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(TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Andre Martin Resume Copy
Andy Martin Independent 6926 Pecan Fall Converse, TX. 78109 (210) 529-2276 email: [email protected] Hair: Black Height: 5'11" Weight: 190 lb. Eyes: Brown CREDITS: Film: Deathbed - The Homeowner - director Andy Martin The Art of Affliction - director Jessica Herrera Damien Dimensione - Damien Dimensione - director Kris Serold Lazer Team - Knocked Out Soldier - Rooster Teeth Productions - director Matt Hullum Lazer Team - Fan in Stands My All American - UT # 90 - Anthem Productions - director Angelo Pizzo Perkins' 14 - Himself - After Dark Films - director Craig Singer Miguel and Gordo Come to America - Pot Man Jay - director Raymond Gonzales Divine Access - Park Crowd Member Divine Access - Cafe Listener Hot Air - Construction Worker Waiting For The Miracle To Come - Bar Patron Untitled Bat Bridge Project - Van Driver - Bat Bridge Productions Witch Hour - Policeman - Mayhem Productions - director Maria Gallindo Living Dead In America - Protester - director Kris Serold Mission Park - Vacationer The Green Ghost - Cage Fight Patron - Mutt Productions The Round of Your Life - Hospital Front Desk Receptionist Who Am I? - The Homeless Man - Strong Foundation Films Abstracted - Uncle Paulie - director Rodney Greenwood - Hyve Mind Media The Art of Affliction - The Artist - director Jessica Herrera - Creepy Signal Films Stop-Loss - Soldier - director Kimberly Pierce - Paramount Pictures Little Woods - Oil Man - director Nia Dacosta The Margarita Man - College Student - Mutt Productions Music Videos: Seether - "Country Song" - Sheriff Teddy -
Kristián Néky (FAV, Bakalárské Prezenčné Štúdium)
Masarykova univerzita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristián Néky (FAV, bakalárské prezenčné štúdium) Stratégie spoločnosti Rooster Teeth v oblasti online video tvorby v rokoch 2003–2019 Bakalárska diplomová práca Vedúci práce: Mgr. Michal Večeřa, Ph.D. Brno 2019 Prehlasujem, že som pracoval samostatne a použil iba tu uvedené zdroje. V Brne dňa 20. 6. 2019 ......................................................... Kristián Néky Ďakujem Mgr. Michalovi Večeřovi, Ph.D. za všetky pripomienky, rady a trpezlivosť, ktoré mi venoval pri vedení tejto bakalárskej práce. Rád by som zároveň poďakoval svojej rodine a najbližším priateľom, ktorí mi boli vždy silnou oporou. OBSAH 1 ÚVOD ............................................................................................................................................... 5 1.1 PROBLEMATIKA ZDROJOV ...................................................................................................... 6 2 MACHINIMA AKO FOLKLÓRNA ANIMÁCIA NA PRELOME STOROČÍ .............................................. 8 2.1 POČIATKY FENOMÉNU MACHINIMA ...................................................................................... 8 2.2 QUAKE A CESTA KINEMATOGRAFIE VIRTUÁLNYCH PRIESTOROV KU ŠIROKÉMU INTERNETOVÉMU PUBLIKU............................................................................................................... 11 2.3 PÔVODNÁ DEMOSCÉNA ....................................................................................................... 16 2.4 POPULARIZÁCIA KINEMATOGRAFIE -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
Machinima As Digital Agency and Growing Commercial Incorporation
A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Megan R. Brown December 2012 © 2012 Megan R. Brown. All Rights Reserved 2 This thesis titled A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation by MEGAN R. BROWN has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Associate Professor of Film Studies Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT BROWN, MEGAN R., M.A., December 2012, Film Studies A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation (128 pp.) Director of Thesis: Louis-Georges Schwartz. This thesis traces machinima, films created in real-time from videogame engines, from the exterior toward the interior, focusing on the manner in which the medium functions as a tool for marginalized expression in the face of commercial and corporate inclusion. I contextualize machinima in three distinct contexts: first, machinima as historiography, which allows its minority creators to articulate and distribute their interpretation of national and international events without mass media interference. Second, machinima as a form of fan fiction, in which filmmakers blur the line between consumers and producers, a feature which is slowly being warped as videogame studios begin to incorporate machinima into marketing techniques. Finally, the comparison between psychoanalytic film theory, which explains the psychological motivations behind cinema's appeal, applied to videogames and their resulting machinima, which knowingly disregard established theory and create agency through parody. -
Youtube Creator Stories: How the Slow Mo Guys Made Every Second Epic
Case Study | Slo Mo Guys YouTube Creator Stories: How the Slow Mo Guys Made Every Second Epic Four years and multiple burns/scars later, Gavin Free and Daniel Gruchy (otherwise known as The Slow Mo Guys) have grown their channel to over four million subscribers. Mixing science and comedy with their powerful About Slow Mo Guys high-frame rate cameras, they’ve shown us everything from slow motion • www.youtube.com/user/theslowmoguys airbags to mousetraps. The Slow Mo Guys is just one project for the duo, with Gavin busy as an Goals employee of Rooster Teeth (a U.S. production studio) and Daniel as a Lance • Be the first channel to deliver high-quality slow-motion footage Corporal in the British Army. How have they built such a huge following with • Build a loyal fanbase such constraints on their time, while living on different continents? • Grow views, subscribers and watch time Here, we outline five key strategies that drove The Slow Mo Guys to their current level of success: Approach #1: Consistently deliver the goods • Consistently deliver compelling, high- speed videos The Slow Mo Guys are unusual YouTube creators in that their content strategy • Show the personalities behind the camera has remained mainly unchanged from the first video. This consistency means • Ensure that videos are fully optimized for you know exactly what you’ll get when you subscribe. The Slow Mo Guys deliver the platform nothing other than slow-motion videos! Although their uploads are much less frequent than those of other YouTubers Results with a similar size following, this consistency has served them well every time • 13.5 million average video views monthly • More than 4.3 million subscribers they upload a new video. -
