America's Cradle to Prison Pipeline 2007 Report
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Guitarist Danny Bryant Interview Even Hard Work and Determination Are Vital Ifyou Want to Make It on the British Blues Scene
Guitarist Danny Bryant Interview even Hard work and determination are vital ifyou want to make it on the British blues scene. We meet a young man from Cambridgeshire who's doingjust that Words Mick Taylor h Lord, won't you buy So what were the main musical Axe Dan me a Mercedes-Benz? landmarks on Bryant's journey? "I had Bryant's guitar collection spans the usual Actually, Lord, you'd certain key players; key albums actually. blues staples: Stratocasters, Telecasters, a better make it a Transit After Walter, I got into Stevie Ray Gibson thinline plus a Flying V, but it's the instead, and we'll grab Vaughan, The Sky Is Cryin' and In Step. Stratocaster format where he's most at ourselves a quick sandwich on the Then there was From The Cradle by Eric home. His first guitar was an Encore motorway justbefore the soundcheck. Clapton. I was like that; obsessive with double-cut, so then what? British bluesmen such as Danny Bryant one person. Now I go back more and listen "I traded up to a Mexican Strat, then know all about hard work. Having left to early BB, Albert and Freddie Kingand traded that in for an American Standard," school to pursue a career as a professional I find I'm listening to more straight blues he recalls, as music to the Big F's ears. musician, he's spent the last decade at the moment it's an old BB King album, "That was my first, what I'd consider building up his skills and reputation with Blues Is King." 'proper' guitar. -
Essential Blues Discography
ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
Eric Clapton
I'M TORE DOWN As recorded by Eric Clapton (From the 1994 Album FROM THE CRADLE) Transcribed by Slowhand Words and Music by Sonny Thompson (http://www.instantpowertabs.de.vu Arranged by Eric Clapton ) A Intro Moderate Blues Shuffle = 132 ( C DR) G7 P P P F7P P C7 V V gV V V 1 V V eV V V V 4 j k V j V V eV V eV I 4 3 V W Gtr I 1/2 Full 1/4 1/4 8 10 M 11 M 11 M 8 M [[[[[[[[[[[[[[ T 10 8 11 8 10 8 6 9 10 8 A 10 8 B 10 H 4 V V eV V V V eV V I 4 V V V V V V V V gV V V V V V V V V V eV V V V V V Gtr II T 1 1 1 1 3 3 3 3 A 5 5 3 3 3 3 1 1 5 5 5 5 B 5 5 1 1 3 3 3 3 3 3 1 1 B Chorus C7 eV V V V 5 j k V V V eV V V V V j I u 3 3 Full 1/2 6 M(6) 8 [[[[[[ T 11 8 10 (10) 8 8 A O 10 10 B P V V eV V V V eV V V V eV V V V eV V I V V V V V V V V V V V V V V V V T 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 A 5 5 5 5 5 5 5 5 B 3 3 3 3 3 3 3 3 http://www.instantpowertabs.de.vu Generated using the Power Tab Editor by Brad Larsen. -
The Rape of Emergency Medicine
The Rape of Emergency Medicine James Keaney, M.D. © 2004 by the American Academy of Emergency Medicine Table of Contents Prologue..............................................................................1 Chapter One: Steinerman................................................. 8 Chapter Two: The Contracts and Their Holders ....... 13 Chapter Three: Suits and Scrubs....................................25 Chapter Four: Origin of a Species..................................45 Chapter Five: Crips and Bloods......................................54 Chapter Six: The Anderson Syndrome .......................... 62 Chapter Seven: Caveat Emptor .......................................82 Chapter Eight: Cro-Magnon ......................................... 99 Chapter Nine: The Quiet Room.................................... 108 Chapter Ten: The Other Side of Midnight ................ 126 Chapter Eleven: A One Way Ticket to Palookaville . 142 Chapter Twelve: Utah ................................................... 154 Chapter Thirteen: Pinnacle, Inc. .................................167 Chapter Fourteen: The Missing Chapter .................... 187 Chapter Fifteen: Chart Wars ....................................... 188 Chapter Sixteen: Physicians of a Lesser God ............. 200 Chapter Seventeen: Mea Culpa..................................... 214 Chapter Eighteen: California Dreamin’......................220 Chapter Nineteen: The Empire Strikes Back...............237 Chapter Twenty: The One Hundred and Eighty Thousand Dollar Pair of Sunglasses ...........................246 -
