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S H A N E R A M I R E Z Height: 6'0" Hair: Dark Brown Weight: 165 Eyes: Brown T E L E V I S I O N A Million Dollars But... Dictator Rooster Teeth Day 5 Background Rooster Teeth F I L M Blood Fest Zombie Rooster Teeth Lazer Team 2 Scientist Rooster Teeth Alita: Battle Angel Villager Dir: Robert Rodriguez One of Twins Henry (Lead) Ramstar Productions Somebody Up There Likes Me Background Dir: Bob Byington Sam Hill Raul (Lead) La Serena Pictures The Direction of the Sun John (Lead) Ramstar Productions The Lot Ian (Supporting) Ramstar Productions T H E A T R E / L I V E Racing the River James Oakley II, Pierre Dir: Andy Cockrum The Shadow Box Mark (Lead) Texas State University Estevan and Sancho Sanchez Estevan (Lead) Texas State University C O M M E R C I A L Dell Designer/Animator Lucky 21 Foot Locker Week of Greatness Background Bbdo Ad Agency Bright House Industrial Background Bright House E D U C A T I O N A L / I N D U S T R I A L HHS EFT HHS Trainee HHS Bright House Industrial Background Bright House V O I C E O V E R BMC Voiceover Region-C Bling Tees Narrator Boys & Girls Clubs South Central TX M O D E L I N G Landshark Lager Pedestrian Group 360 Worldwide Onnit Apparel Poker Player Onnit Studios Abby Moreno Photography Fitness Model Abby Moreno Wired Magazine Hand Vorhes Studio EDUCATION/TRAINING SPECIAL SKILLS Texas State University, San Marcos, Texas BA English Bi-literate in Spanish Beginning Acting: Nadine Mozon Dialects: Standard British, Cockney, Intermediate Acting: Jay Jennings Southern, West Texan, Midwest, Mexican, TV/Film Performance: Paige Bishop Spanish, New Yorker, Brooklyn, South African Directing for Film and Directing I: Richard Sodders Talents: Improvisation, Writing, Filmmaking, Ongoing Acting Intensive with Brad Milne Directing, Video Editing, Cinematography, Intro to Voice- Tracy Goodwin Photography, Drawing, Basketball, Intro to Improv- Kevin Miller Weightlifting, Bodybuilding Breathe Acting Studio- Maurice Moore.

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(TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc.
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Andre Martin Resume Copy
Andy Martin Independent 6926 Pecan Fall Converse, TX. 78109 (210) 529-2276 email: [email protected] Hair: Black Height: 5'11" Weight: 190 lb. Eyes: Brown CREDITS: Film: Deathbed - The Homeowner - director Andy Martin The Art of Affliction - director Jessica Herrera Damien Dimensione - Damien Dimensione - director Kris Serold Lazer Team - Knocked Out Soldier - Rooster Teeth Productions - director Matt Hullum Lazer Team - Fan in Stands My All American - UT # 90 - Anthem Productions - director Angelo Pizzo Perkins' 14 - Himself - After Dark Films - director Craig Singer Miguel and Gordo Come to America - Pot Man Jay - director Raymond Gonzales Divine Access - Park Crowd Member Divine Access - Cafe Listener Hot Air - Construction Worker Waiting For The Miracle To Come - Bar Patron Untitled Bat Bridge Project - Van Driver - Bat Bridge Productions Witch Hour - Policeman - Mayhem Productions - director Maria Gallindo Living Dead In America - Protester - director Kris Serold Mission Park - Vacationer The Green Ghost - Cage Fight Patron - Mutt Productions The Round of Your Life - Hospital Front Desk Receptionist Who Am I? - The Homeless Man - Strong Foundation Films Abstracted - Uncle Paulie - director Rodney Greenwood - Hyve Mind Media The Art of Affliction - The Artist - director Jessica Herrera - Creepy Signal Films Stop-Loss - Soldier - director Kimberly Pierce - Paramount Pictures Little Woods - Oil Man - director Nia Dacosta The Margarita Man - College Student - Mutt Productions Music Videos: Seether - "Country Song" - Sheriff Teddy
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STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
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URMC V125no8 20160202.Pdf (8.228Mb)
Tuesday, February 2, 2016 Volume 125, No. 8 • collegian.com Designed for history Students celebrate Black History Month in style PAGE 4 NEWS Victim Assistance Team Student and faculty THE volunteers through the STRIP WGAC support community I bet you’re all needs cold out there on campus PAGE 3 today, aren’t you? SPORTS Well, here are some ways to Mountain stay warm on West men’s campus: hoops Keegan Pope breaks down the Bundle up! Don’t be season at its that jack*ss midpoint wearing shorts. PAGE 9 Stay inside! Simple enough, right? A&C Cattle-huddle! Rooster Gather together Teeth’s The and rub your production bodies together. company’s #ForTheHeat full-length ﬁlm Bring a blanket to demonstrates school. Just wear