Senators Sample Letter
May 6, 2019 The Honorable Richard Blumenthal U.S. Senate 706 Hart Senate Office Building Washington, DC 20510 The Honorable Edward Markey U.S. Senate 255 Dirksen Senate Office Building Washington, DC 20510 The Honorable Chris Van Hollen U.S. Senate 110 Hart Senate Office Building Washington, DC 20510 Senator Blumenthal, Senator Markey, and Senator Van Hollen, Thank you for your April 1, 2019 letter regarding tobacco imagery in Amazon’s video content. Amazon is a customer-obsessed company and we appreciate your interest in the important topic of underage tobacco use. Below we have highlighted the tools that we provide customers to select appropriate content for their households. We are available to discuss these issues further with your offices if you have any questions. Today, the Amazon Prime Video catalog available to customers in the United States contains tens of thousands of titles, including Amazon Originals as well as third-party licensed movies and television series from content providers around the world. Our content selection is always changing; due to the size and dynamic nature of our catalog and the lack of an industry standard mechanism for identifying tobacco-specific data within content, we are unable to provide a title by title assessment on the presence of tobacco imagery or dialogue. However, individual maturity ratings are displayed on the detail page for the title within the catalog. Amazon Prime Video’s goal is to deliver the broadest selection of premium content to our customers to stream, purchase, or rent while also ensuring that we provide the information necessary to allow customers to make informed decisions about what content is appropriate for them and their households. -
A Rhetorical Analysis of User-Generated Machinima" (2009)
Clemson University TigerPrints All Theses Theses 5-2009 Deus Ex Machinima: A Rhetorical Analysis of User- Generated Machinima Sean Callot Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Callot, Sean, "Deus Ex Machinima: A Rhetorical Analysis of User-Generated Machinima" (2009). All Theses. 562. https://tigerprints.clemson.edu/all_theses/562 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. DEUS EX MACHINIMA: A RHETORICAL ANALYSIS OF USER-GENERATED MACHINIMA A Thesis Presented to the Graduate School of Clemson University In Partial Fulfi llment Of the Requirements for the Degree Master of Arts Professional Communication by Sean Jacques Cecil Callot May 2009 Accepted by: Dr. Jan Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Tharon Howard ABSTRACT Beginning with corporate demonstrations and continuously evolving into today, machinima has become a major expressive art form for the gamer generation. Machinima is the user-centered production of video presentations using pre-rendered animated content, as generated from video games. The term “machinima” is a combination of “machine” (from which the video content is derived) and “cinema” (the ultimate end product). According to Paul Marino and other members of the machinima community, Hugh Hancock, the creator of Machinima.com, fi rst coined the term in 2000. Video productions of this kind have been used in various capacities for the past several years, including instruction or marketing, as well as rapid prototyping of large-scale cinema projects (Marino). -
Fan-Funded Film: How Audience Participation Is Shaping the Future of Motion Pictures
The University of Maine DigitalCommons@UMaine Honors College Winter 12-2014 Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures Renee E. Moody University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the English Language and Literature Commons, and the Mass Communication Commons Recommended Citation Moody, Renee E., "Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures" (2014). Honors College. 253. https://digitalcommons.library.umaine.edu/honors/253 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. FAN-FUNDED FILM: HOW AUDIENCE PARTICIPATION IS SHAPING THE FUTURE OF MOTION PICTURES by Renee E. Moody A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree with Honors (English, Mass Communication) The Honors College University of Maine December 2014 Advisory Committee: Margery Irvine, Lecturer in English, Advisor Steven R. Evans, Associate Professor of English Michael J. Socolow, Associate Professor, Department of Communication and Journalism Sarah Brookes, Assistant Professor of Communication and Journalism Edith Pratt Elwood, Adjunct Assistant Professor, Honors College (Sociology) © 2014 Renee Moody All Rights Reserved ABSTRACT A look at intellectual property rights in the Internet Age. Fan-Funded Film examines the omnipresent issue of piracy and the financial strategy of crowdfunding. Both have existed in film for decades, but have increased dramatically in recent years. Through the use of several theories and real life examples, I explore the problem of piracy's popularity and how audience participation through crowdfunding could be the answer. -
67Th-Nominations-List-V4.Pdf
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and Unbreakable Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination.