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The Epiphany Gospels MICHAEL ROGNESS
Word & World Volume 24, Number 1 Winter 2004 Texts in Context “You are my Son, the Beloved”: The Epiphany Gospels MICHAEL ROGNESS he Epiphany season is placed awkwardly between the pillars of Christmas and Lent, generally a somewhat down time in pastoral activity. Among early Greek Christians, however, this season focused on Jesus’ baptism as the manifestation of his true person and mission. As a church festival it ranked right up there with Easter and Pentecost. The Western or Latin church shifted the emphasis of Epiphany to Jesus’ manifestation to the Gentiles, marked by the visit of the foreign magi from the East, those strange astrologers who saw the star (or conjunction of planets) announcing the birth of a king among the Hebrews. Therefore Matt 2:1–12 launches the Epiph- any story. This puzzles listeners in the pews, because our image of the wise men has been formed by Sunday School Christmas tableaus, with three boys standing to one side of the manger draped in their parents’ bathrobes and holding aluminum- foil-wrapped boxes as presents for the Bethlehem child. By December 26 we’re done with the wise men, but here they come again, twelve days later, singing “We Three Kings of Orient Are.” It’s an odd chronology, though probably not a problem for most Protestant churches, since few of us will actually worship on January 6 itself! FIRST SUNDAY AFTER THE EPIPHANY (THE BAPTISM OF OUR LORD): LUKE 3:15–17, 21–22 The Epiphany theme begins more logically with the baptism of Jesus. This year’s sequence will strike the preacher as odd, however, since the Gospel lessons of As the season of Epiphany progresses, the appointed Gospel readings make clearer and clearer the meaning of the voice at Jesus’ baptism: “You are my Son, the Beloved.” The preacher’s task is to present this message as fully as possible. -
Epiphany in Australia Epiphany Is a Christian Observance in Countries Such As Australia on January 6 Each Year
Epiphany in Australia Epiphany is a Christian observance in countries such as Australia on January 6 each year. It commemorates the three wise men’s (or kings’) visit to Jesus after his birth, as told in the Christian bible. This feast is also known as the Feast of the Baptism of the Lord. Various artwork relating to Epiphany often show the three wise men (or kings). ©iStockphoto.com/kim258 What Do People Do? Many churches, particularly Catholic churches, in Australia have special Epiphany services on or around January 6 each year. Many Epiphany church services focus on the three wise men’s (or kings’) visit to Jesus after his birth. However, many churches also focus on the theme of Jesus’ baptism, in which Jesus’ public life begins with his baptism by John the Baptist. Some churches may have social gatherings, including morning teas, after an Epiphany church service. Background Epiphany commemorates the first two occasions on which Jesus’ divinity, according to Christian belief, was manifested: when the three kings visited infant Jesus in Bethlehem, and when John the Baptist baptized him in the River Jordan. The Roman Catholic and Protestant churches emphasize the visit of the Magi when they celebrate the Epiphany. The Eastern Orthodox churches focus on Jesus’ baptism. Symbols Various paintings, artworks and sketches show the three wise men and Jesus. Some paintings artworks show the three wise men on the way to Bethlehem or adoring baby Jesus. The kings are important because their visit illustrates that Jesus was the king of all kings who came for the Jews and the Gentiles. -
Western Illuminated Manuscripts: a Catalogue of the Collection in Cambridge University Library Paul Binski and Patrick Zutshi Frontmatter More Information
Cambridge University Press 978-0-521-84892-3 - Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library Paul Binski and Patrick Zutshi Frontmatter More information WESTERN ILLUMINATED MANUSCRIPTS Cambridge University Library’s collection of illuminated manuscripts is of international signifi cance. It originates in the medieval university and stands alongside the holdings of the Colleges and the Fitzwilliam Museum. Th e University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the fi rst complete Chaucer manuscript. Th is catalogue provides scholars and researchers easy access to the University Library’s illuminated manuscripts, evaluating the importance of many of them for the very fi rst time. It contains descriptions of famous manuscripts – for example, the Life of Edward the Confessor attributed to Matthew Paris – as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references. PAUL BINSKI is Professor of the History of Medieval Art at Cambridge University. He specializes in the art and architecture of medieval Western Europe. His previous publications include Th e Painted Chamber at Westminster (1986), Westminster Abbey and the Plantagenets (1995), which won the Longman History Today Book of the Year award, and Becket’s Crown: Art and Imagination in Gothic England, 1170–1300 (2004), winner of the 2006 Historians of British Art Prize and the Ace-Mercers 2005 International Book Prize. -
