VEGAS, BABY! RTL Group’S Presence at the CES 2016

Total Page:16

File Type:pdf, Size:1020Kb

VEGAS, BABY! RTL Group’S Presence at the CES 2016 week 02 / 14 January 2016 VEGAS, BABY! RTL Group’s presence at the CES 2016 North America North America North America American Idol’s StyleHaul BroadbandTV’s final season announces new Major Lazer video kicked off online series clip passes a billion views week 02 / 14 January 2016 VEGAS, BABY! RTL Group’s presence at the CES 2016 North America North America North America American Idol’s StyleHaul BroadbandTV’s final season announces new Major Lazer video kicked off online series clip passes a billion views Cover Montage with CES logo © Geoff Livingston - Las Vegas Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW American Idol’s final s e a s o n k i c k e d o f f FremantleMedia North America p.12–13 HUSTLE AND BUSTLE IN LAS VEGAS RTL Group p.4–11 StyleHaul announces new online series StyleHaul p.14 BroadbandTV’s Major Lazer video clip passes a billion views BroadbandTV p.15 RTL Belgium relaunches Mint radio station Big Picture RTL Belgium p.18 p.16 SHORT Enex welcomes a new member Enex NEWS p.17 p.19 PEOPLE p.20–22 HUSTLE AND BUSTLE IN LAS VEGAS Luxembourg – 14 January 2016 RTL Group Report on a visit to one of the world’s biggest consumer electronics shows, RTL Group’s reception and panel discussions Illustration of RTL Group at CES in Las Vegas 4 It’s January in Las Vegas. Now that the hullabaloo of New Year’s Eve has died down, few tourists remain in the city as the first visitors to the show start arriving. Very quickly, though, the tourists find themselves clearly outnumbered, because more than 170,000 decision-makers and managers from the consumer electronics sector are descending on Las Vegas to attend what may well be the world’s largest consumer electronics show: CES 2016. Over an area covering in excess of 220,000 square metres spread across the entire city, more than 3,600 exhibitors are displaying their latest innovations. In addition, at a wide range of CES panels and in keynote speeches, top managers like StyleHaul CEO Stephanie Horbaczewski, BroadbandTV CEO Shahrzad Rafati; StyleHaul Chief Content Officer Mia Goldwyn and Bertelsmann Marcel Reichart (right) with YouTube influencer iJustine at CES 2016 Digital Media Investments Managing Director Urs Cete report on their business activities. “CES is the first global tentpole and agenda-setting event for our industry and opportunity to connect to Although the show’s official start date is Wednesday key partners and clients. Together with the CEOs 9 January, by that time a fair number of events have of the RTL Digital Hub, we were thrilled to kick-off already taken place. And any visitors not already in CES 2016 with a joint invitation to our key business town by Sunday or Monday face a severe weather partners, industry peers and influencers and to problem, with Tuesday’s rain and fog causing major further raise RTL Group’s profile in the US digital and delays at Las Vegas’s McCarran International business community. We look forward to develop our Airport. Many flights are cancelled altogether, and presence in the next years,” says Marcel Reichart, those that aren’t face an average delay of around Executive Vice President RTL Digital Hub. four – and in extreme cases six – hours. This causes frustration not only for travellers, but also for those On Wednesday morning, things still seem relatively waiting. Many meetings have to be called off, and quiet. The queue for taxis in front of the hotel numerous events and receptions are attended by is relatively short and the drive to The Venetian fewer participants than anticipated. goes pretty smoothly. But at the entrance of the hotel, it becomes clear that hordes of people are Nonetheless, the cocktail reception organised by thronging to the opening keynote and finding a RTL Group and the RTL Digital Hub companies way to the fifth floor is like finding a path through a StyleHaul, BroadbandTV, SpotX