it the strength around the of Internet whole day. communities Varehya Pratt shows off her hat she designed to celebrate Black History Month. PHOTO COURTESY OF ALEXIS WORKS PAGE 11 2 Tuesday, February 2, 2016 | The Rocky Mountain Collegian collegian.com ON THE OVAL Pets Forever Program clients and their pets including in- until she becomes a veterinarian. to continue running home care and medical services. The budget for this program LISTEN ONLINE AT KCSUFM.COM “We have been fortunate is about $125,000 a year, and after receiving funds enough to get grants from Animal although the grants will not cover During the fall semester, Pets Assistance Foundation and all costs, Kogan said they will con- Forever was at risk of termination the American Society for the tinue to search for opportunities due to insufficient funds, but it will Prevention of Cruelty to Animals and additional funding to continue Sanaya Robles now continue to run after receiving totaling in $30,000,” said Lori to run the program.
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Senators Sample Letter
May 6, 2019 The Honorable Richard Blumenthal U.S. Senate 706 Hart Senate Office Building Washington, DC 20510 The Honorable Edward Markey U.S. Senate 255 Dirksen Senate Office Building Washington, DC 20510 The Honorable Chris Van Hollen U.S. Senate 110 Hart Senate Office Building Washington, DC 20510 Senator Blumenthal, Senator Markey, and Senator Van Hollen, Thank you for your April 1, 2019 letter regarding tobacco imagery in Amazon’s video content. Amazon is a customer-obsessed company and we appreciate your interest in the important topic of underage tobacco use. Below we have highlighted the tools that we provide customers to select appropriate content for their households. We are available to discuss these issues further with your offices if you have any questions. Today, the Amazon Prime Video catalog available to customers in the United States contains tens of thousands of titles, including Amazon Originals as well as third-party licensed movies and television series from content providers around the world. Our content selection is always changing; due to the size and dynamic nature of our catalog and the lack of an industry standard mechanism for identifying tobacco-specific data within content, we are unable to provide a title by title assessment on the presence of tobacco imagery or dialogue. However, individual maturity ratings are displayed on the detail page for the title within the catalog. Amazon Prime Video’s goal is to deliver the broadest selection of premium content to our customers to stream, purchase, or rent while also ensuring that we provide the information necessary to allow customers to make informed decisions about what content is appropriate for them and their households.
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Lindsays Resume
Lindsay Lipscomb 214.755.9793 [email protected] lindsaylipscomb.com Profile Experienced designer, specializes in Production Design-Art Direction and Set Decoration -TV Series (IMDB)- Markiplier, Set Decorator, Rooster Teeth Productions, 2019 Special Season 1, Production Designer, Netﬂix, 2018 (4 Emmy Nominations) Day 5 Season 2, Set Decorator, Rooster Teeth Productions, 2017 Day 5 Season 1, Set Decorator, Rooster Teeth Productions, 2016 Crunch Time Season 1, Set Decorator, Rooster Teeth Productions, 2015 American Crime Season 1, Buyer (2 episodes), ABC, 2015 Leftovers Season 1, Buyer (2 episodes), HBO, 2015 Deliverance Creek Season 1, Onset Asst., Lifetime, 2014 -Features (IMDB)- Lost Husband, Art Director, Lost Husband Productions, 2018 One Hand Clapping, Production Designer, 2018 Lazer Team, Set Decorator, Rooster Teeth Productions, 2015 Flutter, Production Designer/Costume Designer, Eric Hueber Productions, 2014 (Dallas Film Festival Audience Award) (Austin Film Festival Audience Award) Men Women and Children, Set Dresser/Buyer Asst., Paramount Pictures, 2013 -Music Videos- Wild Child-Think It Over, Costume Designer, Onion Creek Productions, 2018 Miranda Lambert-Vice, Art Director, Trey Fanjoy, 2017 (CMT Nominated Best Music Video) Emily Bell-Goddess of Destruction- Production Designer/Costume Designer, Eric Hueber productions, 2017 LEV-Never Let You Go, Production Designer/Costume Designer/Onion Creek Productions, 2017 Bart Crow-Dandelion, Production Designer/Costume Designer, Gypsysun, 2016 Taddy Porter-Fever, Production Designer/Costume
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Fan-Funded Film: How Audience Participation Is Shaping the Future of Motion Pictures
