Interview with Michael Galvin, Grey Lynn, 23 October 1996 with Peter Feeney

Total Page:16

File Type:pdf, Size:1020Kb

Interview with Michael Galvin, Grey Lynn, 23 October 1996 with Peter Feeney Interview with Michael Galvin, Grey Lynn, 23 October 1996 With Peter Feeney I kicked off the interview by showing Michael a letter I had received from my very own fan: a woman who worked in a shop on Ponsonby Road: a pathetic sample of the only public recognition I received from my brief appearance on Shortland Street earlier this year. Peter Feeney: She got my address off the back of a cheque. She's asking me out, I guess. Michael Galvin: [Reading letter] Great! Is she nice? I honestly cant remember. Have you seen what she looks like, have you investigated it? Well, no. Why not!? What would your approach be? Oh, walk past the whatever shop it is with dark glasses and check it out and - - you wouldn't want to get the wrong girl would you - - well that's what she's done to you hasn't she, she's gone and checked you out from afar, you might as well do the same to her and go from there! You think this is a sound beginning to a relationship do you Michael? Well is there such a thing as a sound beginning? I don't know they're all about as sound as one another I think. Fate has thrown this in your lap! Who are you to toss it aside! How would you deal with it? Is this how you deal with this sort of thing? No. If I got a letter like that I'd completely ignore it. Yeah right, cos you'd get a few of them I gather. We got a lot through Shortland Street when I was there - I haven't been there for six or seven months - but mainly the letters we got were from teenagers, mainly girls, really young, and they weren't like: "Hey I want to meet you and really get to know you" they were like: "Hey you're really cool and Chris is really cool and my cat's called Tiddles and my dogs called Muffie and" - it's really funny - no, really - there's like a formula they must stick to, they're all exactly the same, they say: "Hi. I really like you" - they list your character, they don't mention you - then they list their friends, then they list their pets and they might list their family. It's great they took the time out but it's so funny... very sweet. Sometimes they enclose a picture or something that is really cute... But nothing like your note. I want to try and elevate this discussion... but not by much. You were interviewed by some crappy magazine recently, one of the women's magazines I think, and you said that after four years on Shortland Street you'd got to the stage with Dr Warner where there was so much of you in it you weren't sure where he ended and you began, he just became more and more like you - Yeah, yeah - - but you actually appear different to me, to meet you, actually... Oh that's good. Yeah which is kindof surprising because I would have thought too that if you were chipping away at the coalface like that, for years, you'd end up playing yourself in the end. Maybe all that happened is that just because of the luxury of actually getting in there and working every day, acting every day maybe I just became more natural at it. So maybe it seemed to me like it was more of myself but maybe that's a good thing, because whenever you play any role there should be as much of yourself in it as possible: you should use the role as a form of self- discovery, to learn more about yourself and about people, rather than trying to escape yourself and going "Oh well gee what do people like that do?" and "how do people like this behave?", try to think instead: well what would I do if I was that person, and what would I do if I was in this situation? - and use as much of that of possible. That is how you get truthful performances that are good to watch because the audience are being let in on something. They're learning something because you're learning something. That sounds like that New Zealand actress - the one who was in 'Shallow Grave' and 'Angel at my Table' - Kerry Fox. She said in a 'Pavement magazine' interview last year that when she was doing a film she just played it scene by scene, go for the basic situation in each scene, and play that. What you were saying reminded me a little of that. I do really believe though in seeing whatever scene you do in terms of the whole story. Maybe I'm misinterpreting what you're saying. You're criticising Kerry Fox! No - god forbid! How could I criticise her she's got a film career for Christ's sake, she's an international star, I'm not going to criticise her, she's obviously doing it right. But in terms of doing a scene I think you have to be really aware of where it fits into the story with all the other scenes, rather than just goin' into a scene and seeing that as a little world in itself. It is in a way, but also it fits in to the rest of the story and other scenes, and the way you play other scenes will directly affect how you play the scene you're playing now. I don't believe that it's a self contained thing at all. You really learn that on Shortland