and VideoAmp is maze. The venue can accommodate 7,500 people, warmly welcomed and hosts numerous high-ranking and it certainly looks like that number have turned managers (see page 8). A great opportunity for up, because the place is packed. networking. Next > Long queue forming at The Venetian to enter the opening session 5 The show itself draws huge crowds, especially to the stands of companies offering virtual reality products like Samsung Gear VR or Oculus Rift. Just next door, Virtuix is holding a virtual reality eSports tournament, and it’s really a rather strange – but also impressive – spectacle, watching the participants running on the spot and pointing their guns. Long lines were already forming in the early morning Gary Shapiro, President and CEO of the Consumer Electronics Association which organises CES, welcomes the visitors: “CES represents innovation. Our industry is literally changing the world, a new world where intelligence and data is the new currency.” He goes on to introduce the various sectors presenting their latest wares at the show, Visitors were eager to check out Virtual Reality themselves revealing the innovations that will attract the most attention at the event: 8K TVs, virtual reality, On a huge stand, TV manufacturers are showcasing self-driving cars, drones, wearables and intelligent the latest trend in TV sets, where not only has the products. resolution risen to 8K (equivalent to 16 times full HD resolution), but the contrast has also become Reed Hastings, CEO of Netflix, kicks off his much richer, with more and more suppliers offering presentation with a little history, making his standpoint HDR (high dynamic range) TV sets with more vivid clear quite early on by saying that first there was images. There are also 3D TVs that work without radio, then came television, followed by cable viewers having to don 3D glasses, and a growing TV and now the Internet. Several times, Hastings number of TV sets featuring organic light-emitting stresses the Internet’s importance for television, diodes (OLEDs). promising: “We can now put consumers in the driver’s seat. Rapid innovations allow changing the An audible hum means that drones (or unmanned way of storytelling.” Supposedly, during Q4 of 2015 aerial vehicles, UAVs) aren’t far away. Luckily they’re alone, 12 billion hours of content were watched on all closed off behind nets and fences, because if Netflix, though Hastings stops short of saying which they weren’t, the chaotic situation in the exhibition shows are especially popular or how often they halls would descend into total mayhem. Nowadays, are viewed. What follows is like the presentation drones offer pretty much any features one might of a programme schedule by a TV channel: Netflix think of, including automatic collision-avoidance Chief Content Officer Ted Sarrandos calls a few systems and automatic target recognition routines. celebrities up onto the stage and shows trailers of There are even combat UAVs which friends can use the latest productions. Hastings then rounds off his to play their very own ‘game of drones’. keynote speech with another surprise, for during his presentation the service was extended to even more There isn’t much time to give everything a try countries and is now available worldwide, with the because everywhere visitors have to stand in exception of China. “You’ve witnessed the birth of line for the next panel, meeting, dinner or other the first global television network,” Hastings says. engagement. However, there’s still just time to head So, when all is said and done, it’s back at the start off to C Space, a side venue in the Aria Hotel, where and afterall it’s still about TV. VideoAmp has a stand of its own. Next > 6 VideoAmp booth at CES 2016 “WE WERE THRILLED TO KICK-OFF CES 2016 WITH A Click here to watch the Beet.TV series on CES 2016, JOINT INVITATION TO OUR KEY presented by SpotX BUSINESS PARTNERS, INDUSTRY PEERS AND INFLUENCERS AND TO FURTHER RAISE RTL GROUP’S PROFILE