Tony Lindsay New Solo Project for Hudson Valley Native 18 and Former Santana Singer
Art Music Culture Revolution Erin Hanna Art Student and Singer/Songwriter set to 14 make waves at Troy River Fest Tony Lindsay New solo project for Hudson Valley native 18 and former Santana singer May 2019 Page 3 Music Art Culture Revolution Plugging In the Unplugged When 12-strings, mandolins, violins and MOOG Minitherimins attack: Acoustic Trauma and its neverending quest to redefine the words ‘Acoustic’ and ‘Trauma’ Photo by Jessica Maceli (l - r) Patrick McNulty, Paul Nunzio Maceli By Liam Sweeny a little bit of everything else, see yourself as an acoustic set, or Acoustic Trauma has been blow- was that a crown given? hen I was jamming ing minds from the cradle to the Paul: It’s actually an inter- out, my sound stage cap and gown. esting story. To give you some Wwishes and wah ped- I sit with Paul to mull over the background, my early influences al dreams in tow, I’d heard of finer points of interstellar traffic included classic rock, mostly pro- Acoustic Trauma. I’d never seen law. gressive rock and heavy metal. Tales from the Door ....................20 them, but I’d heard a bootleg RRX: You really push the In my teen years, I quit playing Observations tape, so I knew what they were envelope when it comes to an music to go to college for busi- and Ramblings ..27 laying down. That was in the late acoustic sound. In fact, I don’t ness, knowing that the only way Liats’ Almanac ...28 90s, and Acoustic Trauma has think many people hearing you I would ever get back into mu- Uncovered .........30 been laying it long since I laid my for the first time would have the sic was if I was to do something guitar to rest. -
Curriculum Vitae Thomas Schatz Mary Gibbs Jones Centennial Chair Department of Radio-Television-Film the University of Texas At
Curriculum Vitae Thomas Schatz Mary Gibbs Jones Centennial Chair Department of Radio-Television-Film The University of Texas at Austin Austin TX 78712 Education B.A. University of Notre Dame (1970); English M.A. University of Nebraska - Lincoln (1971); Literature M.A. University of Iowa (1974); Speech and Dramatic Art Ph.D. University of Iowa (1976); Broadcasting and Film Dissertation: “Hollywood Film Genre: A Theoretical and Methodological Inquiry” Co-directors: J. Dudley Andrew, Charles F. (Rick) Altman Academic Appointments 2006 - Mary Gibbs Jones Centennial Chair, Dept of Radio-Television-Film The University of Texas at Austin 1992 - 2005 Philip G. Warner Regents Professor, Dept of Radio-TV-Film, UT-Austin 1990 - 1992 Professor, Dept of Radio-TV-Film, UT-Austin 1982 – 1990 Associate Professor, Dept of Radio-TV-Film, UT-Austin 1976 – 1982 Assistant Professor, Dept of Radio-TV-Film, UT-Austin 1974 – 1976 Instructor of Film Criticism and Film Theory University of Iowa 1971 – 1973 Instructor of Advanced English, Writing, and Film Creighton Prep, a Jesuit High School in Omaha, NE Administrative Positions 2010 Interim Chair, Dept. of Radio-TV-Film, UT-Austin 2003 - Executive Director, University of Texas Film Institute 2003-2004 Associate Dean, College of Communication, UT-Austin 1998-2002 Chair, Dept of Radio-TV-Film, UT-Austin Fall 1994 Acting Chair, Dept of Radio-TV-Film, UT-Austin, 1990-1992 Production Area Head, Dept of Radio-TV-Film, UT-Austin 1989-90 Acting Chair, Dept of Radio-TV-Film, UT-Austin, 1987-1989 Graduate Advisor (Director -
The Quiet Success: Telecommuting’S Impact on Transportation and Beyond