Street - - you're telling a story aren't you - - you are, that's right, and that's the main thing about all acting really: just to tell the story as effectively as possible. And that requires often a real sense of the dynamic of scenes. Not to regard each one as equally important - some can be thrown away... As a guest actor on that show one piece of advice I got was that I was there to feed the core cast characters lines to serve their storylines - - Is that right? It's humbling but - - No no no that's not fair - But there's something in that - - No, I disagree with that. There was something about 'soap' acting also in this wonderful book by Shurtleff, a Broadway casting director - 2 - I read that book, it's called 'Audition: Everything you need to know to get the part'. That's it. Terrible title but wonderful book, great book. Yeah, yeah, I agree. In it he talked at one point about soap actors, given that Shortland Street is more drama than soap admittedly, and much faster than the funereal-paced American Soaps, basically I'm going to say do you think Shortland Street ruined your acting because that's what he said happened to these soap actors he was auditioning: their reactions had become so slow and they were hugely into what he called 'transitions' - going "OK I'm going from angry to sad now so I'll go through a minute of sortof moving into that new emotion." For me it's exactly the opposite. I think Shortland Street has made me a much, much better actor. No one at Shortland Street regards it as a soap and if any actor does then they're in trouble and they'll do crappy work, and it'll look crappy; and the only way not to do crappy work there is to not regard it as a soato regard it as valuable, to think, there is a potential for this to be really great - a lot of things are against it, ie the time, and sometimes the storylines can be a little, unnatural, shall we say (but sometimes they're brilliant) - so you just do as great a job as you can. Were you there from day one? Yep. The initial public reaction was lukewarm... No it wasn't lukewarm. It was freezing cold. It was glacial. They fucking hated it. Well I didn't want to say that so thanks for your honesty. But what I heard was that that developed a sense of camaraderie on the set and a really good feeling with that original cast and you guys just pulled together and worked harder. Yeah, it was like that. The way it actually happened was we started shooting it and we were getting lots of encouragement from Caterina De Nave, who never stopped encouraging us... she was just such a strong person and such a great producer, she never let us kindof lose sight of the fact that "yes this will be successful don't worry about it."1 But anyway we started shooting it and we were getting pretty good feedback from people that were seeing the rough cuts and all the rest of it, and then it went to air and it got the big rass. And yeah, the first effect it has on you is to unsettle you and to make you feel - - "what am I doing wrong" - - Yeah, but then we all kindof, as you said, pulled together and I think it probably did make the bond between us stronger. There were technical lessons to be learnt too. I saw one of the early episodes recently and the sound seemed all tinny and echoey. Now they layer in a lot more background noise I suspect in post-production. 1 Caterina De Nave was the original on-line Producer of Shortland Street.
Recommended publications
  • In Liquidation)
    Liquidators’ First Report on the State of Affairs of Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) 8 March 2019 Contents Introduction 2 Statement of Affairs 4 Creditors 5 Proposals for Conducting the Liquidation 6 Creditors' Meeting 7 Estimated Date of Completion of Liquidation 8 Appendix A – Statement of Affairs 9 Appendix B – Schedule of known creditors 10 Appendix C – Creditor Claim Form 38 Appendix D - DIRRI 40 Liquidators First Report Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) 1 Introduction David Ian Ruscoe and Malcolm Russell Moore, of Grant Thornton New Zealand Limited (Grant Thornton), were appointed joint and several Interim Liquidators of the Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) (the “Trust” or “Taratahi”) by the High Count in Wellington on 19 December 2018. Mr Ruscoe and Mr Moore were then appointed Liquidators of the Trust on 5th February 2019 at 10.50am by Order of the High Court. The Liquidators and Grant Thornton are independent of the Trust. The Liquidators’ Declaration of Independence, Relevant Relationships and Indemnities (“DIRRI”) is attached to this report as Appendix D. The Liquidators set out below our first report on the state of the affairs of the Companies as required by section 255(2)(c)(ii)(A) of the Companies Act 1993 (the “Act”). Restrictions This report has been prepared by us in accordance with and for the purpose of section 255 of the Act. It is prepared for the sole purpose of reporting on the state of affairs with respect to the Trust in liquidation and the conduct of the liquidation.