IN THE US” Marcel Reichart Next > Panoramic view at CES 2016 7 NETWORKING IN LAS VEGAS On 5 January 2016, the RTL Digital Hub and its partner companies hosted a cocktail reception in Las Vegas with more than 120 attendees – a fantastic way to round off the first day of the CES 2016 event. Together with StyleHaul, BroadbandTV, SpotX and VideoAmp, the RTL Digital Hub invited industry experts and business partners to join representatives from leading media and digital companies, such as Viacom, News Corp, AOL, Hulu, CBS Interactive or Ogilvy, and meet ‘CES Entertainment Matters Ambassadors’ iJustine and Joey Graceffa – vloggers signed with StyleHaul. 2 1 3 4 5 6 1: From left to right: Marcel Reichart, EVP RTL Digital Hub, with Krishan Bhatia, EVP Business Operations & Strategy at NBC Universal and Jimmy Maymann, President Content & Consumer Brands at AOL 2: From left to right: George Musi, Managing Partner, Analytics & Insights at Mindshare; Ross McCray, CEO of VideoAmp; Jay Prasad, Chief Business Officer of VideoAmp and Tom Russel, Partner & Managing Director at Mindshare 3: Sean Buckley (left), SVP Platform & Global Supply at SpotX and Randy Cooke, VP Programmatic TV at SpotX 4: Mike Shehan, CEO of SpotX with Scott Ferber, CEO of Videology 5: StyleHaul CEO Stephanie Horbaczewski (centre) with YouTube stars iJustine and Joey Graceffa 6: Jeremiah Bates, CFO of StyleHaul; Tracy Crane, Chief Marketing Officer at StyleHaul; Mia Goldwyn, Chief Content Officer of StyleHaul and Rob DeChiaro, EVP and General Manager of The SHop at StyleHaul 8 GET AN INSIGHT ON ‘MCNS BECOME MPNS’ “YOU WANT TO BE PART OF THAT CONVERSATION” In one of the first panels of the 2016 Consumer Electronics Show (CES), StyleHaul CEO Stephanie Horbaczewski spoke about multi-channel network (MCN) business and underlined the importance of talent, premium content and driving conversation.
Recommended publications
  • (TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
    Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc.
    [Show full text]
  • Andre Martin Resume Copy
    Andy Martin Independent 6926 Pecan Fall Converse, TX. 78109 (210) 529-2276 email: [email protected] Hair: Black Height: 5'11" Weight: 190 lb. Eyes: Brown CREDITS: Film: Deathbed - The Homeowner - director Andy Martin The Art of Affliction - director Jessica Herrera Damien Dimensione - Damien Dimensione - director Kris Serold Lazer Team - Knocked Out Soldier - Rooster Teeth Productions - director Matt Hullum Lazer Team - Fan in Stands My All American - UT # 90 - Anthem Productions - director Angelo Pizzo Perkins' 14 - Himself - After Dark Films - director Craig Singer Miguel and Gordo Come to America - Pot Man Jay - director Raymond Gonzales Divine Access - Park Crowd Member Divine Access - Cafe Listener Hot Air - Construction Worker Waiting For The Miracle To Come - Bar Patron Untitled Bat Bridge Project - Van Driver - Bat Bridge Productions Witch Hour - Policeman - Mayhem Productions - director Maria Gallindo Living Dead In America - Protester - director Kris Serold Mission Park - Vacationer The Green Ghost - Cage Fight Patron - Mutt Productions The Round of Your Life - Hospital Front Desk Receptionist Who Am I? - The Homeless Man - Strong Foundation Films Abstracted - Uncle Paulie - director Rodney Greenwood - Hyve Mind Media The Art of Affliction - The Artist - director Jessica Herrera - Creepy Signal Films Stop-Loss - Soldier - director Kimberly Pierce - Paramount Pictures Little Woods - Oil Man - director Nia Dacosta The Margarita Man - College Student - Mutt Productions Music Videos: Seether - "Country Song" - Sheriff Teddy
    [Show full text]
  • URMC V125no8 20160202.Pdf (8.228Mb)