November 2005 THE QUIET SUCCESS: TELECOMMUTING’S IMPACT ON TRANSPORTATION AND BEYOND by Ted Balaker POLICY STUDY 338 Reason Foundation Reason Foundation’s mission is to advance a free society by develop- ing, applying, and promoting libertarian principles, including indi- vidual liberty, free markets, and the rule of law. We use journalism and public policy research to influence the frameworks and actions of poli- cymakers, journalists, and opinion leaders. Reason Foundation’s nonpartisan public policy research promotes choice, competition, and a dynamic market economy as the founda- tion for human dignity and progress. Reason produces rigorous, peer- reviewed research and directly engages the policy process, seeking strategies that emphasize cooperation, flexibility, local knowledge, and results. Through practical and innovative approaches to complex prob- lems, Reason seeks to change the way people think about issues, and promote policies that allow and encourage individuals and voluntary institutions to flourish. Reason Foundation is a tax-exempt research and education organiza- tion as defined under IRS code 501(c)(3). Reason Foundation is sup- ported by voluntary contributions from individuals, foundations, and corporations. The views are those of the author, not necessarily those of Reason Foundation or its trustees. Copyright © 2005 Reason Foundation. Photos used in this publication are copyright © 1996 Photodisc, Inc. All rights reserved. R e a s o n F o u n d a t i o n The Quiet Success: Telecom m uting’s Im pact on Transportation and Beyond By Ted Balaker Executive Sum m ary he decision to forego the daily commute and work from home might not seem particularly revolutionary. -
Hall of Fame Is Nothing New for Eric Clapton. One of the Greatest
PERFORMERS GETTING INDUCTED INTO THE ROCK AND ROLL Hall of Fame is nothing new for Eric Clapton. One of the greatest guitarists of our time, a musician whose achingly honest, often brilliant blues-laden solos continue to explore the eternal conflict between passion and pain, Clapton has been honored previously for his work with seminal blues-rock band the Yardbirds (inducted in 1992) and psychedelic-tinted supergroup Cream (inducted in 1993). We focus our attention this time on Clapton’s sterling solo career, one that spans three decades and is still M © A going strong. Remarkably, his induction tonight makes Clapton the only artist to be inducted into the Rock and Roll Hall of Fame three times. If ever an artist so deserved such unprecedented recognition, it is Eric Clapton. Throughout his career, occasionally amid wrenching personal problems, Clapton has defined class, both in the studio and on the stage. The guitar genius was always there, but over the years Clapton devel oped both his singing and songwriting skills to such a degree that they became perfect complements to his extraordinary musicianship. A bluesmaster, Clapton has never been bound by the genre. Instead, he has used the music’s emotional intensity as a base while he delved into straight-ahead rock and even pop. What he discovered was that tri umphant artistic expression could occur in any music form, provid ing the artist remained true to his muse and his heart. He was born Eric Clapp on March 30,1945, in Ripley, England, where he was raised by his grandparents. -
ERIC CLAPTON Forever
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] ERIC CLAPTON Forever Man Das Beste aus drei Jahrzehnten mit seinen größten Hits, hochkarätigen Live-Versionen und klassischen Blues Songs! 