    [Show full text]
  • Mainfreight Annual Report 2015
    WE DELIVER ANNUAL REPORT 2015 WE DELIVER: LIFE’S ESSENTIALS TO A GLOBAL MARKETPLACE. OUR BUSINESS SPECIALISES IN GLOBAL SUPPLY CHAIN LOGISTICS, HELPING OUR CUSTOMERS SATISFY THE WORLD’S EVER-INCREASING DEMAND FOR ESSENTIAL COMMODITIES – FOR EXAMPLE FOOD, BEVERAGES AND SHELTER. 3 GLOBAL SUPPLY CHAIN LOGISTICS IS ONE OF THE WORLD’S FASTEST-GROWING INDUSTRIES. WHY? AS THE WORLD’S POPULATION DEMANDS READY ACCESS TO COMMODITIES FROM AROUND THE PLANET, A BORDERLESS GLOBAL MARKETPLACE IS A REALITY. Manufacturers who trade in this marketplace are seeking out robust, proven supply chain partners with a global network. Mainfreight has become a serious contender in this space. With real global capability, an ever-intensifying network and aggressive growth targets, we are well-positioned to help our customers get ever-increasing volumes of their products into the hands of their customers. Whether it’s down the road or across the globe. NOTICE OF MEETING Notice is given that the Annual Meeting of Shareholders of Mainfreight Limited will be held at 4.00pm on Wednesday 29 July 2015 at the Barrel Hall, Villa Maria Estate, 118 Montgomerie Road, Mangere, Auckland. Full details, including the Meeting Agenda, are contained in the separate Notice of Meeting and Explanatory Notes accompanying this report, and are also available on the Company’s website, www.mainfreight.com or by scanning the QR above. CONTENTS: 06 07 08 10 12 Our Place in Facts and Chairman’s Group Managing Network Growth the World Figures Report Director’s Report Strategy 14 16 20 24 28 Mainfreight
    [Show full text]
  • ASIC Unclaimed Money Gazette
    Commonwealth of Australia Gazette No. UM1/16, Monday 29 February 2016 Published by ASIC ASIC Gazette Contents Unclaimed consideration for compulsory acquisition - S668A Corporations Act RIGHTS OF REVIEW Persons affected by certain decisions made by ASIC under the Corporations Act 2001 and the other legislation administered by ASIC may have rights of review. ASIC has published Regulatory Guide 57 Notification of rights of review (RG57) and Information Sheet ASIC decisions – your rights (INFO 9) to assist you to determine whether you have a right of review. You can obtain a copy of these documents from the ASIC Digest, the ASIC website at www.asic.gov.au or from the Administrative Law Co-ordinator in the ASIC office with which you have been dealing. ISSN 1445-6060 (Online version) Available from www.asic.gov.au ISSN 1445-6079 (CD-ROM version) Email [email protected] © Commonwealth of Australia, 2016 This work is copyright. Apart from any use permitted under the Copyright Act 1968, all rights are reserved. Requests for authorisation to reproduce, publish or communicate this work should be made to: Gazette Publisher, Australian Securities and Investment Commission, GPO Box 9827, Melbourne Vic 3001 ASIC GAZETTE Commonwealth of Australia Gazette UM1/16, Monday 29 February 2016 Unclaimed consideration for compulsory acquisition Page 1 of 270 Unclaimed Consideration for Compulsory Acquisition - S668A Corporations Act Copies of records of unclaimed consideration in respect of securities, of the following companies, that have been compulsorily
    [Show full text]
  • Convenient Fictions
    CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively.
    [Show full text]
  • Temuera Morrison MNZM
    Profile Temuera Morrison MNZM Vitals Gender Male Age Range 45 - 59 Height 173cm Base Location Auckland Available In Auckland, Christchurch, International, Queenstown, Wellington Skills Actor, Corporate, Presenter, Voice Artist Eye Dark Brown Memberships SAG/AFTRA Agent New Zealand The Robert Bruce Agency Agent Phone +64 (0)9 360 3440 Email [email protected] Agent Web robertbruceagency.com Australian The Robert Bruce Agency (Aus) Agent Phone +61 (0)406 009 477 Email [email protected] Agent Web robertbruceagency.com Credits Type Role Production Company Director 2020 Television Boba Fett The Mandalorian S2 (Post- Fairview Entertainment (US) for Various production) Disney+ Feature Peter Bartlett Occupation Rainfall (Post- Occupation Two Productions Luke Sparke Film