DOCSLIB.ORG

Who Volunteers for GFI Studies?

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Who Volunteers for GFI Studies? TM Shield- Tbursday, Marcb 28, 1996 9 Unplugged octuple platinum, Slayer names new drummer fro• Slldf Reports decade long hlatory, Dette comes to leading radio station 99X leaking an Peru's moat famous VJ who boats a the band having previously been a advance copy of "SWeet Lover hang­ weekly prime time music video member of Testament and the noted over" resulting 1n such a attr that It show and gets to air anything be •••Unplugged. Eric Clapton'a lndle band Evil Dead. became the station's 11 requested song likes. amaah 1992 album and one of the Theremalnderofthellne-up, bass­ almost Immediately. This enlightened man of excellent most popular releases of the decade, Ist/vocalist Tom Araya. and guitarists musical taate never falls to drop a baa been cerUfied octuple platinum Kerry King and Jeff Hanneman re­ •••Just who the hell Is Paychotica? Barkmarket vtdeo cUp In between the aJgnffylng U.S. sales 1n excess of eight main the same. I don't know exactly, but I do know average and ordinary Janet Jackson mllUon copies. Dette Ia set to make his debut at they landed a record deal before they and Jullo Iglesias. The all-acoustic, multi-Grammy Slayer's drummer when the band be­ even played their first gig. wtnnlng album features over an hour gins thetr European tour this awn­ So although they remain an un­ •••It's spring and that means a .of claaslc Clapton performances In­ mer. known band they've already made It time of reissues of claaalc albums cluding new renditions of"Layla" and A native of San Diego, Dette saya to the Rock'n'Roll Hall of Fame. from Infinite Zero. the platlnum-sell1ng single 'Tears In joining Slayer 18 a dream come tiUe. Signed with Ventrue Entertain­ Rick Rubin and Henry Rollins, Heaven." "Slayer waa and Ia my all time favorite ment/ American Recordings, founders of Infinite Zero poured ' The domestic success ofUnplugged band, • said the drummer on a recent Paycbotica 18 the brainchild of lead through thetr record colleeUona again Is reJlected worldwide where sales have press release, "I sUU have a drawer fuU singer Patrick Briggs who said In a and have come up with a quartet of Ukew1se topped an additional eight of ticket stubs from every Slayer show press release that the rock'n'roll unsung masterpieces never before mllUon. I went to." scene "has become so generic" and released on CD. Unplugged has now honorably that he wants to do something to Now set for release beginning thta joined the following In Clapton's •••As they prepare to begin thetr bring back the "fabulousness" of month this quartet Includes music gold. plaUnum and multi-platinum ·first tour In six years, American rock. fromavant-gardeNewYorkslngersong Reprise/Duck Recorda catalog: Recording's group Love and Rockets So has he done that? Well no one writer Alan Vega. an underrated Brit­ August. Journeyman. Behtnd The are reeling due to the advance popu­ 18 for sure yet because thetr debut Ish band called Gang of Four and the Sun. 24 Nights, From The Cradle lar1ty of"SWeet Lover Hangover," the release Isn't due out unW some time progressive New York Jazz collabora­ and the sensational single 'Tears first single from the band's only a this summer. tion known as James White and the In Heaven.• week old album Sweet F .A. Blacks. Orlg1nally alated to hit stores In •••Hordes of Barkmarket fans --nuasb punk group Slayer fi­ April, but with "SWeet Lover Hang­ In South America of all places, are •••Frank Black recently shot a nally announced they have recruited over" creating such a buzz they de­ eagerly awaiting the release of the vtdeo for "Men In Black," the first drummer Jon Dette to replace Paul cided to put the album out three weeks hard rocking power trio's latest al­ track from his just released American Boatap b. ahead of schedule. bum. Recilrdlngsdebut. TheCultofRay. So Only the third drummer In Slayer's So what caused the buzz? Atlanta's And they owe It all to Boris Amat, keep your eyes open. Who volunteers for GFI studies? Call GFI today. (812) 474-6530 (800) 552-4GFI .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Charris Efthimiou Metallica's Tone Colour Characteristics of Their Riffs
