Across Asia on a Bicycle by Thomas Gaskell Allen and William Lewis Sachtleben
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Poland and Hungary)
DOCUMENT RESUME ED 455 189 SO 032 915 TITLE Projects Submitted by Participants of the Fulbright-Hays Summer Seminars Abroad Program, 2000 (Poland and Hungary). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 2000-00-00 NOTE 383p.; Some photographs and text will not reproduce well. PUB TYPE Collected Works - General (020) Guides Classroom Teacher (052) EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS Citizenship Education; *Curriculum Development; Curriculum Enrichment; Elementary Secondary Education; Filmographies; Foreign Countries; Music Appreciation; Social Studies; Thematic Approach IDENTIFIERS Catholic Church; Economic Growth; Fulbright Hays Seminars Abroad Program; Holocaust; *Hungary; *Poland ABSTRACT These curriculum projects were developed by participants of the Fulbright-Hays Seminars Abroad Program in Poland and Hungary during the summer of 2000. The following 11 projects are in the collection: "A Thematic Multicultural Interactive School Event on Poland and Hungary: Exploration and Learning for 6-to-9-Year-Olds" (Ruth Albert); "Once upon a Time in Hungary and Poland: A Unit for Upper Elementary School" (Linda F. Buzzard); "Curriculum Project" (Cheryl Daugherty); "New Models of Democracy: Applying Central European Democracy to American Civic Education" (Kathy Fagan); "The Catholic Church in Poland and Hungary: The Middle Ages and Today" (Justine Garvey); "Civil Liberties and Sovereignty in the Modern World: Constitutions and Conventions in Europe" (Jack C. Guy); "Nationalistic Elements in the Music of Chopin, Liszt, Bartok and Kodaly" (Karen J. Hom); "A Selected Annotated Filmography of Polish and Hungarian Cinema" (David Munro); "High School Unit of Study on Post-Communist Central Europe, with an Emphasis on Poland and Hungary" (Jon Nuxoll); "Animal, Vegetable or Mineral: Understanding the New Emerging Economies of Poland and Hungary" (Dany M. -
Films of Yvonne Rainer
The Films of Yvonne Rainer THEORIES OF REPRESENTATION AND DIFFERENCE General Editor: Teresa de Lauretis The Films of Yvonne Rainer Yvonne Rainer with contributions by B. Ruby Rich Bérénice Reynaud Mitchell Rosenbaum Patricia White INDIANA UNIVERSITY PRESS BLOOMINGTON AND INDIANAPOLIS © 1989 by Indiana University Press All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Catalogingin Publication Data Rainer, Yvonne The films of Yvonne Rainer / Yvonne Rainer with contributions by B. Ruby Rich … [et al.]. p. cm. — (Theories of representation and difference) Bibliography: p. Filmography: p. ISBN 0253349060. — ISBN 0253205425 (pbk.) 1. Rainer, Yvonne—Criticism and interpretation. 2. Experimental films—History and criticism. 3. Feminist motion pictures—History and criticism. I. Title. II. Series. PN1998.3.R35A25 1989 791.43'0233'0924—dc19 8846035 CIP 1 2 3 4 5 93 92 91 90 89 Contents Foreword vii by Teresa de Lauretis Yvonne Rainer: An Introduction 1 by B. Ruby Rich Impossible Projections by Bérénice Reynaud 24 Interview with Yvonne Rainer 36 by Mitchell Rosenbaum Illustrations 46 Film Scripts Lives of Performers 59 Film About a Woman Who … 77 Kristina Talking Pictures 98 Journeys from Berlin/1971 133 The Man Who Envied Women 173 Filmography 219 Bibliography 221 compiled by Patricia White Page vii Foreword The films of Yvonne Rainer are a distinguished exemplar of contemporary American art. -
Jean Epstein
JEA Filmmaker and theoretician Jean Epstein being reexamined, including theories of profoundly influenced film practice, criti- perception, realism, and the relationship N E cism and reception in France during the between cinema and other arts. The P 1920s and well beyond. His work not only volume also includes new translations STEI forms the crux of the debates of his time, from every major theoretical work N but also remains key to understanding Epstein published, presenting the widest later developments in film practice and possible historical and contextual range theory. Epstein’s film criticism is among of Epstein’s work, from his beginnings as the most wide-ranging, provocative and a biology student and literary critic to his poetic writing about cinema and his of- late film projects and posthumously ten breathtaking films offer insights into published writings. cinema and the experience of modernity. Sarah Keller is assistant professor of Eng- This collection – the first comprehensive lish and Cinema Studies at Colby College, study in English of Epstein’s far-reaching Maine. Jason N. Paul is a PhD student in influence – arrives as several of the con- the Department of Cinema and Media cerns most central to Epstein’s work are Studies at the University of Chicago. E dited B Y S arah K eller & J FILM THEORY aso FILM THEORY IN MEDIA HISTORY IN MEDIA HISTORY JeaN EPsteiN N N Critical Essays AND NeW TraNslatioNS . WWW.AUP.NL PA ISBN 978-90-896-4292-9 U Edited BY Sarah Keller & JasoN N. PAUL L AMSTERDAM UNIVERSITY PRESS 9 789089 642929 Jean Epstein Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
Philip Holmes Lighting the Steps
Lighting the Steps By Philip Holmes Philip Holmes Poetry Lighting the Steps Poems 1985–2001 Applied Mathematics , (with John Guckenheimer) , , (with John Lumley and Gal Berkooz) : (with Florin Diacu) - (with Robert Ghrist and Michael Sullivan) Published in 2002 by Anvil Press Poetry Ltd Neptune House 70 Royal Hill London SE10 8RF For Ruth, and for Maya, Avram, Ben and Ilana www.anvilpresspoetry.com Copyright © Philip Holmes 2002 ISBN 0 85646 339 6 This book is published with financial assistance from The Arts Council of England A catalogue record for this book is available from the British Library The moral rights of the author have been asserted in accordance with the Copyright, Designs and Patents Act 1988 Designed and set in Monotype Bell by Anvil Printed and bound in England by Cromwell Press, Trowbridge, Wiltshire Acknowledgements Contents I thank all those who offered advice, criticism and encouragement Sigodlin Poem 11 throughout the period 1985–2001, during which these poems were written. The comments of Natalie de Combray, Peter Time Fortunato, Kathleen Gemell, Mary Gilliland, Gail Holst- Hadrian’s Wall 15 Warhaft, David McCann, Robert Morgan and Paul Muldoon Roskilde Fjord 17 were especially helpful, as were, since 1996, those of numerous Local Affairs 18 members of the US1 Poets’ Cooperative. Stuttgart 24 Urban Renewal 25 Versions of some of these poems have appeared in Banyan, The Brigg 26 Bookpress Quarterly, The Notre Dame Review, PN Review and US1 Musnikovo 34 Worksheets. An earlier draft of the collection was shortlisted for The Dictator and the Dogs 36 the Ernest Sandeen Award of the University of Notre Dame. -
Digital Jianghu: Independent Documentary in a Beijing Art Village
Digital Jianghu: Independent Documentary in a Beijing Art Village The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Sniadecki, John Paul. 2013. Digital Jianghu: Independent Documentary in a Beijing Art Village. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11064403 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Digital Jianghu: Independent Documentary in a Beijing Art Village A dissertation presented by John Paul Sniadecki to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Social Anthropology with Media Harvard University Cambridge, Massachusetts April 30, 2013 © 2013 J.P. Sniadecki All rights reserved. Dissertation Advisors: Arthur Kleinman & Lucien Taylor Author: J.P. Sniadecki Digital Jianghu: Independent Documentary in a Beijing Art Village ABSTRACT My ethnography explores the independent documentary film community in Songzhuang, an artist village in Beijing’s Tongzhou District. Through participant- observation, interviews, participation in festivals, and my own filmmaking practice, I describe filmmakers and festival organizers as cultural producers endeavoring to work outside the confines of both the government and the mainstream cinema industry. To offer an analysis of the social, political, economic, and ethical conditions of this independent film community, my study also focuses on concrete practices of filmmakers and film supporters; privately-owned centers and social networks that enable the production, exhibition, and distribution of films; and the relationship between this community and government regulation. -
Alone in the Caribbean
ALONE IN THE CARIBBEAN FREDERIC A. FENGER ALONE IN THE CARIBBEAN Table of Contents ALONE IN THE CARIBBEAN...............................................................................................................................1 FREDERIC A. FENGER...............................................................................................................................1 PREFACE......................................................................................................................................................1 CHAPTER I. THE YAKABOO IS BORN AND THE CRUISE BEGINS..............................................3 CHAPTER II. WHALING AT ÎLE−DE−CAILLE.....................................................................................11 CHAPTER III. KICK 'EM JINNY..............................................................................................................21 CHAPTER IV. CARRIACOU−MAYERO−BEQUIA................................................................................26 CHAPTER V. CLIMBING THE SOUFFRIÈRE OF SAINT VINCENT...................................................36 CHAPTER VI. DAYS WITH A VANISHING RACE...............................................................................46 CHAPTER VII. DELIGHTS OF CHANNEL RUNNING JOSEPHINE IN SAINT LUCIA..................53 CHAPTER VIII. MARTINIQUE FORT DE FRANCE............................................................................65 CHAPTER IX. ST. PIERRE PELÉE. .......................................................................................................72 -
POST-CINEMA Post-Cinema the Key Debates
European Film Studies Mutations and Appropriations in THE KEY DEBATES POST-CINEMA Dominique Chateau 8 and José Moure (eds.) Amsterdam University Press Post-cinema The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, José Moure, Annie van den Oever Post-cinema Cinema in the Post-art Era Edited by Dominique Chateau and José Moure Amsterdam University Press The publication of this book is made possible by grants from the Research Institute ACTE – Paris 1, Panthéon Sorbonne, and the Nicolaas Mulerius Foundation of the University of Groningen. Cover illustration: Shot 14 of Beaches of Agnès (Agnès Varda, 2006) Cover design: Sabine Mannel Lay-out: Crius Group, Hulshout isbn 978 94 6372 723 5 e- isbn 978 90 4855 194 1 doi 10.5117/9789463727235 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every efffort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents Editorial 9 Acknowledgments 11 1. Introduction 13 Dominique Chateau and José Moure PART I A Tribute to Agnès Varda 2. The Incipit of Beaches of Agnès (Les plages d’Agnès) 27 An Installation in the Form of a Self-portrait José Moure PART II The End of Cinema? 3. -
PFF25-Program-Guide.Pdf
1 2 AKA proudly sponsors the 25th Anniversary of the Philadelphia Film Festival, October 20–30, 2016, with opening night at AKA Washington Square. THE WORLD’S MOST TRUSTED FURNISHED RESIDENCES STAYAKA.COM FILMADELPHIA.ORG 3 DIRECTORS’ NOTE 3 25 Festivals. That’s a lot of history. Much of it pre-dates us. Our silver anniversary coincides with our 8th year putting the festival together, and while that is only a third of our Festivals, it has been an incredible period for the Philadelphia Film Society and the Philadelphia Film Festival. From our beginnings as the Philadelphia Festival of World Cinema at the International House to the years of growth as the J. ANDREW MICHAEL Philadelphia International Film Festival 25 GREENBLATT LERMAN under TLA, onward to today’s Philadelphia YEARS OF FILM EXECUTIVE ARTISTIC Film Festival produced by the Philadelphia DIRECTOR DIRECTOR Film Society, the Festival began and continues as an annual citywide celebration FESTIVAL FACTS of the best film from around the world. l 3,542 films and counting! Bringing to Philadelphia films ranging from the most highly anticipated of the year to experimental and original American independents, powerful documentaries to l First feature film debuts controversial and avant-garde international cinema, the Festival has always been an from directors Andrea Arnold, important and exciting part of Philadelphia’s arts and culture scene. Guillermo del Toro, John Carney, Lisa Cholodenko, Matthew Now, we arrive at our milestone 25th Festival. We’re so proud of our expanded Vaughn and Morgan Spurlock, programming team, who has quite frankly delivered our strongest program ever, among others complete with some of the year’s Oscar contenders — kicking off with our Opening Night l Foreign premieres of now- stunner La La Land — alongside foreign and domestic selections that are bold, unique, classics like 101 Reykjavik, and challenging. -
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke
A HISTORY OF JAZZ IN CHINA: FROM YELLOW MUSIC TO A JAZZ REVIVAL IN BEIJING A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Mo Li August, 2018 Thesis written by Mo Li B.A., Nanjing University of the Arts, 2010 M.A., Kent State University, 2018 Approved by ____________________________________________________ Kazadi wa Mukuna, Ph.D., Advisor ____________________________________________________ Jane K. Dressler, D.M.A., Interim Director, School of Music ____________________________________________________ John R. Crawford-Spinelli, Ed.D., Dean, College of the Arts TABLE OF CONTENTS LIST OF FITURES ........................................................................................................................ v LIST OF TABLES ........................................................................................................................ vii ACKNOWLEDGEMENTS ....................................................................................................... viii INTRODUCTION .........................................................................................................................1 Background ........................................................................................................................3 Review of Literature .......................................................................................................10 Theory and Methodology ..............................................................................................24 -
The Acoustic Mirror: the Female Voice in Psychoanalysis and Cinema
Page iii The Acoustic Mirror The Female Voice in Psychoanalysis and Cinema Theories of Representation and Difference KAJA SILVERMAN General Editor: Teresa de Lauretis INDIANA UNIVERSITY PRESS Bloomington and Indianapolis Page iv Portions of chapters 1, 2, and 5 have appeared in somewhat different form in Wide Angle 8, nos. 1 and 2 (1985), Iris 3, no. 1 (1985), and Mary Ann Doane, Patricia Mellencamp, and Linda Williams, eds., Re-vision: Essays in Feminist Film Criticism (Los Angeles: AFI, 1984). © 1988 by Kaja Silverman All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. MANUFACTURED IN THE UNITED STATES OF AMERICA Library of Congress Cataloging-in-Publication Data Silverman, Kaja. The acoustic mirror. (Theories of representation and difference) Bibliography: p. Includes index. 1. Women in motion pictures. 2. Moving-pictures—Psychological aspects. 3. Psychoanalysis. 4. Voice. I. Title. II. Series. PN1995.9.W6S57 1988 791.43'09'09352042 87-45834 ISBN 0-253-30284-6 ISBN 0-253-20474-7 (pbk.) 4 5 6 7 8 00 99 98 97 96 95 94 Page v Contents Acknowledgments vii Preface viii [1] Lost Objects and Mistaken Subjects: A Prologue 1 [2] Body Talk 42 [3] The Fantasy of the Maternal Voice: Paranoia and Compensation 72 [4] The Fantasy of the Maternal Voice: Female Subjectivity and the Negative Oedipus Complex 101 [5] Disembodying the Female Voice: Irigaray, Experimental Feminist Cinema, and Femininity 141 [6] The Female Authorial Voice 187 Notes 235 Index 254 Page vi For Michael and Philosophy on the Telephone. -
In the College of Education, of The
The peoples--the Spaniards, the Indians, the Americans--and nature in the literature of Arizona Item Type text; Thesis-Reproduction (electronic) Authors Boyer, Mary G. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 11:02:08 Link to Item http://hdl.handle.net/10150/316269 The Peoples - the Spaniards, the Indians, the Americans - and Nature in the Literature of Arizona by Mary G. Boyer Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the College of Education, of the University of Arizona 1 9 3 0 llluiurrstty of a1rilona MEMORANDUM FROM: TO, J):" .�� SUBJECT: DATE: SIGNED: FORM A E9� '11 /?:::J CONTENT Page I. Introduction ...•........•...•.•.•.•.••••••...••••. 1 • • II. Pe e s • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• op l , • • • • • 2 . • 1. The Spaniards . • . • • • . • . • .• 2 a. Coronado and the conquistadores ••....•..••.•.. 2 Winship's account of the march Conrard's poem of the entrada Dodge's poem expressing effect on the Indians La Farge's reference to their horses b. Missionaries .•....•....•.••.•••.....•••••••••• 9 Dodge's influence of Tumacacori Conrard's religious fervor of San Xavier Forbes's influence on tourists today c. Spanish-Indian-American Mixture •.........••..• 11 Robinson's The Witchery of Rita - customs, religion, and superstitions Garces' reference to the acequias Coudert's washing in the irrigatiori ditches Bushby's Spanish dance :McClintock's description of Tucson Conrard's In Old Tucson Hall's In Old Tucson Dovre's roll of Mexican school children 2. -
Beijing in the Shadow of Globalization: Production of Spatial Poetics in Contemporary Chinese Cinema, Literature, and Drama
Beijing in the Shadow of Globalization: Production of Spatial Poetics in Contemporary Chinese Cinema, Literature, and Drama By JING NIE B.A. (Beijing Language and Cultural University) 1998 M.A. (Ohio University) 2003 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Comparative Literature in the OFFICE OF GRADUATE STUDIES of the UNIVERSITY OF CALIFORNIA DAVIS Approved: ___________Sheldon H. Lu_______________ ___________Michelle Yeh________________ ___________Li Zhang___________________ ___________Xiaomei Chen_______________ Committee in Charge 2009 -i- UMI Number: 3369875 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ______________________________________________________________ UMI Microform 3369875 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. _______________________________________________________________ ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106-1346 Contents List of Illustrations iii Acknowledgements iv Introduction 1 Chapter One A City of Disappearance: Trauma, Displacement and Spectral Cityscape in Contemporary Chinese Cinema 27 Chapter Two Transcendental Locality: Poetic Difference and Intimate Space in Yan Li’s Poetry 59 Chapter Three Paradigms of Flexible Configurations: I-Generation and Beijing- Punks in Wang Meng, Xu Xing, and Chun Shu 100 Chapter Four Staging Spatial Conflicts and Affect in Emotional Post-Socialism: Meng Jinghui’s Theater 143 Bibliography 183 -ii- Illustrations 1.