Guitarist Danny Bryant Interview Even Hard Work and Determination Are Vital Ifyou Want to Make It on the British Blues Scene
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America's Cradle to Prison Pipeline 2007 Report
CPP_report 2007_FINAL (a-22) 9/6/07 3:21 PM Page b A Report of the Children’s Defense Fund America’s Cradle to Prison PipelineSM CPP_report 2007_revised (a-21) 10/10/07 12:15 PM Page c About the Children’s Defense Fund he Children’s Defense Fund’s Leave No Child Behind® mission is to ensure every child a Healthy Start, a Head Start, a Fair Start, a Safe Start and a Moral Start in life and suc- T cessful passage to adulthood with the help of caring families and communities. CDF provides a strong, effective voice for all the children of America who cannot vote, lobby or speak for themselves. We pay particular attention to the needs of poor and minority children and those with disabilities. CDF encourages preventive investment before children get sick or into trouble, drop out of school or suffer family breakdown. CDF began in 1973 and is a private, nonprofit organization supported by foundation and corporate grants and individual donations. We have never taken government funds. We exist because each day in America: 4 children are killed by abuse or neglect. 5 children or teens commit suicide. 8 children or teens are killed by firearms. 33 children or teens die from accidents. 77 babies die before their first birthdays. 192 children are arrested for violent crimes. 383 children are arrested for drug abuse. 906 babies are born at low birthweight. 1,153 babies are born to teen mothers. 1,672 public school students are corporally punished. 1,879 babies are born without health insurance. -
Essential Blues Discography
ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp -
Eric Clapton
I'M TORE DOWN As recorded by Eric Clapton (From the 1994 Album FROM THE CRADLE) Transcribed by Slowhand Words and Music by Sonny Thompson (http://www.instantpowertabs.de.vu Arranged by Eric Clapton ) A Intro Moderate Blues Shuffle = 132 ( C DR) G7 P P P F7P P C7 V V gV V V 1 V V eV V V V 4 j k V j V V eV V eV I 4 3 V W Gtr I 1/2 Full 1/4 1/4 8 10 M 11 M 11 M 8 M [[[[[[[[[[[[[[ T 10 8 11 8 10 8 6 9 10 8 A 10 8 B 10 H 4 V V eV V V V eV V I 4 V V V V V V V V gV V V V V V V V V V eV V V V V V Gtr II T 1 1 1 1 3 3 3 3 A 5 5 3 3 3 3 1 1 5 5 5 5 B 5 5 1 1 3 3 3 3 3 3 1 1 B Chorus C7 eV V V V 5 j k V V V eV V V V V j I u 3 3 Full 1/2 6 M(6) 8 [[[[[[ T 11 8 10 (10) 8 8 A O 10 10 B P V V eV V V V eV V V V eV V V V eV V I V V V V V V V V V V V V V V V V T 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 A 5 5 5 5 5 5 5 5 B 3 3 3 3 3 3 3 3 http://www.instantpowertabs.de.vu Generated using the Power Tab Editor by Brad Larsen. -
Tony Lindsay New Solo Project for Hudson Valley Native 18 and Former Santana Singer
Art Music Culture Revolution Erin Hanna Art Student and Singer/Songwriter set to 14 make waves at Troy River Fest Tony Lindsay New solo project for Hudson Valley native 18 and former Santana singer May 2019 Page 3 Music Art Culture Revolution Plugging In the Unplugged When 12-strings, mandolins, violins and MOOG Minitherimins attack: Acoustic Trauma and its neverending quest to redefine the words ‘Acoustic’ and ‘Trauma’ Photo by Jessica Maceli (l - r) Patrick McNulty, Paul Nunzio Maceli By Liam Sweeny a little bit of everything else, see yourself as an acoustic set, or Acoustic Trauma has been blow- was that a crown given? hen I was jamming ing minds from the cradle to the Paul: It’s actually an inter- out, my sound stage cap and gown. esting story. To give you some Wwishes and wah ped- I sit with Paul to mull over the background, my early influences al dreams in tow, I’d heard of finer points of interstellar traffic included classic rock, mostly pro- Acoustic Trauma. I’d never seen law. gressive rock and heavy metal. Tales from