    Charris Efthimiou Metallica’s Tone Colour Characteristics of their Riffs (1983–1986) and the Differences between Slayer and the New Wave of British Heavy Metal Annotation The aim of this article is to consider the design of the riffs of Angel of Death and other songs from the first three albums by Slayer (Show No Mercy 1983, Hell Awaits 1985 and Reign in Blood 1986) from a music analytical point of view (including tone-colour analysis of the riffs). If Slayer’s riff design (from 1983 to 1986) is considered from an overall perspective, the following results can be observed: • A rapid tempo and a constant change in the tone-colours of the guitar (palm mute, powerchords and monophonic melodies) characterise the sound of most riffs from the first three albums of this band. • Although the number of tone colours is limited, exact repetitions of tone colours are avoided. • Melodies in thirds, sixths and octaves are rare. At the same time (1983–1986) and in the same geographic area (U.S. West Coast), the band Metallica found their own compositional path within the thrash metal genre. Although the two bands dedicate their songs to very different topics, there are significant proximity points in the section of riff design. The same music-analytical methods (such as the analysis of tone- colours) are used with Metallica again. Thus, on the one hand, correlations can be determined and special features unique with Slayer’s music can be highlighted on the other. Furthermore, in order to determine other similarities and differences, the riffs of Metallica and Slayer will be compared with riffs by bands belonging to the NWoBHM (New Wave of British Heavy Metal) and were active in the years 1983–1986 (including Iron Maiden and Motörhead).
    [Show full text]
  • Volume XXXIII Issue 8
    Maric o pa, Ariz o n a V olume X X X III, Issue 8 April 19 - May 2, 2019 The grid was open for play at Ak- Chin Circle, April 12-16, for the Harrah’s celebrates 25th Meti earns second win, Burke 2nd Annual Ak-Chin Smash in the Sun World Long Drive ualifier. Anniversary and Grand takes rst at 2nd Annual Kicking off the 2019 WLD Tour, Ak-Chin was the first event on the Opening of The Events Center schedule, and the first to be televised Story and photo by R. Peters Ak-Chin Smash in the Sun as well, with a live telecast airing Tuesday, April 16, 4 pm ET on GOLF Channel. Not only was Ak-Chin ready for another action-packed weekend, the 500-yard grid was also primed for the event, receiving positive nods for its lush green appearance. Ak- Chin Southern Dunes crew worked tirelessly after last year’s WLD, putting in a new irrigation system and growing fresh new Bermuda grass to ensure the grid was at its absolute best. On Friday, April 12 Andrew Herbert, Scott Kalamar and Dan McIntosh earned top honors at the Ak-Chin ualifier. Herbert had From left: Brandon Peters, Community Treasurer, Lisa Garcia the most cumulative points in the Council member, Robert Miguel, Chairman, Louis Manuel, Gabriel Lopez, Vice -Chair and Council member Octavio Machado during final qualifying round. All three The Event Center ribbon cutting ceremony at Harrah’s. Story and photo by R. Peters Continues to page 10 Continues to page 10 Ak-Chin Parks and Recreation long JDRF Foundation awaited basketball courts finally open raises over 1 Million Story and photos by A.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Viking Interview: Q&A with Jamey Jasta by Daniel Offner When
    Viking Interview: Q&A with Jamey Jasta By Daniel Offner When uttered, the name “Hatebreed” brings many things to mind, but what stands out most is the vocal talent of Jamey Jasta. Jasta, along with band mate Chris Beattie, founded the band in 1994 out of New Haven, Connecticut. Jasta is not only the lead singer of Hatebreed but has also gone off to do successful side projects with bands Icepick and Kingdom of Sorrow. He has also gone off to host MTV’s reincarnation of the 80’s hit program Headbanger’s Ball. This year Jamey will be touring with both Hatebreed (on the Jagermeister Music Tour) and Kingdom of Sorrow (at Ozzfest in Texas). The following is my Viking Interview with Jamey Jasta. Viking News: Where did the name Hatebreed come from? Jamey Jasta: “From the Misfits song ‘Hatebreeders’. We just took off the ‘e-r- s’.” VN: What inspired you guys to play music? JJ: “Well I think when me and (Chris) Beattie started the band we were already in other bands, and the other bands fizzled out. So to start this band and to play this music the inspiration was to do something bigger and better and more focused. But I think initially for both of us we were just drawn to music because of the community in itself.” VN: What type of bands influenced your style of music as a whole? JJ: “I would say bands like Slayer, Sepultura, Obituary, Entombed and more metal stuff like Carcass. On the hardcore side Agnostic Front, Killing Time, Sheer Terror, Integrity, Earth Crisis and bands like that.” VN: You mentioned Agnostic Front, which is playing the Dour Festival with you guys in Belgium.
