Mortuary Monuments and Burial Grounds of the Historic Period MANUALS in ARCHAEOLOGICAL METHOD, THEORY and TECHNIQUE

Total Page:16

File Type:pdf, Size:1020Kb

Mortuary Monuments and Burial Grounds of the Historic Period MANUALS in ARCHAEOLOGICAL METHOD, THEORY and TECHNIQUE Mortuary Monuments and Burial Grounds of the Historic Period MANUALS IN ARCHAEOLOGICAL METHOD, THEORY AND TECHNIQUE Series Editor: Charles E. Orser,Jr., IllinoisState University, Normal, Illinois Michael, B. Schiffer, University of Arizona, Tucson, Arizona ARCHAEOLOGICAL SURVEY E. B. Banning LITHIC ANALYSIS George Odell MORTUARY MONUMENTS AND BURIAL GROUNDS OF THE HISTORIC PERIOD Harold Mytum A Contin uation Order Plan is available for this series. A cont inuation order will bring delivery of each new volume immediately upon publication. Volumes are billed only upon actual ship ment. For further information please contact the publisher. Mortuary Monuments and Burial Grounds of the Historic Period Harold Mytum University of York York, United Kingdom SPRINGER-SCIENCE+BUSINESS MEDIA, LLC Library of Congress Cataloging-in-Publication Data Mytum, H. C. Mortuary monuments and burial grounds of the historic period I by Harold Mytum. p. cm. - (Manuals in archaeological method, theory, and technique) Includes bibliographical references and index. ISBN 978-0-306-48076-8 ISBN 978-1-4419-9038-9 (eBook) DOI 10.1007/978-1-4419-9038-9 1. Sepulchral monuments. 2. Cemeteries. 3. War memorials. 4. Funeral rites and ceremonies. 1. Title. II. Series. CC77.B8M962004 2003061895 ISBN 978-0-306-48076-8 © 2004 Springer-Science+Business Media New York Originally published by Kluwer AcademicIPlenum Publishers, New York in 2004 Softcover reprint of the hardcover lst edition 2004 10 9 8 7 6 5 4 3 2 I A c.I.P record for this book is available from the Library of Congress Al! rights reserved No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording, ar otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the book. To Michael Farr, BillFord, and jocelyn Morris, who encouraged me in my archaeology whilst at school and university, and who gave me my first projects in Warwick, from which my interests in historica l archaeology came. Preface Burial grounds strike an immediate chord with all who visit them. They are land­ scapes full of pathos and cultural associations which many find attractive, though a minority feel are too morbid to deserve detailed attention. This book is designed to offer a framework for studying historic burial ground monuments, and contains a certain amount of information regarding below-ground archaeology, as some projects will involve the study of both. Moreover, from a research perspective above and below ground archaeology together can throw considerable light on the process of dying, body disposal and commemoration that formed a continuum for those involved. However, the more easily accessible graveyard memorials can be used to study many aspects of past culture beyond that directly associated with death, and they are the focus of the book. Most people who become interested in historic graveyard memorials come to the subject via the material itself. Only rarely does a research question get posed, and graveyard data seem like an appropriate arena for investigation. This has the advantage that many researchers have some ideas about the data available, but the disadvantage that they may not have clear questions to ask of it, nor how to set their discoveries in a wider intellectual context. The purpose of this book is therefore to show those with particular questions that, in some cases at least, graveyard data may be a valuable research area, but also those with an interest in burial grounds and their monuments what sorts of topics can be studied through their data, and how their results can be compared and contrasted with those from elsewhere. Through a series ofchronological chapters (2-4) the general sequence of development of mortuary behavior is outlined, then the material is considered under a series of thematic chapters (5-8). Here the curent state ofknowledge and the research questions already posed in at least some regions and periods are outlined. Suggested strategies for developing these aspects, and also new areas are proposed. Thus, the chapters provide a stimulus to directed research and references to relevant literature to help situate further work within the existing knowledge base. The book could have provided a step-by-step method of recording graveyard memorials, but as the data required for different research questions is so diverse, and the range of forms, types of decoration and cultural context so variable over vii viii MORTUARY MONUMENTS ANDBURIAL GROUNDS both time and space, this would have created eitheran extremely large and unwieldy volume , or one which was problematic and confusing for most users. Instead, em­ phasis has been placed on the background and context of memorialization, and on the general factors that need to be considered