the Door ....................20 them, but I’d heard a bootleg RRX: You really push the In my teen years, I quit playing Observations tape, so I knew what they were envelope when it comes to an music to go to college for busi- and Ramblings ..27 laying down. That was in the late acoustic sound. In fact, I don’t ness, knowing that the only way Liats’ Almanac ...28 90s, and Acoustic Trauma has think many people hearing you I would ever get back into mu- Uncovered .........30 been laying it long since I laid my for the first time would have the sic was if I was to do something guitar to rest. -
Hall of Fame Is Nothing New for Eric Clapton. One of the Greatest
PERFORMERS GETTING INDUCTED INTO THE ROCK AND ROLL Hall of Fame is nothing new for Eric Clapton. One of the greatest guitarists of our time, a musician whose achingly honest, often brilliant blues-laden solos continue to explore the eternal conflict between passion and pain, Clapton has been honored previously for his work with seminal blues-rock band the Yardbirds (inducted in 1992) and psychedelic-tinted supergroup Cream (inducted in 1993). We focus our attention this time on Clapton’s sterling solo career, one that spans three decades and is still M © A going strong. Remarkably, his induction tonight makes Clapton the only artist to be inducted into the Rock and Roll Hall of Fame three times. If ever an artist so deserved such unprecedented recognition, it is Eric Clapton. Throughout his career, occasionally amid wrenching personal problems, Clapton has defined class, both in the studio and on the stage. The guitar genius was always there, but over the years Clapton devel oped both his singing and songwriting skills to such a degree that they became perfect complements to his extraordinary musicianship. A bluesmaster, Clapton has never been bound by the genre. Instead, he has used the music’s emotional intensity as a base while he delved into straight-ahead rock and even pop. What he discovered was that tri umphant artistic expression could occur in any music form, provid ing the artist remained true to his muse and his heart. He was born Eric Clapp on March 30,1945, in Ripley, England, where he was raised by his grandparents. -
ERIC CLAPTON Forever
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] ERIC CLAPTON Forever Man Das Beste aus drei Jahrzehnten mit seinen größten Hits, hochkarätigen Live-Versionen und klassischen Blues Songs! 3-CD/ 2-CD / 2-LP und Download VÖ: 08. Mai 2015 „CLAPTON Is God“ – so sprühten die Fans Anfang der siebziger Jahre an die Häuserwände Londons. Und doch stand der legendäre Songwriter, Sänger und Gitarrist, der es mit Bands wie Derek & The Dominos und Cream bereits damals zu absolutem Weltruhm gebracht hatte, erst am Anfang einer unglaublichen Karriere, die ihm bis heute satte 19 Grammys eingebracht hat. Songs wie Cocaine (ursprünglich eine J.J. Cale-Komposition) und Layla machten ERIC CLAPTON zu einem der erfolgreichsten Musiker der siebziger Jahre, und später folgten Hits wie My Father’s Eyes und das schicksalsträchtige Tears In Heaven, die ihn zu einer unsterblichen Ikone werden ließen. Nun erscheint die brandneue Werkschau Forever Man, die seine Karriere in einem Paket zusammenfasst, das klassische Studiotracks, hochkarätige Live-Aufnahmen und eine komplette Disc mit Songs enthält, auf der CLAPTON seiner Liebe zum Blues freien Lauf lässt. Die Kollektion begibt sich auf die Spuren der bekanntesten und besten Songs, die CLAPTON auf Reprise veröffentlicht hat, darunter die Grammy-ausgezeichneten Songs Change The World, Tears In Heaven und Bad Love. Zusätzlich gibt es auf Forever Man brillantes Material aus den ebenfalls mit Grammys bedachten Alben From The Cradle und Unplugged. Zu den Gastperformern gehören dabei hochkarätige Musiker wie B.B. King und J. J. Cale! Anlässlich seines 70. Geburtstages am 30. -
Who Volunteers for GFI Studies?