The Liturgical Year
The Liturgical Year The Liturgical Year The liturgical church year consists of an organization of Scripture readings and liturgical emphases that tell the story of Godʼs saving work in Jesus Christ in a recurring pattern. Within protestantism, the liturgical year has been organized in more than one way. At Christ Church, the liturgical year is divided into 7 distinct seasons. They are: The Season of Advent The Season of Christmas (sometimes called Christmastide) The Season of Epiphany The Season of Lent The Season of Easter (sometimes called Eastertide) The Season of Pentecost The Season of Dominiontide Liturgical Colors Liturgical colors are used in paraments (draped cloths) hung over the altar and lecterns and in other ways (ministerial/choir stoles, etc.) to call attention to each particular season and its emphasis. The variety of liturgical colors in the church arose from the mystical meaning attached to them in antiquity. Thus white, the symbol of light, typifies innocence and purity, joy and glory; red, the symbol of fire and blood, indicates the flames of the Holy Spirit and the blood of martyrs; green, the hue of plants and trees, bespeaks the hope of life eternal, as well as growth and vitality; violet (or purple), the gloomy cast of the mortified, denotes affliction, melancholy and penitence; while black, the universal emblem of mourning, signifies the sorrow of death and the somberness of the tomb. Originally, these were the only colors used in the church. Now, however, many churches (including our own) sometimes use blue and gold, as well as other colors. Blue is used in Advent to symbolize the peace and joy that the birth of the long-awaited Messiah brings; gold is sometimes used at Easter and on Christ the King Sunday to signify the royalty of the risen King of kings. -
“This Translation—The First Into English—Of the Life of Jesus Christ By
“This translation—the first into English—of The Life of Jesus Christ by Ludolph of Saxony will be welcomed both by scholars in various fields and by practicing Christians. It is at the same time an encyclopedia of biblical, patristic, and medieval learning and a compendium of late medieval spirituality, stressing the importance of meditation in the life of individual believers. It draws on an astonishing number of sources and sheds light on many aspects of the doctrinal and institutional history of the Church down to the fourteenth century.” — Giles Constable Professor Emeritus Princeton University “Milton T. Walsh has taken on a Herculean task of translating The Life of Christ by the fourteenth-century Carthusian, Ludolph of Saxony. He has more than risen to the challenge! Ludolph’s text was one of the most widely spread and influential treatments of the theme in the later Middle Ages and has, until now, been available only in an insufficient late nineteenth-century edition (Rigollot). The manuscript tradition of The Life of Christ (Vita Christi) is extremely complex, and Walsh, while basing his translation on the edition, has gone beyond in providing critical apparatus that will be of significant use to scholars, as well as making the text available for students and all interested in the theology, spirituality, and religious life of the later Middle Ages. His introduction expertly places Ludolph’s work in the textual tradition and is itself a contribution to scholarship. Simply put, this is an amazing achievement!” — Eric Leland Saak Professor of History Indiana University “Walsh has done pioneering work unearthing the huge range of patristic, scholastic, and contemporary sources that Ludolph drew upon, enabling us to re-evaluate the Vita as an encyclopedic compilation, skillfully collating a range of interpretations of the gospel scenes to meditational ends. -
Resources for the Home During the Advent/Christmas/Epiphany Season
Resources for the home during the Advent/Christmas/Epiphany Season The church year has a rhythm of seasons. Advent marks the beginning of this cycle and is a time of preparation. It is a time we remember all the ways that God has come to us and will come to us. It's a time of waiting, expectancy, and contemplation. On December 25th we celebrate the great feast of Jesus' birth. May your family find joy and hope as you anticipate the coming of our Savior. This year, more than ever, we are spending more time at home with our families. Make a commitment this year to have family devotions and retell the story of Jesus birth. ++++++++++++++++++++++++++++++++++++++++++ Advent On the first Sunday of Advent (November 29th this year), set up an Advent wreath in a place where your family gathers. Many people make it the center piece for their table. Light the wreath each night at dinner or every Sunday (One candle for each week of Advent). Read Advent prayers and sing an Advent hymn. See the dinner prayers included in this packet. More ideas for prayers, readings, activities, and songs can be found on the internet or in Christian bookstores. Also enjoy opening the Advent Calendar each morning! If you have a crèche, put it in a place that is accessible to children. Try putting the shepherds, Mary and Joseph and Wise men in different places around the house. Have them move closer each day as if they are getting closer to Bethlehem. Some people like to wait until Christmas morning to put their baby Jesus in the manger. -
