goswami, Eshani Grossman, Ethan Grossman, Nathaniel Gupta, Kavya Huzaifa, Mohammad Jain, Arnav Jain, Tarun Jasuja, Khushi Jawad, Maaz Joshi, Aashita Joshi, Ayush Joshi, Kavya Kalla, Rohit Kamalakkannan, Shrinithi Kamaluddin, Ayishah Kanchi, Manushree Kandagatla, Pradyun Kapoor, Soham Karthik, Gowtham Kazmi, Abd-Ar-Rahman Kochay, Hosna Koduri, Rishith Kohli, Keefer Krishna, Suhas Kudari, Sahaana Kulkarni, Sahil Kulkarni, Sonia Kumar, Avni Kumaraja, Gurubaran Lai, Evan Lee, Matthew Lo, Tyler Maddala, Maanas Malladi, Saketh Maloo, Nikul Mangukia, Yashwari John Adams Middle School HR2MP2 2019-20 Marking Period 2 Manolakis, Emanuel Manwani, Kritika Masood, Sarwary Mathur, Prisha Mehta, -
New Books July August September 2014 • Issue 3 & Francis Taylor Routledge CRC Press Press Guilford
NEW BOOKS NEW July August S July August eptember 2014 Issue 3 eptember New Books July August September 2014 • Issue 3 Taylor & Francis Psychology Press Routledge Garland Science CRC Press Focal Press Guilford Press Taylor & Francis Group, 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Tel: 020 7017 6000 • Fax: 020 7017 6699 Email: [email protected] www.tandf.co.uk/books MKBK1144 978-0-418-27439-2 JAS14 Cover with Spine.indd 1-3 18/03/2014 12:11 Contents Humanities ..................................................................... 3 Psychology ....................................................................................................................... 186 Philosophy .............................................................................................................................. 3 Clinical Psychology and Psychiatry ................................................................... 192 Religion Best Sellers .......................................................................................................... 7 Psychotherapy and Counselling ......................................................................... 193 Religion .................................................................................................................................... 8 Couples and Family Therapy ................................................................................. 196 History ................................................................................................................................... -
Vidyasagar University
VIDYASAGAR UNIVERSITY Curriculum for 3-Year B.A. (HONOURS) in Music Under Choice Based Credit System (CBCS) w.e.f 2018-2019 1 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:04:35; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_HONS/Music_Hons.pdf VIDYASAGAR UNIVERSITY BA (Honours) in Music [Choice Based Credit System] Year Semester Course Course Course Title Credit L-T-P Marks Type Code CA ESE TOTAL Semester-I 1 I Core-1 CT1: Elementary Knowledge of Music: 6 5-1-0 15 60 75 Terminologies and Concepts Core-2 CP2: Thata-Raga Swaramalika Lakshman 6 0-0-12 15 60 75 giti in different Talas (Practical) GE-1 TBD 6 5-1-0/ 15 60 75 4-0-4 AECC-1 English/MIL 2 1-1-0 10 40 50 (Elective) Semester –I: total 20 275 Semester-II II Core-3 CT3: Introduction of Rabindra Sangeet and 6 5-1-0 15 60 75 Theoretical Knowledge of Ragas, Talas and Notations Core-4 CP4:Rabindra Sangeet: Themetic Variations 6 0-0-12 15 60 75 (Practical) GE-2 TBD 6 5-1-0/ 15 60 75 4-0-4 AECC-1 ENVS 4 20 80 100 (Elective) Semester-II : total 22 325 2 Downloaded from Vidyasagar University by 157.43.191.46 on 28 June 2020 : 13:04:35; Copyright : Vidyasagar University http://www.vidyasagar.ac.in/Downloads/ShowPdf.aspx?file=/UG_Syllabus_CBCS_FULL/BA_HONS/Music_Hons.pdf Year Semester Course Course Course Title Credit L-T-P Marks Type Code CA ESE TOTAL Semester-III 2 III Core-5 CT5: History of Indian Music – I 6 5-1-0 15 60 75 Core-6 CP6: Practical Knowledge of Indian Music 6 0-0-12 15 60 75