    [Show full text]
  • Live to the Metal Music Živi Uz Metal Muziku
    LIVE TO THE METAL MUSIC ŽIVI UZ METAL MUZIKU Autori: JOVANA KAZIMIROVIĆ IVA NICULOVIĆ VIII razred, OŠ “Branko Radičević” Negotin Regionalni Centar za talente Bor Mentor: VESNA PRVULOVIĆ prof. Engleskog jezika i književnosti, OŠ “Branko Radičević” Negotin Negotin, aprila 2013. godine 1 Contents Abstract……………………………………………………………………………………3 Summary…………………………………………………………………………………..4 Introduction………………………………………………………………………………..5 Metal music………………………………………………………………………………..6 Sub-genres of Heavy Metal……………………………………………………………….10 Conclusion………………………………………………………………………………...15 2 Abstract Metal is a movement of music that started essentially with the heavy rock movements. While there was not actual metal during that time, bands were experimenting with heaviness, and it was no surprise that the first metal band (Black Sabbath) was soon to be born. Metal music is a worldwide form of music that has held the attention of younger generations for over 50 years. Metal music has branched off into different sub genres, but one thing is the main motivator for the survival of metal music through all the generations. That is a need for younger generations to rebel against the status quo, to express themselves and their frustration of an outdated way of life. This paper presents the development of metal music from the 1960s to the present day, with special emphasis on some of the metal sub-genre of music. Originally, metal was one genre. But as time passed more genres were born. Today metal is a global movement and has hundreds of sub-genres such as Heavy, Death, Black, Doom, Power, Thrash, Speed, Folk, Industrial, Symphonic, Gothic & Nu-Metal, to name just a few. They range from sheer brutality to smooth and melodic rhythms.
    [Show full text]
  • Guitarist Danny Bryant Interview Even Hard Work and Determination Are Vital Ifyou Want to Make It on the British Blues Scene
    Guitarist Danny Bryant Interview even Hard work and determination are vital ifyou want to make it on the British blues scene. We meet a young man from Cambridgeshire who's doingjust that Words Mick Taylor h Lord, won't you buy So what were the main musical Axe Dan me a Mercedes-Benz? landmarks on Bryant's journey? "I had Bryant's guitar collection spans the usual Actually, Lord, you'd certain key players; key albums actually. blues staples: Stratocasters, Telecasters, a better make it a Transit After Walter, I got into Stevie Ray Gibson thinline plus a Flying V, but it's the instead, and we'll grab Vaughan, The Sky Is Cryin' and In Step. Stratocaster format where he's most at ourselves a quick sandwich on the Then there was From The Cradle by Eric home. His first guitar was an Encore motorway justbefore the soundcheck. Clapton. I was like that; obsessive with double-cut, so then what? British bluesmen such as Danny Bryant one person. Now I go back more and listen "I traded up to a Mexican Strat, then know all about hard work. Having left to early BB, Albert and Freddie Kingand traded that in for an American Standard," school to pursue a career as a professional I find I'm listening to more straight blues­ he recalls, as music to the Big F's ears. musician, he's spent the last decade at the moment it's an old BB King album, "That was my first, what I'd consider building up his skills and reputation with Blues Is King." 'proper' guitar.