The University of Maine DigitalCommons@UMaine Honors College Winter 12-2014 Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures Renee E. Moody University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the English Language and Literature Commons, and the Mass Communication Commons Recommended Citation Moody, Renee E., "Fan-Funded Film: How Audience Participation Is Shaping The Future of Motion Pictures" (2014). Honors College. 253. https://digitalcommons.library.umaine.edu/honors/253 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. FAN-FUNDED FILM: HOW AUDIENCE PARTICIPATION IS SHAPING THE FUTURE OF MOTION PICTURES by Renee E. Moody A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree with Honors (English, Mass Communication) The Honors College University of Maine December 2014 Advisory Committee: Margery Irvine, Lecturer in English, Advisor Steven R. Evans, Associate Professor of English Michael J. Socolow, Associate Professor, Department of Communication and Journalism Sarah Brookes, Assistant Professor of Communication and Journalism Edith Pratt Elwood, Adjunct Assistant Professor, Honors College (Sociology) © 2014 Renee Moody All Rights Reserved ABSTRACT A look at intellectual property rights in the Internet Age. Fan-Funded Film examines the omnipresent issue of piracy and the financial strategy of crowdfunding. Both have existed in film for decades, but have increased dramatically in recent years. Through the use of several theories and real life examples, I explore the problem of piracy's popularity and how audience participation through crowdfunding could be the answer.
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An Open Letter to All Who Treasured Monty Oum by Shane Newville
An Open Letter to All Who Treasured Monty Oum by Shane Newville Summary I had big dreams for a long time but never believed in myself. I started going for it anyway and met Monty Oum, who helped the crap out of me. After years of teaching myself, loads of practice, picking his brain, and taking his advice, I eventually got a job that allowed me to work with him and get paid for it. It was the dream job, for a time. Regardless of what follows I am forever grateful for that. Working with him was really my only reason for being at Rooster Teeth. Monty met one of the greatest women on earth (Sheena Duquette) and got married. For close to a year both he and she worked together on RWBY Volumes 2 & 3 (herself unofficially and uncredited). He spent more time at home working with her at his side than he did at the office, hoping to bring RWBY back on track to the way he wanted to tell the story. Too soon, Monty passed away. Sheena was not allowed to continue working on RWBY. After Rooster Teeth closed the door in her face, she moved to LA to be around people who loved and supported her. It was a long 4 months of politics and fighting to protect Monty’s legacy, as we cared about him and his vision more than we cared about the company selling its IP and making bank. My wife left with our kids. She wanted a divorce. It was difficult for her to deal with me, my issues, and the insane amount of work I took on.
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Aaron Spivey-Sorrells Hair: Bald Eyes: Black Height: 5’10
Aaron Spivey-Sorrells Hair: Bald Eyes: Black Height: 5’10 Film Lazer Team cop Day Player Mat Hullum, Director Burnie Burns, Producer FLAY Pham factory Mr. Hamilton Supporting Eric Pham, Director Jared Smith, Producer HOT AIR OFFICER TAYLOR Day Player Derek Sieg, Director Jeremy Goldstein, Producer Balls Out Police Officer Day Player Andrew Disney, Director Tucker Moore, Producer JOE Sammy Supporting David Gorden Green, Director Television DAY 5 Slade Supporting Director Todd McMullen Producer Ezra Ventos ABC: American Crime 206 Day out of Day Jeff Co-Star Jessica Yu, Director John Ridley , Producer Crunch Time ``We Mean Business`` Pamer Guest Star Andrew Disney, Director Bradley Jackson , Producer AMAZON: HYSTERIA ED BAKER Co-Star Otto Bathurst, Director Shaun Cassidy, Producer EL Rey Network: From Dusk Til Dawn ``BoxMan` ` Beefy Guest Star Nick Copus, Director Robert Rodriguez, Producer TNT: Dallas Playing Chicken 303 Cowpoke Guest Star Jesse Bochco, Director Cynthia Cidre, Producer NBC: Revolution 205-One Riot, One Ranger 206-Dead Man Walking Ranger 3 Recurring Fred Toye, Steve Boyum, Director J.J. Abrams, Producer NBC/Direct TV: Friday Night Lights Season 5 All Episode Coach Spivey Series Regular Peter Berg, Director Friday Night Lights Season 4 401, 402, 405, 412, 413, Coach Spivey Series Regular Jeffery Riener, Director Friday Night Lights Season 3 305, 311, 312, Coach Spivey NBC/Direct TV: Friday Night Lights Season 2 201, 206, 213 Coach Spivey Series Regular Jeffery Riener, Director NBC/Direct TV: Friday Night Lights Season 1 103,108,