production) (AU) 2019 Feature Eddie Jones The Brighton Miracle Eastpool Films (AUS) Max Mannix Film Feature Powell Dora and the Lost City of Gold Paramount Players (US) James Bobin Film Feature Warfield (Voice) Mosley (Animation) Huhu Studios (NZ)/China Film Kirby Atkins Film Animation 2018 Television Te Rangi (4 x eps) Frontier (2016 - ) S3 Take the Shot Productions (CA) Various Feature Peter Bartlett Occupation Sparke Films Luke Sparke Film Copyright © 2020 Showcast. All rights reserved. Page 1 of 7 Feature Tom Curry Aquaman DC Comics James Wan Film 2017 Feature Chief Toi (Voice) Moana (Te Reo Maori) Matewa Media Trust/Walt Ron Clements/John Film Disney Animation Musker Television Jack Te Pania (Voice) Barefoot Bandits - Series 2 Mukpuddy Animation Ryan Cooper,
    [Show full text]
  • Blair Strang. Height 175 Cm
    Presenter Biography Blair Strang. Height 175 cm Awards. 2020 Morning Star 2000 TV Guide New Zealand Television Awards-Nomination-Best Supporting Actor in a Television Series-Shortland Street Short Film. 2003 Wrestless Insanity Dir. Rob McLauchlan 2001 Death of Theatre Manager Mathew Star X - Cat Productions 1988 Thunderbox Peter Independant Production Dir. Lee Tamahori Television. 2020 Power Rangers Dino Fury Warden Garcia Power Rangers Productions (Series Regular) Dir. Various Prd. Becca Barnes&Alwyn Dale 2019 Jonah Merv Quirk Great Southern Film and Television Dir. Danny Mulheron Prd. Carmen Leonard, Philip Smith 2019 Brokenwood Mysteries Ep 2 Hamish Drake Dir. Various Prd. South Pacific Pictures 2016 Funny Girls Mediaworks 2014 Nothing Trivial Movie Brian Telefeature - South Pacific Pictures (Lead) Dir. Mark Beesley Prd. South Pacific Pictures 2013 Jono & Ben at Ten Blair Strang Mediaworks (Guest Comedy Skit) Dir. Various PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Blair Strang. Page 2 Television continued... 2011 Nothing Trivial Series 1, 2 & 3 Brian South Pacific Pictures (Lead) 2009 Kaitangata Twitch Sebastian Carswell Kaitangata Twitch Productions Ltd (Recurring guest) Dir. Yvonne McKay Prd. Chris Hampson 2009 Go Girls Joseph Series 2 (Guest) Prd. South Pacifc Pictures 2008 Go Girls Series 1 Joseph South Pacific Pictures 2005 Orange Roughies DSS Sean Parkes Screen Works/TV1 (Regular Recurring) Dir. Chris Bailey 2005 Interrogation Laurence Sutherland South Pacific Pictures (Guest) 2005 So You Wannabe A Popstar Blair Strang Touchdown Television &Christmas Celebration 2005 Doves of War - Mini Series Joe Matich ScreenWorks (Regular Recurring) Dir.
    [Show full text]
  • Maori Miners
    MAORI AND MINING IN NEW ZEALAND AND BEYOND Philip Hart Te Aroha Mining District Working Papers No. 17 2016 Historical Research Unit Faculty of Arts & Social Sciences The University of Waikato Private Bag 3105 Hamilton, New Zealand ISSN: 2463-6266 © 2016 Philip Hart Contact: [email protected] 1 MAORI AND MINING IN NEW ZEALAND AND BEYOND Abstract: Before the arrival of Europeans, Maori had known of the existence of gold but did not mine it and had no understanding of its value. Once mining commenced in California in 1849 and Australia in the early 1850s, many Maori participated on several fields, especially in Victoria. When gold was first discovered in New Zealand, at Coromandel in 1852, Maori were keen to learn prospecting skills, and soon found gold in several parts of both the North and South Islands. Some alluvial claims were worked communally, even some women participating. From the start, Maori were determined to protect their rights against Pakeha when they were rivals for the same ground. On the Hauraki Peninsula, which had no alluvial gold, Maori were prospectors rather than miners. Some were successful, often going against the wishes of rangatira who, fearing that opening goldfields would result in their losing their land, refused access to prospectors, particularly in Ohinemuri. At Thames, Maori prospectors succeeded where Pakeha ones had failed, finding the gold that led to the 1867 rush; a rush encouraged by one rangatira in particular, Wirope Hoterene Taipari, who understood how a successful field would benefit him financially (including obtaining a reward for discovering a payable goldfield).