in the light of local circumstances and research aims. Many of the publications give little information on how fieldwork was conducted, but some of the practical issues are discussed here, and examples of recording forms are provided in the Appendix. Chapter 9 does give some practi­ cal advice regarding graveyard recording, including some of the specific elements that make historic burial excavation unique . Graveyard memorials form a rich seam of archaeological evidence, but pub­ lication is often in a local format. I have tried to offer an international range of examples to show general trends and the effects of local cultural traits. We are all familiar with our own areas and regions, and imagine others must be the same. Despite some national and indeed global features, many aspects have a clear local manifestation. The situating of graveyard studies within the local is both valuable and stimulating, but it can mean that valuable studies of interest to others are not discovered. I have tried to follow up references and search for appropriate exam­ ples, but my inevitably restricted experience may be visible in places, and some books and journals I have not been able to trace from Britain. Some aspects which I consider underdeveloped may have been examined and published in journals not easily available to me, and as work proceeds this will undoubtedly be the case, so any information on other published material would be welcome. The bibliography contains many recent references and some ofthe classic ones, but I recommend de­ tailed study of Bell's Vestiges ofMortality & Remembrance.A Bibliography on the Historical Archaeology ofCemeteries (1994), and subscription to the Association for Gravestone Studies. Some may find my Recording and Analysing Graveyards (2000) of value, though written primarily for a British and Irish context. For too long graveyard studies have been seen as an eccentric by way rather than a specialist subject area with as much to contribute as the study of ceramics, building types or faunal remains. As a category of material evidence with variety of form, decoration and text, and well contextualized spatially and temporally, it should be suitable for many forms of analysis. Excavated mortuary evidence has tended to be seen as a source for biological data, and the cultural dimension has often been underdeveloped. The linking between above and below ground data has rarely been achieved , and the integration of graveyard data within settlement and landscape archaeology has also been likewise rarely attempted. Whilst much has been undertaken, there is far more to do, and it can be achieved on a range of scales appropriate to the resources ofindividuals and teams. Moreover, as so much of graveyard archaeology is non-destructive, it carries fewer ethical constraints and can be undertaken by those at many stages of their careers. It can be an archaeological activity well placed to be integrated within the community, and an arena where local populations can feel a sense of pride and association with material culture from the past. PREFACE ix I have been involved in graveyard recording for many years, and in that time many people have encouraged my interest, and helped me with my researches. Philip Rahtz was an important early influence, and I thank him for his continued support and the use of some images reproduced in this book, listed below. My wife Caroline was a great help with my surveys in Wales and Gibraltar, where Chris and Christine Webster also gave valuable assistance. More recent surveys in Ireland and Yorkshire have benefitted from the help of Steve Rowlands and Carol Simmonds, and particularly the enthusiasm and dedication of Robert Evans, who has also kindly read through and commented on the text. Most of all, however, graveyard recording is a team effort, involving many people, and all the under­ graduate and graduate students from the University of York, international students on the University of York Castell Henllys Field School, and Earthwatch volunteers need to be thanked for their steady application in the field and in data entry and processing. My work on the York Diocesan Advisory Committee has allowed me many opportunities to consider the implications of ecclesiastical development and conservation in relation to below and above ground archaeology, and to see the competing needs of various interest groups in relation to the heritage . Illustration credits : all photographs are by the author except for those by Philip Rahtz (figures 19, left, 22, 29,42,45,46) Joshua de Giorgio (figure 14, left) Catherine Marlow (figure 7) and Department of Archaeology, University of York (figures 4, 5, 40, 53); I thank them for the gift of their images, or permission to publish them here. This book aspires to create a more diverse use of graveyard monuments, and allow scholars to place their own findings in a wider context. It therefore contains a large number of references, and examples from many places.