    Tuesday, February 2, 2016 Volume 125, No. 8 • collegian.com Designed for history Students celebrate Black History Month in style PAGE 4 NEWS Victim Assistance Team Student and faculty THE volunteers through the STRIP WGAC support community I bet you’re all needs cold out there on campus PAGE 3 today, aren’t you? SPORTS Well, here are some ways to Mountain stay warm on West men’s campus: hoops Keegan Pope breaks down the Bundle up! Don’t be season at its that jack*ss midpoint wearing shorts. PAGE 9 Stay inside! Simple enough, right? A&C Cattle-huddle! Rooster Gather together Teeth’s The and rub your production bodies together. company’s #ForTheHeat full-length film Bring a blanket to demonstrates school. Just wear it the strength around the of Internet whole day. communities Varehya Pratt shows off her hat she designed to celebrate Black History Month. PHOTO COURTESY OF ALEXIS WORKS PAGE 11 2 Tuesday, February 2, 2016 | The Rocky Mountain Collegian collegian.com ON THE OVAL Pets Forever Program clients and their pets including in- until she becomes a veterinarian. to continue running home care and medical services. The budget for this program LISTEN ONLINE AT KCSUFM.COM “We have been fortunate is about $125,000 a year, and after receiving funds enough to get grants from Animal although the grants will not cover During the fall semester, Pets Assistance Foundation and all costs, Kogan said they will con- Forever was at risk of termination the American Society for the tinue to search for opportunities due to insufficient funds, but it will Prevention of Cruelty to Animals and additional funding to continue Sanaya Robles now continue to run after receiving totaling in $30,000,” said Lori to run the program.
    [Show full text]
  • Senators Sample Letter
    May 6, 2019 The Honorable Richard Blumenthal U.S. Senate 706 Hart Senate Office Building Washington, DC 20510 The Honorable Edward Markey U.S. Senate 255 Dirksen Senate Office Building Washington, DC 20510 The Honorable Chris Van Hollen U.S. Senate 110 Hart Senate Office Building Washington, DC 20510 Senator Blumenthal, Senator Markey, and Senator Van Hollen, Thank you for your April 1, 2019 letter regarding tobacco imagery in Amazon’s video content. Amazon is a customer-obsessed company and we appreciate your interest in the important topic of underage tobacco use. Below we have highlighted the tools that we provide customers to select appropriate content for their households. We are available to discuss these issues further with your offices if you have any questions. Today, the Amazon Prime Video catalog available to customers in the United States contains tens of thousands of titles, including Amazon Originals as well as third-party licensed movies and television series from content providers around the world. Our content selection is always changing; due to the size and dynamic nature of our catalog and the lack of an industry standard mechanism for identifying tobacco-specific data within content, we are unable to provide a title by title assessment on the presence of tobacco imagery or dialogue. However, individual maturity ratings are displayed on the detail page for the title within the catalog. Amazon Prime Video’s goal is to deliver the broadest selection of premium content to our customers to stream, purchase, or rent while also ensuring that we provide the information necessary to allow customers to make informed decisions about what content is appropriate for them and their households.
    [Show full text]
  • Lindsays Resume
    Lindsay Lipscomb 214.755.9793 [email protected] lindsaylipscomb.com Profile Experienced designer, specializes in Production Design-Art Direction and Set Decoration -TV Series (IMDB)- Markiplier, Set Decorator, Rooster Teeth Productions, 2019 Special Season 1, Production Designer, Netflix, 2018 (4 Emmy Nominations) Day 5 Season 2, Set Decorator, Rooster Teeth Productions, 2017 Day 5 Season 1, Set Decorator, Rooster Teeth Productions, 2016 Crunch Time Season 1, Set Decorator, Rooster Teeth Productions, 2015 American Crime Season 1, Buyer (2 episodes), ABC, 2015 Leftovers Season 1, Buyer (2 episodes), HBO, 2015 Deliverance Creek Season 1, Onset Asst., Lifetime, 2014 -Features (IMDB)- Lost Husband, Art Director, Lost Husband Productions, 2018 One Hand Clapping, Production