TM Shield- Tbursday, Marcb 28, 1996 9 Unplugged octuple platinum, Slayer names new drummer fro• Slldf Reports decade long hlatory, Dette comes to leading radio station 99X leaking an Peru's moat famous VJ who boats a the band having previously been a advance copy of "SWeet Lover hang weekly prime time music video member of Testament and the noted over" resulting 1n such a attr that It show and gets to air anything be •••Unplugged. Eric Clapton'a lndle band Evil Dead. became the station's 11 requested song likes. amaah 1992 album and one of the Theremalnderofthellne-up, bass almost Immediately. This enlightened man of excellent most popular releases of the decade, Ist/vocalist Tom Araya. and guitarists musical taate never falls to drop a baa been cerUfied octuple platinum Kerry King and Jeff Hanneman re •••Just who the hell Is Paychotica? Barkmarket vtdeo cUp In between the aJgnffylng U.S. sales 1n excess of eight main the same. I don't know exactly, but I do know average and ordinary Janet Jackson mllUon copies. Dette Ia set to make his debut at they landed a record deal before they and Jullo Iglesias. The all-acoustic, multi-Grammy Slayer's drummer when the band be even played their first gig. wtnnlng album features over an hour gins thetr European tour this awn So although they remain an un •••It's spring and that means a .of claaslc Clapton performances In mer. known band they've already made It time of reissues of claaalc albums cluding new renditions of"Layla" and A native of San Diego, Dette saya to the Rock'n'Roll Hall of Fame. -
Finding the Blues
INTERPRETIVE LESSONS: What Are the Meanings of the Blues? The Legacy of the Blues Finding the Blues STANDARDS Overview Addresses the following In this lesson students will learn about finding the blues in a variety National Curriculum Standards of musical styles. They will investigate instances of the blues form for Music Education heard in mainstream pop music, along with exploring the musical Primary: 6, 9 Secondary: 7 styles of two new artists who are helping to keep the blues alive today. In addition, students will look at the career of performer Eric Clapton, who as a rock ‘n’ roll icon has had a tremendous influence in bringing blues music to a wide mainstream audience. LEARNING OBJECTIVES By completing this lesson, the student will be able to: Identify instances of blues influence in examples of popular music. Recognize the efforts of young artists Shemekia Copeland and Chris Thomas King, who are working today to create a blues that reflects their own experiences. Become familiar with the career of Eric Clapton and his influence in bringing the blues to a wider audience. RESOURCES NEEDED Music The Blues Teacher’s Guide CD Robert Johnson, “Cross Road Blues” Shemekia Copeland, “The Other Woman” Cream, “Crossroads” Web Sites http://www.deltahaze.com/johnson/sounds.html http://www.lyricsfreak.com/c/cream/25184.htm http://www.eric-clapton.co.uk/ecla/lyrics/im-so-glad.html http://lyrics.rockmagic.net/lyrics/clapton_eric/from_the_cradle_1994.html#blues_ before_sunrise http://www.shemekiacopeland.com http://www.christhomasking.com/ ©2003 -
Instructor Manual for Joe Stuessy & Scott Lipscomb's Rock and Roll
Instructor Manual for Joe Stuessy & Scott Lipscomb’s Rock and roll: Its history and stylistic development (edited for use with the 7th edition text) Jay Dorfman Boston University Natalie Zelensky Colby College Scott D. Lipscomb University of Minnesota Dorfman, Zelensky, & Lipscomb Instructor Manual Rock and roll: Its history and stylistic development Stuessy & Lipscomb © 2012 by Pearson Education, Inc. p. ii Dorfman, Zelensky, & Lipscomb Instructor Manual Rock and roll: Its history and stylistic development Stuessy & Lipscomb Preface The purpose of this Instructor Manual is to facilitate the process of designing and teaching a rock history course using the text Rock music: Its history and stylistic development (7th edition, Prentice-Hall). In addition, the following pages provide significant food for thought, both for beginning instructors and for those who are quite experienced in teaching such a course. The following pages provide much more than a simple synopsis of the textbook content, though that forms an important component of the material. Rather, the Instructor Manual contains many innovative ideas to stimulate students – both inside and outside the classroom – and to help them develop an intimate understanding of the genre of music that, arguably, has had the greatest musical, cultural, and sociological impact during the twentieth and twenty- first century. With the exception of the Introduction, which provides a general set of teaching tips and suggests a means of structuring the course content, each chapter of the present text is subdivided into a consistent set of sections. The chapter overview provides a detailed outline of the content of each chapter, highlighting some of the most significant points addressed and, at times, providing supplemental information that will be of interest to students and instructors. -
West Coast Swing 1078 Songs, 3 Days, 6.92 GB
Page 1 of 31 West Coast Swing 1078 songs, 3 days, 6.92 GB Name Time Album Artist 1 A+E 3:04 April 2013 Top 40 Clean Bandit 2 Absolutely Positively 4:21 Heavy Rotation Anastacia 3 ADDICTED TO LOVE 3:51 Robert Palmer 4 Addicted To Love '97 5:19 The Very Best Of Robert Palmer Robert Palmer 5 Affection 2:47 Affection Ophélie Winter 6 After Midnight 3:46 Staying Power Tutu Jones 7 After Party 3:35 Mars/Venus Koffee Brown 8 Age Ain`t Nothing But A Number 3:52 Heart Of Pain Lucky Peterson 9 Ain't Leavin Without You 3:21 Another Round Jaheim 10 Ain't Lost Nothin' 2:45 Room to Breathe Delbert McClinton 11 Ain't Love Strange 3:50 Ain't Love Strange Paul Thorn 12 Ain't No Sunshine 3:25 Bring 'Em In Buddy Guy Feat. Tracy Chapman 13 Ain't No Sunshine 3:41 Greatest Hits Lighthouse Family 14 Ain't Nobody 4:04 My Life II... The Journey Continues (Act… Mary J. Blige 15 Ain't That Lovin' You, Baby 3:41 Blues Burnin' In My Soul Johnny Laws 16 All Around the World 3:21 The Legendary Lou Rawls 17 All Hands On Deck 3:41 Aquarius Tinashe 18 All I Wanna Do 4:32 Tuesday Night Music Club Sheryl Crow 19 All Rise 3:32 Beach Party Countdown & DJ R2 20 Almost Love (24/7) 3:19 Almost Love (24/7) Jessica Jarrell 21 Alone In The Dark 4:46 Bring The Family John Hiatt 22 Along for the Ride 3:59 SOS Throwdown Coastline 23 Alright 4:01 Copasetik and Cool Hil St. -
Andy Fairweather Low & the Lowriders Zone-O-Tone Proper/Rough Trade-Tone
Andy Fairweather Low & The Lowriders Zone-O-Tone Proper/Rough Trade-Tone Fairweather Low came to prominence in the late Sixties as the lead vocalist with Amen Corner and scored several hits, including the number 1 “(If Paradise Is) Half As Nice”. He went on to enjoy a successful solo career, and enjoyed another huge hit with “Wide Eyed And Legless”. But his solo career was put on hold as he became increasingly popular as a sideman and soon became known as the “ultimate guitarist to the stars”, building an extraordinary reputation that has endured to this day as he’s played a crucial role working with the likes of Eric Clapton, The Who, George Harrison, Roger Waters, Bill Wyman and many more. Fortunately for us, Andy has somehow found time to make a brand new record of his own. Zone-O-Tone features twelve new songs which draw heavily on his diverse musical influences. The musicians featured on this terrific project are also touring with him from October and are a who’s who of the best players on the rock scene. Joining Andy is Paul Beavis on drums (Thea Gilmore, Robbie Macintosh & Sunday All Over The World), Nick Pentelow on saxes and clarinet (Roy Wood, Roger Chapman and Gary Moore) and long standing associate Dave Bronze on bass (Clapton, Concert For George, Dear Mr Fantasy tribute to Jim Capaldi). When Andy Fairweather Low released ‘Sweet Soulful Music’ on Monday 14th August 2006 it was his first solo album in 26 years. Yet this is no simple ‘comeback’ story – those intervening years have been packed with people and projects virtually amounting to a stellar A to Z of Popular Music. -
Eric Clapton 1 Eric Clapton
Eric Clapton 1 Eric Clapton Eric Clapton Clapton on stage, Munich, Germany on 5 June 2010 Background information Birth name Eric Patrick Clapton Also known as Slowhand Born 30 March 1945 Ripley, Surrey, England Genres Rock, blues-rock, blues, psychedelic rock, hard rock Occupations Musician, songwriter, producer, artist Instruments Vocals, guitar Years active 1962–present [1] Labels Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram Associated acts The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, The Beatles, Phil Collins, The Rolling Stones, Luciano Pavarotti, The Band, Freddie King, B.B. King, Mark Knopfler [2] Website Official website Notable instruments See: Guitars section "Blackie": Fender Stratocaster "Brownie": Fender Stratocaster Gibson SG Gibson ES-335 Gibson Les Paul Eric Patrick Clapton, CBE (born 30 March 1945) is an English guitarist, vocalist, and songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time.[3] Clapton ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time"[4] and fourth in Gibson's Top 50 Guitarists of All Time.[5] In the mid sixties, Clapton left the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand", and graffiti in London declared "Clapton is God." Immediately after leaving Mayall, Clapton formed with drummer Ginger Baker and bassist Jack Bruce, the power trio, Cream, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the seventies, Clapton's output bore the influence of the mellow style of J.J.