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Tracing Trajectories in a Community of Practice Through Podcasts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 9-2017 TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS Richard W. Mansikka California State University - San Bernardino, [email protected] Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Anthropological Linguistics and Sociolinguistics Commons, and the Semantics and Pragmatics Commons Recommended Citation Mansikka, Richard W., "TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS" (2017). Electronic Theses, Projects, and Dissertations. 582. https://scholarworks.lib.csusb.edu/etd/582 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Richard William Mansikka September 2017 TRACING TRAJECTORIES IN A COMMUNITY OF PRACTICE THROUGH PODCASTS A Thesis Presented to the Faculty of California State University, San Bernardino by Richard William Mansikka September 2017 Approved by: Caroline Vickers PhD., Committee Chair, English Parastou Feizzaringhalam PhD, Committee Member © 2017 Richard William Masikka ABSTRACT The purpose of this project is to understand how humor works in expert- novice identity construction in podcasts.
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Ryan Ordmandy 5/4/2016 9:06 AM Deleted: a Lot I Would Like to See If We Can Schedule an Interview and I Will Contact You Again Next Week to Confirm a Time
3128 4th Street, apt 204 Lubbock, TX 75790 February 26, 2016 Rooster Teeth Productions, LLC 1901 E 51st Street Austin, TX 78723 To Whom It May Concern: I am happy to be writing this letter as a part of my application process for the internship for live action production at Rooster Teeth. In December of next year, I will be graduating with a Bachelor of Arts in electronic media and communication from Texas Tech University. I have always had a passion for video entertainment production and have been a fan of Rooster Teeth’s since Red vs. Blue: The Blood Gulch Chronicles. It is for these reasons that I think I would be a good fit as an intern at Rooster Teeth As I said, I have been a fan of Rooster Teeth for a long time. I enjoy your many channels of content such as Red vs. Blue, Let’s Play and Achievement Hunter to name a few. Rooster Teeth’s expansion to 8.4 million subscribers on its main channel is an impressive accomplishment. I am also looking forward to seeing your feature film Lazer Team. The fact that Rooster Teeth’s production has gone from machinima content to live action entertainment speaks volumes to the growth of your company. Rooster Teeth has always seemed like a place that fosters talent and passion for the entertainment industry, all the while being perfectly placed in the energetic city of Austin. Because of this, I would like the opportunity to join your team and contribute to your ongoing success. I believe I possess the necessary skills to be an effective member at Rooster Teeth Productions.
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Sundance Institute Convenes Creative Producing Labs & Summit
FOR IMMEDIATE RELEASE Media Contact: July 24, 2018 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Convenes Creative Producing Labs & Summit Independent Fiction and Nonfiction Producers Collaborate With Industry Advisors Los Angeles — Sundance Institute today announced the Fellows and Advisors slated for the annual weeklong Creative Producing Labs, which commence July 30 at Sundance Mountain Resort in Utah, as well as the industry leaders and other independent filmmakers who will gather for the three-day Creative Producing Summit immediately following. Created to champion and develop the current and rising generations of producers, the Institute’s Creative Producing Program nurtures creative vision and holistic best practices at every stage of a film’s progress from development to audience engagement. The program, which recognizes the need for a flexible, robust support system and community in an evolving industry, includes the annual Labs and Summit as well as year-round mentorship, granting, education and opportunities for financing and distribution. The Institute’s annual Producers Awards, supported by Amazon Studios, recognize both Fiction and Nonfiction producers at the Sundance Film Festival’s Producers Lunch. “Providing meaningful connections is a key part of our work with emerging storytellers,” said the Institute’s Anne Lai, Director, Creative Producing & Artist Support and Kristin Feeley, Director, Labs & Artist Support, Creative Producing. “It’s essential to think sustainably and help
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