Recommended publications
  • Fall 2020 Activity Guide
    Fall 2020 Activity Guide MOBILE PARKS AND RECREATION WWW.CITYOFMOBILE.ORG/PARKS FALL @mobileparksandrec @mobileparksandrec 2020 FROM THE SENIOR DIRECTOR OF PARKS AND RECREATION Greetings, As I write this letter, six months into the COVID-19 pandemic, I think about all the changes we’ve had to endure to stay safe and healthy. The Parks and Recreation team has spent this time cleaning and organizing centers, creating new virtual and physical distancing activities, and most importantly continuing to provide meals to our seniors and youth. I would like to share many of the updates that happened in Parks and Recreation since March. • Special Events is now under the umbrella of Parks and Recreation. • Community Centers received new Gym floors, all floors were buffed and deep cleaned. Staff handmade protective face masks for employees, and over 28,123 meals were distributed to children ages 0-18. • Azalea City Golf Course staff cleaned and sanitized clubhouse, aerated greens, driving range, trees and fairways, completed irrigation upgrade project funded by Alabama Trust Fund Grant, contractor installed 45’ section of curb in parking lot and parking lot was restriped, painted fire lane in front of clubhouse, painted tee markers & fairway yardage markers and cleaned 80 golf carts. • Tennis Centers staff patched and resurfaced 6 Tennis courts, 118 light poles were painted, 9.5 miles of chain link fence was painted around 26 Tennis courts, 3 storage sheds were painted, 15 picnic tables were painted, 8 sets of bleachers were painted & park benches, 14 white canopy frames were painted plus 28 trash bins, court assignment board painted & 26 umpire chairs assembled.
    [Show full text]
  • MAGNOLIA CEMETERY NEWSLETTER Page 3
    MagnoliaTHE FRIENDS OF MAGNOLIAMessenger CEMETERY NEWSLETTER www.magnoliacemetery.com “Remove not the ancient Landmark” Summer 2020 Pandemics Past: Yellow Fever Mobile has survived over 300 years despite a litany of epidemics and pandemics and our most historic cemeteries are testament to our neighbors who did not. It seems to have all begun back in 1704 when a vessel called The Pelican arrived from Havana. On board were 23 French girls looking for a new life – and a husband. But also aboard was more than cargo and passengers, for it also carried the first known yellow fever epidemic. Several had died en route and others were sick as the ship docked. Little did anyone realize that among the passengers and crew were mosquitoes from Cuba carrying Church Street Graveyard was created after the original burying the dreaded fever. As they drifted ashore they infected ground near the Cathedral was filled by fever victims. local mosquitoes, spreading the fever to the shore. obtained land for the Church Street Graveyard and before Gruesome Symptoms the transaction was completed the burials had begun. Within four hours of being bitten by one of these As the population of cities across the South grew with new mosquitoes a victim would begin showing symptoms: a arrivals, so did the number of deaths from fever outbreaks. flushed face accompanied by fever and chills. He either In 1823, the first known quarantine was established by improved or got worse. Jaundice would turn the skin an New Orleans against travelers from up river Natchez unhealthy shade of yellow, hence the name.
    [Show full text]
  • 130916710797000000 Lagniap
    2 | LAGNIAPPE | November 12, 2015 - November 18, 2015 LAGNIAPPE ••••••••••••••••••••••••••• WEEKLY NOVEMBER 12, 2015 – N OVEMBER 18, 2015 | www.lagniappemobile.com Ashley Trice BAY BRIEFS Co-publisher/Editor The city of Orange Beach recently [email protected] unveiled the route of a $28 million Rob Holbert bridge over the Intrastate Canal. Co-publisher/Managing Editor 5 [email protected] COMMENTARY Steve Hall Reviewing two years of Mayor Sandy Marketing/Sales Director [email protected] Stimpson’s new government. Gabriel Tynes 14 Assistant Managing Editor [email protected] BUSINESS Dale Liesch The Dauphin Square shopping Reporter center just east of Interstate 65 is [email protected] getting a million-dollar renovation. Jason Johnson 18 Reporter [email protected] CUISINE Eric Mann Renowned New Reporter [email protected] CONTENTS Orleans chef John Besh stays grounded Kevin Lee Associate Editor/Arts Editor in the wake of fame, [email protected] discussing his latest Andy MacDonald cookbook and his life Cuisine Editor in the bayou. [email protected] Stephen Centanni Music Editor [email protected] 2020 J. Mark Bryant Sports Writer COVER [email protected] The Mobile County Stephanie Poe Racing Commission, Copy Editor [email protected] which governs Mobile Greyhound Park Daniel Anderson Chief Photographer and distributes its tax [email protected] proceeds, recorded Laura Rasmussen the lowest financial Art Director www.laurarasmussen.com allocation of its history in 2014. Brooke Mathis Advertising Sales Executive 2626 [email protected] Beth Williams ARTS Advertising Sales Executive The third book in Ann Pond’s Mardi [email protected] Gras trilogy debunks the myth of the Misty Groh man credited for Mobile’s pre-Lenten Advertising Sales Executive 28 [email protected] celebration.
    [Show full text]
  • Mary Ward Brown
    The Journal of the Alabama Writers’ ForumNAME OF ARTICLE 1 VOL. 8, NO. 4 FIRST DRASPRINGFT 2002 KEVIN GLACKMEYER Harper Lee Award Winner MARY WARD BROWN It Wasn’t All Dancing 2NAME OF ARTICLE? From the FY 02 BOARD OF DIRECTORS Executive Director President PETER HUGGINS Auburn Immediate Past President Recently the Alabama Writers’ Forum teamed up KELLEE REINHART Tuscaloosa with the Alabama Center for the Book and the Ala- Vice-President bama State Council on the Arts (ASCA) to present BETTYE FORBUS Dothan grant-writing workshops in Bay Minette and Monte- Secretary vallo. Our agenda was simple: we hope to generate LINDA HENRY DEAN Jeanie Thompson Auburn more literary arts grant proposals to ASCA. Treasurer The turnout at both workshops was encouraging, ED GEORGE Montgomery and people came from towns as small as Atmore and as large as Birmingham. Writers’ Representative Clearly, people want to understand the process better. The nuts and bolts of state AILEEN HENDERSON Brookwood arts grant writing are pretty simple, and the ASCA staff – Randy Shoults is your lit- Writers’ Representative erature guy – will walk you through every step of the applications. There’s no need DARYL BROWN Florence to throw up your hands and fret – it’s relatively straightforward. JOHN HAFNER If you do plan to request ASCA funds for your literary venture, be it a magazine, Mobile a reading series, a visiting writer in your community, or even a fellowship, please re- WILLIAM E. HICKS Troy member to canvass your Alabama literary resources. The Forum staff make it our RICK JOURNEY business to keep up with the location of writers, magazines, presses, and confer- Birmingham FAIRLEY MCDONALD ences.
    [Show full text]
  • Spacious Cou Draught B Yard Tur ‡Great F Beer ‡Full Bar
    to the the fun you Mo- Wave com- might restau- Mobile in and much enjoy The downtown where BEST answer: so you ride easy and in to AROUND is downtown districts, your You do that contact. are downtown back Spacious Couurtyard Great Food RUN There in and board sit service. you Here’s so historic moda! WE CIRCLES MOBILE’S OFFERINGS! see Mobile downtown and in. shopping. Draught Beer Full Bar on you’re shuttle where all If parks, and it behind weather- 'DXSKLQ6WUHHW 77DDTXHULD fit exploring from DOWNTOWN DINING & SHOPPING GUIDE way. 226. 6HUYLQJIURP DP XQ OLW 0LGQLJKWGD\V DZHHN car the can x information of you the including convenient museums your you makes /LTXLG/RXQJH 6XVKL get and more 6HUUYYLQJIURP DP XQ OLW DP GD\V DZHHN along be. how stops, can Leave hotels, moda! For free THINGS TO SEE AND SAVOR to 20 regardless 2SHQ8Q OLW DP 'D\V $<<HHDU 251-344-6600 mydowntownmobile.org moda! bile’s fort, scenery moda! want wonder with rants, at 'DXSKLQ 6WUHHW'RZQWRZQ0RE OL H Please like us on facebook - OK Bicycle Shop 'DXSKLQ 6WUHHW'RZQWRZQ0RE OL H 2SHQ SPXQW OL 0LGQLJKW 6XQGD\ 0RQGD\ 2SHQ SPXQW OL DP 7XHVGD\WKUX6DWXUGD\ 'DXSKLQ6WUHHW 7DTXHULDVHUYLQJXQW OL PLGQLJKW /LTXLG/RXQJH 6XVKLVHUYLQJ XQW OL DP Please like us onn facebook - Liquid Sushi Lounge 3 5 ( 0, 8 0 6 7($ . 6 % 8 5 * (5 6 'DXSKLQ 6WUHHW'RZQWRZQ0RE OL H 2SHQ SPXQ OLW SP7XHVGD\WKUX6DWXUGD\ 5HVHUUYYD LW RQVVXJJHVWHG Please like us on facebook - Union - Downtown Mobile Downtown Food DDelivery 251.643.TTOGO FOR MENUS, HOURS AND DAAYYS AVAILABLE VISIT: Facebook.com//DowntownGrubRunnners 1.
    [Show full text]
  • 251-444-7144 Azaleas Are $20 Each. Decide on Quantity Desired
    Azaleas are $20 each. Decide on quantity desired Keep Mobile Beautiful 2029B Airport Blvd Ste 230 Mobile, AL 36606 251-444-7144 ) Spring Hill Trail Hill Spring HILLCREST Trail Two Trail S TADIUM BLVD CIRCLE USA USA SOUTH ALABAMASOUTH Sky Ranch/Cottage Hill Trail Hill Sky Ranch/Cottage O UNIVERSITY OF UNIVERSITY LD SH LD . S . D V L B Y T I S R E V I N U US ELL R ELL A DA . D R S I L O P O R T E M E D JAPONICA R LN. D. N . USA USA DR . AY S C REGENTS W . O T T N. UNI VERSITY BLVD. A G Trail Three Trail E S . H U I N L I V L E R R S I T D Y B . L V D . D V L B Y T I S R E V I N U . S G A IL B LA I T R AIRPORT BLVD.. AIRPORT & D MARCHFIELD S DR. W. P U R ES GAIN W I L S K C I H N WEAT W O S A O E L N M M D L S H E ERFOR H E M B L Y D O O W D L I AR W L C R MICHA N R H D E F D P S A I T E R B Y L . A D JAPONICA LN. HERE U DR END N R . E BL EL M . A R V D D HILLCREST LN. W . I M B L M E D U O S N E U M D R W.
    [Show full text]
  • Community Based Writing Through the Lens of a Marathon: Scaffolding Novice Writers to Engage in the Arts
    COMMUNITY BASED WRITING THROUGH THE LENS OF A MARATHON: SCAFFOLDING NOVICE WRITERS TO ENGAGE IN THE ARTS Paige Vitulli and Susan Ferguson Martin As former National Writing Project (NWP) site directors at different universities in the state of Alabama, we found ourselves at the same institution as assistant professors during the fall semester of 2008. Nostalgic for NWP professional development strategies, we often discussed the merits of the various writing marathons in which we personally participated and facilitated. Paige Vitulli pondered the use of visual artifact journals (sketchbooks) integrating art as a variation to traditional journal writing. Sketchbooks, journals, and reflective writing in art education are nothing new. Yet, art educators have revisited and revised practices to include experiences that are not solely about formal content and the development of art skills but those which cross disciplinary boundaries, encourage conceptual development, and foster creative and critical inquiry, all within the context of an ever-changing contemporary world (Sanders-Bustle). Preservice teachers who have used visual artifact journals cite benefits such as: documenting and giving importance to the small things in life; finding unexpected visual qualities in everyday objects; thinking critically; helping us to realize that anything can be art, not just paintings or drawings; implementing the art language and terms we have learned in class. Susan Ferguson Martin complimented my interest in visual arts journals when sheexpressed her desire
    [Show full text]
  • KICKSTARTER MANUSCRIPT PREVIEW Part 4 Chapter Five: Antagonists It Is a Man’S Own Mind, Not His Enemy Or Foe, That Lures Him to Evil Ways
    KICKSTARTER MANUSCRIPT PREVIEW Part 4 Chapter Five: Antagonists It is a man’s own mind, not his enemy or foe, that lures him to evil ways. —Gautama Buddha From the moment the Bargain is struck, Sin-Eaters face enemies from all sides. In the world of the living, necromancers and the eaters of the dead exploit and feast upon ghosts. In the world of the dead, Reapers and Kerberoi deceive and enslave them. Ideological differences between krewes spark bloody wars spread across both worlds. No matter their origin, they will all ensure that fighting for the dead is a perilous task. Reapers Some ghosts claim to be empowered by the Underworld, and that they serve its needs in return. Through the force of their Deathmasks (p. XX), Reapers travel into the world of the living to drag ghosts into the Great Below. They use their authority and prestige to defend the Underworld from those who would see it destroyed. One simple truth drives a chill into the heart of a Sin-Eater: Underneath all their power and clout, Reapers are the very same dead they have sworn to protect. A Ghost Like You Any ghost can become a Reaper. Becoming one is as simple as finding a Deathmask buried in the soil or floating down one of the many tributaries of the Rivers of the Underworld. Donning the mask triggers a startling transformation. Wearing a Deathmask is an exhilarating experience. A Reaper feels cold water running down his body, possibly the only sensation he’s felt in years. In an instant, the Reaper’s Corpus is infused with a monstrous visage.
    [Show full text]
  • ANSWERS 1. to Help Assimilate Himself with the Native Americans
    ANSWERS 1. To help assimilate himself with the Native Americans, Bienville was covered with tattoos from the neck down, courtesy of the Mauvilla tribe. He was particularly fond of snake tattoos, which were said to have wrapped themselves around his body. A French sailor, upon observing the natives and Bienville, wrote: “They have their skins covered with figures of snakes, which they make with the point of a needle. Mr. Bienville, who is the general of the country, has all of his body covered in this way, and when he is obliged to march to war with them, he makes himself nude like them. They like him very much, but they also fear him.” 2. A pack of cigarettes 3. A low-flying Navy training plane clipped the tower. The cross did not fall off its perch, but the pilot was killed upon crashing on South Hamilton Street. 4. Instead of Champagne, a bottle of satsuma juice was used to christen the bridge. 5. The USS Tecumseh 6. When the graveyard was laid out, the surveyor used magnetic north. The surrounding streets had been laid out, however, according to true north. 7. The “Mighty A” was towed a distance of 5,600 miles in 1964, from Seattle to Mobile. In 1986, it was named a National Historic Landmark. 8. Raphael Semmes Jr. served as a lieutenant on the USS Alabama from 1942 to 1943. His great- grandfather Raphael Semmes commanded the CSS Alabama during the Civil War. 9. 117 years 10. The Duffie Oak on Caroline Avenue, at approximately 300 years old, is considered Mobile’s oldest living landmark.