    [Show full text]
  • October 15-21. 2015
    OCTOBER 15-21. 2015 ------------Cover Story • Haunted Hotel: 13th Floor --------- A Terrible Night’s Sleep By Mark Hunter Once inside, the characters showing the way through the dark and spooky bowels of the hotel leave Old hotels are naturally scary places. The short, you with the sense that you have indeed entered an- lumpy beds prevent sleep, the moldering carpets foul other world. Their blank stares tell a tale of unspeak- the air and the feckless showers lack the will to alter able horror. The guests you encounter are by turns the flight path of a mosquito. And don’t get me started hysterical and expressionless. Don’t bother asking for on the colonies of restless spirits inhabiting these so- extra towels or the directions to the heated pool. called quaint inns of yesteryear (not exactly sure who A maid calling herself Elizabeth sets the tone. She calls them that, but whatever). knows nothing of her previous life. She cannot re- People whine, call the fire or her “but they’re so full death. But from the of history.” His- look on her face tory schmistory. and the state of her As I recall, I slept mind you know through history that whatever hap- quite nicely. My pened to her was transcripts prove horrific. that. But as far as I The desk 5)&#*((&454)080'5)&:&"3 can tell I’ve never clerks, too, have gotten a wink in the look and de- any lodgings built meanor of lost prior to the first souls as they direct Roosevelt admin- you toward the 8&%/&4%": /07&.#&3 istration.
    [Show full text]
  • Drummer Bracket Template
    First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice
    [Show full text]
  • Global Merchandising Roster
    Global Merchandising Roster Global Merchandising Roster MOTÖRHEAD DOWN IRON MAIDEN JUDAS PRIEST SLAYER MÖTLEY ALICE CRÜE COOPER Ozzy GHOST Osbourne ROB ZOMBIE Scorpions ANTHRAX Marilyn Manson • Hard Rock / Heavy Metal - Band • Founded 1975, UK • Sold albums: 90 Mio. • Foundation members: Paul Day, Terry Rance, Dave Sullivan, Steve Harris, Ron Matthews • Current members: Bruce Dickinson, Dave Murray, Adrian Smith, Janick Gers, Steve Harris, Niko McBrain • Top albums: „Killers“ (1981) - „The number of the beast“ (1982) - „Powerslave“ (1984) - „Fear of the dark“ (1992) - „Brave new world“ (2000) • „Legacy of the beast World Tour“ 2019 + 13.0 Mio. + 2.1 Mio. + 220 Mio. • Punk / Hard Rock / Rock ’n’ Roll / Blues Rock - Band • Founded in 1975, UK • Sold albums: 30 Mio. • Foundation members: Ian Kilmister, Larry Wallis, Lucas Fox • Top albums: „Bomber“ (1980) - „Kiss Of Death“ (2006) - „Motörizer“ (2008) - „The Wörld Is Yours“ (2010) - „Aftershock“ (2013) + 2.7 Mio. + 670.000 + 28 Mio. • Trash Metal Band • Founded in 1981, USA • Sold albums: 80 Mio. • Foundation members: Tom Araya, Kerry King, Jeff Hanneman, Dave Lombardo • Final World Tour 2018 • Top albums: „Reign in blood“ (1986) - „Season in the Abyss“ (1990) - „God hates us all“ (2001) - „Christ Illusion“ (2006) - „World painted blood“ (2009) + 4.9 Mio. + 940.000 + 44 Mio. • Hard Rock / Heavy Metal / Shock Rock • Years active 1963 - present • Sold albums: 15 Mio. • 26 Studio albums, 10 Live albums, 21 compilations albums • World Tour 2018 • New Album „PARANORMAL“ released 2017 + 4.4 Mio. + 780.000 + 5.5 Mio. Contact Ulf Vespermann [email protected] +49(0)6172-271 820 Jens Müller [email protected] +49(0)6172-271820 David Harman [email protected] +49(0)6172-271820 Heiko Lammers Kaiser Friedrich Promenade 87 [email protected] 61348 Bad Homburg +49(0)179-6603194 Germany Janusz Tarasiuk [email protected] Phone: +49 (0) 6172 271820 +48-(0)226-142028 // +48-(0)51-3143995 [email protected] Nowodworska 29B lok.
    [Show full text]
  • Still Runnin' with the Devil
    Music.Gear.Style. No.74 October 2015 Van Halen Live Still Runnin’ With the Devil NEW ALBUMS from the Dead Weather, Kurt Vile, Patty Griffin, Metric, the Weeknd, Iron Maiden, Slayer, Protomartyr, Mike Reed, and More THE GENIUS OF THE LATEST MILES DAVIS ARCHIVAL COLLECTION FOO FIGHTERS AND CHEAP TRICK ROCK WRIGLEY FIELD GERMAN EXCELLENCE: AMG’s Giro Turntable AMERICAN STYLE: Fern & Roby’s Compact Integrated Amp LONG-TERM LOVE: Rega’s Aria Phono BRITISH BRILLIANCE: The ProAc Tablette Anniversary Fun Toys from Apple, IKEA, and More! WCT_TONE_Dec2014.indd 1 6/10/15 3:31 PM Listen to Your Speakers In A New Way Don’t let your existing wired loudspeakers miss out on high-resolution streaming audio. Paradigm’s new PW AMP delivers 200-Watts of Ultra Class-D power and lets you wirelessly stream high-resolution audio to existing loudspeakers over your home Wi-Fi network. Set-up is simple, app control is easy, and your options are unlimited. Go wireless, with Paradigm-level performance. Exclusive Anthem Room Correction (ARC™) technology uses a digital microphone with advanced DSP algorithms to correct for room distortions in any space. You’ll actually hear the difference ARC makes. ™ PW600 Wireless Freedom. Paradigm Performance. PW800™ A Better Audio Experience. PWLINK ™ PWAMP™ Stream music to any Paradigm Premium Wireless Series product using your Android, PC or iOS device. Only Paradigm delivers wireless performance that is truly on par with traditional non-streaming audio systems. ARC ™ Digital Microphone Room Correction Technology Visit paradigm.com for more info. tone style Meteor M2 Powered 87 Speakers Vintage Look, Portable Sound 11.
    [Show full text]
  • Spiritually Uncontrolled Art
    Spiritually uncon trolled art: Exploring aesthetics of evil in contemporary music Robert Andersson 2011 Uppsats, magisternivå , 15 hp Religionsvetenskap Människa, natur och religionsprogrammet Handledare: Juan Carlos Gumucio Examinator: Peder Thalén Abstract This essay investigates interpretations of evil as expressed in contemporary music, focusing mainly on lyrics in contemporary popular music. The purpose is to analyze whether there is a certain aesthetic embracing of risk and innovation on display when discussing such subject matters, and to relate such aesthetic connotations to cultural and religious aspects. Lyrical interpretations of evil in a musical context appear to be existent in different forms and are in various ways attempts to integrate the existence of evil acts, as leading to suffering and pain, by incorporating such themes into lyrical material. There appears to be a possible aesthetic embraced when artists are advocating evil acts, however, not totally separable from the aesthetics of the extreme metal scene. Such forms of creative practice appear as reliant on the dialectic between historical perceptions of morality, modern society as globalized, segmented and restructured and the reoccurrence of religion in a secularized perspective. Themes regarding evil appear in this form of aesthetic in different ways to traditional discourse; making use of historical and contemporary images of evil and portraying them as desirable in various ways. In some instances such creative release is also linked to religious belief and practice, making the artistic performance equivalent of a transcendental event. Keywords Aesthetics, contemporary music, culture, extreme metal, evil, modernism, music lyrics. 2 Table of contents Abstract ...................................................................................................................................... 2 Table of contents........................................................................................................................ 3 1.
    [Show full text]