“It's More Than a Liturgical Calendar: It's a Way of Life”
“It’s More than a Liturgical Calendar: It’s a Way of Life” Reverend Mary Altalo INTRODUCTION Our entire world has one glorious model of liturgical cycles—the seasons. Cycles of birth, life and death abound as living examples of the patterns, complexities, ever-changing state and glories of life—this life, in “flesh”, here and now. Nature itself is the one common experience of all humankind-- the one uniting pattern for all of the religions and sects, of all time; and if we destroy the seasonal nature of our planet, do we not destroy the immanent pattern for religion as well? The cycles are not confined to this earth existence alone, as we participate in the “seasonality” of the entire universe, in a constant cycle of expansion and contraction, a state of constant change, evolving into complexity, in a constant state of “becoming”. And it is this light that I write this paper, with the goal of representing our liturgical cycles in context: the context of our ever constant journey towards union with the Divine Consciousness and aiding humanity in doing the same. Jesus was the role model for this and his ultimate gift to humanity was teaching us that attaining Divine consciousness through the fusion of the transcendent nature of God and the immanent qualities of the life –force contained in the body was possible. The body/mind-soul-spirit “combo” was now sufficiently evolved to aid us in the process of transformation. In fact he commanded us to do this and to follow his lead. But somewhere along the line, some of the followers lost sight of the goal, or rather began to doubt that this transformation was possible and thus the attention was diverted from teaching HOW to attain mystical union as Jesus taught and demonstrated, to teaching ABOUT Jesus. -
«Credere Virginem in Corde Per Fidem». Images of Mary in the Libri Carolini
«CREDERE VIRGINEM IN CORDE PER FIDEM». IMAGES OF MARY IN THE LIBRI CAROLINI Diego Ianiro References to the Virgin Mary are quite rare in the writings produced at the court of Charlemagne before 794.1 With the doubtful exception of marian sermons gathered in the homiliary of Paul the Deacon, among the works released between the Admonitio generalis (789) and the Council of Frankfurt (794) it is possible to find several mentions of the Mother of God only in the Libri Carolini.2 Paul’s homiliary was in fact commissioned by Charlemagne, as it is clearly stated in its prefatory letter known as Karoli epistola generalis,3 in a period that cannot be determined with precision: in recent scolarship it ranges approximately from 786, the year before Paul’s return to Monte Cassino, to 796/799,4 the alleged date of his death. Moreover, as the homiliary still awaits a 23RD INTERNATIONAL CONGRESS OF BYZANTINE STUDIES, BELGRADE 23 AUGUST 2016. Thematic Sessions of Free Communications: New Feasts, New Sermons: The Cult of Mary on the Eve of Iconoclasm, in Byzantium and Beyond (Faculty of Philology, Room 11 - 15.30) 1 The amount of bibliography about Latin mariology in Early Middle Ages can be overwhelming; for this reason a reasoned selection of reference works could be useful here. On Carolingian mariology cf. L. SCHEFFCZYK, Das Mariengeheimnis in Frömmigkeit und Lehre der Karolingerzeit, Leipzig 1959 (Erfurter theologische Studien, 5); I. SCARAVELLI, Per una mariologia carolingia: autori, opere e linee di ricerca, in Gli studi di mariologia medievale: bilancio storiografico, Atti del I convegno mariologico della Fondazione Ezio Franceschini (Parma, 7-8 November 1997), ed. -
Christmas and Epiphany G E N E R a L E D I T O R Robert B
Christmas and Epiphany G E N E R A L E D I T O R Robert B. Kruschwitz A rt E di TOR Heidi J. Hornik R E V ie W E D I T O R Norman Wirzba PROCLAMATION EDITOR William D. Shiell A S S I S tant E ditor Heather Hughes PRODUCTION ASSISTANT Elizabeth Sands Wise D E S igner Eric Yarbrough P UB li SH E R The Center for Christian Ethics Baylor University One Bear Place #97361 Waco, TX 76798-7361 P H one (254) 710-3774 T oll -F ree ( US A ) (866) 298-2325 We B S ite www.ChristianEthics.ws E - M ail [email protected] All Scripture is used by permission, all rights reserved, and unless otherwise indicated is from New Revised Standard Version Bible, copyright 1989, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. ISSN 1535-8585 Christian Reflection is the ideal resource for discipleship training in the church. Multiple copies are obtainable for group study at $3.00 per copy. Worship aids and lesson materials that enrich personal or group study are available free on the Web site. Christian Reflection is published quarterly by The Center for Christian Ethics at Baylor University. Contributors express their considered opinions in a responsible manner. The views expressed are not official views of The Center for Christian Ethics or of Baylor University. The Center expresses its thanks to individuals, churches, and organizations, including the Cooperative Baptist Fellowship, who provided financial support for this publication. -