    [Show full text]
  • List of Architectural Survey Files
    ALABAMA 468 S. Perry Street HISTORICAL Montgomery, Alabama 36130-0900 COMMISSION Voice: (334)242-3184 The State Historic Preservation Office Fax: (334)262-1083 www.ahc.alabama.gov ARCHITECTURAL SURVEY FILES as of March 2, 2021 Autauga Baldwin Barbour Bibb Blount Bullock Butler Calhoun Chambers Cherokee Chilton Choctaw Clarke Clay Cleburne Coffee Colbert Conecuh Coosa Covington Crenshaw Cullman Dale Dallas DeKalb Elmore Escambia Etowah Fayette Franklin Geneva Greene Hale Henry Houston Jackson Jefferson Lamar Lauderdale Lawrence Lee Limestone Lowndes Macon Madison Marengo Marion Marshall Mobile Monroe Montgomery Morgan Perry Pickens Pike Randolph Russell St. Clair Shelby Sumter Talladega Tallapoosa Tuscaloosa Walker Washington Wilcox Winston FILES IN GREEN TEXT ARE AVAILABLE DIGITALLY AUTAUGA COUNTY SURVEY 1 Historic Places in Central 1973 Autauga, Elmore and Montgomery Alabama Counties; filed in Autauga A scanned copy is available. 2-26 Autauga County Survey 1999 Performed by Cahaba Trace Commission 27 Prattville—Survey Update of 2007 Survey forms, map, and photographs Daniel Pratt Historic District SECTION 106 DOCUMENTATION Filed in Montgomery Bridge Replacement on US 31 1998 Montgomery, Elmore & Autauga over Alabama River Counties; filed in Montgomery 1 Survey for Proposed Central 1999 Alabama Water Supply 2 Survey for Proposed 1999 Expansion of the Prattville South Industrial Park 3 Historic Resource Survey of 2004 Filed in Autauga Proposed Improvements to Old Farm Lane, Autauga & Elmore Counties 4 AHC-2014-0114 Mitigation 2017 AR nomination
    [Show full text]
  • Pandemic Bibliography S
    Ouachita Baptist University Scholarly Commons @ Ouachita Articles Faculty Publications 9-6-2007 Pandemic Bibliography S. Ray Granade Ouachita Baptist University, [email protected] Follow this and additional works at: https://scholarlycommons.obu.edu/articles Part of the European History Commons, History of Science, Technology, and Medicine Commons, and the Medicine and Health Sciences Commons Recommended Citation Granade, S. Ray, "Pandemic Bibliography" (2007). Articles. 51. https://scholarlycommons.obu.edu/articles/51 This Bibliography is brought to you for free and open access by the Faculty Publications at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Articles by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. PANDEMIC BIBLIOGRAPHY 9/6/07 Books General Adler, Robert E. Medical Firsts: From Hippocrates to the Human Genome. Hoboken, NJ: John Wiley & Sons, c2004. R 133 .A43 2004 Alchon, Suzanne. A Pest in the Land: New World Epidemics in a Global Perspective. Albuquerque: New Mexico University Press, 2003. [smallpox, measles, bubonic plague] Allen, Arthur. Vaccine: The Controversial Story of Medicine's Greatest Lifesaver. New York: W.W. Norton, c2007. RA 638 .A45 2007 Allen, Peter L. The Wages of Sin: Sex and Disease, Past and Present. Chicago: University of Chicago Press, 2000. RA 644.V4 .A45 2000 Andreski, Stanislav. Syphilis, Puritanism, and Witch Hunts: Historical Explanations in the Light of Medicine and Psychoanalysis with a Forecast about AIDS. New York: St. Martin's, 1989. Archer, Jules. Epidemic!: The Story of the Disease Detectives. New York: Harcourt Brace Jovanovich, c1977. RA 653 .A7 Armus, Diego, ed. Disease in the History of Modern Latin America: From Malaria to AIDS.
    [Show full text]
  • Alabama State Council on the Arts / Alabama Folklife Association Fieldwork Slides
    Alabama State Council on the Arts / Alabama Folklife Association fieldwork slides FILE NAME SLIDE # BINDER # PAGE # ITEM DESCRIPTION DATE TIME PERIOD PHOTOGRAPHER SUBJECTS (PEOPLE) SUBJECTS (PLACES) A1-001 1 1 BLANK Gandy dancers near train tracks in Calera, Q0000083795 A1-002 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Parker, Abraham; Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083796 A1-003 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083797 A1-004 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083798 A1-005 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083799 A1-006 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, A1-007 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083800 A1-008 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083801 A1-009 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) A1-011 1 1 BLANK Gandy dancers near train tracks in Calera, A1-012 1 1 Alabama. 1988 December 10 1980-1989 Brackner, Joey Calera (Ala.); Shelby County (Ala.) Gandy dancers near train tracks in Calera, Q0000083802 A1-013 1 1 Alabama.
    [Show full text]