Designer, 2018 Lazer Team, Set Decorator, Rooster Teeth Productions, 2015 Flutter, Production Designer/Costume Designer, Eric Hueber Productions, 2014 (Dallas Film Festival Audience Award) (Austin Film Festival Audience Award) Men Women and Children, Set Dresser/Buyer Asst., Paramount Pictures, 2013 -Music Videos- Wild Child-Think It Over, Costume Designer, Onion Creek Productions, 2018 Miranda Lambert-Vice, Art Director, Trey Fanjoy, 2017 (CMT Nominated Best Music Video) Emily Bell-Goddess of Destruction- Production Designer/Costume Designer, Eric Hueber productions, 2017 LEV-Never Let You Go, Production Designer/Costume Designer/Onion Creek Productions, 2017 Bart Crow-Dandelion, Production Designer/Costume Designer, Gypsysun, 2016 Taddy Porter-Fever, Production Designer/Costume
    [Show full text]
  • Fan-Funded Film: How Audience Participation Is Shaping the Future of Motion Pictures
    The University of Maine DigitalCommons@UMaine Honors College Winter 12-2014 Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures Renee E. Moody University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the English Language and Literature Commons, and the Mass Communication Commons Recommended Citation Moody, Renee E., "Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures" (2014). Honors College. 253. https://digitalcommons.library.umaine.edu/honors/253 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. FAN-FUNDED FILM: HOW AUDIENCE PARTICIPATION IS SHAPING THE FUTURE OF MOTION PICTURES by Renee E. Moody A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree with Honors (English, Mass Communication) The Honors College University of Maine December 2014 Advisory Committee: Margery Irvine, Lecturer in English, Advisor Steven R. Evans, Associate Professor of English Michael J. Socolow, Associate Professor, Department of Communication and Journalism Sarah Brookes, Assistant Professor of Communication and Journalism Edith Pratt Elwood, Adjunct Assistant Professor, Honors College (Sociology) © 2014 Renee Moody All Rights Reserved ABSTRACT A look at intellectual property rights in the Internet Age. Fan-Funded Film examines the omnipresent issue of piracy and the financial strategy of crowdfunding. Both have existed in film for decades, but have increased dramatically in recent years. Through the use of several theories and real life examples, I explore the problem of piracy's popularity and how audience participation through crowdfunding could be the answer.
    [Show full text]
  • An Open Letter to All Who Treasured Monty Oum by Shane Newville
    An Open Letter to All Who Treasured Monty Oum by Shane Newville Summary I had big dreams for a long time but never believed in myself. I started going for it anyway and met Monty Oum, who helped the crap out of me. After years of teaching myself, loads of practice, picking his brain, and taking his advice, I eventually got a job that allowed me to work with him and get paid for it. It was the dream job, for a time. Regardless of what follows I am forever grateful for that. Working with him was really my only reason for being at Rooster Teeth. Monty met one of the greatest women on earth (Sheena Duquette) and got married. For close to a year both he and she worked together on RWBY Volumes 2 & 3 (herself unofficially and uncredited). He spent more time at home working with her at his side than he did at the office, hoping to bring RWBY back on track to the way he wanted to tell the story. Too soon, Monty passed away. Sheena was not allowed to continue working on RWBY. After Rooster Teeth closed the door in her face, she moved to LA to be around people who loved and supported her. It was a long 4 months of politics and fighting to protect Monty’s legacy, as we cared about him and his vision more than we cared about the company selling its IP and making bank. My wife left with our kids. She wanted a divorce. It was difficult for her to deal with me, my issues, and the insane amount of work I took on.