3-CD/ 2-CD / 2-LP und Download VÖ: 08. Mai 2015 „CLAPTON Is God“ – so sprühten die Fans Anfang der siebziger Jahre an die Häuserwände Londons. Und doch stand der legendäre Songwriter, Sänger und Gitarrist, der es mit Bands wie Derek & The Dominos und Cream bereits damals zu absolutem Weltruhm gebracht hatte, erst am Anfang einer unglaublichen Karriere, die ihm bis heute satte 19 Grammys eingebracht hat. Songs wie Cocaine (ursprünglich eine J.J. Cale-Komposition) und Layla machten ERIC CLAPTON zu einem der erfolgreichsten Musiker der siebziger Jahre, und später folgten Hits wie My Father’s Eyes und das schicksalsträchtige Tears In Heaven, die ihn zu einer unsterblichen Ikone werden ließen. Nun erscheint die brandneue Werkschau Forever Man, die seine Karriere in einem Paket zusammenfasst, das klassische Studiotracks, hochkarätige Live-Aufnahmen und eine komplette Disc mit Songs enthält, auf der CLAPTON seiner Liebe zum Blues freien Lauf lässt. Die Kollektion begibt sich auf die Spuren der bekanntesten und besten Songs, die CLAPTON auf Reprise veröffentlicht hat, darunter die Grammy-ausgezeichneten Songs Change The World, Tears In Heaven und Bad Love. Zusätzlich gibt es auf Forever Man brillantes Material aus den ebenfalls mit Grammys bedachten Alben From The Cradle und Unplugged. Zu den Gastperformern gehören dabei hochkarätige Musiker wie B.B. King und J. J. Cale! Anlässlich seines 70. Geburtstages am 30. -
Mongrel Media Presents
Mongrel Media Presents (2005, USA, 91 mins) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Popular cheerleader Nina Deer’s (Elisha Cuthbert) seemingly unblemished suburban world is turned upside down when her parents (Edie Falco and Martin Donovan) adopt their recently orphaned goddaughter Dot (Camilla Belle). Dot’s arrival delivers a blow to Nina’s idyllic social life and triggers the unraveling of the family’s darkest secrets. Both Nina’s family and friends, including the school hunk Connor (Shawn Ashmore, The X-MEN trilogy), develop an odd fascination with Dot and confide in her their troubling secrets. Dot quietly shoulders the burdens and secrets of those around her, while continuing to hold what is perhaps the biggest secret -- her own. Directed by Jamie Babbit (BUT I’M A CHEERLEADER), THE QUIET is about family secrets, friendship, trust and betrayal. Through Nina’s eyes, Babbit takes us on an emotional rollercoaster ride— through the hilarious and often crude interactions of high schools students and a family where happy faces disguise ugly truths. ABOUT THE PRODUCTION THE QUIET unmasks the idyllic suburban life of the Deer family in their quiet Connecticut town. Dot’s arrival brings to light the disturbing secrets simmering just beneath the image of a perfect family. Dot and Nina learn to rely on each other as they dare to break the silence that binds them both. -
Appendix: Case Study Film Synopses
Appendix: Case Study Film Synopses Taxi Driver (M. Scorsese, USA, 1976) Taxi Driver tells the story of ex-marine, Travis Bickle (Robert De Niro), who suffers from insomnia and drives a cab at night in the most seedy areas of New York. Travis is an unhappy, social misfit who is lonely and psychologically fragile. He becomes increasingly angry at the degenerate surroundings of the city and the people who occupy the streets. We follow Travis’s vision through the windscreen of his cab, one that also mirrors his increasingly psychotic and alienated state of mind. Travis becomes obsessed with the beautiful Betsy (Cybil Shepherd), a presidential campaign-worker whom he barely knows, but idealizes as he watches her at work from his cab across the street. He eventually plucks up courage to speak to her and takes her out for coffee. Later he takes her to a porn film, and she reacts angrily and rejects him. At first he cannot accept her rejection and then he grows angry and decides she is a bad person ‘like all the others’. Meanwhile, Travis meets the young prostitute Iris (Jodie Foster), whom he wants to save from her pimp Sport (Harvey Keitel). Travis has an encounter with a jealous husband in the back of his cab (Martin Scorsese), who speaks of the 44 magnum gun as being the best weapon for his jealous revenge. Travis then decides to buy such a gun and he ends up buying a virtual arsenal of guns and weapons. After an unsuccessful attempt to kill the politician Pallantine, he kills Iris’s pimp Sport instead and carries out his massacre of the men in Iris’s house.