    [Show full text]
  • B1011 WDC WMFF Programme Final V3.Indd
    WAIROA MAORI FILM FESTIVAL 2006 PRESENTED BY FESTIVAL PARTNERS Te Roopu Whakaata TAKITIMUMARAE Maori i te Wairoa Do you want to share your films with your mokopuna? Since its establishment 25 years ago, tens of thousands of items have been entrusted to the Archive by film makers and members of the public. Whether your work is professional or amateur, 35mm, Super 8 or VHS the Film Archive will preserve it in secure, climate controlled vaults and make it accessible for future generations. All material remains the property of the depositor and all rights remain unchanged. Talk to us now. See www.filmarchive.org.nz under Services: Acquisition and Deposit PATU! 1983 • R EWI’S LAST STAND, 1980 • SQUEEZE, 1980 • MUTTNIK, 2005 • STILL S COLLECTION, NEW ZEA LAND FILM ARCHIVE The Film Archive Te Anakura Whitia¯hua 84 Taranaki Street Wellington Tel: +64 4 384 7647 Fax: +64 4 382 9595 Email: [email protected] BROKEN BARRIER, 1952, STILL S COLLECTION, NZFA TE TAURIMA WHAKAATA MAORI I TE WAIROA Wairoa Maori Film Festival 2006 Koanga ~ Labour Weekend ~ October 20th to 23rd 2006 Gaiety Cinema & Theatre & Takitimu Marae, Wairoa CONTENTS WELCOME TO WAIROA 2 Message From The Chairperson 5 Message From the Festival Director 7 Festival Powhiri 9 Festival Awards Night & Musical Showcase 9 FESTIVAL AT A GLANCE 10 TE AO MAI NGA WHATU MAORI: THE WORLD THROUGH A MAORI LENS 12 SPECIAL SCREENINGS Opening Night Gala: Ngati 14 In Conversation with Barry Barclay 15 Mana Wairoa: From The Archives 16 Festival Centrepiece: Trail of Te Kooti 17 Closing Night: Mark II 18 NGA TERENGA MAHARA: STREAMS OF CONSCIOUSNESS 20 DRAMATIC FEATURES & SHORT FILM SELECTION Feathers of Peace 22 The Flight of the Albatross 27 Indigenous Short Film Showcase 28 Maori Merchant of Venice 29 No.
    [Show full text]
  • Mystery Billboards Baffle Cromwell Locals
    ISSUE 852 | 23RD JUNE 2021 Subway® Catering for any occasion. Subway® Cromwell ©2020 Subway IP LLC. Subway® is a registered trademark of Subway IP LLC. Mystery billboards baffle Cromwell locals By Jan Hawkins Who is Jill? Who is Alison? What is the gossip on Chris the Cheat? And does he really have 5 wives? This seems to be the topic of the day as new billboards appear on Barry Avenue. It seems many locals are not familiar with hash tags, as the ‘#ChrisIsACheat’ in the bottom corner of the board should have been a clue. If that means nothing to you, perhaps the jersey worn by one of my lovely photo models may prompt your thinking, espe- cially if you can remember the early days of New Zealand’s popular television soap. Tickets for Fine Thyme Theatre Com- pany’s next production are now on sale. Shortland Street - the Musical promises to be a ‘fast-paced comedic romp filled with song, scandal, intrigue, love, muffins, and plenty of cliffhangers’. The musical is based on the first three episodes of the long-running series, way back in 1992, but it comes with a warning that it is ‘not your Mother’s Shortland Street’. Committee member Brigitte Tait, who also plays Carrie in the musical, says, “It’s been a real privilege to be working with such a community of talented cast and crew. Duncan and Jenna Faulkner observing the mystery billboard on Barry Avenue. There’s been a huge number of hours Photo Jan Hawkins taken to bring this kiwi classic to the stage.” Continued on page 5 ▶ Need an Electrician? NEW SHOWHOME Domestic • Commercial • Heatpump Service 7 Kohinoor Lane No job too big or small..
    [Show full text]
  • No One Told These Kids Kiwis Couldn't
    NO ONE TOLD THESE KIDS KIWIS COULDN’T FLY CAST LIST Ben Edward Hall Jeff Tikirau Hathaway Wayne Vince Martin Karen Tandi Wright Mr Lumsden Dai Henwood Shannon Myer Van Gosliga Shayne Doug Colling Shirelle Jane Winter Slug David De Thierry Stewie Matt French Amanda Brittany Dick Katie Hannah German Hippy Information Officer Liz Woodall Stan Pete Hansen Elliot Hayden Waller Smart Alec Boy Matthew Eddy Ben’s Dad Troy Warring Announcer Kent Robertson Neighbour Phil Bergman Busker Dan Kendrick Motorist Pete Rainey Grocer Boy Thomas Jones Strongman Bruce Waterrells Checkout Operator Becky Morgan Gardener Rupert Winter Old Lady Joy Mathews Mother Helen Schulter Road Patroller Bridget Sanders Ambulance Officer Tracey Parks Soldier Steve McQuillan Sweetheart Angela da Silva Jeff’s Mum Ricki Keelan Jeff’s Dad Craig Wilson Market Customer Gordon Dacombe Timekeeper Michelle Dacombe Safety Officer Amanda Cottle Practice Official #1 Doug Nottage Practice Official #2 Tim Bayley Practice Official #3 Phil Loughnan Starter Ian Jones Scrutineer Hugh Neill Race Official #1 Stephen Eaton Race Official #2 Adrienne Ford 2 Race Official #3 Tim Bassett Guitarist/vocalist Alex Hargreaves Drummer Sam Hough Bass guitarist Jack Howie Tambourine/backing vocalist Sasha Broad-Kolff Additional vocalist Caitlin Gladstone Ben stunt double Henry Jaine Ben trolley double Liam King-Turner Shayne/Shannon trolley double Jared Dacombe 3 SYNOPSIS When 12 year old Ben sets out to win the local trolley derby in memory of his father, he learns what matters in life when he is forced to battle cheating opponents, dodgy loan sharks and a mother who has banned him from the race.
    [Show full text]
  • Sione's Wedding Press
    CONTENTS Synopsis ......................................................................................................................................................................... 3 Cast Q&A’s Oscar Kightley.................................................................................................................................................. 4 Robbie Magasiva ............................................................................................................................................. 5 Shimpal Lelisi ................................................................................................................................................... 6 Iaheto Ah Hi ..................................................................................................................................................... 7 Teuila Blakely................................................................................................................................................... 8 Madeleine Sami ............................................................................................................................................... 9 David Fane..................................................................................................................................................... 10 Production story ........................................................................................................................................................... 11 Cast Biographies Oscar Kightley (Albert)
    [Show full text]
  • 20 12 Worldreginfo
    If wealwaysobeyedthesigns,we’d never gettowherewe’regoing! 2012 ORT EP R NNUAL A MAINFREIGHT ONE TEAM ONE PASSION ONE HUNDRED YEARS WorldReginfo - 563bcf48-fa29-4fa5-bda8-253ae07a8f39 Results in Brief & Notice of Meeting BOARD OF DiRECTORS AUDITORS 2 Bruce G. Plested, CA, Executive Chairman Ernst & Young Donald R. Braid, Group Managing Director Ernst & Young Building 3 Group Profile Carl G. O. Howard-Smith, LLB 2 Takutai Square The Hon. Richard W. Prebble, BA, LLB (Hons) Britomart Emmet J. Hobbs, BA, Bloody Nice Guy PO Box 2146 6 Chairman’s Report Bryan W. Mogridge, BSc, ONZM, FNZID Auckland 1140 10 Group Managing Director’s Report REGISTERED & ADMINISTRATION OFFICE LAWYERS 2 Railway Lane*, Otahuhu Howard-Smith & Co New Zealand Operating Results Auckland 1062 Level 7, 36 Kitchener Street 12 PO Box 14038, Panmure PO Box 7066 Auckland 1741 Auckland 1141 Australia Operating Results Tel +64 9 259 5500 14 www.mainfreight.com Bell Gully * “Mainfreight Lane” if the Council were kind enough Barristers & Solicitors 16 Asia Operating Results Vero Centre 48 Shortland Street OVERSEAS OFFICES PO Box 4199 USA Operating Results 20 Mainfreight Distribution Pty Ltd Auckland 1140 1673 Centre Road Europe Operating Results Clayton, Victoria 3168 BANKERS 22 Australia Westpac Banking Corporation www.mainfreight.com 16 Takutai Square NTENTS 26 Environment Britomart Mainfreight International Pty Ltd PO Box 934 Auckland 1140 32 People 154 Melrose Drive Tullamarine, Victoria 3043 Commonwealth Bank O Australia 135 Albert Street 44 Technology www.mainfreight.com
    [Show full text]