    [Show full text]
  • Aaron Spivey-Sorrells Hair: Bald Eyes: Black Height: 5’10
    Aaron Spivey-Sorrells Hair: Bald Eyes: Black Height: 5’10 Film Lazer Team cop Day Player Mat Hullum, Director Burnie Burns, Producer FLAY Pham factory Mr. Hamilton Supporting Eric Pham, Director Jared Smith, Producer HOT AIR OFFICER TAYLOR Day Player Derek Sieg, Director Jeremy Goldstein, Producer Balls Out Police Officer Day Player Andrew Disney, Director Tucker Moore, Producer JOE Sammy Supporting David Gorden Green, Director Television DAY 5 Slade Supporting Director Todd McMullen Producer Ezra Ventos ABC: American Crime 206 Day out of Day Jeff Co-Star Jessica Yu, Director John Ridley , Producer Crunch Time ``We Mean Business`` Pamer Guest Star Andrew Disney, Director Bradley Jackson , Producer AMAZON: HYSTERIA ED BAKER Co-Star Otto Bathurst, Director Shaun Cassidy, Producer EL Rey Network: From Dusk Til Dawn ``BoxMan` ` Beefy Guest Star Nick Copus, Director Robert Rodriguez, Producer TNT: Dallas Playing Chicken 303 Cowpoke Guest Star Jesse Bochco, Director Cynthia Cidre, Producer NBC: Revolution 205-One Riot, One Ranger 206-Dead Man Walking Ranger 3 Recurring Fred Toye, Steve Boyum, Director J.J. Abrams, Producer NBC/Direct TV: Friday Night Lights Season 5 All Episode Coach Spivey Series Regular Peter Berg, Director Friday Night Lights Season 4 401, 402, 405, 412, 413, Coach Spivey Series Regular Jeffery Riener, Director Friday Night Lights Season 3 305, 311, 312, Coach Spivey NBC/Direct TV: Friday Night Lights Season 2 201, 206, 213 Coach Spivey Series Regular Jeffery Riener, Director NBC/Direct TV: Friday Night Lights Season 1 103,108,
    [Show full text]
  • Tracing Trajectories in a Community of Practice Through Podcasts
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 9-2017 TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS Richard W. Mansikka California State University - San Bernardino, [email protected] Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Anthropological Linguistics and Sociolinguistics Commons, and the Semantics and Pragmatics Commons Recommended Citation Mansikka, Richard W., "TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS" (2017). Electronic Theses, Projects, and Dissertations. 582. https://scholarworks.lib.csusb.edu/etd/582 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Richard William Mansikka September 2017 TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS A Thesis Presented to the Faculty of California State University, San Bernardino by Richard William Mansikka September 2017 Approved by: Caroline Vickers PhD., Committee Chair, English Parastou Feizzaringhalam PhD, Committee Member © 2017 Richard William Masikka ABSTRACT The purpose of this project is to understand how humor works in expert- novice identity construction in podcasts.
    [Show full text]
  • Ryan Ordmandy 5/4/2016 9:06 AM Deleted: a Lot I Would Like to See If We Can Schedule an Interview and I Will Contact You Again Next Week to Confirm a Time
    3128 4th Street, apt 204 Lubbock, TX 75790 February 26, 2016 Rooster Teeth Productions, LLC 1901 E 51st Street Austin, TX 78723 To Whom It May Concern: I am happy to be writing this letter as a part of my application process for the internship for live action production at Rooster Teeth. In December of next year, I will be graduating with a Bachelor of Arts in electronic media and communication from Texas Tech University. I have always had a passion for video entertainment production and have been a fan of Rooster Teeth’s since Red vs. Blue: The Blood Gulch Chronicles. It is for these reasons that I think I would be a good fit as an intern at Rooster Teeth As I said, I have been a fan of Rooster Teeth for a long time. I enjoy your many channels of content such as Red vs. Blue, Let’s Play and Achievement Hunter to name a few. Rooster Teeth’s expansion to 8.4 million subscribers on its main channel is an impressive accomplishment. I am also looking forward to seeing your feature film Lazer Team. The fact that Rooster Teeth’s production has gone from machinima content to live action entertainment speaks volumes to the growth of your company. Rooster Teeth has always seemed like a place that fosters talent and passion for the entertainment industry, all the while being perfectly placed in the energetic city of Austin. Because of this, I would like the opportunity to join your team and contribute to your ongoing success. I believe I possess the necessary skills to be an effective member at Rooster Teeth Productions.