''Was There a Carolingian Italy?'' Politics Institutions and Book Culture
”Was there a Carolingian Italy?” Politics institutions and book culture François Bougard To cite this version: François Bougard. ”Was there a Carolingian Italy?” Politics institutions and book culture. Clemens Gantner; Walter Pohl. After Charlemagne: Carolingian Italy and its Rulers, Cambridge University Press, pp.54-82, 2020, 9781108840774. 10.1017/9781108887762.007. halshs-03080753 HAL Id: halshs-03080753 https://halshs.archives-ouvertes.fr/halshs-03080753 Submitted on 16 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. [paru dans: After Charlemagne: Carolingian Italy and its Rulers, éd. Clemens Gantner et Walter Pohl, Cambridge Cambridge University Press, 2020, p. 54-82.] François Bougard ‘Was there a Carolingian Italy?’ Politics, institutions, and book culture* ‘The Carolingians in Italy’ is a literary myth. In order to account for the installation of the Franks on the Italian peninsula, our manuals have clung to a received vulgate. They assert that Pippin the Short and then Charlemagne allied themselves with the papacy, at the pope’s request, in order to stave off the Lombard threat against the Exarchate of Ravenna and defend the interests of the Holy See. But at the end of the tenth century, south of Rome, the story included other elements. -
QUINQUAGESIMA – the SUNDAY NEXT BEFORE LENT 14 February 2021
QUINQUAGESIMA – THE SUNDAY NEXT BEFORE LENT 14 February 2021 Readings: 2 Kings 2.1-12; Psalm 50.1-6; 2 Corinthians 4.3-6; Mark 9.2-9 This year is a little unusual in that we only marked the true end of the liturgical Christmas and Epiphany season two weeks ago with Candlemas, and now today we’re already beginning to look towards Easter. This year Easter is early, and the build-up to that begins really from today. Next Wednesday, Ash Wednesday, we mark the beginning of Lent, with the incorporation into the service of Holy Communion and Ashing of those sobering words which remind us of the reality of our basic humanity: “we are but dust, and to dust we shall return”. However, in our Gospel reading today, the veil of Jesus’ humanity is temporarily drawn back as we catch a brief glimpse of him in divine glory. Set as it is between Christmas and Easter, we look upon the Transfiguration as a pivotal point not only in the Church’s year, but also in the life of Jesus Christ and also, coincidentally, it marks the virtual central point in Mark’s Gospel. Before the Transfiguration, Jesus went about his work of healing, curing, and performing miracles but, from the Transfiguration onwards the mood changes as we begin, with Jesus, to look towards Jerusalem and the awful events leading to his terrible death on the cross. When considering Jesus’ Transfiguration, we shouldn’t necessarily approach it with the assumption that we can understand it. To be “transfigured” is to be changed in outward form or appearance. -
The Recently Discovered Beneventan Illustrated Beatus in Geneva in Its South Italian Context
Peregrinations: Journal of Medieval Art and Architecture Volume 3 Issue 4 2012 Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context Roger E. Reynolds Pontifical Institute of Mediaeval Studies Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Reynolds, Roger E.. "Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context." Peregrinations: Journal of Medieval Art and Architecture 3, 4 (2012). https://digital.kenyon.edu/perejournal/vol3/iss4/1 This Feature Article is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Reynolds Apocalypses New: The Recently Discovered Beneventan Illustrated Beatus in Geneva in its South Italian Context1 By Roger E. Reynolds, Pontifical Institute of Mediaeval Studies During the past quarter century very few full or virtually full manuscripts written in the Beneventan script of southern Italy and Dalmatia have been discovered and reported. Most of the manuscripts reported since Lowe’s magisterial work2 on the script have been libelli, stray folios, fragments, and offsets.3 But two extraordinary full or virtually full manuscripts have recently come to light and have been reported. The first of these was put on auction a few years back by Sotheby’s in London.4 In their sale catalogue, the manuscript, described as coming from a private collection, was dated to the fifteenth century and the sale price was estimated at about GBP 4,000.