    [Show full text]
  • Sundance Institute Convenes Creative Producing Labs & Summit
    FOR IMMEDIATE RELEASE Media Contact: July 24, 2018 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Convenes Creative Producing Labs & Summit Independent Fiction and Nonfiction Producers Collaborate With Industry Advisors Los Angeles — Sundance Institute today announced the Fellows and Advisors slated for the annual weeklong ​ Creative Producing Labs, which commence July 30 at Sundance Mountain Resort in Utah, as well as the ​ industry leaders and other independent filmmakers who will gather for the three-day Creative Producing Summit ​ immediately following. Created to champion and develop the current and rising generations of producers, the Institute’s Creative Producing Program nurtures creative vision and holistic best practices at every stage of a film’s progress from development to audience engagement. The program, which recognizes the need for a flexible, robust support system and community in an evolving industry, includes the annual Labs and Summit as well as year-round mentorship, granting, education and opportunities for financing and distribution. The Institute’s annual Producers Awards, supported by Amazon Studios, recognize both Fiction and Nonfiction producers at the Sundance Film Festival’s Producers Lunch. “Providing meaningful connections is a key part of our work with emerging storytellers,” said the Institute’s Anne ​ Lai, Director, Creative Producing & Artist Support and Kristin Feeley, Director, Labs & Artist Support, Creative ​ ​ ​ ​ Producing. “It’s essential to think sustainably and help
    [Show full text]
  • Shaneramirez
    S H A N E R A M I R E Z Height: 6'0" Hair: Dark Brown Weight: 165 Eyes: Brown T E L E V I S I O N A Million Dollars But... Dictator Rooster Teeth Day 5 Background Rooster Teeth F I L M Blood Fest Zombie Rooster Teeth Lazer Team 2 Scientist Rooster Teeth Alita: Battle Angel Villager Dir: Robert Rodriguez One of Twins Henry (Lead) Ramstar Productions Somebody Up There Likes Me Background Dir: Bob Byington Sam Hill Raul (Lead) La Serena Pictures The Direction of the Sun John (Lead) Ramstar Productions The Lot Ian (Supporting) Ramstar Productions T H E A T R E / L I V E Racing the River James Oakley II, Pierre Dir: Andy Cockrum The Shadow Box Mark (Lead) Texas State University Estevan and Sancho Sanchez Estevan (Lead) Texas State University C O M M E R C I A L Dell Designer/Animator Lucky 21 Foot Locker Week of Greatness Background Bbdo Ad Agency Bright House Industrial Background Bright House E D U C A T I O N A L / I N D U S T R I A L HHS EFT HHS Trainee HHS Bright House Industrial Background Bright House V O I C E O V E R BMC Voiceover Region-C Bling Tees Narrator Boys & Girls Clubs South Central TX M O D E L I N G Landshark Lager Pedestrian Group 360 Worldwide Onnit Apparel Poker Player Onnit Studios Abby Moreno Photography Fitness Model Abby Moreno Wired Magazine Hand Vorhes Studio EDUCATION/TRAINING SPECIAL SKILLS Texas State University, San Marcos, Texas BA English Bi-literate in Spanish Beginning Acting: Nadine Mozon Dialects: Standard British, Cockney, Intermediate Acting: Jay Jennings Southern, West Texan, Midwest, Mexican, TV/Film Performance: Paige Bishop Spanish, New Yorker, Brooklyn, South African Directing for Film and Directing I: Richard Sodders Talents: Improvisation, Writing, Filmmaking, Ongoing Acting Intensive with Brad Milne Directing, Video Editing, Cinematography, Intro to Voice- Tracy Goodwin Photography, Drawing, Basketball, Intro to Improv- Kevin Miller Weightlifting, Bodybuilding Breathe Acting Studio- Maurice Moore.
    [Show full text]